Quotes & Sayings About Parthenon

I must be mad, or very tired, When the curve of a blue bay beyond a railroad track Is shrill and sweet to me like the sudden springing of a tune, And the sight of a white church above thin trees in a city square Amazes my eyes as though it were the Parthenon. — Amy Lowell

The Parthenon is really only a farmyard over which someone put a roof; colonades and sculptures were added because there were people in Athens who happened to be working and wanted to express themselves. — Pablo Picasso

Earth proudly wears the Parthenon As the best gem upon her zone. — Ralph Waldo Emerson

And this is what I mainly learned up there, that the Parthenon was not a thing to study but to feel. It wasn't aloof, rational, timeless, pure. I couldn't locate the serenity of the place, the logic and steady sense. It wasn't a relic species of dead Greece but part of the living city below it. This was a surprise. I'd thought it was a separate thing, the sacred height, intact in its Doric order. I hadn't expected a human feeling to emerge from the stones but this is what I found, deeper than the art and mathematics embodied in the structure, the optical exactitudes. I found a cry for pity. — Don DeLillo

There are many things worth telling that are not quite narrative. And eternity itself possesses no beginning, middle or end. Fossils, arrowheads, castle ruins, empty crosses: from the Parthenon to the Bo Tree to a grown man's or woman's old stuffed bear, what moves us about many objects is not what remains but what has vanished. There comes a time, thanks to rivers, when a few beautiful old teeth are all that remain of the two-hundred-foot spires of life we call trees. There comes a river, whose current is time, that does a similar sculpting in the mind. — David James Duncan

The walls that fence our fields, as well as modern Rome, and not less the Parthenon itself, are all built of ruins. — Henry David Thoreau

Nobody knows the ages of any of the living giant coast redwoods, because nobody has ever drilled into one of them in order to count its annual growth rings. Drilling into an old redwood would not reveal its age, anyway, because the oldest redwoods seem to be hollow; they don't have growth rings left in their centers to be counted. Botanists suspect that the oldest living redwoods may be somewhere between two thousand and three thousand years old-they seem to be roughly the age of the Parthenon. — Richard Preston

Imagine you are a member of a tour visiting Greece. The group goes to the Parthenon. It is a bore. Few people even bother to look - it looked better in the brochure. So people take half a look, mostly take pictures, remark on serious erosion by acid rain. You are puzzled. Why should one of the glories and fonts of Western civilization, viewed under pleasant conditions - good weather, good hotel room, good food, good guide - be a bore?
Now imagine under what set of circumstances a viewing of the Parthenon would not be a bore. For example, you are a NATO colonel defending Greece against a Soviet assault. You are in a bunker in downtown Athens, binoculars propped up on sandbags. It is dawn. A medium-range missile attack is under way. Half a million Greeks are dead. Two missiles bracket the Parthenon. The next will surely be a hit. Between columns of smoke, a ray of golden light catches the portico.
Are you bored? Can you see the Parthenon?
Explain. — Walker Percy

I like the thought that what we are to do on this earth is embellish it for its greater beauty, so that oncoming generations can look back to the shapes we leave here and get the same thrill that I get in looking back at theirs - at the Parthenon, at Chartres Cathedral. — Philip Johnson

Helen's era was quite different from what most people think of when they hear the words ancient Greece. The Parthenon, the graceful statues, the works of Sophocles, Euripides, Socrates, Aristotle, and Plato, all came nearly a thousand years after Helen's time, during the classical era. In the Bronze Age, no one yet knew how to make brittle iron flexible enough to use for tools and weapons. Art, especially sculpture of the human form, was stiffer and more stylized. Few people could read or write. Instead of signing important papers, you would use a stone seal to leave an impression on clay tablets. The design on the seal would be as unique as a signature. There was a kind of writing in Bronze Age Greece, but it was mostly used to keep track of financial matters, such as royal tax records. Messages, poems, songs, and stories were not written down but were memorized and passed along by word of mouth. — Esther M. Friesner

I said it grieved me to part from anything that mattered to me, yet I welcomed the grief because it meant I had felt deeply and needed to express it. 'I even had trouble leaving the Parthenon,' I told him ... 'because it was so beautiful and I knew I'd never see it again. — Jeanne Safer

The elms of New England! They are as much a part of her beauty as the columns of the Parthenon were the glory of its architecture. — Henry Ward Beecher

Being gay has existed as long as history has been recorded. Back to the Greeks. How can something be called an aberration if it's existed as long as the Parthenon? Hell, gays existed before Christ did, and they accept him being legitimate even with all his walking on water and God-screwed-my-mom-who-was-married-to-another-man-nonsence." (Rosemary) — Dan Skinner

Leisure, itself the creation of wealth, is incessantly engaged in transmuting wealth into beauty by secreting the surplus energy which flowers in great architecture, great painting and great literature. Only in the atmosphere thus engendered floats that impalpable dust of ideas which is the real culture. A colony of ants or bees will never create a Parthenon. — Edith Wharton

I think people care. If not, why do so many people spend money going on vacations to see architecture? They go to the Parthenon, to Chartres, to the Sydney Opera House. They go to Bilbao ... Something compels them, and yet we live surrounded by everything but great architecture. — Frank Gehry

Other people, so I have read, treasure memorable moments in their lives: the time one climbed the Parthenon at sunrise, the summer night one met a lonely girl in Central Park and achieved with her a sweet and natural relationship, as they say in books. I too once met a girl in Central Park, but it is not much to remember. What I remember is the time John Wayne killed three men with a carbine as he was falling to the dusty street in Stagecoach, and the time the kitten found Orson Welles in the doorway in The Third Man. — Walker Percy

The falling apart of a man's life should make more noise. It should startle passesrby with its Sturm and Drang. It ought to sound like the Parthenon crashing down. Not this ordinary, everyday kind of quiet ... He closed his eyes ... And still it was quiet, this falling apart of his life, as silent as the last beat of an old man's heart. A quiet, echoing thud, and then ... nothing. — Kristin Hannah

People die, sure," my mother was saying. "But it's so heartbreaking and unnecessary how we lose things. From pure carelessness. Fires, wars. The Parthenon, used as a munitions storehouse. I guess that anything we manage to save from history is a miracle. — Donna Tartt

One need not believe in Pallas Athena, the virgin goddess, to be overwhelmed by the Parthenon. Similarly, a man who rejects all dogmas, all theologies and all religious formulations of beliefs may still find Genesis the sublime book par excellence. Experiences and aspirations of which intimations may be found in Plato, Nietzsche, and Spinoza have found their most evocative expression in some sacred books. Since the Renaissance, Shakespeare, Rembrandt, Mozart, and a host of others have shown that this religious dimension can be experienced and communicated apart from any religious context. But that is no reason for closing my heart to Job's cry, or to Jeremiah's, or to the Second Isaiah. I do not read them as mere literature; rather, I read Sophocles and Shakespeare with all my being, too. — Walter Kaufmann

The Parthenon without the marbles is like a smile with a tooth missing. — Neil Kinnock

The academic teaching on beauty is false. We have been misled, but so completely misled that we can no longer find so much as a shadow of a truth again. The beauties of the Parthenon, the Venuses, the Nymphs, the Narcisusses, are so may lies. Art is not the application of a canon of beauty, but what the instinct and the brain can conceive independently of that canon. — Pablo Picasso

In the world over, the very name of our country is immediately associated with the Parthenon. — Melina Mercouri

There are men whose manners have the same essential splendor as the simple and awful sculpture on the friezes of the Parthenon, and the remains of the earliest Greek art. — Ralph Waldo Emerson

These are the ruins of our memories, which loom in our minds like the Parthenon, even as they are decayed and weathered by time and regret. — Jess Walter

And the seventh hero ... Leo Valdez?"
Nico raised his eyebrows. "You remember his name?"
"Of course! He invented the Valdezinator. Oh, what a musical instrument! I barely had time to master its major scales before Zeus zapped me at the Parthenon. If anyone could help me, it would be Leo Valdez. — Rick Riordan

The hand is a symbol of humanity, part of what makes us human - the hand that carved the Parthenon, painted the hands of God and Adam on the ceiling of the Sistine Chapel, and wrote King Lear was the only hand that had known smallpox. That same hand had now given the disease to a monkey. — Richard Preston

Georgeta cleared her throat, and pushed herself deeper into the sofa cushion.
"You know Penelope Stephanopoulos, Jasmira's best friend?" she asked.
"That Greek redhead with an attitude bigger than the Parthenon?" Erik snorted. — A.O. Peart

Take the Pyramids. Great blocks of useless masonry, put up to minister to the egoism of a despotic bloated king. Think of the sweated masses who toiled to build them and died doing it. It makes me sick to think of the suffering and torture they represent."

Mrs. Allerton said cheerfully: "You'd rather have no Pyramids, no Parthenon, no beautiful tombs or temples - just the solid satisfaction of knowing that people got three meals a day and died in their beds."

The young man directed his scowl in her direction. "I think human beings matter more than stones. — Agatha Christie

What is the crowning glory of your civilization ... the symbol as clear a statement as the pyramids, the Parthenon, the cathedrals? What is this symbol? What is its name? Its name is Junk. Junk is the rusty, lovely, brilliant symbol of the dying years of your time. Junk is your ultimate landscape. — George Nelson

There were mountains; there were valleys; there were streams. She climbed the mountains; roamed the valleys; sat on the banks of streams ... when, from the mountain-top, she beheld, far off, across the Sea of Marmara the plains of Greece, and made out (her eyes were admirable) the Acropolis with a white streak or two which must, she thought, be the Parthenon, her soul expanded with her eyeballs, and she prayed she might share the majesty of the hills, know the serenity of the plains, etc. etc., as all such believers do. — Virginia Woolf

Like all human beings, Bob [Crane] had feelings and emotions. He danced on the moon, jumped for joy, laughed in ecstasy, and leapt in triumph. He also cried in grief, mourned losses, threw his hands up to the sky in frustration, and felt desperate, scared, sad, and alone. Bob's flaws - the mistakes and bad choices he made, the most difficult moments he faced, and his descent into the jaws of a powerful addiction - were all but a part of his whole life journey. His flaws were merely the specks, like the specks on the Parthenon that comprise any person's entire time on earth... In spite of his flaws, he was a kind person, a joyful person, a talented person, a courageous person - a whole person. — Carol M. Ford

There they are.
The extreme definiteness with which they stand, now a brilliant white, again yellow, and in some lights red, imposes ideas of durability, of the emergence through the earth of some spiritual energy elsewhere dissipated in elegant trifles. But durability exists independently of our admiration. Although the beauty is sufficiently humane to weaken us, to stir the deep deposit of mud - memories, abandonments, regrets, sentimental devotions - the Parthenon is separate from all that; and if you consider how it has stood out at night, for centuries, you begin to connect the blaze (at midnight the glare is dazzling and the frieze almost invisible) with the idea that perhaps it is beauty alone that is immortal. — Virginia Woolf

Digital media are biased toward replication and storage. Our digital photos practically upload and post themselves on Facebook, and our most deleted e-mails tend to resurface when we least expect it. Yes, everything you do in the digital realm may as well be broadcast on prime-time television and chiseled on the side of the Parthenon. — Douglas Rushkoff

The forge looked like a steam-powered locomotive had smashed into the Greek Parthenon and they had fused together. — Rick Riordan

I left them to it, the pointing of fingers on maps, the tracing of mountain villages, the tracks and contours on maps of larger scale, and basked for the one evening allowed to me in the casual, happy atmosphere of the taverna where we dined. I enjoyed poking my finger in a pan and choosing my own piece of lamb. I liked the chatter and the laughter from neighbouring tables. The gay intensity of talk - none of which I could understand, naturally - reminded me of left-bank Paris. A man from one table would suddenly rise to his feet and stroll over to another, discussion would follow, argument at heat perhaps swiftly dissolving into laughter. This, I thought to myself, has been happening through the centuries under this same sky, in the warm air with a bite to it, the sap drink pungent as the sap running through the veins of these Greeks, witty and cynical as Aristophanes himself, in the shadow, unmoved, inviolate, of Athene's Parthenon. ("The Chamois") — Daphne Du Maurier

It is a fact that every day this time of year,at twenty-three seconds after 4:18, the entire Parthenon of animistic godlings and demons,trolls and sprites of dead chiefs that predated Muhammad, flex their bronzy thews and proceed to gang-piss on Assama. The earliest invaders clocked their movements by it; the lighting,the thunder, and the rain are the sole consistencies of this drowsy, turbulent land,ceaselessly full of surprises, none of them pleasant, all of them keeping you from ever feeling at home. — Millard Kaufman

You must understand what the Parthenon Marbles mean to us. They are our pride. They are our sacrifices. They are our noblest symbol of excellence. They are a tribute to the democratic philosophy. They are our aspirations and our name. They are the essence of Greekness. — Melina Mercouri

It's so heartbreaking and unnecessary how we lose things. From pure carelessness. Fires, wars. The Parthenon, used as a munitions storehouse. I guess that anything we manage to save from history is a miracle. p28 — Donna Tartt

There has always been the wind.
Since our planet began to turn, there has been the wind. This ball of dirt and fire and water started to spin. The air stirred. And Earth's time began.
But the beginnings of the wind are lost in the mists of time. The wind blew before the Appian Way wended through Rome. It blew before the Parthenon crowned Athens. Before pyramids sprang up in Egypt.
Before the Mayans. Before the Incas.
Before Man. — Kaye George

The Elgin Marbles were supposed to be on the Parthenon. For many works of art, a museum is an artificial setting - a zoo, not a natural habitat. — Virginia Postrel

But it is fit that the Past should be dark; though the darkness is not so much a quality of the past as of tradition. It is not adistance of time, but a distance of relation, which makes thus dusky its memorials. What is near to the heart of this generation is fair and bright still. Greece lies outspread fair and sunshiny in floods of light, for there is the sun and daylight in her literature and art. Homer does not allow us to forget that the sun shone,
nor Phidias, nor the Parthenon. — Henry David Thoreau

Who knew, or cared, the names of the Turks who blew the roof off the Parthenon? the mullahs who had ordered the destruction of the Buddhas at Bamiyan? Yet living or dead: their acts stood. It was the worst kind of immortality. Intentionally or no: I had extinguished a light at the heart of the world. — Donna Tartt

Across the distance, the Acropolis museum cradled within its protective walls its legendary treasures, lulling them to a peaceful sleep under the eerie light from the heavens. Yet, through the large window, the five Caryatids stood alert on their strong platform. The ageless maidens with the long braided hair down their backs remained awake even at this hour gazing across to the Acropolis, full of nostalgia for their sacred home. Inside their marble chests, they nurtured as always, precious hope for the return of their long lost sister. — Effrosyni Moschoudi

for some disturbing reason, no one suggests that aliens may have assisted in building the Parthenon or Colosseum.) — Seth Shostak

Every book is an alchemical creation, and I'm thinking back to 1857 when Herman Melville arrived in Greece and saw the Parthenon for the first time sitting there like a great beached whale, its big white bones exposed to the winds. But how can this happen? How can a whale turn into a building? Or into a book? In what way can words be alive? — Laurie Anderson

The difference between the Parthenon and the World Trade Center, between a French wine glass and a German beer mug, between Bach and John Philip Sousa, between Sophocles and Shakespeare, between a bicycle and a horse, though explicable by historical moment, necessity, and destiny, is before all a difference of imagination. — Guy Davenport

Parthenon looked to me like an even number two or four. And even numbers are against my heart
I don't want to have anything with them. They stand too fast on their legs, they're well-ordered, they don't wish to be moved, they're conservative, satisfied. All problems solved, all desires fulfilled, they can be calm. Odd numbers, they have a rhythm familiar to my heart. The life of the odd numbers is not comfortably arranged. They don't like the world as it is, they wish to change it, improve it, push it forward. They stand on one leg, and they have the other one raised, prepared to go on. They are leaving. Where? To the next even number, where they stop for a while, breathe in, and go on marching again. — Nikos Kazantzakis