Quotes & Sayings About Poetry Wordsworth
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Laying out grounds ... may be considered as a liberal art, in some sort like poetry and painting ... it is to assist Nature in moving the affections ... the affections of those who have the deepest perception of the beauty of Nature ... — William Wordsworth

Poetry is most just to its divine origin, when it administers the comforts and breathes the thoughts of religion. — William Wordsworth

I once tried hawking my own book around the pubs in the hope that, like the Salvation Army, I too could sell to the cerebrally relaxed. It was a disaster. I had beer thrown over me for being a) a nuisance, b) not as good as Wordsworth and c) a nancy for writing poetry in the first place. — Peter Finch

For I have learned to look on nature, not as in the hour of thoughtless youth; but hearing oftentimes the still, sad music of humanity. — William Wordsworth

Our birth is but a sleep and a forgetting:
The Soul that rises with us, our life's Star,
Hath had elsewhere its setting,
And cometh from afar:
Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come — William Wordsworth

Prior to Wordsworth, humor was an essential part of poetry. I mean, they don't call them Shakespeare comedies for nothing. — William Collins

In his youth, Wordsworth sympathized with the French Revolution, went to France, wrote good poetry and had a natural daughter. At this period, he was a bad man. Then he became good, abandoned his daughter, adopted correct principles and wrote bad poetry. — Bertrand Russell

Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility. — William Wordsworth

That sense of a life in natural objects, which in most poetry is but a rhetorical artifice, was, then, in Wordsworth the assertion of what was for him almost literal fact. — Walter Pater

One of the effects of indoctrination, of passing into the anglo-centrism of British West Indian culture, is that you believe absolutely in the hegemony of the King's English and in the proper forms of expression. Or else your writing is not literature; it is folklore, or worse. And folklore can never be art. Read some poetry by West Indian writers
some, not all
and you will see what I mean. The reader has to dissect anglican stanza after anglican stanza for Caribbean truth, and may never find it. The anglican ideal
Milton, Wordsworth, Keats
was held before us with an assurance that we were unable, and would never be able, to achieve such excellence. We crouched outside the cave. — Michelle Cliff

I do not mean merely in its adding to enthusiasm that intellectual basis which in its strength, or that more obvious influence about which Wordsworth was thinking when he said very nobly that poetry was merely the impassioned expression in the face of science, and that when science would put on a form of flesh and blood the poet would lend his divine spirit to aid the transfiguration. Nor do I dwell much on the great cosmical emotion and deep pantheism of science to which Shelley has given its first and Swinburne its latest glory of song, but rather on its influence on the artistic spirit in preserving that close observation and the sense of limitation as well as of clearness of vision which are the characteristics of the real artist. — Oscar Wilde

She gave him books of poetry: Wordsworth, Whitman, all the W's. When she'd ask him how he liked them, he would say, "Fine. I'm on page ... " and then he would tell her what page he was on and how many pages he'd accomplished that day. — Lorrie Moore

Perhaps the author cited is one of those, who, shunning the practice of the world, have taught the world to shun return! whose poetry is too finely spun, whose philosophy is too and mystified for popular demand: perhaps we have experienced feeling which Mr. Wordsworth alludes to, in a poem worthy of simplicity and loneliness of the sentiment Often have I sighed to measure By myself a lonely pleasure; Sighed to think I read a book Only read perhaps by me! — Samuel Laman Blanchard

[ ... ]the stately and slow-moving Turk,
With freight of slippers piled beneath his arm. — William Wordsworth

But Wordsworth stuck with me when he said, "Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity." This book is a spontaneous overflow in the middle of chaos, not tranquillity. So it's not a poem to you. It's a half poem. It's a "po." It's a Poehler po. Wordsworth also said that the best part of a person's life is "his little, nameless, unremembered, acts of kindness and of love." I look forward to reading a book one day in which someone lists mine. I feel like I may have failed to do so. Either way, it's obvious I am currently on a Wordsworth kick and this should give you literary confidence as you read Yes Please. The — Amy Poehler

The thought of our past years in me doth breed Perpetual benediction: not indeed For that which is most worthy to be blest - Delight and liberty, the simple creed Of Childhood, whether busy or at rest, With new-fledged hope still fluttering in his breast. — William Wordsworth

If you like poetry let it be first-rate; Milton, Shakespeare, Thomson, Goldsmith, Pope (if you will, though I don't admire him), Scott, Byron, Camp[b]ell, Wordsworth, and Southey. Now don't
be startled at the names of Shakespeare and Byron. Both these were great men, and their works are like themselves. You will know how to choose the good and avoid the evil; the finest
passages are always the purest, the bad are invariably revolting, you will never wish to read them over twice. — Charlotte Bronte

Dreams, books, are each a world; and books, we know,
Are a substantial world, both pure and good:
Round these, with tendrils strong as flesh and blood,
Our pastime and our happiness will grow. — William Wordsworth

The eye
it cannot choose but see;
We cannot bid the ear be still;
Our bodies feel, where'er they be,
Against or with our will. — William Wordsworth

Upon Westminster Bridge
Earth has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth, like a garment, wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendour, valley, rock, or hill;
Ne'er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! the very houses seem asleep;
And all that mighty heart is lying still! — William Wordsworth

Books! tis a dull and endless strife:
Come, hear the woodland linnet,
How sweet his music! on my life,
There's more of wisdom in it. — William Wordsworth

Thou shalt believe in Milton, Dryden, Pope;
Thou shalt not set up Wordsworth, Coleridge, Southey;
Because the first is crazed beyond all hope,
The second drunk, the third so quaint and mouthy. — George Gordon Byron

'Paradise Lost' was printed in an edition of no more than 1,500 copies and transformed the English language. Took a while. Wordsworth had new ideas about nature: Thoreau read Wordsworth, Muir read Thoreau, Teddy Roosevelt read Muir, and we got a lot of national parks. Took a century. What poetry gives us is an archive, the fullest existent archive of what human beings have thought and felt by the kind of artists who loved language in a way that allowed them to labor over how you make a music of words to render experience exactly and fully. — Robert Hass

Did you know that Bharatiyar used the pen name "Shelley-dasan"? He admired the poems of Shelley so deeply that he wrote under the name "Shelley's servant". Wasn't that a wonderful gesture of humility by someone
who was such a great poet himself? And later, Bharatiyar had his own dasan, the poet Subburathinam, who took
the pen name Bharathidasan. Subburathinam's poetry inspired yet another poet who wrote as Surada, short for Subburathina-dasan. And to think this long chain of inspiration spans centuries, going back to the poets who inspired Wordsworth, who inspired Shelley, who inspired our own Bharati. — Indu Muralidharan

Offered a job as book critic for Time magazine as a young man, Bellow had been interviewed by Chambers and asked to give his opinion about William Wordsworth. Replying perhaps too quickly that Wordsworth had been a Romantic poet, he had been brusquely informed by Chambers that there was no place for him at the magazine. Bellow had often wondered, he told us, what he ought to have said. I suggested that he might have got the job if he'd replied that Wordsworth was a once-revolutionary poet who later became a conservative and was denounced by Browning and others as a turncoat. This seemed to Bellow to be probably right. More interesting was the related question: What if he'd kept that job? — Christopher Hitchens

Though nothing can bring back the hour
Of splendor in the grass, of glory in the flower;
We will grieve not, rather find
Strength in what remains behind;
In the primal sympathy
Which having been must ever be ... — William Wordsworth

She was a Phantom of delight
When first she gleam'd upon my sight;
A lovely Apparition, sent
To be a moment's ornament:
Her eyes as stars of twilight fair;
Like twilight's, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful dawn;
A dancing shape, an image gay,
To haunt, to startle, and waylay. — William Wordsworth

Such views the youthful Bard allure,
But, heedless of the following gloom,
He deems their colours shall endure
'Till peace go with him to the tomb.
- And let him nurse his fond deceit,
And what if he must die in sorrow!
Who would not cherish dreams so sweet,
Though grief and pain may come tomorrow? — William Wordsworth

For until this morning I had known contemplation only in its humbler, its more ordinary forms - as discursive thinking; as a rapt absorption in poetry or painting or music, as a patient waiting upon those inspirations, without which even the prosiest writer cannot hope to accomplish anything; as occasional glimpses, in nature, of Wordsworth's 'something far more deeply interfused'; as systematic silence leading, sometimes, to hints of an 'obscure knowledge'. But now I knew contemplation at its height. — Aldous Huxley

She Dwelt Among the Untrodden Ways
She dwelt among the untrodden ways
Beside the springs of Dove,
A Maid whom there were none to praise
And very few to love:
A violet by a mossy stone
Half hidden from the eye!
- Fair as a star, when only one
Is shining in the sky.
She lived unknown, and few could know
When Lucy ceased to be;
But she is in her grave, and, oh,
The difference to me! — William Wordsworth

I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate. — Louis Auchincloss

Will no one tell me what she sings? Perhaps the plaintive numbers flow
For old, unhappy, far-off things
And battles long ago. — William Wordsworth

Lines Written In Early Spring
I heard a thousand blended notes,
While in a grove I sate reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.
To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What man has made of man.
Through primrose tufts, in that green bower,
The periwinkle trailed its wreaths;
And 'tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopped and played,
Their thoughts I cannot measure:--
But the least motion which they made
It seemed a thrill of pleasure.
The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.
If this belief from heaven be sent,
If such be Nature's holy plan,
Have I not reason to lament
What man has made of man? — William Wordsworth

Wordsworth went to the Lakes, but he was never a lake poet. He found in stones the sermons he had already hidden there. — Oscar Wilde

Surprised by joy- impatient as the Wind
I turned to share the transport
Oh! with whom
But thee, deep buried in the silent tomb,
That spot which no vicissitude can find?
Love, faithful love, recalled thee to my mind
But how could I forget thee? Through what power,
Even for the least division of an hour,
Have I been so beguiled as to be blind
To my most grievous loss?
That thought's return
Was the worst pang that sorrow ever bore,
Save one, one only, when I stood forlorn,
Knowing my heart's best treasure was no more;
That neither present time, nor years unborn
Could to my sight that heavenly face restore. — William Wordsworth

One moment now may give us more
Than fifty years of reason;
Our minds shall drink at every pore
The spirit of the season. — William Wordsworth

Poetry is the first and last of all knowledge - it is as immortal as the heart of man. — William Wordsworth

I have said that poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity: the emotion is contemplated till, by a species of reaction, the tranquillity gradually disappears, and an emotion, kindred to that which was before the subject of contemplation, is gradually produced, and does itself actually exist in the mind. — William Wordsworth

When from our better selves we have too long
Been parted by the hurrying world, and droop,
Sick of its business, of its pleasures tired,
How gracious, how benign, is Solitude — William Wordsworth

One impulse from a vernal wood
May teach you more of man,
Of moral evil and of good,
Than all the sages can. — William Wordsworth

From heart-experience, and in humblest sense
Of Modesty, that he, who in his youth
A daily wanderer among woods and fields
With living Nature hath been intimate,
Not only in that raw unpractised time
Is stirred to ecstasy, as others are,
By glittering verse but further, doth receive,
In measure only dealt out to himself,
Knowledge and increase of enduring joy
From the great Nature that exists in works
Of mighty Poets. — William Wordsworth

Go to the poets, they will speak to thee
More perfectly of purer creatures
— William Wordsworth

The pleasure-house is dust: - behind, before,
This is no common waste, no common gloom;
But Nature, in due course of time, once more
Shall here put on her beauty and her bloom.
She leaves these objects to a slow decay,
That what we are, and have been, may be known;
But at the coming of the milder day,
These monuments shall all be overgrown. — William Wordsworth

Take the sweet poetry of life away, and what remains behind? — William Wordsworth

Poetry is the image of man and nature — William Wordsworth

Suffering is permanent, obscure and dark,
And has the nature of infinity. — William Wordsworth

Poetry is the outcome of emotions recollected in tranquility. — William Wordsworth

The interpretations of science do not give us this intimate sense of objects as the interpretations of poetry give it; they appeal to a limited faculty, and not to the whole man. It is not Linnaeus or Cavendish or Cuvier who gives us the true sense of animals, or water, or plants, who seizes their secret for us, who makes us participate in their life; it is Shakspeare [sic] ... Wordsworth ... Keats ... Chateaubriand ... Senancour. — Matthew Arnold

Poetry has never brought me in enough money to buy shoestrings. — William Wordsworth

Myriads of daisies have shone forth in flower Near the lark's nest, and in their natural hour Have passed away; less happy than the one That by the unwilling ploughshare died to prove The tender charm of poetry and love. — William Wordsworth

A poet does not see or hear or feel things that others do not see or hear or feel. What makes a person a poet is the ability to recall what she has felt and seen and heard. And to relive it and describe it in such a way that others can then see and feel and hear again what they may have missed. — William Wordsworth

It is a beauteous evening, calm and free,
The holy time is quiet as a Nun Breathless with adoration. — William Wordsworth

to be incapable of a feeling of poetry, in my sense of the word, is to be without love of human nature — William Wordsworth

Back home, Huxley drew from this experience to compose a series of audacious attacks against the Romantic love of wilderness. The worship of nature, he wrote, is "a modern, artificial, and somewhat precarious invention of refined minds." Byron and Wordsworth could only rhapsodize about their love of nature because the English countryside had already been "enslaved to man." In the tropics, he observed, where forests dripped with venom and vines, Romantic poets were notably absent. Tropical peoples knew something Englishmen didn't. "Nature," Huxley wrote, "is always alien and inhuman, and occasionally diabolic." And he meant always: Even in the gentle woods of Westermain, the Romantics were naive in assuming that the environment was humane, that it would not callously snuff out their lives with a bolt of lightning or a sudden cold snap. After three days amid the Tuckamore, I was inclined to agree. — Robert Moor

For all good poetry is the spontaneous overflow of powerful feelings... — William Wordsworth

It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition ... They both speak by and to the same organs; the bodies in which both of them are clothed may be said to be of the same substance, their affections are kindred, and almost identical, not necessarily differing even in degree; Poetry sheds no tears "such as Angels weep," but natural and human tears; she can boast of no celestial ichor that distinguishes her vital juices from those of prose; the same human blood circulates through the veins of them both. — William Wordsworth