Picture Which Way Quotes & Sayings

I didn't know enough as a writer to understand why I needed to do this, but I understood in a very gut way that I could not entertain those thoughts of pleasing people and write this book - that it would be a very different book. Without really sort of investigating that instinct, which I'm glad for, I just made a conscious decision to put blinders on and not think about anything and put it all in. And I did. I put everything in. I had to look at the whole picture to see what I needed. — Melissa Febos

It is a great honor for me to be compared to Henri Cartier-BressonBut I believe there is a very big difference in the way we put ourselves inside the stories we photograph. He always strove for the decisive moment as being the most important. I always work for a group of pictures, to tell a story. If you ask which picture in a story I like most, it is impossible for me to tell you this. I don't work for an individual picture. If I must select one individual picture for a client, it is very difficult for me. — Sebastiao Salgado

But what is your life? Can you see it? It vanishes at its own appearance. Moment by moment. Until it vanishes to appear no more. When you look at the world is there a point in time when the seen becomes the remembered? How are they separate? It is that which we have no way o show. It is that which is missing from our map and from the picture that it makes. And yet is all we have. — Cormac McCarthy

Your own self, your personality and existence are reflected within the mind of each of the people whom you meet, ... into a likeness, a caricature of yourself, which still lives on and appears to be, in some way, the truth about you. Even a flattering picture is ... a lie. — Isak Dinesen

If I could dream, I know I'd dream about you.I'd dream about the way you smell and how your dark hair feels like silk between my fingers. I'd dream about the smoothness of your skin and the fierceness of your lips when we kiss. Without dreams,I have to be content with my own imagination - which is almost as good. I can picture all those things perfectly. — Richelle Mead

An astronomer once explained to me that the galaxy we live in, the Milky Way, is vast, too vast to be understood without metaphor, so he gave me one. He said if you picture the Milky Way as being the size of mainland Europe, our solar system - that's Mars, Venus, Saturn, us here on Earth (you remember from school) - in a Milky Way the size of Europe our solar system would fit inside a single teacup somewhere in Belgium. He paused for my amazement, which I duly offered. But really what can you say? "Ooh, a teacup." "Blimey, Belgium." "Cor, it makes you think, doesn't it?" Then he added, clearly sensing I was at a bit of a loss for words, having just been reduced to a dot on a speck in a teacup in a continent: "Russell, there are 400 million KNOWN galaxies in our universe. — Russell Brand

Technos and clerics have much in common. Both take a world that can't be fully understood and try to explain its fundamental properties.
Clerics postulate beliefs that can never be proven; they demand you accept these postulates as your Faith, which will guide your actions and thoughts. It's a top down way of thinking; start with the big picture and derive rules for living. Fundamental knowledge is static. Even the derived rules rarely change.
Technos work from the bottom up. They build a baseline of observations and formulate theories to explain these phenomena. Nothing is sacred; with new observations, theories are discarded or modified to fit the facts.
Technos and clerics; how could they not be in conflict?
Dan Ronco's Diary, 2016
— Dan Ronco

Artistic style is only a means to an end, and the more styles you have, the better. To get trapped in a style is to lose all flexibility. If you have only one style, then you're going to do the same book over and over, which is pretty dull. Lots of styles permit you to walk in and out of books. So, develop a fine style, a fat style, and fairly slim style, and a really rough style.
As an aspiring artist, you should strive for originality of vision. Have something to say and a fresh way of saying it. No story is worth the writing, no picture worth the making, if it's not the work of the imagination. — Maurice Sendak

Here, I could see, was choice matter on which the expert and art critic could exercise their knowledge and judgment. As I had neither, I made an experiment or two, and was able to inform the readers of the paper that if you walked briskly past the picture, winking both eyes as fast as possible, you really got a sort of impression of movement and activity, of ships and boats coming into the harbour and sailing out of it, of sails lowered and hoisted, of an uncertain background, now obscured, now left visible as a ship in full sail passed before it. It struck me that, in my hands, art criticism was in a fair way to become a popular sport. — Arthur Machen

We walked through a high hallway into a bright rosy-colored space, fragilely bound into the house by French windows at either end. The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house. A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling, and then rippled over the wine-colored rug, making a shadow on it as wind does on the sea.
The only completely stationary object in the room was an enormous couch on which two young women were buoyed up as though upon an anchored balloon. They were both in white, and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house. I must have stood for a few moments listening to the whip and snap of the curtains and the groan of a picture on the wall ... — F Scott Fitzgerald

The great adventure of our lives. What does it mean to die when you can live until the end of the world? and what is 'the end of the world' except a phrase, because who knows even what is the world itself? I had now lived in two centuries, seen the illusions of one shattered by the other, been eternally young and eternally ancient, possessing no illusions, living moment to moment in a way that made me picture a silver clock ticking in a void: the painted face, the delicately carved hands looked upon by no one, looking out at no one, illuminated by a light which was not a light, like the light by which god made the world before He had made light. Ticking, ticking, ticking, the precision of the clock, in a room as vast as the universe. — Anne Rice

The painted picture was a bit rough, which was probably done on purpose, yet seemed eerily real as if there actually was a way to step through it into the wild jungle — Akutra-Ramses Atenosis Cea

I do have quite a lot of sympathy for Fodor's picture of concepts as information-free atomic entities which get locked onto their referents causally, and to that extent they needn't involve anything much in the way of learning. But even so it seems perverse to call them 'innate'. Here we see again the oddity of treating 'not learned' as sufficient for innate. — David Papineau

As psychiatrists we must teach ourselves to interpret the overall picture. With regard to Lisbeth Salander, you can see on her body, for example, a multitude of tattoos and piercings, which are a form of self-destructive behaviour and a way of damaging one's own body. We can interpret that as a manifestation of self-hate." Giannini turned to Salander. "Are your tattoos a manifestation of self-hate?" she said. "No," Salander said. Giannini — Stieg Larsson

When man is finally able to see himself and the world around him with clear cognition, he finds a picture far more pleasant. Visible in unmistakable clarity and devastating detail is man's failure to be what he might be and his misuse of his world. This revelation causes him to leap out in search of a way of life and system of values which will enable him to be more than he has been. He seeks a foundation of self-respect, which will have value system rooted in knowledge and cosmic reality where he expresses himself so that all others, all beings can continue to exist. His values now are of a different order from those at previous levels: They arise not from selfish interest but from the recognition of the magnificence of existence and the desire that it shall continue to be. — Clare W. Graves

In its quest to discover how the patterns of reality are organised, the story of modern science hints at a picture of a set of Chinese puzzle boxes, each one more intricately structured and wondrous than the last. Every time the final box appears to have been reached, a key has been found which has opened up another, revealing a new universe even more breathtakingly improbable in its conception. We are now forced to suspect that, for human reason, there is no last box, that in some deeply mysterious, virtually unfathomable, self-reflective way, every time we open a still smaller box, we are actually being brought closer to the box with which we started, the box which contains our own conscious experience of the world. This is why no theory of knowledge, no epistemology, can ever escape being consumed by its own self-generated paradoxes. And this is why we must consider the universe to be irredeemably mystical. — Bob Hamilton

And then Harry Potter had launched in to a speech that was inspiring, yet vague. A speech to the effect that Fred and George and Lee had tremendous potential if they could just learn to be weirder. To make people's live surreal, instead of just surprising them with the equivalents of buckets of water propped above doors. (Fred and George had exchanged interested looks, they'd never thought of that one.) Harry Potter had invoked a picture of the prank they'd pulled on Neville - which, Harry had mentioned with some remorse, the Sorting Hat had chewed him out on - but which must have made Neville doubt his own sanity. For Neville it would have felt like being suddendly transported into an alternate universe. The same way everyone else had felt when they'd seen Snape apologize. That was the true power of pranking. — Eliezer Yudkowsky

For ninety per cent of those who view him from outside, the Christian God looks like a great landowner administering his estates, the world. Now this conventional picture, which is too well justified by appearances, corresponds in no way to the dogmatic basis or point of view of the Gospels. — Pierre Teilhard De Chardin

Many psychiatrists, including psychoanalysts, have painted the picture of a "normal" personality which is never too sad, too angry, or too excited. They use words like "infantile" or "neurotic" to denounce traits of types of personalities that do not conform with the conventional pattern of a "normal" individual. This kind of influence is in a way more dangerous than the older and franker forms of name-calling. Then the individual knew at least that there was some person or some doctrine which criticized him and he could fight back. But who can fight back at "science"? — Erich Fromm

My mom tries to comfort me by saying that girls like Heather Campbell tend to peak early in life and then quickly fade. That's why she looks so much better than everyone now. But by the time I go to my ten-year reunion, I'll be way prettier than she is. To which I always reply with the same statement, "I don't want to be pretty in ten years. I want to be pretty now."
Because what good is it to me now that I might or might not be drop-dead gorgeous when I'm twenty-seven? It's not like I can go to school every day with a big cardboard sign around my neck that says, "Trust me, in ten years, I'll look like this." And then an arrow pointing to a picture of a supermodel. — Jessica Brody

For the person who wants to capture everything that passes before his eyes, [...] the only coherent way to act is to snap at least one picture a minute, from the instant he opens his yes in the morning to when he goes to sleep. This is the only way that he rolls of exposed film will represent a faithful diary of our days, with nothing left out. If I were to start taking pictures, I'd see this thing through, even if it meant losing my mind. But the rest of you still insist on making a choice. What sort of choice? A choice in the idyllic sense, apologetic, consolatory, at peace with nature, the fatherland, the family. Your choice isn't only photographic; it is a choice of life, which leads you to exclude dramatic conflicts, the knots of contradiction, the great tensions of will, passion, aversion. So you think you are saving yourselves from madness, but you are falling into mediocrity, into hebetude."

- from "The Adventure of a Photographer — Italo Calvino

One can make a compound formation of events and of places in the same way as of people, provided always that the single events and localities have something in common which the latent dream emphasizes. It is a sort of new and fleeting concept of formation, with the common element as its kernel. This jumble of details that has been fused together regularly results in a vague indistinct picture, as though you had taken several pictures on the same film. — Sigmund Freud

[I]t is difficult to picture the great Creator conceiving of a program of one creature (which He has made) using another living creature for purposes of experimentation. There must be other, less cruel ways of obtaining knowledge. — Adlai Stevenson I

This changing of focus in the eye, moving the eye itself when looking at things that do not move, deepens one's sense of outer reality. Then static things may be caught in the very act of becoming. By so simple a matter, too, as altering the position of one's head, a different kind of world may be made to appear. Lay the head down, or better still, face away from what you look at, and bend with straddled legs till you see your world upside down. How new it has become! From the close-by sprigs of heather to the most distant fold of the land, each detail stands erect in its own validity. In no other way have I seen of my own unaided sight that the earth is round. As I watch, it arches its back, and each layer of landscape bristles - though bristles is a word of too much commotion for it. Details are no longer part of a grouping in a picture of which I am the focal point, the focal point is everywhere. Nothing has reference to me, the looker. This is how the earth must see itself. — Nan Shepherd

The statistical method shows the facts in the light of the ideal average but does not give us a picture of their empirical reality. While reflecting an indisputable aspect of reality, it can falsify the actual truth in a most misleading way. This is particularly true of theories which are based on statistics. The distinctive thing about real facts, however, is their individuality. Not to put too fine a point on it, once could say that the real picture consists of nothing but exceptions to the rule, and that, in consequence, absolute reality has predominantly the character of irregularity. — C. G. Jung

When you shift to an abundance mind-set, you repeat to yourself over and over again that you're unlimited because you emanated from the inexhaustible supply of intention. As this picture solidifies, you begin to act on this attitude of unbending intent. There's no other possibility. We become what we think about, and as Emerson reminded us: "The ancestor to every action is a thought." As these thoughts of plentitude and excessive sufficiency become your way of thinking, the all-creating force to which you're always connected will begin to work with you, in harmony with your thoughts, just as it worked with you in harmony with your thoughts of scarcity. If you think you can't manifest abundance into your life, you'll see intention agreeing with you, and assisting you in the fulfillment of meager expectations! — Wayne W. Dyer

I have mentioned already, by the way, that though he lost his mother in his fourth year he remembered her all his life - her face, her caresses, "as though she stood living before me." Such memories may persist, as every one knows, from an even earlier age, even from two years old, but scarcely standing out through a whole lifetime like spots of light out of darkness, like a corner torn out of a huge picture, which has all faded and disappeared except that fragment. — Fyodor Dostoyevsky

She came up with a whole way of doing fluoroscopy, which is kind of like a live version of X-ray, so that she could see the heart as it worked, not frozen in a picture. — Mary Stuart Masterson

"You know you are seeing such a photograph if you say to yourself, "I could have taken that picture. I've seen such a scene before, but never like that." It is the kind of photography that relies for its strengths not on special equipment or effects but on the intensity of the photographer's seeing. It is the kind of photography in which the raw materials-light, space, and shape-are arranged in a meaningful and even universal way that gives grace to ordinary objects." — Sam Abell

I must try to enjoy all the graces that God has given me today. Grace cannot be hoarded. There are no banks where it can be deposited to be used when I feel more at peace with myself. If I do not make full use of these blessings, I will lose them forever.
God knows that we are all artists of life. One day, he gives us a hammer with which to make sculptures, another day he gives us brushes and paints with which to make a picture, or paper and a pencil to write with. But you cannot make a painting with a hammer, or a sculpture with a paintbrush. Therefore, however difficult it may be, I must accept today's small blessings, even if they seem like curses because I am suffering and it's a beautiful day, the sun is shining, and the children are singing in the street. This is the only way I will manage to leave my pain behind and rebuild my life. — Paulo Coelho

They call me the father of illustrated journalism. What folly! I never thought any such thing. I had a small newspaper, which had been dead for years, and I was trying in every way to build up its circulation. What could I use for bait? A picture, of course. — Joseph Pulitzer

This is why Paul upholds the teaching of the gospel in such a forceful way ... Seeing such an example and such a picture of man's great weakness and fickleness, Paul states that the truth of the gospel must supersede anything that we may devise ... he is showing us that we ought to know the substance of the doctrine which is brought to us in the name of God, so that our faith can be fully grounded upon it. Then we will not be tossed about with every wind, nor will we wander about aimlessly, changing our opinions a hundred times a day; we will persist in this doctrine until the end. This, in brief, is what we must remember. — John Calvin

In the global picture of God's plan for your life, the good can be the Enemy of the better. And the better is the foe of the best. Until the good is cleared out of the way, you cannot receive that which is better, and you cannot receive the best until you are willing to let go of the better. — Pedro Okoro

And this is the sense of the word "grammar" which our inaccurate student detests, and this is the sense of the word which every sensible tutor will maintain. His maxim is "a little, but well"; that is, really know what you say you know: know what you know and what you do not know; get one thing well before you go on to a second; try to ascertain what your words mean; when you read a sentence, picture it before your mind as a whole, take in the truth or information contained in it, express it in your own words, and, if it be important, commit it to the faithful memory. Again, compare one idea with another; adjust truths and facts; form them into one whole, or notice the obstacles which occur in doing so. This is the way to make progress; this is the way to arrive at results; not to swallow knowledge, but (according to the figure sometimes used) to masticate and digest it. — John Henry Newman

I often paint a detailed picture in my mind of what I would like the end of my life to look like. I think of saying goodbye to Clara and other people I love, then I picture an empty house, perhaps a large, rambling rural mansion somewhere near the marshes where I grew up; I imagine a bath upstairs, which I can fill with warm water; and I think of music playing all through this big house, Crescent, maybe, or Ascension, filling the spaces not taken up by my solitude, reaching me in the bath, so that when I slip across the one-way border, I do so to the accompaniment of modal harmonies heard from far away. — Teju Cole

Science proceeds by inference, rather than by the deduction of mathematical proof. A series of observations is accumulated, forcing the deeper question: What must be true if we are to explain what is observed? What "big picture" of reality offers the best fit to what is actually observed in our experience? American scientist and philosopher Charles S. Peirce used the term "abduction" to refer to the way in which scientists generate theories that might offer the best explanation of things. The method is now more often referred to as "inference to the best explanation." It is now widely agreed to be the philosophy of investigation of the world characteristic of the natural sciences. — Alister E. McGrath

I like to be flexible in the way I take pictures. I do not use a tripod, and I move around in the crowd, of which I am myself part ... I try to preserve the dynamics of the street, and my way of using the camera tries to approximate as much as possible the way we see: focusing on details, opening up to wider angles, and composing all these very short, fragmented impressions into a larger mental picture. — Beat Streuli

THE SPLIT-BRAIN PARADOX One way in which this picture, based on the corporate hierarchy of a company, deviates from the actual structure of the brain can be seen in the curious case of split-brain patients. One unusual feature of the brain is that it has two nearly identical halves, or hemispheres, the left and right. Scientists have long wondered why the brain has this unnecessary redundancy, since the brain can operate even if one entire hemisphere is completely removed. No normal corporate hierarchy has this strange feature. Furthermore, if each hemisphere has consciousness, does this mean that we have two separate centers of consciousness inside one skull? — Michio Kaku

This is the ultimate narcissistic white-girl game. I would picture how I would handle the attack differently. Or the same. Inevitably, I'd think about my own death, which next to staring at your face in a magnifying mirror is probably the worst thing you can do for yourself. The ambulance-chasing aspect combined with the Monday-morning quarterbacking of it all is the luxury afforded to those of us left untouched by trauma. Sometimes I would use these tragedy-porn shows to unlock deep feelings or cut through the numbness. I would read terrible stories to punish myself for my lucky life. Some real deep Irish Catholic shit. Either way, it was all gross and all bad for my health. — Amy Poehler

The Cubists' belief in progress was by no means complacent. They saw the new products, the new inventions, the new forms of energy, as weapons with which to demolish the old order. Yet at the same time their interest was profound and not simply declamatory. In this they differed fundamentally from the Futurists. The Futurists saw the machine as a savage god with which they identified themselves. Ideologically they were precursors of fascism: artistically they produced a vulgar form of animated naturalism, which was itself only a gloss on what had already been done in films. 35 Carlo Carra. The Funeral of the Anarchist Galli. 1911 The Cubists felt their way, picture by picture, towards a new synthesis which, in terms of painting, was the philosophical equivalent of the revolution that was taking place in scientific thinking: a revolution which was also dependent on the new materials and the new means of production. — John Berger

At the time, I prayed to God only intermittently, and then mainly to ask for things, such as: "Please let me get an A on my next test." "Please let me do well in Little League this year." "Please let my skin clear up for the school picture." I used to envision God as the Great Problem Solver, the one who would fix everything if I just prayed hard enough, used the correct prayers, and prayed in precisely the right way. But when God couldn't fix things (which seemed more frequent than I would have liked), I would turn to St. Jude. I figured that if it was beyond the capacity of God to do something, then surely it must be a lost cause, and it was time to call on St. Jude. — James Martin

Its true that we learn a lot from science about how we function but there's a danger in thinking knowledge of how we function is the full account of what we are. If you're a chemist who is really interested in the optical properties of certain pigments you could analyse the Mona Lisa and describe it completely but you would never have mentioned the face, which is the meaning of this thing. In that way a neuroscientist can put together an enormously impressively picture of the brain but he would not have described what goes on when we react to another person. — Roger Scruton

The catch is that for most people the New Testament is taken as proof for the conventional picture of Christian origins, and the conventional picture is taken as proof for the way in which the New Testament was written. . . . For this reason the New Testament is commonly viewed and treated as a charter document that came into being much like the Constitution of the United States. According to this view, the authors of the New Testament were all present at the historic beginnings of the new religion and collectively wrote their gospels and letters for the purpose of founding the Christian church that Jesus came to inaugurate. Unfortunately for this view, that is not the way it happened. — Burton L. Mack

Totalizing and dangerous views of "American culture" and "nationhood" can be found in current attempts to portray "Christian values" or particular constructions of "family values" as constitutive of "American culture" and "the American way of life." Views of "American culture" that picture American society as comprised of "free individuals," and of American institutions as already fair and egalitarian, obscure the ways in which various forms of institutional discrimination impede the entry and flourishing of members of marginalized groups. — Uma Narayan

She had turned thought and feeling into life, into reality, into creation. They speak of the _creations_ of the human intellect, of the human imagination! there is nothing man can do comes half so near the making of the Maker as the ordering of his way--except one thing: the highest creation of which man is capable, is to will the will of the Father. That _has_ in it an element of the purely creative, and then is man likest God. But simply to do what we ought, is an altogether higher, diviner, more potent, more creative thing, than to write the grandest poem, paint the most beautiful picture, carve the mightiest statue, build the most worshiping temple, dream out the most enchanting commotion of melody and harmony. — George MacDonald

I am often told that the model of balance for the novelist should be Dante, who divided his territory up pretty evenly between hell, purgatory, and paradise. There can be no objection to this, but also there can be no reason to assume that the result of doing it in these times will give us the balanced picture it gave in Dante's. Dante lived in the thirteenth century, when that balance was achieved by the faith of his age. We live now in an age which doubts both fact and value, which is swept this way and that by momentary convictions. Instead of reflecting a balance from the world around him, the novelist now has to achieve one from a felt balance inside himself. — Flannery O'Connor

I had a moment when I first got on Supernatural when I was like, "Oh my god, people are paying attention to me, I have fans, maybe I should cultivate an image and try to seem really cool." I had this moment of being commercially self conscious and it took maybe a month for me to realize no, this is not who I ****ing am, and here's a picture of me in drag. Which is, by the way, so much more liberating and relaxing. There's not a more sure fire way to give a stifled, boring, empty, vapid, meaningless interview than trying to say the right thing ... — Misha Collins

SUMMARY In this chapter we have focused on three ways to analyze and solve communication problems - through component, transactional, and life-space analysis. Component analysis uses a "snapshot" approach to study the speaker, the message, and the listener. Transactional analysis takes a "motion picture" review of the way communication partners respond to each other (as an Adult, Parent, or Child). Life-space analysis takes a "panoramic" view of the environment or total situation which affects the way a person — Paul W. Swets

In the journey of life, certain paths may seem to be leading nowhere because of a mountain or hill on the way which may seem to be the end of the journey, but should a pilgrim of life climb such a mountain with tenacity and courage and gets to its apex, he would not only deeply feel and understand the tenacity and the courage it takes to climb the mountain, but he would also see ahead and have a clearer picture of the way forward better! — Ernest Agyemang Yeboah

Now as God revealed his Word and spoke, or preached, by the mouth of the fathers and Prophets, and at last by his own Son, then by the Apostles and evangelists, whose tongues were but as the pens of scribes writing rapidly, God thus employing men to speak to men; so to propose, apply, and declare this his Word, he employs his visible spouse as his mouthpiece and the interpreter of his intentions. It is God then who rules over Christian belief, but with two instruments, in a double way: (1) by his Word as by a formal rule and (2) by his Church as by the hand of the measurer and rule-user. Let us put it thus: God is the painter, our faith the picture, the colors are the Word of God, the brush is the Church. Here then are two ordinary and infallible rules of our belief: the Word of God, which is the fundamental and formal rule; the Church of God, which is the rule of application and explanation. — Francis De Sales

We may be able to tell how many stars are in the Milky Way; we may be able to count the petals of every flower, and number the bones of every bird; but unless faith leads us to a deeper understanding, a more reverent comprehension of the significance of the universe, God can be no more pleased with our knowledge than the painter is pleased with the fly which touches his picture with its feelers, and sips the varnish from the surface, and dies without dreaming of the meaning, thought, feeling, embodied in the colors. — Henry Van Dyke

There is a cultural norm on the left of being afraid to declare victory, which is related to the binary of reform/revolution. Whereas reformists are winning small gains, revolutionaries don't want people to be satisfied with those small victories because they worry this will lead to acceptance of the bigger picture of capitalism domination, and so they find a way to turn every victory into a defeat. In the book, I call for a culture of declaring victory wherever we can. — Cynthia Kauffman

It takes six million grains of pollen to seed one peony, and salmon need a lifetime of swimming to find their way home, so we mustn't be alarmed or discouraged when it takes us years to find love or years to understand our calling in life. Everything in nature is given some form of resilience by which it can rehearse finding its way, so that, when it does, it is practiced and ready to seize its moment. This includes us. When things don't work out - when loves unexpectedly end or careers stop unfolding - it can be painful and sad, but refusing this larger picture keeps us from finding our resilience. — Mark Nepo

This is the way in which he (poet) did his work. He used to go out with a pencil and a tablet and note what struck him...and make a picture out of it...But Nature does not allow an inventory to be made of her charms! He should have left his pencil behind, and gone forth in a meditative spirit; and, on a later day, he should have embodied in verse not all that he had noted but what he best remembered of the scene; and he would have then presented us with its soul, and not with the mere visual aspect of it. — William Wordsworth

Then he looked at my T-shirt and saw Byron's picture on it and he quoted "She Walks in Beauty," which is like my favorite poem next to the one by Baudelaire about his girlfriend being nothing but worm food, except that Lily called that one first because Baudelaire is her fave poet and so she got the shirt with him on it, even though Byron is way more scrumptious and I would do him on sharp gravel if I had the chance.
from The Chronicles of Abby Normal — Christopher Moore

There were absolutely amazing photographs everywhere, on everyone's Facebook page and everyone's iPhone and Instagram, just floating around in cyberspace for eternity. People took hundreds and thousands of digital pictures; one or two, even twenty or a hundred, were bound to be great. All anyone had to do was click through them all and post the ones they liked, deleting the rest. But using film meant you never knew what was going to be a good picture, let alone a great one, until you were standing there looking at a contact sheet with a magnifying glass and deciding which to print.
Maybe nobody cared anymore, but then again, writers probably felt the same way when word processors were invented. Anyone with a story and a keyboard could write their memoir now, write the great American novel, or tweet a 140-character trope that gets retweeted and it read by hundreds of people every hour of every day. — Nora Raleigh Baskin

When Miss Petitfour made a fancy salad, Minky watched the way the lettuce leaves bent under the slight weight of the Parmesan; when Miss Petitfour had cheese toast for tea, Minky noticed how the cheddar melted into every little crevice and crater of the toast. She licked her whiskers greedily when Miss Petitfour lowered her hand to feed her snippets and smidgens, pinches and wedges, slices and crumbs. Minky loved all cheese--Swiss cheese, Edam cheese, Gruyere and Roquefort, Brie cheese and blue cheese, mozzarella and Parmesan, hard cheese, crumbly cheese, creamy cheese, lumpy cheese. Minky even had a cheese calendar that she kept with, which Miss Petitfour had given to her for Christmas. Each month there was a big picture of a different kind of cheese in a mouthwatering pose: blue cheese cavorting with pears, cheddar laughing with apples, Gruyere lounging with grapes, Edam joking with parsley. — Anne Michaels

An empty frame, in which the picture is always changing, makes a statement about how time is always passing. It doesn't really stop, even in a single image. I t just feels that way. — Sarah Dessen

You determine your assumptions in this way: Form a mental image, a picture of the state desired, of the person you want to be. Concentrate your attention upon the feeling that you are already that person. First, visualize the picture in your consciousness. Then feel yourself to be in that state as though it actually formed your surrounding world. By your imagination that which was a mere mental image is changed into a seemingly solid reality. The great secret is a controlled imagination and a well-sustained attention firmly and repeatedly focused on the object to be accomplished. It cannot be emphasized too much that, by creating an ideal within your mental sphere, by assuming that you are already that ideal, you identify yourself with it and — Neville Goddard

As an African-American, as a woman, I think that I've been sensitized to the way in which history privileges the white male and the way in which certain aspects of history, the things that we are taught in school, the things that are handed down, never, never entered the picture though they might have been very important. — Rita Dove

What you are beginning to understand is that these decisions are all directly connected to the way in which we picture how you will be equipped to deal with the world around you when you are finally free of us. I smile as I write these words. Believe me, we want you to be free and self-reliant. We — Omar Saif Ghobash

Again and again we picture ourselves sitting together with the people we feel drawn to all our lives, precisely these so-called simple people, whom naturally we imagine much differently from the way they truly are, for if we actually sit down with them we see that they aren't the way we've pictured them and that we absolutely don't belong with them, as we've talked ourselves into believing, and we get rejected at their table and in their midst as we logically should get after sitting down at their table and believing we belonged with them or we could sit with them for even the shortest time without being punished, which is the biggest mistake, I thought. All our lives we yearn to be with these people and want to reach out to them and when we realize what we feel for them are rejected by them and indeed in the most brutal fashion. — Thomas Bernhard

"You see, I do a little in this way myself," he explained; "here is my most prized piece." He took from his pocket a snuffbox, which looked to be of eighteenth-century workmanship. Inside the lid was an enamel picture of Leda and the Swan, and when a knob was pushed to and fro the swan thrust itself between Leda's legs, which jerked in mechanical ecstasy. A nasty toy, I thought, but Urky doted on it. "We single gentlemen like to have these things," he said. "What do you do, Darcourt? Of course we know that Hollier has his beautiful Maria."
To my astonishment Hollier blushed, but said nothing. His beautiful Maria? My Miss Theotoky, of New Testament Greek? I didn't like it at all. — Robertson Davies