Quotes & Sayings About Poem O Where Are You Going

In the shining hours of togetherness
Light of the morning on your eyes
Bridge to immortality sang a bird of paradise
Peaceful we laughed on the banks
Where breathed freedom in the eternal river — Kristian Goldmund Aumann

This poem will never reach its destination. On Rousseau's Ode To Posterity — Voltaire

Another important way in which the erotic connection functions is the open and fearless underlining of my capacity for joy. In the way my body stretches to music and opens into response, hearkening to its deepest rhythms, so every level upon which I sense also opens to the erotically satisfying experience, whether it is dancing, building a bookcase, writing a poem, examining an idea. That self-connection shared is a measure of the joy which I know myself to be capable of feeling, a reminder of my capacity for feeling. And that deep and irreplaceable knowledge of my capacity for joy comes to demand from all of my life that it be lived within the knowledge that such satisfaction is possible, and does not have to be called marriage, nor god, nor an afterlife. — Audre Lorde

You may think just a window
But you overtook my soul.
You are not just a whisper,
You are louder than my soul.
(from poem Chimera) — Deepa Bajaj

Four simple chambers.
A thousand complicated doors.
One of them is yours. — Jill Alexander Essbaum

MYSTERIES, YES
Truly, we live with mysteries too marvelous
to be understood.
How grass can be nourishing in the
mouths of the lambs.
How rivers and stones are forever
in allegiance with gravity
while we ourselves dream of rising.
How two hands touch and the bonds
will never be broken.
How people come, from delight or the
scars of damage,
to the comfort of a poem.
Let me keep my distance, always, from those
who think they have the answers.
Let me keep company always with those who say
"Look!" and laugh in astonishment,
and bow their heads. — Mary Oliver

Help people.
Be interested.
Make a difference.
Live passionately.
Go comando. — Crystal Woods

Rhythm, repetition, making patterns
these are not only important devices for shaping the strange and abstract instrument/object we call a poem or a story, but they are craved as well because of our primordial need for reassurance, the sense of security we get from moving over the known. A mystery doesn't lose power in revisiting. Writing is not just to know, it is also to console. We need to be reminded that we are part of the obscure rhythm of birth and decade. It is the humming that matters. — Breyten Breytenbach

One of the things I love about translation is it obliterates the self. When I'm trying to figure out what Tu Fu has to say, I have to kind of impersonate Tu Fu. I have to take on, if you will, his voice and his skin in English, and I have to try to get as deeply into the poem as possible. I'm not trying to make an equivalent poem in English, which can't be done because our language can't accommodate the kind of metaphors within metaphors the Chinese written language can, and often does, contain. — Sam Hamill

A writer draws a road map where readers walks with their love, joy, anger, tears, and dismay. Every story, every poem, has different meanings for every reader. — Debasish Mridha

Nothing is lifeless
when the moon writes its screed
on the silvern sand silence
-From the poem:The Universe In Blossom — Munia Khan

Sometimes you make a mistake, taking the wrong poem more often I make the mistake, writing it. — Charles Bukowski

Reminded of favorite poem by Wendy Cope which goes:
At Christmas little children sing and merry bells jingle.
The cold winter air makes our hands and faces tingle.
And happy families go to church and cheerily they mingle,
And the whole business is unbelievably dreadful if you're single. — Helen Fielding

I am terrified by this dark thing
That sleeps in me;
All day I feel its soft, feathery turnings, its malignity.
Clouds pass and disperse.
Are those the faces of love, those pale irretrievables?
Is it for such I agitate my heart?
I am incapable of more knowledge.
What is this, this face
So murderous in its strangle of branches? -
Its snaky acids kiss.
It petrifies the will. These are the isolate, slow faults
That kill, that kill, that kill.
From the poem "Elm", 19 April 1962 — Sylvia Plath

The impulse to write the poem, that impulse is a great dramatic impulse. But hell, anybody could write a play. I do know this: all writers are not dramatists. You may be a great writer, but that doesn't necessarily mean you're a dramatist. Very few people have done both. — August Wilson

For Russians, to whom Pushkin's poem 'Eugene Onegin' is sacred text, the ballet's story and personae are as familiar and filled with meaning as, for instance, 'Romeo' and 'Hamlet' are for us. Russians know whole stretches of it by heart, the way we know Shakespeare and Italians know Dante. — Robert Gottlieb

Not everyone can feel things as deeply as you. Most people, their feelings are ... bland, tasteless. They'll never understand what it's like to read a poem and feel almost like they're flying, or to see a bleeding fish and feel grief that shatters their heart. It's not a weakness, Grey. It's what I love about you most. — Juliann Garey

Our flushing hearts, trying to climb to the stars- how with the wrong wind, we can fall. — Ava Dellaira

To-day I think
Only with scents, - scents dead leaves yield,
And bracken, and wild carrot's seed,
And the square mustard field;
Odours that rise
When the spade wounds the root of tree,
Rose, currant, raspberry, or goutweed,
Rhubarb or celery;
The smoke's smell, too,
Flowing from where a bonfire burns
The dead, the waste, the dangerous,
And all to sweetness turns.
It is enough
To smell, to crumble the dark earth,
While the robin sings over again
Sad songs of Autumn mirth.
- A poem called DIGGING. — Edward Thomas

Each drop that fell,
had a story to tell.
each smile that curved,
said a million words.
(Poem: Our Existence, Book: Ginger and Honey) — Jasleen Kaur Gumber

The second, and I think this is the much more overt and I think it is the main cause, I have been increasingly demonstrating or trying to demonstrate that every possible stance a critic, a scholar, a teacher can take towards a poem is itself inevitably and necessarily poetic. — Harold Bloom

I now felt a new, pitiful tenderness toward the poem as one has for a fickle young creature who has been stolen and brutally enjoyed by a black giant but now again is safe in our hall and park, whistling with the stableboys, swimming with the tame seal. The — Vladimir Nabokov

I am increasingly attracted to restricting possibility in the poem by inflicting a form upon yourself. Once you impose some formal pattern on yourself, then the poem is pushing back. I think good poems are often the result of that kind of wrestling with the form. — Billy Collins

Lucky accidents seldom happen to writers who don't work. You will find that you may rewrite and rewrite a poem and it never seems quite right. Then a much better poem may come rather fast and you wonder why you bothered with all that work on the earlier poem. Actually, the hard work you do on one poem is put in on all poems. The hard work on the first poem is responsible for the sudden ease of the second. If you just sit around waiting for the easy ones, nothing will come. Get to work. — Richard Hugo

In a manner of speaking, the poem is its own knower, neither poet nor reader knowing anything that the poem says apart from the words of the poem. — Allen Tate

A poet can feel free, in my estimation, to write a poem for himself. Or a painter can paint a painting for himself. You can write a short story for yourself. But for me, comedy by its nature is communal. If other people don't get it, I'm not sure why you are doing it. — Keegan-Michael Key

Our contempt for any particular poem must be perfect, be total, because only a ruthless reading that allows us to measure the gap between the actual and the virtual will enable to to experience, if not a genuine poem - no such thing - a place for the genuine, whatever that might mean. — Ben Lerner

When I'm actually writing by hand, I get more of a sense of the rhythm of sentences, of syntax. The switch to the computer is when I actually start thinking about lines. That's the workhorse part. At that point, I'm being more mathematical about putting the poem on the page and less intuitive about the rhythm of the syntax. — Natasha Trethewey

He unpacks his bag of tales
with fingers quick
as a weaver's
picking the weft threads
threading the warp.
Watch his fingers.
Watch his lips
speaking the old familiar words:

"Once there was
and there was not,
oh, best beloved,
when the world was filled with wishes
the way the sea is filled with fishes..."

All those threads
pulling us back
to another world, another time,
when goosegirls married well
and frogs could rhyme,
when maids spoke syllables of pearl
and stepmothers came to grief.

.... (from The Storyteller poem) — Jane Yolen

David tried to give a form to the beast at the heart of the poem but found that he could not. It was more difficult than it appeared, for nothing quite seemed to fit. Instead, he could only conjure up a half-formed being that crouched in the cobwebbed corners of his imagination where all the things that he feared curled and slithered upon one another in the darkness. — John Connolly