Out Of Context Book Quotes & Sayings

as if any one but a fool imagined that he could compress a thing like art or religion or science into an epigram which could be lifted from its context and, so lifted, continue to make sense. Giving and collecting definitions is not philosophy but a parlour game. The writer's definition of religion (as of art and so forth) is coextensive with this entire book, and will nowhere be found in smaller compass. Nor will it be found in its completeness there; for no book is wholly self-explanatory, but solicits the co-operation of a reasonably thoughtful and instructed reader. Religion, — R.G. Collingwood

Within chapter 26 Job affirms the three-tiered universe of waters of the Abyss below him (v. 5) and under that Sheol (v. 6), with pillars holding up the heavens (v. 11). Later in the same book, God himself speaks about the earth laid on foundations (38:4), sinking its bases and cornerstone like a building (38:5-6). Ancient peoples believed the earth was on top of some other object like the back of a turtle, and that it was too heavy to float on the waters. So in context, Job 26 appears to be saying that the earth is over the waters of the abyss and Sheol, on its foundations, but there is nothing under those pillars but God himself holding it all up. This is not the suggestion of a planet hanging in space, but rather the negative claim of an earth that is not on top of an ancient object. — Brian Godawa

I wake up.
Immediately I have to figure out who I am. It's not just the body - opening my eyes and discovering whether the skin on my arm is light or dark, whether my hair is long or short, whether I'm fat or thin, boy or girl, scarred or smooth. The body is the easiest thing to adjust to, if you're used to waking up in a new one each morning. It's the life, the context of the body, that can be hard to grasp.
Every day I am someone else. I am myself - I know I am myself - but I am also someone else.
It has always been like this. — David Levithan

I don't expect Christians to see God as a metaphor, but that's what he is. Perhaps it might be clearer to call him a character in fiction, and a very interesting one too: one of the greatest and most complex villains of all - savage, petty, boastful and jealous, and yet capable of moments of tenderness and extremes of arbitrary affection - for David, for example. But he's not real, any more than Hamlet or Mr Pickwick are real. They are real in the context of their stories, but you won't find them in the phone book. — Philip Pullman

I myself found a fascinating example of this in Nietzsche's book Thus Spake Zarathustra, where the author reproduces almost word for word an incident reported in a ship's log for the year 1686. By sheer chance I had read this seaman's yarn in a book published about 1835 (half a century before Nietzsche wrote); and when I found the similar passage in Thus Spake Zarathustra, I was struck by its peculiar style, which was different from Nietzsche's usual language. I was convinced that Nietzsche must also have seen the old book, though he made no reference to it. I wrote to his sister, who was still alive, and she confirmed that she and her brother had in fact read the book together when he was 11 years old. I think, from the context, it is inconceivable that Nietzsche had any idea that he was plagiarizing this story. I believe that fifty years later it has unexpectedly slipped into focus in his conscious mind. — C. G. Jung

I love the word 'fashion.' That's why I'm using it in the title of this book. Fashion is about change and about creating clothes within a historical context. To me, dismissing fashion as silly or unimportant seems like a denial of history and frequently a show of sexism
as if something that's traditionally a concern of women isn't valid as a field of academic inquiry. When the Parsons fashion department was founded in 1906, it was called 'costume design,' because fashion was then a verb: to fashion. But the word 'fashion' has evolved to mean something much more profound, and those who resist it seem to me to be on the wrong side of history. — Tim Gunn

The question may arise - how can credible Christian organizations justify and condone meditative practices that clearly resemble Eastern meditation? As pointed out earlier in this book, Christian terminology surrounds these practices. It only takes a few popular Christian leaders with national profiles to embrace a teaching that sounds Christian to bring about big changes in the church. Moreover, we have many trusting Christians who do not use the Scriptures to test the claims of others. Building an entire prayer method around an out-of-context verse or two is presumptuous, at best. Now more than ever, it is critical that Christians devote themselves to serious Bible study and discernment regarding this issue. — Ray Yungen

The parable of the vineyard spoke very deeply to my heart, especially in the context of someone who has just freshly read the Old Testament from the first page to the last page of the Book of Malachi. — Timothy Sng

The creature you find in Speak, Memory is rare enough to be zoo-worthy. He's not just smarter but somehow more effete than most of us without seeming put on. Resenting him for it would be like resenting a gazelle for her grace. He doesn't sound prissy painting himself as a cultivated synesthete who can hear colors and see music, nor vain talking as a polyglot who translates his own work back and forth into many languages. He's just your standard virtuoso aristocrat from a gilded age. Which is the miracle of his talent. He has shaped the book to highlight his own magnificent way of viewing the world, a viewpoint that so eats your head that you never really leave his very oddly bejeweled skull, and you value things in the book's context as he does, never missing what you otherwise adore in another kind of writer. — Mary Karr

The critic has to do more of what the book critics and art critics have done in the past. Which is give you a context for understanding the restaurant, give you a better way to appreciate it, give you the tools to go in there and be a more informed diner who can get more pleasure out of the experience. — Ruth Reichl

This is a book about texts as well as their authors, it is not a textbook so much as a context book and a pretext book, concerned with settings and motives as well as the works themselves. Its success will be measured by the readers who pick up Plato's Republic, Hobbes's Leviathan, Hegel's Phenomenology of Spirit, and find themselves engrossed rather than baffled - and even when they are baffled, are happy to go on reading, interrogating, and arguing with their authors for themselves. — Alan Ryan

DARWIN'S "SACRED CAUSE"?
Much ink has been dedicated to determining Charles Darwin's role in "scientific racism." The only way to empirically and scientifically determine his role is to organize the events as a timeline, and thus placing them into context of historical events. Political analysis without historical context is all sail and no rudder. In America we are constantly made aware that both Abraham Lincoln and Charles Darwin were born on the same day, in the same year, February 12, 1809. Adrian Desmond and James Moore famous 2009 book, "Darwin's Sacred Cause," leverages this factoid in an effort to place Charles Darwin at par with Abraham Lincoln in the abolition of slavery. This fraudulently steals away credit from Abraham Lincoln, who took a bullet to the head for the cause, and transfers it by inference to an aristocrat whom remained in his plush abode throughout the conflict and never lifted a finger for the cause. — A.E. Samaan

leap in the ability to process and data. For the sake of simplicity, this book will focus on the recent past to discuss various stages where information technology, norms, practices, and rules combined to allow for data gathering and sharing within an enterprise and with individuals. Framing and noting the various risks and opportunities within various stages in the Information Age creates a context for the ensuing discussion surrounding the mission and purpose of the privacy engineer and the call to action for the privacy engineer's manifesto, as presented later in this book. — Michelle Finneran Dennedy

The Bible itself is a book that constantly must be wrestled with and re-interpreted ... Bible interpretation is colored by historical context, the reader's bias and current realities. The more you study the Bible, the more questions it raises. It is not possible to simply do what the Bible says. — Rob Bell

When I was twenty, in the summer between my sophomore and junior years in college, I fell head over heels for a barista at my local coffee shop. His name was Sam, and he is the most beautiful boy I have ever seen - in any context - and I can promise you that if you saw him, he'd be the most beautiful boy you've ever seen, too. His good looks were beyond the court of public opinion. He looked like the result of a magical gay union between Patrick Dempsey and Freddie Prinze Jr. Think about that for a few minutes. Close the book and set it aside, then close your eyes, and just think about that. I will wait here. I'm actually going to take a few minutes to think about him, too. All right. Calm down. — Katie Heaney

In a typical history book, black Americans are mentioned in the context of slavery or civil rights. There's so much more to the story. — Kareem Abdul-Jabbar

I couldn't read. I just scraped by. My solution back then was to read classic comic books because I could figure them out from the context of the pictures. Now I listen to books on tape. — Charles R. Schwab

Freedom isn't an illusion; it's perfectly real in the context of sequential consciousness. Within the context of simultaneous consciousness, freedom is not meaningful, but neither is coercion; it's simply a different context, no more or less valid than the other. It's like that famous optical illusion, the drawing of either an elegant young woman, face turned away from the viewer, or a wart-nosed crone, chin tucked down on her chest. There's no "correct" interpretation; both are equally valid. But you can't see both at the same time.
"Similarly, knowledge of the future was incompatible with free will. What made it possible for me to exercise freedom of choice also made it impossible for me to know the future. Conversely, now that I know the future, I would never act contrary to that future, including telling others what I know: those who know the future don't talk about it. Those who've read the Book of Ages never admit to it. — Ted Chiang

The most terrifying images of hell occur, as we have seen, in the book of Revelation. But let's remember the context in which John writes this book. This isn't an evangelistic tract written for unbelievers
the hell passages here weren't designed to make converts and scare people into the kingdom. They were designed to warn believers to keep the faith in the midst of adversity. — Francis Chan

We look at the world through our own eyes, naturally. But by looking from the inside out, we see an inside-out world. This book takes the perspective of the world outside us - a world in which humans are not the measure of all things, a human race among other races ... In our estrangement from nature we have severed our sense of the community of life and lost touch with the experience of other animals ... understanding the human animal becomes easier in context, seeing our human thread woven into the living web among the strands of so many others. — Carl Safina

You can't write a book if you've never read a book. And if you've read five books and you try to write a book, your book will mainly encompass the themes and the context of the five books you've read. Now, the more books you read, the more you can bring to a book when you decide to write one. So the more rap I learned, the more I was able to bring to rap when I decided to rap. But this was all subconscious. — Bun B.

Octavia and Walter and Junot were speaking a language I'd heard all around me on the street but never read on the page, certainly not in the context of stories about aliens, detectives, or supernerds. This was a new mythology; it was permission. I'd always known I could get lost in a book; now I knew I could be found in one too. I — Daniel Jose Older

Through the imagination and the human sense of creativity, the book will examine not only raw clinical data but philosophical perspectives as well. As within many moral fables, animals will be used, at times, to convey a a fundamental truth of human nature. More simply stated, animals that elicit human empathetic responses, will be examined in a religious context.
So, starting with cats, dogs and ultimately other primates, as moral experiments of imagination, we can perhaps understand differing cognitive processes that could have shaped our religious purview. It might be even stated that they should shape our opinion, especially in a reevaluation of the spiritual present and coming future. When this happens, it will help humanity create a unique pristine outlook on its religious traditions. — Leviak B. Kelly

The amount of response I get, in both a negative and a positive context, is completely related to the amount of books I sell, I think. It seems to have nothing to do with what I'm writing, but what degree of success I'm perceived to have. It's really weird, especially since I spent so much of my life covering people who are famous. It's interesting to actually have it happen to me on some level. — Chuck Klosterman

Well named, Quotology contains everything you always wanted to know about quotations, quoters, quotees, quotation books, 'quoox' (quotations out of context), and their fascinating history. — Marjorie Garber

You can publish a poem you think is a very important poem, and you don't hear a word from anyone. You can publish a book of poetry by dropping it off a cliff and waiting to hear an echo. Quite often, you'll never hear a thing. So doing that, using older work, puts it in a context, and that sort of forces the reader to realize what its importance is-if it has any. Everything needs a context. You're not going to recognize a poet unless you have a context. — Lawrence Ferlinghetti

I want to see books taken out of historical time and placed into a different timeline, such as evolutionary or geological time, as a means of putting the human experience in context. — Douglas Coupland

This book is a must for anyone who wants to know how leaders develop their practices within a community context. Bordas has pulled together illuminating examples with great lessons for anyone working to create an equitable and truly diverse society. — Rinku Sen

Look, words are like the air: they belong to everybody. Words are not the problem; it's the tone, the context, where those words are aimed, and in whose company they are uttered. Of course murderers and victims use the same words, but I never read the words utopia, or beauty, or tenderness in police descriptions. Do you know that the Argentinean dictatorship burnt The Little Prince ? And I think they were right to do so, not because I do not love The Little Prince , but because the book is so full of tenderness that it would harm any dictatorship. — Juan Gelman

But what is a book? And what will change if we read onscreen rather than by turning the pages of a physical object? What will we gain, and more importantly, what will we lose? Old-fashioned habits, perhaps. A certain sense of the sacred that has surrounded the book in a civilisation that has made it our holy of holies. A peculiar intimacy between the author and reader, which the context of hypertextuality is bound to damage. A sense of existing in a self-contained world that the book and, along with it, certain ways of reading used to represent. — Jean-Philippe De Tonnac

Was it possible, she wondered, to have solitude together? She tried to imagine what he would do if after dinner she went to his study back home with her book or her laptop, and sat on the couch there instead of in the living room as they had in the early years. He might glance over the top of his computer with a look of surprise and then a smile of welcome. Hey there. Or there might be a moment's hesitation. She'd sit quietly nearby, each of them feeling the weight of the other int he room and a dampening of his or her own thoughts, each looking up expectantly when the other shifted in a chair or looked off into the middle distance. She might offer a snippet of commentary about something she was reading, but it would not be easily understood out of context. After an hour or so she would stand and stretch, murmur that sh though she'd call it a night, and the following night she'd go back to the living room. It was a gift, solitude. But solitude with another person, that was an art. — Nichole Bernier

Instead, I practiced different forms of reading. The possibilities offered by books are legion. The solitary relationship of a reader with his or her books breaks into dozens of further relationships: with friends upon whom we urge the books we like, with booksellers (the few who have survived in the Age of Supermarkets) who suggest new titles, with strangers for whom we might compile an anthology. As we read and reread over the years, these activities multiply and echo one another. A book we loved in our youth is suddenly recalled by someone to whom it was long ago recommended, the reissue of a book we thought forgotten makes it again new to our eyes, a story read in one context becomes a different story under a different cover. Books enjoy this modest kind of immortality. — Alberto Manguel

In the context of 1948, 1984 seemed dreadfully convincing. But tyrants, after all, are mortal and circumstances change. Recent developments in Russia and recent advances in science and technology have robbed Orwell's book of some of its gruesome verisimilitude. A nuclear war will, of course, make nonsense of everybody's predictions. But, assuming for the moment that the Great Powers can somehow refrain from destroying us, we can say that it now looks as though the odds were more in favor of something like Brave New World than of something like 1984. — Aldous Huxley

You can only waste time relative to some context or goal. While you are reading this book, you are wasting time relative to your goal of getting to the store before you have to pick up your kids. In fact, from some perspective, you are always wasting time. — Anonymous

I highly recommend Marci Alboher's One Person/ Multiple Careers. It includes lots of practical strategies for living the slash. Malcom Gladwell is also a constant source of inspiration for me. In his book Outliers, Gladwell proposes that there are three criteria for meaningful work - complexity, autonomy, and a relationship between effort and reward - and that these can often be found in creative work.2 These criteria absolutely fit with what cultivating meaningful work means in the context of the Wholehearted journey. Last, I think everyone should read Paulo Coelho's The Alchemist3 - I try to read it at least once a year. It's a powerful way of seeing the connections between our gifts, our spirituality, and our work (slashed or not) and how they come together to create meaning in our lives. — Brene Brown

Eading a book doesn't mean just turning the pages. It means thinking about it, identifying parts that you want to go back to, asking how to place it in a broader context, pursuing the ideas. There's no point in reading a book if you let it pass before your eyes and then forget about it ten minutes later. Reading a book is an intellectual exercise, which stimulates thought, questions, imagination. — Noam Chomsky

The bible must be seen in a cultural context. It didn't just happen. These stories are retreads. But, tell a Christian that
No, No! What makes it doubly sad is that they hardly know the book, much less its origins. — Isaac Asimov

I was walking up and down the rows of books at the antiquarian bookseller's in Karlova Street. Now and then I would take a look out the shop window. It started to snow heavily; holding a book in my hand I watched the snowflakes swirling in front of the wall of St Savior's Church. I returned to my book, savoring its aroma and allowing my eyes to flit over its pages, reading here and there the fragment of a sentence that suddenly sparkled mysteriously because it was taken out of context. I was in no hurry; I was happy to be in a room that smelled pleasantly of old books, where it was warm and quiet, where the pages rustled as they were turned, as if the books were sighing in their sleep. I was glad I didn't have to go out into the darkness and the snowstorm. — Wieslaw Mysliwski

'Dare to Discipline' was published in 1970 in the midst of the Vietnam War and a culture of rebellion. The book was written in that context, but the principles of child rearing have not changed. — James Dobson

My favorite anything is always relative to the context of present time, place and mood. When I finish a book and want to immediately find another by the same author and no other, that author is elevated to my favorite. — Amy Tan

My first book, 'In Praise of Slowness,' examines how the world got stuck in fast-forward and chronicles a global trend towards putting on the brakes. That trend is called the Slow movement. 'Slow' in this context does not mean doing everything at a snail's pace. It means doing everything at the right speed. — Carl Honore

I am interested in the literature and religion of ancient Israel. I focus on biblical law in its ancient Near Eastern context and on the way that biblical law was later reinterpreted in the Dead Sea Scrolls and other Second Temple literature. I have also explored the relation of the Bible to later western intellectual history. In my latest book, A More Perfect Torah: At the Intersection of Philology and Hermeneutics in Deuteronomy and the Temple Scroll, I explore the relationship between biblical composition history and its reception history at Qumran and in rabbinic literature.

At the University of Minnesota, I have department affiliations with the Center for Jewish Studies and the Program in Religious Studies and am also an affiliated faculty member of the Law School. — Bernard M. Levinson

I think I have probably adjusted the way I see the world, I interpret the world and I communicate the world into book format simply because of this familiarity. Possibly in another society and another context I might have been a storyteller or who knows what. — Jackie French

When I first thought about writing this book, I conceived of it as a book about moods, and an illness of moods, in the context of an individual life. As I have written it, however, it has somehow turned out to be very much a book about love as well: love as sustainer, as renewer, and as protector. After each seeming death within my mind or heart, love has returned to recreate hope and restore life. It has, at its best, made the inherent sadness of life bearable, and its beauty manifest. It has, inexplicably and savingly, provided not only cloak but lantern for the darker seasons and grimmer weather. — Kay Redfield Jamison

My grandmother would give me a beautiful book each year. I especially loved the Beatrix Potter books. They were very detailed. And I promised myself that was what I'd do. I also loved the big words she used. I was excited because I knew what they meant from the context. I put a few big words in for just that reason. — Jan Brett

This book is a call to return to basics and focus on innovation around actual problems that the normal person faces in his life. We provide guidance on an experiential journey to enable entrepreneurs to discover their personal truths, tactics and strategies in the context of the specific problems that they are trying to solve. — Samir Rath

Because each photograph is only a fragment, its moral and emotional weight depends on where it is inserted. A photograph changes according to the context in which it is seen: thus Smith's Minamata photographs will seem different on a contact sheet, in a gallery, in a political demonstration, in a police file, in a photographic magazine, in a book, on a living-room wall. Each o these situations suggest a different use for the photographs but none can secure their meaning. — Susan Sontag

This is what we've been waiting for: finally, an unprecedented critical analysis of the history of Dutch design. Mienke Simon Thomas's Dutch Design is a book to have and to read: an important and richly detailed study of the cultural, economical and social-political context of twentieth-century design in the Netherlands. — Wim Crouwel

I think my books give people a language to have a conversation about God that's not religious. There isn't enough new literature that brings the conversation of God into a modern context. I love the Bible, but in the West we've analyzed it until it fits into a structure of control. We need more new stories. We need different ways of looking at things, and I think it's coming. — William P. Young

The first question we should ask about what we are reading is not "How does this apply to me?" Rather, it is "What is this passage saying in the context of the book I am reading, and how would it have been heard in the ancient world? — Peter Enns