Quotes & Sayings About Photography Memory

Only powerfully conceived images have the ability to penetrate the memory, to stay there, in short to become unforgettable. — Brassai

If I indulge myself and surrender to memory, I can still feel the knot of excitement that gripped me as I turned the corner into Rue Mimosas, looking for the house of Rene Magritte. It was August, 1965. I was 33 years old and about to meet the man whose profound and witty surrealist paintings had contradicted my assumptions about photography. — Duane Michals

Photography is thus brought within reach of every human being who desires to preserve a record of what he sees ... and enables the fortunate possessor to go back by the light of his own fireside to scenes which would otherwise fade from memory and be lost. — George Eastman

To remember is to rewrite. To photograph is to replace. The only reliable memories, I suppose, are the ones that have been forgotten. They are the dark rooms of the mind. Unopened, untouched, and uncorrupted. — Abby Geni

Amber starts off as sap from a tree," Joseph said in the dark. "And sometimes insects get caught in it, and over millions of years the amber turns into a gemstone, but it traps the insect inside."
"Oh."
"A photograph is sort of like that, don't you think? — Brian Selznick

Photography mirrored the [nineteenth century] will towards rigor, towards defining details, the need for miniscule description, the long-distance optics, for technology at the service of truth, for concepts of credibility, of objectivity, the need to archive, for the consolidation of institutions like the museum, in short, towards a need to control memory ... — Joan Fontcuberta

I dream
for an absentee and oft maligned
device - the accident-maker,
the soul-taker, my camera;
its factory guaranteed
third eye, without which I am duly dim
and memory denied. No pictures
for my contrived Arbus to declare,
excepting some stitch of Sexton
manages these sentences
of despair. — Kristen Henderson

I use zero photography. I have a photographic memory and a complete knowledge of anatomy and physiology, and an interest in grasping the moment of what is happening, not just the outside, but the inside out. — Richard MacDonald

As Marcel Proust understood, memory is not exclusively or even predominantly visual. It is synesthetic, a combination and even a confusion of the senses that no simple image can reach or encapsulate. A photograph can act as a spur to memory, it can yield treasures, like looking under your bed and finding the baseball card you were certain you lost. But an image stands mute before the inexpressible delicacy, horror, humor, and associative complexity of our experience. — Will Steacy

I have a hunch that our obsession with photography arises from an unspoken pessimism; it is our nature to believe the good things will not last ... But photos provide a false sense of security> like our flawed memory, they are guaranteed to fade ... We take photographs in order to remember, but it is in the nature of a photograph to forget (pg 157) — Michelle Richmond

Before movies, memory unspooled differently in the mind, trailing off in dust-blasted fade-out rather than spliced-together flashback; before photography, memory rippled like a reflection on water's surface, less precise but more profoundly true. — Steve Erickson

You see, i f you have t rue photographic vision, you have clar i ty and i f you have
clarity, you don't need to explain or defend your images.
Clar i ty is about what emot ions or feel ings the image is t rying to evoke, not the fact s
behind the image.
Photographic clar i ty is about passion of purpose. I t 's about a single-minded desi re
to protect a memory. I t 's about story tel l ing wi th a camera that 's so power ful , no
words are necessary. — Scott Bourne

Those static images have the uncanny ability to jar the memory and bring places and people back to life. They bridge the present with the past and validate as real what the passage of time has turned into hazy recollections. Were it not for them, my experiences would have remained as just imperfect memories of perfect moments. — Isabel Lopez

The willful amnesia afflicting the sciences in general contrasts sharply with the importance given to memory by the humanities. Literature, philosophy, politics, and the visual arts, including photography and filmmaking, feed on memory. Practitioners of the humanities need memory to deepen and refine their thinking. — James Hillman

What Pamuk is also engaging with at this point and throughout the book is the relationship of memory and photography and the argument put forward by Walter Benjamin and other commentators that photography creates a 'false' or 'counter' memory which results in what Sontag calls the replacement of memory by a photograph.24 — Patrizia Di Bello

All of those thousands upon thousands of photographs my father had taken. Think of them instead. Each one a record, a testament, a bulwark against forgetting, against nothingness, against death. Look, this happened. A thing happened, and now it will never un happen. Here it is in a photograph: a baby putting its tiny hand in the wrinkled palm of an octogenarian. A fox running across a woodland path and a man raising a gun to shoot it. A plane crash. A comet smeared across a morning sky. A prime minister wiping his brow. The Beatles, sitting at a cafe table on the Champs-Elysees on a cold January day in 1964, John Lennon's pale face under the brim of a fisherman's cap. all these things happened, and my father committed them to a memory that wasn't just his own, but the world's. My father's life wasn't about disappearance. His was a life that worked against it. — Helen Macdonald

What i like about photographs is that they capture a moment that's gone forever, impossible to reproduce. — Karl Lagerfeld

We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole. — Henri Cartier-Bresson

Memory selects single important images, just as the camera does. In that manner both are able to isolate the highest moments of living. — Galen Rowell

Before the invention of photography, significant moments in the flow of our lives would be like rocks placed in a stream: impediments that demonstrated but didn't diminish the volume of the flow and around which accrued the debris of memory, rich in sight, smell, taste, and sound. No snapshot can do what the attractive mnemonic impediment can: when we outsource that work to the camera, our ability to remember is diminished and what memories we have are impoverished. — Sally Mann

Capture the moment. It is your only sacred-memory. — Lailah Gifty Akita

A good snapshot keeps a moment from running away. — Eudora Welty

At age four I was a camera. I took pictures with my eyes. I framed my photo within my vision and blinked my eyes to snap the shutter of my memory. Since that time, I've been impersonating inanimate objects at every opportunity. — Sophia Amoruso

The print was an old one made from a negative taken in the 1960's of her parents in Sydney Mines, dancing with thrilled, excited expressions on their faces, in front of a classic car that had been a wedding gift at the time. Her mother's hair, red back then, was held back by a blue handkerchief, and she was dressed in a billowing skirt and white blouse. Her father's denim jeans and faded t-shirt were streaked with coal dust as he held her hands and spun her around in the front yard of their old clapboard house, yellow grass under their feet and a cobalt-blue sky with white clouds drifting above. Mandy could almost feel the late summer breeze as she gazed deeply into the print, watching the flamboyant colors come to life. She hung it up to dry on two wooden clothespins hanging from a string above her. — Rebecca McNutt

How does photography serve to legitimate and normalize existing power relationships? ... How is historical and social memory preserved, transformed, restricted and obliterated by photographs? — Allan Sekula

For this very reason I refuse all the tricks of the trade and professional virtuosity which could make me betray my career. As soon as I find a subject which interests me, I leave it to the lens to record it truthfully. Look at the reporters and at the amateur photographer! They both have only one goal; to record a memory or a document. And that is pure photography. — Andre Kertesz

Photography is linked with death in many different ways. The most immediate and explicit is the social practice of keeping photographs in memory of loved beings who are no longer alive. But there is another real death which each of us undergoes every day, as each day we draw nearer to our own death. Even when the person photographed is still living, that moment when she or he was has forever vanished. — Christian Metz

Photography works hand in glove with image and memory and therefore possesses their notable epidemic power. — Georges Didi-Huberman

To me photography can be simultaneously both a record and a mirror or window of self-expression the camera is generally assumed to be unable to depict that which is not visible to the eye and yet, the photographer who wields it well can depict what lies unseen in his memory. — Eikoh Hosoe

The raw materials of photography are light and time and memory. — Keith Carter

For Love...Real Love...The Kind Of Love That Lasts Forever... — Sybil Shae

To get from the tangible to the intangible (which mature artists in any medium claim as part of their task) a paradox of some kind has frequently been helpful. For the photographer to free himself of the tyranny of the visual facts upon which he is utterly dependent, a paradox is the only possible tool. And the talisman paradox for unique photography is to work "the mirror with a memory" as if it were a mirage, and the camera is a metamorphosing machine, and the photograph as if it were a metaphor ... . Once freed of the tyranny of surfaces and textures, substance and form [the photographer] can use the same to pursue poetic truth" (Minor White, Newhall, 281). — Minor White

Of all the means of expression, photography is the only one that fixes forever the precise and transitory instant. We photographers deal in things that are continually vanishing, and when they have vanished, there is no contrivance on earth that can make them come back again. We cannot develop and print a memory. The writer has time to reflect. He can accept and reject, accept again; and before committing his thoughts to paper he is able to tie the several relevant elements together. There is also a period when his brain "forgets," and his subconscious works on classifying his thoughts. But for photographers, what has gone is gone forever. — Henri Cartier-Bresson

I think that, in a sense, there's something about photography in general that we could associate with memory, or the past, or childhood. — Gregory Crewdson

A paradox: the same century invented History and PHotography. But History is a memory fabricated according to positive formulas, a pure intellectual discourse which abolishes mythic Time; and the Photograph is a certain but fugitive testimony; so that everything, today, prepares our race for this impotence: to be no longer able to conceive duration, affectively or symbolically: the age of the Photograph is also the age of revolutions, contestations, assassinations, explosions, in short, of impatiences, of everything which denies ripening. — Roland Barthes

If you let some time go by before considering work that you have done, you move toward a more objective position in judging it. The pleasure of the subjective, physical experience in the world is a more distant memory and less influential. — Henry Wessel Jr.

We take pictures because we can't accept that everything passes, we can't accept that the repetition of a moment is an impossibility. We wage a monotonous war against our own impending deaths, against time that turns children into that other, lesser species: adults. We take pictures because we know we will forget. We will forget the week, the day, the hour. We will forget when we were happiest. We take pictures out of pride, a desire to have the best of ourselve preserved. We fear that we will die and others will not know we lived. — Michelle Richmond

Photography is like a found object. A photographer never makes an actual subject; they just steal the image from the world ... Photography is a system of saving memories. It's a time machine, in a way, to preserve the memory, to preserve time. — Hiroshi Sugimoto

Thanks to photography, some memories overstay their welcome. — Mokokoma Mokhonoana