Quotes & Sayings About Painting The Sky

Even as I regarded those two men, I became aware of the flying beams of the spotlights, to the north-east, painting ephemeral infinity symbols across the pregnant clouds that increasingly commanded the sky, of the distant roller-coaster chain clacking through the ratchet angles of the guideway as cars full of riders climbed an incline toward the next long drop, of the dusty smell of the campground, and of the scent of rain pending. — Dean Koontz

Life's kind of like a painting. A really bizarre, abstract painting. You could look at it and think that all it is, is a blur. And you could continue living your life thinking that all it is, is just a blur. But if you really look at it, really see it, focus on it, and use your imagination, life can become so much more. The painting could be of the sea, the sky, people,buildings, a butterfly on a flower, or anything except the blur you were once convinced it was. — Cecelia Ahern

I spray the sky fast. Eyes ahead and behind. Looking for cops. Looking for anyone I don't want to be here. Paint sails and the things that kick in my head scream from can to brick. See this, see this. See me emptied onto a wall. — Cath Crowley

The forms of the central and surrounding deities ... should not be protruding like a clay statue or cast image, yet neither should they be flat like a painting. In contrast, they should be apparent, yet not truly existent, like a rainbow in the sky or the reflection of the moon in a lake. They should appear as though conjured up by a magician. Clear appearance involves fixing the mind one-pointedly on these forms with a sense of vividness, nakedness, lucidity, and clarity. — Jigme Lingpa

God must've had a blast. painting the stripes on the zebra, hanging the stars in the sky, putting the gold in the sunset. What creativity!
Stretching the neck of the giraffe, putting the flutter in the mockingbird's wings, planting the giggle in the hyena. And then, as a finale to a brilliant performance, He made a human who had the unique honour to bear the stamp, In His Image. — Max Lucado

It's not visual. He's not. You know him by his work, for one thing, and that part is visual, I suppose, isn't it? The sky, moon, stars, and trees, all those exotic colors you're apt to see in birds' feathers. When you look at a painting, you don't try to visualize the artist, do you? But you know somebody painted it or it wouldn't be there. — Vicki Covington

There's this inherent screenplay structure that everyone seems to be stuck on, this three-act thing. It doesn't really interest me. To me, it's kind of like saying, 'Well, when you do a painting, you always need to have sky here, the person here and the ground here.' Well, you don't. — Charlie Kaufman

I don't believe in making pencil sketches and then painting landscape in your studio. You must be right under the sky. — William Merritt Chase

I followed the older woman out to the foyer. Taking the stairs, I scanned each painting that lined the walls. I stilled as I found a portrait that could only have been Nathaniel. He looked young and brash, no more than fifteen. His suit was painted in a regal colour, it set off his tanned skin and sky blue eyes.
"Handsome devil was he not?" Bess chuckled. "Or should I say, 'is he not'?"
I fought the urge to blush as I trailed after the housekeeper. — Freedom Matthews

THE JOURNEY

Above the mountains
the geese turn into
the light again

Painting their
black silhouettes
on an open sky.

Sometimes everything
has to be
inscribed across
the heavens

so you can find
the one line
already written
inside you.

Sometimes it takes
a great sky
to find that

first, bright
and indescribable
wedge of freedom
in your own heart.

Sometimes with
the bones of the black
sticks left when the fire
has gone out

someone has written
something new
in the ashes of your life.

You are not leaving.
Even as the light fades quickly now,
you are arriving. — David Whyte

Imagine painting all the statues in the world in the color of the sky — Yoko Ono

With a stroke of love on the canvas of my soul I'm painting a perfect world with shades of Michelangelo With each promise made in every heart that knows we can live in a perfect world in shades of Michelangelo I hear songs of children echo in the sky I hear songs of children a tomorrow so bright! — Belinda Carlisle

It isn't that it's too soon, you're on the back of my bike, it ain't too soon. You can buy sheets. You cannot install blinds."
"um ... " I mumbled. "Can you explain the difference?"
"Sheets are chick territory," he said without delay. "You gotta use tools, that's dick territory."
"Oh," I whispered.
"Don't tread on dick territory," he advised.
"So, um ... is a paintbrush a tool?" I asked cautiously.
"If you're paintin' the side of the house, yeah. If you're painting mud colored paint in a room, no."
"It's terracotta," I said softly.
"Whatever," he muttered, his mouth twitching.
"Or, the paint chip called it Mexican horizon. The blue is dawn sky."
"Definitely chick territory," Tate replied, losing the fight with his grin.
"What about ... pictures for the walls?" I asked.
"Chick," he answered instantly.
"Um ... could I ask that, instead of you getting angry and being a jerk, maybe you give me a head's up when I'm doing something stupid? — Kristen Ashley

The painting was framed in a misty view of sky, sea, and valley.
Newt's painting was small, black, and warty.
It consisted of scratches made in a black, gummy impasto. The scratches formed a sort of spider's web, and I wondered if they might not be the sticky nets of human futility hung up on a moonless night to dry. — Kurt Vonnegut

Grandma sees these things when she talks about them and gestures with her hands like she's painting brush strokes in the air. The way Grandma paints her dreams for me, there's a low sky. — Heidi W. Durrow

It was no amalgam of colors comparable to anything in mortal existence. It was as if all natural colors had been mutated into a painfully lush iridescence by some prism fantastically corrupted in its form; it was a rainbow staining the sky after a poison deluge; it was an aurora painting the darkness with a blaze of insanity, a blaze that did not burn vigorously but shimmered with an insect-jeweled frailness. — Thomas Ligotti

The best sentences orient us, like stars in the sky, like landmarks on a trail. They remain the test, whether or not to read something. The most compelling narrative, expressed in sentences with which I have no chemical reaction, or an adverse one, leaves me cold. In fiction, plenty do the job of conveying information, rousing suspense, painting characters, enabling them to speak. But only certain sentences breathe and shift about, like live matter in soil. The first sentence of a book is a handshake, perhaps an embrace. Style and personality are irrelevant. They can be formal or casual. They can be tall or short or fat or thin. They can obey the rules or break them. But they need to contain a charge. A live current, which shocks and illuminates. — Jhumpa Lahiri

A building is akin to dogma; it is insolent, like dogma. Whether or no it is permanent, it claims permanence, like a dogma. People ask why we have no typical architecture of the modern world, like impressionism in painting. Surely it is obviously because we have not enough dogmas; we cannot bear to see anything in the sky that is solid and enduring, anything in the sky that does not change like the clouds of the sky. — Gilbert K. Chesterton

The coming and going of birth and death is a painting. Unsurpassed enlightenment is a painting. The entire phenomenal universe and the empty sky are nothing but a painting. — Dogen

For it is only framed in space that beauty blooms. Only in space are events and objects and people unique and significant-and therefore beautiful. A tree has significance if one sees it against the empty face of sky. A note in music gains significance from the silences on either side. A candle flowers in the space of night. Even small and casual things take on significance if they are washed in space, like a few autumn grasses in one corner of an Oriental painting, the rest of the page bare. — Anne Morrow Lindbergh

Nevertheless, we react to one a bit differently than we do to Rothko's hovering panels or Barnett Newman's stripes, though Whistler does approach their extremity of abstraction; part of our pleasure lies in recognizing bridges and buildings in the mist, and in sensing the damp riverine silence, the glimmering metropolitan presence. ... The painting - a single blurred stripe of urban shore - is additionally daring in that the sky and sea are no shade of blue, but, instead, an improbable, pervasive cobalt green. Human vision is here taken to its limits, and modern painting, as a set of sensations realized in paint, is achieved. — John Updike

How better to experience the hours of darkness than at the back of your boat with a cup of tea in hand as she forges through the water, painting excited light on to the inky black as phosphorescence bursts into life at the bow and slowly fades its farewell in the wake? The deck is like a reflection of the stars in the sky as the phosphorescence glows in its random resting places. I feel so alive when I am out there with an unblemished horizon and the musical rush of water passing the hull. The — Pete Goss

Cheng Xin now recalled the strange feeling she had experienced each time she had looked at Van Gogh's painting. Everything else in the painting - the trees that seemed to be on fire, and the village and mountains at night - showed perspective and depth, but the starry sky above had no three-dimensionality at all, like a painting hanging in space. Because the starry night was two-dimensional. How could Van Gogh have painted such a thing in 1889? Did he, having suffered a second breakdown, truly leap across five centuries — Liu Cixin

It takes waking prayer and working prayer and going to bed in prayer each day with increasing dedication. I must be the best person that I am able to be when I am painting. Tonight the wind is howling and the barrels are full of sky water. — Morris Graves

Here, in this painting, in these (hopefully) creative meditations, you will see teh same sky and the same sun, the same story of struggle, of fall and grace, of descent and ascent, of death and resurrection. The same God. The same gifts. If He's not tired of it, why should I be? If His brush is still in His hand, if His words still roll, what can I do but stick my tongue out the cornder of my mouth and diligently (but pitifully) rip Him off? What can I do but meditate on His meditations? (xii) — N.D. Wilson

You may then wonder where they have gone, those other dim dots that were you; you in the flesh swimming in a swift river, swinging a bat on the first pitch, opening a footlocker with a screwdriver, inking and painting clowns on cellluloid, stepping out of a revolving door into the swift crowd on a sidewalk, being kissed and kissing till your brain grew smooth, stepping out of the cold woods into a warm field of crows, or lying awake in bed aware of your legs and suddenly aware of all of it, that ceiling above you was under the sky - in what country, what town? — Annie Dillard

Some paintings become famous because, being durable, they are viewed by successive generations, in each of which are likely to be found a few appreciative eyes.
I know a painting so evanescent that it is seldom viewed at all, except by some wandering deer. It is a river who wields the brush, and it is the same river who, before I can bring my friends to view his work, erases it forever from human view. After that it exists only in my mind's eye.
Like other artists, my river is temperamental; there is no predicting when the mood to paint will come upon him, or how long it will last. But in midsummer, when the great white fleets cruise the sky for day after flawless day, it is worth strolling down to the sandbars just to see whether he has been at work. — Aldo Leopold

The celebrations go on for many hours,' said the woman. Above her, in the sky, a firework exploded, showering multi-coloured flames across the stars. 'You can pay fealty at any time.' Another firework tore open the sky, streams of colour painting the woman's shift blue and green, throwing their shadows downwards. For a moment, the woman's shadow self moved against the shadow Fillingham, pressing to him, and then another explosion above them sent them dancing apart, wavering, their edges rimed with yellow and reds, and then the woman was moving again.
("The Cotswold Olimpicks") — Reggie Oliver

I wish that in order to secure his party's nomination, a presidential candidate would be required to point at the sky and name all the stars; have the periodic table of the elements memorized; rattle off the kings and queens of Spain; define the significance of the Gatling gun; joke around in Latin; interpret the symbolism in seventeenth-century Dutch painting; explain photosynthesis to a six-year-old; recite Emily Dickenson; bake a perfect popover; build a shortwave radio out of a coconut; and know all the words to Hoagy Carmichael's "Two Sleepy People", Johnny Cash's "Five Feet High and Rising", and "You Got the Silver" by the Rolling Stones ... What we need is a president who is at least twelve kinds of nerd, a nerd messiah to come along every four years, acquire the Secret Service code name Poindexter, install a Revenge of the Nerds screen saver on the Oval Office computer, and one by one decrypt our woes. — Sarah Vowell

One day a man came to watch him work on a painting he was doing of Jesus and his disciples. The man sat there all day, and Leonardo only made one stroke the whole time. 'You stood there all day and only made one stroke,' the man said. Leonardo just looked at him. 'Yeah, but it was the right stroke,' he said." Dan sat quietly for a second. I was not sure if he was angry or if he didn't see the relevance of the analogy. Then, all of a sudden, he burst out laughing. "That's pretty good, Nerburn," he said. He reached over and pushed me playfully. "What was that guy's name?" "Leonardo da Vinci." "I've got to remember that. Leonardo Duvishhi. You sure he wasn't an Indian?" "Might have been Wapashaw's long-lost uncle," I said. Dan laughed heartily. "This is a good day, Nerburn. I'm glad you came to visit me." The hawk cut great arcs against the towering sky. The eastern horizon was filling with pinks and lavenders. "So am I, Dan," I said. "It's been too long. — Kent Nerburn

Nothing is clear now. Something must be the matter with my way of viewing things. I have no middle view. Either I fix on a detail and see it as thought it were magnified
a leaf with all its veins perceived, the fine hairs on a man's hands
or else the world recedes and becomes blurred, artificial, indefinite, an abstract painting of a world. The darkening sky is hugely blue, gashed with rose, blood, flame from the volcano or wound or flower of the lowering sun. The wavering green, the sea of grass, piercingly bright. Black tree trunks, contorted, arching over the river. — Margaret Laurence

The sky is like a monochromatic contemporay painting, drawing me in its illusion of depth, pulling me up. — John Green

Somewhere in the city, an orange cat finished chewing on a marjoram plant next to his studio apartment's door and leapt purring onto the shoulder of his owner, home early from work. Somewhere in the city, a young Chinese pianist sat down at a rehearsal hall and let his fingers play the first opening notes of the Emperor Concerto, notes that would envelop the small girl in row D of the Philharmonic that night in a shimmering cloud. A boy in Staten Island touched his finger to the lower back of the girl who had been just a friend until then. A woman in Hell's Kitchen stood in her dark attic garret, her paintbrush in hand, and stepped back from the painting of chartreuse highway and forest-green sky that had taken her two years to complete. A clerk in a Brooklyn bodega tapped her crimson fingernail on a box of gripe water, reassuring the new mother holding a wailing baby, and the mother's grateful smile almost made both of them cry themselves. — Stephanie Clifford

Jaron stood on top of a hill, staring blankly into the distance and taking in every detail of the scene unfolding below him. To his back the sun was setting, casting its last rays over the field below and painting the sky around him in a vast array of red and gold. He shuddered slightly as a cool breeze blew gently through the tall grass of the field, nipping sharply at his cheeks which had gone numb from standing exposed to the elements for too long. It was a seemingly perfect fall day, and he couldn't help but feel that it was somewhat ironic that it was on this day life as he knew it was coming to an end. — K.R. Fajardo

I was too tired to think. I merely felt the town as a unique unreality. What was it? I knew
the moon's picture of a town. These streets with their houses did not exist, they were but a ludicrous projection of the moon's sumptuous personality. This was a city of Pretend, created by the hypnotism of moonnight.
Yet when I examined the moon she too seemed but a painting of a moon and the sky in which she lived a fragile echo of color. If I blew hard the whole shy mechanism would collapse gently with a neat soundless crash. I must not, or lose all. — E. E. Cummings

There was one painting, I remember, that showed a broad, clean sweep of sky and the ocean drawn out to the horizon, and the sand littered with seashells and crabs and mermaid's purses and bits of seaweed. A boy and girl were standing four feet apart, not facing each other, not acknowledging each other in any way, just standing,looking out at the water. I always liked that painting. I liked to think they had a secret. — Lauren Oliver

I always start a painting with the sky. — Alfred Sisley