Poetry As Experience Quotes & Sayings

Poetry was a discipline grounded in experience that drew its life and worth from a source much greater than oneself, and as it realized its potential to touch others in their innermost being, what [Kathleen] Fraser has termed their "yearning side," it could be a profoundly communal act. Poetry, when it succeeded, did so in ways that were not quantifiable, and did not look much like worldly success, but that might be summed up as the joy on the face of a girl in a dingy classroom who finds a kindred spirit in a poem by Garcia Lorca. — Kathleen Norris

The celebrated opening image of 'The Love Song of J. Alfred Prufrock' is another case in point:
Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table ...
How, the reader wonders, can the evening look like an anaesthetised body? Yet the point surely lies as much in the force of this bizarre image as in its meaning. We are in a modern world in which settled correspondences or traditional affinities between things have broken down. In the arbitrary flux of modern experience, the whole idea of representation - of on thing predictably standing for another - has been plunged into crisis; and this strikingly dislocated image, one which more or less ushers in 'modern' poetry with a rebellious flourish, is a symptom of this bleak condition. — Terry Eagleton

What's wrong with actors?"
"They quote poetry. A girl has to be crazy to believe one," I told him. "It's far too easy for an actor to give you a good line."
"You're quick to judge."
"No," I argued. "I've had experience with theater types. After a while they can't tell real from unreal. They believe their own creation of themselves and can't understand why everyone else isn't convinced they're wonderful."
He jumped down from the limb, then stared up at me, his eyes sparking with anger. "It's efficient, I guess, judging an individual by a group. You don't waste any time trying to know somebody."
But I don't want to know you! I thought as I watched Mike walk away. I can't risk knowing you. — Elizabeth Chandler

As a direct line to human feeling, empathic experience, genuine language and detail, poetry is everything that headline news is not. It takes us inside situations, helps us imagine life from more than one perspective, honors imagery and metaphor - those great tools of thought - and deepens our confidence in a meaningful world. — Naomi Shihab Nye

When people decide to talk publicly about poetry as an art form and how it's received, they often get very abject about it: "Nobody reads poetry," and then a thousand people write back, "No, we read poetry." There's an abundance of this negative preaching to the choir, and it's very similar to the experience I'm having. — Eileen Myles

It is always easy to mock 'distress,' but we are its contemporaries; we are at the endpoint of what Nous, ratio, & Logos, still today the framework for what we are, cannot have failed to show: that murder is the first thing to count on, and elimination the surest means of identification. Today, everywhere, against this black but 'enlightened' background, remaining reality is disappearing in the mire of a 'globalized' world. Nothing, not even the most obvious phenomena, not even the purest, most wrenching love, can escape this era's shadow: a cancer of the subject, whether in the ego or in the masses... — Philippe Lacoue-Labarthe

Haiku are meant to evoke an emotional response from the reader ... to light the spark that triggers creative rumination ... They act as literary manifestations ... visions of nature's seasonal modulations ... They're emotionally tinged words, barely perceptible sensory flickers ... literary etchings of lucid visions transposed into the minds of its readers ... They're meant to act as sensory catalysts ... like the passing of a penciled baton laid out upon a piece of paper that a reader might grasp for in their mind's eye ... all of which prompts the reader to continue exploring the sensory experience elicited from the writers pen ... This is how the literary sketching of poets are intended to function ... as creative muses with which readers can draw from and viscerally apply to their own artistic idioms ... from that lucid space within their heads ... where their minds eye can spark their own creative visions"

Bukusai Ashagawa — Bukusai Ashagawa

When we relate to our bodies as having soul, we attend to their beauty, their poetry and their expressiveness. Our very habit of treating the body as a machine, whose muscles are like pulleys and its organs engines, forces its poetry underground, so that we experience the body as an instrument and see its poetics only in illness. — Thomas Moore

All the same, we ought to point out that if the kinds of poetry and representation which are designed merely to give pleasure can come up with a rational argument for their inclusion in a well-governed community, we'd be delighted
short of compromising the truth as we see it, which wouldn't be right
to bring them back from exile: after all, we know from our own experience all about their spell. I mean haven't you ever fallen under the spell of poetry, Glaucon, especially when the spectacle is provided by Homer? — Plato

Prodigy
Huge, megalithic corporation seeks a talented, ambitious prodigy to join our exciting dynamic Prodigy Division for summer job. Requirements include at least fourteen years' experience as a certified child prodigy ability to anagram adeptly (and alliterate agilely), fluency in eleven languages. Job duties include reading, remembering encyclopedias, novels, and poetry; and memorizing the first ninety-nine digits of pi.33 — John Green

I believe that Jesus was both priest and poet. Imagine those powerful parables! My experience as a priest tells me it's not possible to reach the hearts of the congregants without a bit of poetry and storytelling. — Uwem Akpan

The common prejudice that love is as common as "romance" may be due to the fact that we all learned about it first through poetry. But the poets fool us; they are the only ones to whom love is not only a crucial, but an indispensable experience, which entitles them to mistake it for a universal one. — Hannah Arendt

It seems to me that this is the true test for poetry: - that it should go beneath experience, as prose can never do, and awaken an apprehension of things we have never, and can never, know in the actuality. — Ellen Glasgow

Poems, even when narrative, do not resemble stories. All stories are about battles, of one kind or another, which end in victory or defeat. Everything moves towards the end, when the outcome will be known.
Poems, regardless of any outcome, cross the battlefields, tending the wounded, listening to the wild monologues of the triumphant or the fearful. They bring a kind of peace. Not by anaesthesia or easy reassurance, but by recognition and the promise that what has been experienced cannot disappear as if it had never been. Yet the promise is not of a monument. (Who, still on a battlefield, wants monuments?) The promise is that language has acknowledged, has given shelter, to the experience which demanded, which cried out. — John Berger

What a hypocrite I am; I spend my whole life reading books that allude to happiness, when I refuse to experience it. Sadness is an emotion you can trust. It is stronger than all of the other emotions. It makes happiness look fickle and untrustworthy. It pervades, lasts longer, and replaces the good feelings with such an eloquent ease you don't even feel the shift until you are suddenly wrapped in its chains. How hard we strive for happiness, and once we finally have the elusive feeling in our grasp, we hold it briefly, like water as it trickles through our fingers. I don't want to hold water. I want to hold something heavy and solid. Something I can understand. I understand sadness, and so I trust it. We are meant to feel sadness, if only to protect us from the brief spiels of happiness. Darkness is all I'll ever know; maybe the key is to make poetry out of it. — Tarryn Fisher

When one writes "the last apple on the tree," or "the one small peach as pink as dawn," one is beginning to deal with particulars - to develop texture ...
Such texture is vital to all poetry. It is what makes the poem an experience, something much more than mere statement. — Mary Oliver

Poetry teaches us things that cannot be learned in prose, such as certain kinds of irony or the importance of the unsaid. The most important element of any poem is the part that is left unsaid. So the poetry frames the experience that lies beyond naming. — Sam Hamill

I've lived in a preindustrial (rural Argentina) as well as an industrial world. You experience a different sense of time in a community that works the land. Human relationships aren't professionalized or contractualized; family and friends take primacy. Life has much more continuity than discontinuity. There's a great deal of poetry in everyday life. — Shoshana Zuboff

When you wake up to the Divine Consciousness within you and your divine identity, you wake up simultaneously to the Divine Consciousness appearing as all other beings. And this is not poetry and this is not a feeling, this is a direct experience of the divine light living in and as all other beings. And until this realization is firm in you, you do not know who or where you are. — Andrew Harvey

Having experimented in both poetry and prose, I can say that the two are such loaded words. But neither are quite as weighted as the word "poet". I think some people can write poetry their whole lives, and never truly BE a "poet". Whereas I see poets in the wanderers I encounter, the baristas who serve me, and the truckers I, so, love to talk to.To be a poet in my humble opinion is to be a muse of the human experience. I love that I love the idea, that anything can be poetry, it can't be defined. It's a feeling, like punk rock. I'm not one for form or structure. I say if your words are visceral and honest, it's poetry. If you see the beauty of the world and humanity, and you preach it, you're a poet. — Mallory Smart

A poem can't free us from the struggle for existence, but it can uncover desires and appetites buried under the accumulating emergencies of our lives, the fabricated wants and needs we have had urged on us, have accepted as our own. It's not a philosophical or psychological blueprint; it's an instrument for embodied experience. — Adrienne Rich

Poetry is the struggle against the simplification, codification, and mummification of language, it serves as a constant redirect - moving us to the experience to which the words point. — Billy Marshall Stoneking

Hardy's poetry is pre-eminently about ways of seeing. This is evident in the numerous angles of vision he employs in so many poems. Sometimes it involves creating a picture, as in 'Snow in the Suburbs', which allows the eye to follow the cascading snow set off by a sparrow alighting on a tree; or it employs the camera effect, as in 'On the Departure Platform', which tracks the gradually diminishing form and disappearance of a muslin-gowned girl among those boarding the train. However, Hardy is also a poet of social observation. His humanistic sympathies emerge in a variety of poems drawing upon his experience of both Dorset and London. — Geoffrey Harvey

Could we say that the short short is to other kinds of fiction somewhat as the lyric is to other kinds of poetry? The lyric does not seek meaning through extension, it accepts the enigmas of confinement. It strives for a rapid unity of impression, an experience rendered in its wink of immediacy. And so too with the short short. — Irving Howe

It's not necessarily helpful to talk about poetry as if it were a device to be assembled or a religious experience to be undergone. Rather, it would be useful to talk about poetry as if it were, for example, Belgium — David Orr

Throughout one's life, time addresses man in a variety of languages: in those of innocence, love, faith, experience, history, fatigue, cynicism, guilt, decay, etc. Of those, the language of love is clearly the lingua franca. Its vocabulary absorbs all the other tongues, and its utterance gratifies a subject, however inanimate it may be. Also, by being thus uttered, a subject acquires an ecclesiastical, almost sacred denomination, echoing both the way we perceive the objects of our passions and the Good Book's suggestion as to what God is. Love is essentially an attitude maintained by the infinite toward the finite. The reversal constitutes either faith or poetry. Akhmatova's — Joseph Brodsky

But these ideas were no more than abstractions because, despite his intellectual rejection of conventional morality, his emotional allegiance to the code of conduct it prescribed was unswerving. Self-disgust was legitimate, but detesting his mother was unthinkable. He could not pay heed to the painful messages of his childhood memories without destroying the hopes that had helped him to survive as a child. Time and again, Rimbaud tells us that he had no one to rely on except himself. This was surely the fruit of his experience with a mother who had nothing to offer him but her own derangement and hypocrisy, rather than true love. His entire life was a magnificent but vain attempt to save himself from destruction at the hands of his mother, with all the means at his disposal. Young people who have gone through much the same kind of childhood as Rimbaud are often fascinated by his poetry because they can vaguely sense the presence of a kindred spirit in it. Rimbaud — Alice Miller

I searched modern fiction and poetry for clues to how we confronted and evaded reality, how we articulated our experience and turned to language not to revel ourselves but to hide. I was as sure then as I am now that by looking at contemporary Iranian fiction I could gain access to a real understanding of political and social events. (p289) — Azar Nafisi

I pretended to be interested in their secret undertaking, but in fact I was very sorry about it. Although the two siblings had involved me by choosing me as their confidant, it was still an experience that I could enter only as witness: on that path Lila would do great things by herself, I was excluded. But above all, how, after our intense conversations about love and poetry, could she walk me to the door, as she was doing, far more absorbed in the atmosphere of excitement around a shoe? ... What did I care about shoes. I still had, in my mind's eye, the most secret stages of that affair of violated trust, passion, poetry that became a book, and it was as if she and I had read a novel together, as if we had seen, there in the back of the shop and not in the parish hall on Sunday, a dramatic film. — Elena Ferrante

Literature is love. I think it went like this: drawings in the cave, sounds in the cave, songs in the cave, songs about us. Later, stories about us. Part of what we always did was have sex and fight about it and break each other's hearts. I guess there's other kinds of love too. Great friendships. Working together. But poetry and novels are lists of our devotions. We love the feel of making the marks as the feelings are rising and falling. Living in literature and love is the best thing there is. You're always home. — Eileen Myles

Through creativity, we are seamlessly connected and sustained as we pull
back the veil, revealing beneath our differences and distinctive characteristics,
human expression and the human experience are universal. It is the greatness
of this experience that connects us together by infinite invisible threads strewn
across the globe. This is my responsibility, passion and desire as an artist - my
soul purpose. — Brian Bowers

For me, the creation of a photograph is experienced as a heightened emotional response, most akin to poetry and music, each image the culmination of a compelling impulse I cannot deny. Whether working with a human figure or a still life, I am deeply aware of my spiritual connection with it. In my life, as in my work, I am motivated by a great yearning for balance and harmony beyond the realm of human experience, reaching for the essence of oneness with the Universe. — Ruth Bernhard

You could use a moth like that as a symbol in a novel, but it was trite, wasn't it? The old moth-to-the-flame image had been used and used again. It was the stuff of amateur poetry. And she, having so little experience crafting a story, would be the most in danger of falling into trite approaches. If she wrote a novel, it probably would be about her father. And the male Luna moth would haunt its pages. Everyone would recognize the work as that of a first novelist. "She wrote about herself through the lens of her father."
The really good novelists, Laura thought, put their fathers, and maybe their mothers too, deeper into the stories. Which, she suddenly thought, might redeem Melville just the littlest bit. — L.L. Barkat

Prophetic utterance, like poetic utterance, transforms experience and moves the receiver to new attitudes. The kinds of experience
the recognitions or revelations
out of which both prophecy and poetry emerge, are such as to stir the prophet or poet to speech that may exceed their own known capacities; they are "inspired," they breathe in revelation and breathe out new words; and by so doing they transfer over to the listener or reader a parallel experience, a parallel intensity, which impels that person into new attitudes and new actions. — Denise Levertov

I tended to find lines of poetry beautiful only when I encountered them quoted in prose, in the essays my professors had assigned in college, where the line breaks were replaced with slashes, so that what was communicated was less a particular poem than the echo of poetic possibility. Insofar as I was interested in the arts, I was interested in the disconnect between my experience of actual artworks and the claims made on their behalf; the closest I'd come to having a profound experience of art was probably the experience of this distance, a profound experience of the absence of profundity. — Ben Lerner

Over and over again I am struck by the wordiness of modern poetry, as if language had replaced experience and must be more and more extreme, intricate and in a way divorced from life itself. It seems as if what we all need is a great purification - but how will that come about? — May Sarton

From heart-experience, and in humblest sense
Of Modesty, that he, who in his youth
A daily wanderer among woods and fields
With living Nature hath been intimate,
Not only in that raw unpractised time
Is stirred to ecstasy, as others are,
By glittering verse but further, doth receive,
In measure only dealt out to himself,
Knowledge and increase of enduring joy
From the great Nature that exists in works
Of mighty Poets. — William Wordsworth

Poetry is related to philosophy as experience is related to empirical science. Experience makes us acquainted with the phenomenon in the particular and by means of examples, science embraces the whole of phenomena by means of general conceptions. So poetry seeks to make us acquainted with the Platonic Ideas through the particular and by means of examples. Philosophy aims at teaching, as a whole and in general, the inner nature of things which expresses itself in these. One sees even here that poetry bears more the character of youth, philosophy that of old age. — Arthur Schopenhauer

The idea of how to read a poem is based on the idea that poetry needs you as a reader. That the experience of poetry, the meaning in poetry, is a kind of circuit that takes place between a poet, a poem and a reader, and that meaning doesn't exist or inhere in poems alone. — Edward Hirsch

I think I would have been a writer, anyhow, in the sense of having written a story every now and then, or continued writing poetry. But it was the war experience and the two novels I wrote about Vietnam that really got me started as a professional writer. — Joe Haldeman