Othello's Quotes & Sayings
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Top Othello's Quotes
Blow, wind, crack your cheeks, I thought. Brian wasn't the only one who could quote Shakespeare. I made it to my room without thinking of any other suitably apocalyptic line from Lear, and I was too tired to start in on Othello. I flopped onto the bed facedown - and immediately I was bent into a bow shape, with the soles of my feet facing the back of my head. — Jeff Lindsay
With Othello, Shakespeare posed this problem of a black man in a white society in the role that he's playing. And Shakespeare gave Othello such dignity - he came not from - as he said - not from hate but from honor, from a sense of his own human dignity. And to me, to my mind, there could be no greater character played. — Paul Robeson
OTHELLO Not Cassio kill'd! then murder's out of tune, And sweet revenge grows harsh. DESDEMONA O, falsely, falsely murder'd! — William Shakespeare
You travel the world, you go see different things. I like to see Shakespeare plays, so I'll go - I mean, even if it's in a different language. I don't care, I just like Shakespeare, you know. I've seen Othello and Hamlet and Merchant of Venice over the years, and some versions are better than others. Way better. It's like hearing a bad version of a song. But then somewhere else, somebody has a great version. — Bob Dylan
I played Othello, but I didn't sit around thinking how Laurence Olivier did it when he played it. That wouldn't do me any good. — Denzel Washington
Glad you like my first tableau. Come and see number two. Hope it isn't spoilt; it was very pretty just now. This is 'Othello telling his adventures to Desdemona'."
The second window framed a very picturesque group of three. Mr March in an armchair, with Bess on a cushion at his feed, was listening to Dan, who, leaning against a pillow, was talking with unusual animation. The old man was in shadow, but little Desdemona was looking up with the moonlight full upon her face, quite absorbed in the story he was telling so well. The gay drapery over Dan's shoulder, his dark colouring and the gesture of his arm made the picture very striking and both very striking, and both spectators enjoyed it with silent pleasure, till Mrs Jo said in a quick whisper:
"I'm glad he's going away. He's too picturesque to have among so many romantic girls. Afraid his 'grand, gloomy and peculiar' style will be too much for our simple maids. — Louisa May Alcott
They are all but stomachs, and we all but food.
To eat us hungerly, and when they are full,
They belch us.
-Emilia — William Shakespeare
Tis like she comes to speak of Cassio's death,
The noise was high. Ha! No more moving?
Still as the grave. Shall she come in? Were 't good?
I think she stirs again - No. What's best to do?
If she come in, she'll sure speak to my wife -
My wife! my wife! what wife? I have no wife.
Oh, insupportable! Oh, heavy hour!
Methinks it should be now a huge eclipse
Of sun and moon, and that th' affrighted globe
Should yawn at alteration. — William Shakespeare
Excellent wretch! Perdition catch my soul But I do love thee! and when I love thee not, Chaos is come again. — William Shakespeare
I had great English teachers in high school who first piqued my interest in Shakespeare. Each year, we read a different play - 'Othello,' 'Julius Caesar,' 'Macbeth,' 'Hamlet' - and I was the nerd in class who would memorize soliloquies just for the fun of it. — Ian Doescher
I did 'Othello' at the Oregon Shakes - I was at the Oregon Shakespeare Festival for two and a half years. That's where my training is. — James Avery
There are no preconditions for jealousy. You don't have to be right, you don't have to be reasonable. Take Othello. He was neither right nor reasonable, and Desdemona ended up dead. I wouldn't mind Leanne ending up dead. I wouldn't mind exploding her into fireworks of peacock and pearl. — Franny Billingsley
I've done 'Two Gentlemen of Verona,' I've understudied Iago in 'Othello.' I've done Mercutio in 'Romeo and Juliet.' — Robert Englund
And it's what you never will write," said the Controller. "Because, if it were really like Othello nobody could understand it, however new it might be. And if were new, it couldn't possibly be like Othello. — Aldous Huxley
OTHELLO [Rising.] O, she was foul! - I scarce did know you, uncle; there lies your niece, Whose breath, indeed, these hands have newly stopp'd: I know this act shows horrible and grim. GRATIANO Poor Desdemona! I am glad thy father's dead: Thy match was mortal to him, and pure grief Shore his old thread in twain: did he live now, This sight would make him do a desperate turn, Yea, curse his better angel from his side, And fall to reprobance. OTHELLO 'Tis pitiful; but yet Iago knows That she with Cassio hath — William Shakespeare
He went crazy over Greek mythology, which is where I got my name.
They compromised on it, because my mom loved Shakespeare, and I ended up called Theseus Cassio. Theseus for the slayer of the Minotaur, and Cassio for Othello's doomed lieutenant. I think it sounds straight-up stupid. Theseus Cassio Lowood. Everyone just calls me Cas. I suppose I should be glad--my dad also loved Norse mythology, so I might have wound up being called Thor, which would have been basically unbearable. — Kendare Blake
To be now a sensible man, by and by a fool, and presently a
beast! — William Shakespeare
Justice!" bleated Othello.
"Justice!" bleated the other sheep. And so it was decided that George Glenn's sheep themselves would solve the wicked murder of their shepherd. — Leonie Swann
Have not we affections and desires for sport, and frailty, as men have? — William Shakespeare
Even in the days when they did Othello, you didn't necessarily have to be black to play Othello. You wore the makeup. — Jamie Farr
If you want to know what are the events which cast their shadow over the hell of time of King Lear, Othello, Hamlet, Troilus and Cressida, look to see when and how the shadow lifts. What softens the heart of a man, shipwrecked in storms dire, Tried, like another Ulysses, Pericles, prince of Tyre? — James Joyce
Othello is about many different kinds of love: it's about the light, beautiful side of love, and it's about the twisted, darker side of love, and it's about how, if you flip the emotional coin, love can make you do terrible things. (James Earl Jones) — Susannah Carson
Bernard sank into a yet more hopeless misery.
"But why is it prohibited?" asked the Savage. In the excitement of meeting a man who had read Shakespeare he had momentarily forgotten everything else.
The Controller shrugged his shoulders. "Because it's old; that's the chief reason. We haven't any use for old things here."
"Even when they're beautiful?"
"Particularly when they're beautiful. Beauty's attractive, and we don't want people to be attracted by old things. We want them to like the new ones."
"But the new ones are so stupid and horrible. Those plays, where there's nothing but helicopters flying about and you feel the people kissing." He made a grimace. "Goats and monkeys!" Only in Othello's word could he find an adequate vehicle for his contempt and hatred. — Aldous Huxley
Her stare fixed me. Without rancour and without regret; without triumph and without evil; as Desdemona once looked back on Venice.
On the incomprehension, the baffled rage of Venice. I had taken myself to be in some way the traitor Iago punished, in an unwritten sixth act. Chained in hell. But I was also Venice; the state left behind; the thing journeyed from. — John Fowles
But if you know about God, why don't you tell them?' asked the Savage indignantly.
'Why don't you give them these books about God?'
'For the same reason as we don't give them Othello: they're old; they're about God hundreds of years ago. Not about God now.'
'But God doesn't change.'
'Men do, though.'
'What difference does that make?'
All the difference in the world,' said Mustapha Mond. — Aldous Huxley
The tragic hero usurps the function of the gods and attempts to remake the world. — Helen Gardner
Strike on the tinder, ho!
Give me a taper! Call up all my people!
This accident is not unlike my dream:
Belief of it oppresses me already.
Light, I say, light! — William Shakespeare
And what's he then that says I play the villain? — William Shakespeare
WHAT WAS JANE AUSTEN'S LAST FINISHED NOVEL?"
"Vaginas and Virginity."
"WHO IS THE LAST PERSON IAGO KILLS IN OTHELLO?"
"His manservant Retardio, for forgetting to change the Brita filter!"
"WHAT HAPPENS TO THE LITTLE MERMAID AT THE END OF CHRISTIAN ANDERSEN'S THE LITTLE MERMAID?"
"She turns into a fish and marries Nemo!"
"Fuck you! — David Levithan
The truly tragic kind of suffering is the kind produced and defiantly insisted upon by the hero himself so that, instead of making him better, it makes him worse and when he dies he is not reconciled to the law but defiant, that is, damned. Lear is not a tragic hero, Othello is. — W. H. Auden
I am no Othello, Othello was a lie. — Tayeb Salih
Coleridge's description of Iago's actions as "motiveless malignancy" applies in some degree to all the Shakespearian villains. The adjective motiveless means, firstly, that the tangible gains, if any, are clearly not the principal motive, and, secondly, that the motive is not the desire for personal revenge upon another for a personal injury. Iago himself proffers two reasons for wishing to injure Othello and Cassio. He tells Roderigo that, in appointing Cassio to be his lieutenant, Othello has treated him unjustly, in which conversation he talks like the conventional Elizabethan malcontent. In his soliloquies with himself, he refers to his suspicion that both Othello and Cassio have made him a cuckold, and here he talks like the conventional jealous husband who desires revenge. But there are, I believe, insuperable objections to taking these reasons, as some critics have done, at their face value. — W. H. Auden
The word "jealousy" is often used as if it were synonymous with envy; but I think the distinction worth preserving. Jealousy is predominantly concerned with the fear of loss of something one possesses, envy with the wish to own something another possesses. Othello suffers from the fear that he has lost Desdemona's love. Iago suffers from envy of the position held by Cassio, to which he feels entitled. — Anthony Storr
ANTRE (A'NTRE) [antre, Fr. antrum, Lat.]A cavern; a cave; a den. With all my travels history:Wherein of antres vast, and desarts idle,It was my hent to speak.Shakesp.Othello. — Samuel Johnson
Willow trees, willow trees they remind me of Desdemona
I'm so damned literary
and at the same time the waters rushing past remind
me of nothing — Frank O'Hara
Juliet singles out Romeo. Desdemona claims Othello. They have no doubts, the young, no fear, no pride. — Agatha Christie
Assure thee, if I do vow a friendship, I'll perform it to the last article.
Othello, Act III, Scene iii — William Shakespeare
It is the green eyed monster which doth mock. — William Shakespeare
'Othello' is the most domestic of Shakespeare's tragedies and the one that's likely to strike a personal note with a lot of people watching it. — Andrew Davies
Because our world is not the same as Othello's world. You can't make flivvers without steel-and you can't make tragedies without social instability. The world's stable now. People are happy; they get what they want, and they never want what they can't get. They're well off; they're safe; they're never ill; they're not afraid of death; they're blissfully ignorant of passion and old age; they're plagued with no mothers or fathers; they've got no wives, or children, or lovers to feel strongly about; they're so conditioned that they practically can't help behaving as they ought to behave. And if anything should go wrong, there's soma. Which you go and chuck out of the window in the name of liberty, Mr. Savage. Liberty!" He laughed. "Expecting Deltas to know what liberty is! And now expecting them to understand Othello! My good boy! — Aldous Huxley
...he lifted the fat and frightened hawk onto his fist reciting it passages from Hamlet, Macbeth, Richard II, Othello-- 'but tragedy had to be kept out of the voice'-- and all the sonnets he could remember, whistling hymns to it, playing it Gilbert and Sullivan and Italian opera, and deciding, on reflection, that hawks liked Shakespeare best. — Helen Macdonald
Why, the wrong is but a wrong i'th'world; and having the world for your labour, 'tis a wrong in your own world, and you might quickly make it a right. — William Shakespeare
Young screenwriters are always very frustrated when they talk to me. They say, 'How do we get to be a screenwriter?' I say, 'You know what you do? I'll tell you the secret, it's easy: Read 'Hamlet.' You know? Then read it again, and read it again, and read it until you understand it. Read 'King Lear,' and then read 'Othello.' — John Logan
Who can control his fate? asks the ruined Othello. No one, indeed. But everyone controls his option, chooses his alternative. — Joseph Furphy
My father used to act in high school. He was in a production of 'Othello;' I don't know who he played, but it wasn't Othello. He would talk about it, though, and read Shakespeare to me. — Lupita Nyong'o
You get Don King's point of view in what is almost a Shakespearean, classical technique. He comes across almost like a lovable rogue, like Iago in 'Othello' or Richard III. He's doing all these bad things, but I kind of like him. It's like 'Pulp Fiction': Everybody's a bad guy, yet you like them. — Ving Rhames
She turned her head and there was such sadness, such kindness in her pity for me, that I knew at once how the bold Othello, pirate and soldier - that hard, scarred, killing thing - had lost his heart. — Christopher Moore
There was all this talk when Obama got elected about how we were living in a postracial world. But we're not. Until we get to the point where James Earl Jones can play, say, George Washington, race matters. You wouldn't put a white actor in blackface to play Othello. You shouldn't have a white actor in what amounts to yellowface to play Asian. — David Henry Hwang
Both Othello and Iago seem a bit cracked. If you spend 15 years being responsible for death and destruction, that sense of suppressed horror is strong. — Rory Kinnear
I'd like to do more Shakespeare. I'd like to do Iago in Othello. I look so benign. It would be interesting to see that black evil come out of my soul. — Kyle MacLachlan
When devils will the blackest sins put on
They do suggest at first with heavenly shows — William Shakespeare
Cordelia loved his explanations. She loved knowing words that belonged to things she'd never seen, even to things you couldn't see at all. She remembered those words carefully.
"Magic," George had said, "is something unnatural, something that doesn't really exist. If I snap my fingers and Othello suddenly turns white, that's magic. If I fetch a bucket of paint and paint him white, it isn't." He laughed, and for a moment it looked as if he felt like snapping his fingers or fetching that bucket. Then he went on, "Everything that looks like magic is really a trick. There's no such thing as magic." Cordelia grazed with relish. "Magic" was her favorite word - for something that didn't exist at all. — Leonie Swann
Let my memories of you be like water on the moon. A beautiful impossibility - but allowing me to sleep and dream of infinite beginnings rather than Othello endings. — Carew Papritz
A man awakes every morning
and instead of reading the newspaper
reads Act V of Othello.
He sips his coffee and is content
that this is the news he needs
as his wife looks on helplessly. — B.J. Ward
I look forward to the day when indigenous actors can play Hamlet and Ophelia and not just Othello and Desdemona. — Shari Sebbens
Instead of Otello being an Italian opera written in the style of Shakespeare, Othello is a play written by Shakespeare in the style of Italian opera. — George Bernard Shaw
I saw 'Othello' at the National Theatre in London, and it was so stunning. I was so moved. It's beautiful. — Douglas Booth
I know I had my equivalents in Adrian Lester and Lenny James when I was at drama school. I remember David Harewood doing 'Othello' at the National, and Adrian Lester having done Cheek by Jowl's famous 'As You Like It and Company' at the Donmar. Not necessarily performances I saw, but just the fact they happened was massively encouraging. — David Oyelowo
A character I would love to play is Iago, from Othello. — Tim Roth
The books are all leather, and the titles are old. I pause at a collection of Shakespeare. Othello. Romeo and Juliet. A Midsummer Night's Dream. I pull Hamlet out and look at it, but then set it back down on the shelf.
I pass a row of books on philosophy, and another on astrology. Up and down I go, pausing now and then, but not pulling any books out. I'm not sure what I expected to find. The Idiot's Guide to Time Travel? — Mandy Hubbard
'Othello' was my first Shakespearean discovery. I was obsessed with drama at school, and I studied the play for my English GCSE. Desdemona is the part that everyone wants, but Iago's wife Emilia is the one I've always been drawn to. — Michelle Dockery
DESDEMONA: I hope my noble lord esteems me honest.
OTHELLO: Oh, ay, as summer flies are in the shambles,
That quicken even with blowing. O thou weed,
Who art so lovely fair and smell'st so sweet
That the sense aches at thee, would thou hadst ne'er been born!
DESDEMONA: Alas, what ignorant sin have I committed?
OTHELLO: Was this fair paper, this most goodly book,
Made to write "whore" upon? — William Shakespeare
Why should we censure Othello when the Criterion Lover says, "Thou shalt have no other Gods before Me"? — Emily Dickinson
Suppose, for instance, that men were only represented in literature as the lovers of women, and were never the friends of men, soldiers, thinkers, dreamers; how few parts in the plays of Shakespeare could be allotted to them; how literature would suffer! We might perhaps have most of Othello; and a good deal of Antony; but no Caesar, no Brutus, no Hamlet, no Lear, no Jaques
literature would be incredibly impoverished, as indeed literature is impoverished beyond our counting by the doors that have been shut upon women. — Virginia Woolf
But I have known many women
many women indeed, and it is in their nature to confound us, Othello. They are all by their natures lovely lunatics. — Christopher Moore
But jealous souls will not be answered so.
They are not ever jealous for the cause,
But jealous for they're jealous. It is a monster
Begot upon itself, born on itself. — William Shakespeare
I've played almost every lead character from Henry VI to Othello. I'm dying to tackle Richard III sometime. — Ted Lange
Yeah, 'cause you were so quick to speak up earlier? it mocks. What's that one guy's name again? The one who is your heart and soul? Octavius? Othello? Bah. I can't be bothered to remember, either. How interesting, your hypocrisy. — T.J. Klune
Brabantio: "You are a villain!"
Iago: "You are a senator! — William Shakespeare
Shakespeare's 'Othello' was inspired by Cinthio's 'A Moorish Captain'; his 'Hamlet' came from Saxo Grammaticus's 'Amleth.' — Malorie Blackman
If the distinction is not held too rigidly nor pressed too far, it is interesting to think of Shakespeare's chief works as either love dramas or power dramas, or a combination of the two. In his Histories, the poet handles the power problem primarily, the love interest being decidedly incidental. In the Comedies, it is the other way around, overwhelmingly in the lighter ones, distinctly in the graver ones, except in Troilus and Cressida
hardly comedy at all
where without full integration something like a balance is maintained. In the Tragedies both interests are important, but Othello is decidedly a love drama and Macbeth as clearly a power drama, while in Hamlet and King Lear the two interests often alternate rather than blend. — Harold Clarke Goddard
Shakespeare without Othello, Lear, Macbeth and Hamlet would be all too much like Hamlet without the prince. — Brand Blanshard
I can always do theater; I can do Ibsen, I can do Macbeth, I can do Chekhov, I can do Moliere, Othello, I can do Richard III. — Ving Rhames
I'm quite sure Shakespeare enjoyed writing Iago much more than he did writing Othello. If you write about someone you love, what the hell are you supposed to say about that person? It's much better to have something between you and your main character that grates. — Henning Mankell
My voice was pretty good almost all through Othello. Alexander Technique really helped my posture and focus. — Lenny Henry
Space-ships and time machines are no escape from the human condition. Let Othello subject Desdemona to a lie-detector test; his jealousy will still blind him to the evidence. Let Oedipus triumph over gravity; he won't triumph over his fate. — Arthur Koestler
[Shakespeare realized that] Women are able to understand themselves better on a personal level and survive in the world if they dress in men's clothing, thus living underground, safe (...). The presence of women disguising themselves as men dictates that the play be a comedy; women remaining in their frocks, a tragedy. In four great tragedies -Julius Caesar, Hamlet, Othello, and King Lear- almost all the women die (...).
How much the women have to adhere to the rules and regulations of their enviroment makes a large difference. Once Rosalind [disguised as a man in As You Like It] has run away from the court, she has no institutional structures to deal with. Ophelia [in her frocks] is surrounded tightly by institutional structures of family, court, and politics; only by going mad can be get out of it all. — Tina Packer
How many serious family quarrels, marriages out of spite, and alterations of wills, might have been prevented by a gentle dose of blue pill!-What awful instances of chronic dyspepsia in the characters of Hamlet and Othello! Banish dyspepsia and spirituous liquors from society, and you have no crime, or at least so little that you would not consider it worth mentioning. — Charles Kingsley
I think the sun where he were born drew all such humours from him. - 3.4.26 — William Shakespeare
Throughout my career, even as a very young actor, people have always said to me that they would like to see my Othello. They could see something of him in me, I suppose. — Eamonn Walker
Oh, there's so much ego with men; in their head, they can't possibly think about Tesco's when they are doing Othello. Er, why not? They want to think that they are such geniuses they can't muddy their day with domesticity, and I've got no truck with it whatsoever. — Lesley Manville