Pigments 2 Quotes & Sayings

People hurried past, the others of the street, endless anonymous, twenty-one lives per second, race-walking in their faces and pigments, sprays of fleetest being. — Don DeLillo

He was occupied with the forming of a pattern out of the manifold chaos of life, and the materials with which he worked seemed to make preoccupation with pigments and words very trivial. Lawson had served his turn. Philip's friendship with him had been a motive in the design he was elaborating: it was merely sentimental to ignore the fact that the painter was of no further interest to him. — W. Somerset Maugham

Outside the station of Santa Maria Novella Isabella has to stand aside while a line of prisoners are marched into the terminus by armed Fascist guards. They pass within touching distance of her, carrying bags and bundles. There are old people and some children too. They all seem swamped by their clothes, disembodied by them somehow. Then she catches the eye of Ezra, a young Jewish man who once worked in the arts material shop where she buys most of her pigments and brushes. He is almost at the back of the line. The veins are high and urgent on his hand. His trousers are held up with a dirty piece of string. His cobalt blue eyes hold hers for the barest beat of a moment but some essence of his being conveys itself to her and her blood quickens in sympathy for him. She has the feeling of looking into the eyes of a ghost. — Glenn Haybittle

Scan your subject for things that are clearly impossible. After all, paint isn't magic! If you see that certain elements in the subject are beyond the limits of your pigments, try to form an idea beforehand of how you are going to handle those areas when you get to them. — Richard Schmid

I hope you will love your baby. I hope it will be a boy. That husband of yours, I hope, will always treat you well, because otherwise my specter shall come out of him, like black smoke, like a demented giant, and pull him apart nerve by nerve ... I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita. — Vladimir Nabokov

Our mind is the canvas on which the artists lay their colour; their pigments are our emotions; their chiaroscuro the light of joy, the shadow of sadness. The masterpiece is of ourselves, as we are of the masterpiece. — Okakura Kakuzo

I'm thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art, And this is the only immortality that you and I may share, my Lolita. — Vladimir Nabokov

Ah, gentle drivers gliding through summer's black nights, what frolics, what twists of lust, you might see from your impeccable highways if Kumfy Kabins were suddenly drained of their pigments and became as transparent as boxes of glass! — Vladimir Nabokov

The world is a glorious bounty. There is more food than can be eaten if we would limit our numbers to those who can be cherished, there are more beautiful girls than can be dreamed of, more children than we can love, more laughter than can be endured, more wisdom than can be absorbed. Canvas and pigments lie in wait, stone, wood, and metal are ready for sculpture, random noise is latent for symphonies, sites are gravid for cities, institutions lie in the wings ready to solve our most intractable problems, parables of moving power remain unformulated and yet, the world is finally unknowable. — Ian L. McHarg

Strange are the pictures of the future that mankind can thus draw with this brush of faith and these many-coloured pigments of the imagination! Strange, too, that no one of them tallies with another! — H. Rider Haggard

Art lives on the mental plane (the real painting is not the set of dry pigments on the canvas nor is a symphony the sequence of sound waves that convey it to our ear) but, as the post-modernists insist, is reinterpreted in new contexts by each appreciator. As for gossip, which includes the vast majority of our thoughts, its essence is its relation to a unique local part of time and space. — David Mumford

With God thoughts are colors, with us they are pigments-even the most abstract one may be accompanied by physical pain. — Georg C. Lichtenberg

I was thinking of Anna. I make myself think of her, I do it as an exercise. She is lodged in me like a knife and yet I am beginning to forget her. Already the image of her that I hold in my head is fraying, bits of pigments, flakes of gold leaf, are chipping off. Will the entire canvas be empty one day? I have come to realise how little I knew her, I mean how shallowly I knew her, how ineptly. I do not blame myself for this. Perhaps I should. Was I too lazy, too inattentive, too self-absorbed? Yes, all of those things, and yet I cannot think it is a matter of blame, this forgetting, this not-having-known. I fancy, rather, that I expected too much, in the way of knowing. I know so little of myself, how should I think to know another? — John Banville

Water and stones. Those are the unpromising ingredients of two very different endeavors ... painting, because artists' pigments are made from fluids ... mixed together with powdered stones to give color ... and the other is alchemy, the stone the ultimate goal. — James Elkins

Filmmakers don't work for posterity. We create with celluloid and chemical pigments that don't last very long. They fade away. In 200 years there will be nothing left of our work but dust. — Louis Malle

It was my father who had taught me to love books for themselves, the smell of the vellum and paper, the rare authority of the pages. "Here, do you see this marvelous book, the skins of 182 sheep," he once pronounced as he slapped his hand down on the stamped leather cover boards. "The book is a flock, a jewel, a cemetery, a lantern, a garden, a piss pot; pigments ground of precious minerals, charred bone, lamp soot, rare plants and insects. Pigments formed at the corrosion of copper plates suspended above urine. — Regina O'Melveny

Luminosity is a quality dependent as much on technique as on the physical properties of individual pigments. — Walter J. Phillips

When I learned that near Roussillon there were ochre quarries and mines from which was extracted the ore which produced pigments in all the warm hues of the color wheel, I had a substantial artistic link to this region beyond mere love. — Susan Vreeland

Our tree's only source of energy is the sun: after light photons stimulate the pigments within the leaf, buzzing electrons line up into an unfathomably long chain and pass their excitement one to the other, moving biochemical energy across the cell to the exact location where it is needed. The plant pigment chlorophyll is a large molecule, and within the bowl of its spoon-shaped structure sits one single precious magnesium atom. The amount of magnesium needed for enough chlorophyll to fuel thirty-five pounds of leaves is equivalent to the amount of magnesium found in fourteen One A Day vitamins, and it must ultimately dissolve out of bedrock, which is a geologically slow process. — Hope Jahren

Don't be fooled by the few red or brown leaves you find on poison ivy in the fall - the plant is not dying; it's just cheating with different pigments. — Hope Jahren

The art of life requires pigments from distant lands. — William Widmaier

During this time (at high school) I discovered the Public Library ... It was here that I found a source of knowledge and the means to acquire it by reading, a habit of learning which I still follow to this day. I also became interested in chemistry and gradually accumulated enough test tubes and other glassware to do chemical experiments, using small quantities of chemicals purchased from a pharmacy supply house. I soon graduated to biochemistry and tried to discover what gave flowers their distinctive colours. I made the (to me) astounding discovery that the pigments I extracted changed their colours when I changed the pH of the solution. — Sydney Brenner

The idea of mixing pigments and gum arabic together to make watercolor paint is very old. But at the beginning of the nineteenth century the English chemists W. Winsor and H. Newton were the first to add glycerin to the blend to make the paints maintain a semi-moist consistency when stored in paintboxes. — Felix Scheinberger

Lorenzo de' Medici seeks highly skilled, aesthetically oriented individual to conceive and implement several major public projects. You are a generalist with sound training in structural engineering, synthesis of pigments and Christian iconography. Some climbing involved — Michelangelo

The idea of being close to where pigments were mined - that's the first thing in making a painting, getting the material. And what's the last thing you do in making a painting? You put a frame around it. — Susan Vreeland

One makes use of pigments, but one paints with one's feelings. — Jean-Baptiste-Simeon Chardin

There is another important difference as well. Human eyes have three visual pigments, allowing us to see color. Octopuses have only one - which would make these masters of camouflage, commanding a glittering rainbow of colors, technically color-blind. How, then, does the octopus decide what colors to turn? New evidence suggests cephalopods might be able to see with their skin. — Sy Montgomery

Oliver, my professor, was a scientific bounder, a journalist by instinct, a thief of ideas, - he was always prying! And you know the knavish system of the scientific world. I simply would not publish, and let him share my credit. I went on working, I got nearer and nearer making my formula into an experiment, a reality. I told no living soul, because I meant to flash my work upon the world with crushing effect and become famous at a blow. I took up the question of pigments to fill up certain gaps. And suddenly, not by design but by accident, I made a discovery in physiology. — H.G.Wells

All the best artists have shown that the greatest achievement in the production of fine color is the concealment of pigments, and not the parade of them; and we may say the same of execution. — Asher Brown Durand

Its true that we learn a lot from science about how we function but there's a danger in thinking knowledge of how we function is the full account of what we are. If you're a chemist who is really interested in the optical properties of certain pigments you could analyse the Mona Lisa and describe it completely but you would never have mentioned the face, which is the meaning of this thing. In that way a neuroscientist can put together an enormously impressively picture of the brain but he would not have described what goes on when we react to another person. — Roger Scruton