Photographer Mind Quotes & Sayings

I seem to walk in the world as two people. The normal everyday-me is as preoccupied, unobservant and oblivious to visual clues as I ever was. Then there is the photographer-me, the one who has a camera in hand and a specific project in mind, and then the world suddenly jumps to life with potential pictures, as if a switch had been thrown in my brain and a different person is looking out of the same eyes. — Bill Jay

A photograph records both the thing in front of the camera and the conditions of its making ... A photograph is also a document of the state of mind of the photographer. And if you were to extend the idea of the set-up photograph beyond just physically setting up the picture, I would argue that the photographer wills the picture into being. — James Welling

One of my basic feelings is that the mind, and the heart alike, of the photographer must be dedicated to the glory, the magic, and the mystery of light. The mystery of time, the magic of light, the enigma of reality - and their interrelationships - are my constant themes and preoccupations. — Clarence John Laughlin

I'm a photographer and retoucher from Sweden. I use photography as a way of collecting material to realize the ideas in my mind. — Erik Johansson

The frame frames a frame of mind. — John Paul Caponigro

No beast of reality, or creature of imagination, is as terrible as mankind. Or as loving. It's a contradiction. I've always liked contradictions. Today I see both sides of the coin unveiled in gruesome and beautiful imagery, captured by my eyes and filed away in my mind, like still shots taken by a world-renowned photographer. — David Estes

Keep your mind open. You may very well learn something new about yourself and your pictures. — Jay Maisel

The physical surroundings of most individuals, left to their own choice, vary little wherever they happen to live. No doubt that was the explanation. I was in the presence of one of those triumphs of mind over matter, like the photographer's power of imposing his own personal visual demands on the subject photographed. — Anthony Powell

No matter how much crap you gotta plow through to stay alive as a photographer, no matter how many bad assignments, bad days, bad clients, snotty subjects, obnoxious handlers, wigged-out art directors, technical disasters, failures of the mind, body, and will, all the shouldas, couldas, and wouldas that befuddle our brains and creep into our dreams, always remember to make room to shoot what you love. It's the only way to keep your heart beating as a photographer. — Joe McNally

I think that a visual artist's philosophy develops much more freely than a writer's or a thinker's philosophy. It is not so disciplined. The photographer works with both his eyes and his mind. — Manuel Alvarez Bravo

I see it all through the lens of my camera - the flurry of movement, the venue staff in black T-shirts, giving orders into their headsets. As I take it all in, my mind weighs the texture, the composition, the possibility of each changing scene, and I struggle to hold back, to keep my finger from pressing too soon. That's my biggest flaw as a photographer. I'm impatient - trigger-happy. I want the shot now, now, now, click, click, click, and if I could just wait a second more, the moment would really flourish. — Emery Lord

The photographer was lost for riposte, obvious though it should have been; instead he turned to run. At least his mind did. In fact, his mind had already scooted down the Broad Walk and was clambering over the railings at the end, whereas his body had remained rooted to the spot. With some effort he looked down at his feet as if to reprimand them. They refused to take notice. — James Herbert

For the person who wants to capture everything that passes before his eyes, [...] the only coherent way to act is to snap at least one picture a minute, from the instant he opens his yes in the morning to when he goes to sleep. This is the only way that he rolls of exposed film will represent a faithful diary of our days, with nothing left out. If I were to start taking pictures, I'd see this thing through, even if it meant losing my mind. But the rest of you still insist on making a choice. What sort of choice? A choice in the idyllic sense, apologetic, consolatory, at peace with nature, the fatherland, the family. Your choice isn't only photographic; it is a choice of life, which leads you to exclude dramatic conflicts, the knots of contradiction, the great tensions of will, passion, aversion. So you think you are saving yourselves from madness, but you are falling into mediocrity, into hebetude."

- from "The Adventure of a Photographer — Italo Calvino

I think of many of my photographs as being obviously symbolic but not symbolically obvious. There isn't any specific correlation between the symbols in this image and any content that I have in mind. — Jerry Uelsmann

The state of mind of the photographer creating is a blank. I might add that this condition exists only at special times, namely when looking for pictures. -Something keeps him from falling off curbs, down open manholes, into bumpers of skidding trucks while in this condition but goes off duty at other times ... This is a very special kind of blank. A very active state of mind really, it is a very receptive state ... — Minor White

I dream that someday the step between my mind and my finger will no longer be needed. And that simply by blinking my eyes, I shall make pictures. Then, I think, I shall really have become a photographer. — Alfred Eisenstaedt

The purpose of photography is the transmission of a visualized sector of life through the medium of the camera into a mental process that starts with the photographer's thinking about the subject he photographs and is continued in the mind of the spectator. — Roman Vishniac

The genius of Shakespeare lay in his power to so use the real and individual facts of life as to raise in the minds of his readers a broader and nobler conception of human life than they had conceived before. This is creative genius; this is the idealist dealing faithfully with realistic material; this is, as we should say in our day, the work of the artist as distinguished from the work of the photographer. It may be an admirable but it is not the highest work of the sculptor, the painter, or the writer, that does not reveal to the mind - that comes into relation with it something before out of his experience and beyond the facts either brought before him or with which he is acquainted. — William Shakespeare

Books on scientific photography with such beauty, breadth, and insight are rare. Felice Frankel's Envisioning Science is chock full of mind-boggling images and valuable information
not only for curious artists, students, and lay people, but also for seasoned researchers and photographers. The eclectic Frankel is both a scientist and photographer, and with the cold logic of the one and the inspired vision of the other, she covers an array of topics sure to stimulate your imagination and sense of wonder at the incredible vastness of the physical world. — Clifford A. Pickover

I don't like explosions. I don't mind progress. But digital photography has made every man, woman, child and chimpanzee a photographer of sorts and consequently has numbed down the general quality of photographs. — Elliott Erwitt