Quotes & Sayings About Pemberley Pride And Prejudice

Elizabeth laughed and pushed her father's shoulder. "Go, Papa, and be kind to him. I love him so. And it would be to your advantage to be on his good side."
Mr. Bennet raised his eyebrows. "Oh, and why is that?"
Because I have seen both his libraries in London and at Pemberley, Papa."
Interested and amused, Mr. Bennet said, "Ahh, and are they very grand, Lizzy?"
A more exquisite sight you will not see," she assured him. — KaraLynne Mackrory

So what do you think, Miss Bennet? Will you come to Pemberley?" He Spoke quietly over her shoulder; she hadn't realized he was so close. Feeling a mischievous impulse, likely from her nervousness at his proximity, she said the first thing that came to her mind.
"It is tolerable, I suppose, but not hadsome enough to tempt me."
Mr. Darcy's face went from shocked and angry, to hurt and confused, and finally to understanding as her words sunk in. — Elizabeth Adams

The most moving scene for me in 'Pride and Prejudice' is the Pemberley music room scene: Elizabeth has just saved Darcy's sister from embarrassment and confusion, and as the music plays on, Darcy's look of gratitude becomes a look of love, which we see reciprocated in Elizabeth's eyes. — Andrew Davies

There is seldom a physical description of a character or scene in Pride and Prejudice and yet we feel that we have seen each of these characters and their intimate worlds; we feel we know them, and sense their surroundings. We can see Elizabeth's reaction to Darcy's denunciation of her beauty, Mrs. Bennet chattering at the dinner table or Elizabeth and Darcy walking in and out of the shadows of the Pemberley estate. The amazing thing is that all of this is created mainly through tone - different tones of voice, words that become haughty and naughty, soft, harsh, coaxing, insinuating, insensible, vain.
The sense of touch that is missing from Austen's novels is replaced by a tension, an erotic texture of sounds and silences. She manages to create a feeling of longing by setting characters who want each other at odds. — Azar Nafisi