Othello Shakespeare Quotes & Sayings
Enjoy reading and share 45 famous quotes about Othello Shakespeare with everyone.
Top Othello Shakespeare Quotes
Blow, wind, crack your cheeks, I thought. Brian wasn't the only one who could quote Shakespeare. I made it to my room without thinking of any other suitably apocalyptic line from Lear, and I was too tired to start in on Othello. I flopped onto the bed facedown - and immediately I was bent into a bow shape, with the soles of my feet facing the back of my head. — Jeff Lindsay
With Othello, Shakespeare posed this problem of a black man in a white society in the role that he's playing. And Shakespeare gave Othello such dignity - he came not from - as he said - not from hate but from honor, from a sense of his own human dignity. And to me, to my mind, there could be no greater character played. — Paul Robeson
OTHELLO Not Cassio kill'd! then murder's out of tune, And sweet revenge grows harsh. DESDEMONA O, falsely, falsely murder'd! — William Shakespeare
You travel the world, you go see different things. I like to see Shakespeare plays, so I'll go - I mean, even if it's in a different language. I don't care, I just like Shakespeare, you know. I've seen Othello and Hamlet and Merchant of Venice over the years, and some versions are better than others. Way better. It's like hearing a bad version of a song. But then somewhere else, somebody has a great version. — Bob Dylan
They are all but stomachs, and we all but food.
To eat us hungerly, and when they are full,
They belch us.
-Emilia — William Shakespeare
Tis like she comes to speak of Cassio's death,
The noise was high. Ha! No more moving?
Still as the grave. Shall she come in? Were 't good?
I think she stirs again - No. What's best to do?
If she come in, she'll sure speak to my wife -
My wife! my wife! what wife? I have no wife.
Oh, insupportable! Oh, heavy hour!
Methinks it should be now a huge eclipse
Of sun and moon, and that th' affrighted globe
Should yawn at alteration. — William Shakespeare
Excellent wretch! Perdition catch my soul But I do love thee! and when I love thee not, Chaos is come again. — William Shakespeare
I had great English teachers in high school who first piqued my interest in Shakespeare. Each year, we read a different play - 'Othello,' 'Julius Caesar,' 'Macbeth,' 'Hamlet' - and I was the nerd in class who would memorize soliloquies just for the fun of it. — Ian Doescher
I did 'Othello' at the Oregon Shakes - I was at the Oregon Shakespeare Festival for two and a half years. That's where my training is. — James Avery
And it's what you never will write," said the Controller. "Because, if it were really like Othello nobody could understand it, however new it might be. And if were new, it couldn't possibly be like Othello. — Aldous Huxley
OTHELLO [Rising.] O, she was foul! - I scarce did know you, uncle; there lies your niece, Whose breath, indeed, these hands have newly stopp'd: I know this act shows horrible and grim. GRATIANO Poor Desdemona! I am glad thy father's dead: Thy match was mortal to him, and pure grief Shore his old thread in twain: did he live now, This sight would make him do a desperate turn, Yea, curse his better angel from his side, And fall to reprobance. OTHELLO 'Tis pitiful; but yet Iago knows That she with Cassio hath — William Shakespeare
He went crazy over Greek mythology, which is where I got my name.
They compromised on it, because my mom loved Shakespeare, and I ended up called Theseus Cassio. Theseus for the slayer of the Minotaur, and Cassio for Othello's doomed lieutenant. I think it sounds straight-up stupid. Theseus Cassio Lowood. Everyone just calls me Cas. I suppose I should be glad--my dad also loved Norse mythology, so I might have wound up being called Thor, which would have been basically unbearable. — Kendare Blake
And what's he then that says I play the villain? — William Shakespeare
My father used to act in high school. He was in a production of 'Othello;' I don't know who he played, but it wasn't Othello. He would talk about it, though, and read Shakespeare to me. — Lupita Nyong'o
Why, the wrong is but a wrong i'th'world; and having the world for your labour, 'tis a wrong in your own world, and you might quickly make it a right. — William Shakespeare
...he lifted the fat and frightened hawk onto his fist reciting it passages from Hamlet, Macbeth, Richard II, Othello-- 'but tragedy had to be kept out of the voice'-- and all the sonnets he could remember, whistling hymns to it, playing it Gilbert and Sullivan and Italian opera, and deciding, on reflection, that hawks liked Shakespeare best. — Helen Macdonald
'Othello' is the most domestic of Shakespeare's tragedies and the one that's likely to strike a personal note with a lot of people watching it. — Andrew Davies
It is the green eyed monster which doth mock. — William Shakespeare
Assure thee, if I do vow a friendship, I'll perform it to the last article.
Othello, Act III, Scene iii — William Shakespeare
I think the sun where he were born drew all such humours from him. - 3.4.26 — William Shakespeare
Willow trees, willow trees they remind me of Desdemona
I'm so damned literary
and at the same time the waters rushing past remind
me of nothing — Frank O'Hara
Have not we affections and desires for sport, and frailty, as men have? — William Shakespeare
Othello is about many different kinds of love: it's about the light, beautiful side of love, and it's about the twisted, darker side of love, and it's about how, if you flip the emotional coin, love can make you do terrible things. (James Earl Jones) — Susannah Carson
Bernard sank into a yet more hopeless misery.
"But why is it prohibited?" asked the Savage. In the excitement of meeting a man who had read Shakespeare he had momentarily forgotten everything else.
The Controller shrugged his shoulders. "Because it's old; that's the chief reason. We haven't any use for old things here."
"Even when they're beautiful?"
"Particularly when they're beautiful. Beauty's attractive, and we don't want people to be attracted by old things. We want them to like the new ones."
"But the new ones are so stupid and horrible. Those plays, where there's nothing but helicopters flying about and you feel the people kissing." He made a grimace. "Goats and monkeys!" Only in Othello's word could he find an adequate vehicle for his contempt and hatred. — Aldous Huxley
Her stare fixed me. Without rancour and without regret; without triumph and without evil; as Desdemona once looked back on Venice.
On the incomprehension, the baffled rage of Venice. I had taken myself to be in some way the traitor Iago punished, in an unwritten sixth act. Chained in hell. But I was also Venice; the state left behind; the thing journeyed from. — John Fowles
To be now a sensible man, by and by a fool, and presently a
beast! — William Shakespeare
Strike on the tinder, ho!
Give me a taper! Call up all my people!
This accident is not unlike my dream:
Belief of it oppresses me already.
Light, I say, light! — William Shakespeare
Instead of Otello being an Italian opera written in the style of Shakespeare, Othello is a play written by Shakespeare in the style of Italian opera. — George Bernard Shaw
Coleridge's description of Iago's actions as "motiveless malignancy" applies in some degree to all the Shakespearian villains. The adjective motiveless means, firstly, that the tangible gains, if any, are clearly not the principal motive, and, secondly, that the motive is not the desire for personal revenge upon another for a personal injury. Iago himself proffers two reasons for wishing to injure Othello and Cassio. He tells Roderigo that, in appointing Cassio to be his lieutenant, Othello has treated him unjustly, in which conversation he talks like the conventional Elizabethan malcontent. In his soliloquies with himself, he refers to his suspicion that both Othello and Cassio have made him a cuckold, and here he talks like the conventional jealous husband who desires revenge. But there are, I believe, insuperable objections to taking these reasons, as some critics have done, at their face value. — W. H. Auden
[Shakespeare realized that] Women are able to understand themselves better on a personal level and survive in the world if they dress in men's clothing, thus living underground, safe (...). The presence of women disguising themselves as men dictates that the play be a comedy; women remaining in their frocks, a tragedy. In four great tragedies -Julius Caesar, Hamlet, Othello, and King Lear- almost all the women die (...).
How much the women have to adhere to the rules and regulations of their enviroment makes a large difference. Once Rosalind [disguised as a man in As You Like It] has run away from the court, she has no institutional structures to deal with. Ophelia [in her frocks] is surrounded tightly by institutional structures of family, court, and politics; only by going mad can be get out of it all. — Tina Packer
Shakespeare's 'Othello' was inspired by Cinthio's 'A Moorish Captain'; his 'Hamlet' came from Saxo Grammaticus's 'Amleth.' — Malorie Blackman
When devils will the blackest sins put on
They do suggest at first with heavenly shows — William Shakespeare
I'm quite sure Shakespeare enjoyed writing Iago much more than he did writing Othello. If you write about someone you love, what the hell are you supposed to say about that person? It's much better to have something between you and your main character that grates. — Henning Mankell
Shakespeare without Othello, Lear, Macbeth and Hamlet would be all too much like Hamlet without the prince. — Brand Blanshard
If the distinction is not held too rigidly nor pressed too far, it is interesting to think of Shakespeare's chief works as either love dramas or power dramas, or a combination of the two. In his Histories, the poet handles the power problem primarily, the love interest being decidedly incidental. In the Comedies, it is the other way around, overwhelmingly in the lighter ones, distinctly in the graver ones, except in Troilus and Cressida
hardly comedy at all
where without full integration something like a balance is maintained. In the Tragedies both interests are important, but Othello is decidedly a love drama and Macbeth as clearly a power drama, while in Hamlet and King Lear the two interests often alternate rather than blend. — Harold Clarke Goddard
But jealous souls will not be answered so.
They are not ever jealous for the cause,
But jealous for they're jealous. It is a monster
Begot upon itself, born on itself. — William Shakespeare
Brabantio: "You are a villain!"
Iago: "You are a senator! — William Shakespeare
I'd like to do more Shakespeare. I'd like to do Iago in Othello. I look so benign. It would be interesting to see that black evil come out of my soul. — Kyle MacLachlan
Suppose, for instance, that men were only represented in literature as the lovers of women, and were never the friends of men, soldiers, thinkers, dreamers; how few parts in the plays of Shakespeare could be allotted to them; how literature would suffer! We might perhaps have most of Othello; and a good deal of Antony; but no Caesar, no Brutus, no Hamlet, no Lear, no Jaques
literature would be incredibly impoverished, as indeed literature is impoverished beyond our counting by the doors that have been shut upon women. — Virginia Woolf
DESDEMONA: I hope my noble lord esteems me honest.
OTHELLO: Oh, ay, as summer flies are in the shambles,
That quicken even with blowing. O thou weed,
Who art so lovely fair and smell'st so sweet
That the sense aches at thee, would thou hadst ne'er been born!
DESDEMONA: Alas, what ignorant sin have I committed?
OTHELLO: Was this fair paper, this most goodly book,
Made to write "whore" upon? — William Shakespeare
The books are all leather, and the titles are old. I pause at a collection of Shakespeare. Othello. Romeo and Juliet. A Midsummer Night's Dream. I pull Hamlet out and look at it, but then set it back down on the shelf.
I pass a row of books on philosophy, and another on astrology. Up and down I go, pausing now and then, but not pulling any books out. I'm not sure what I expected to find. The Idiot's Guide to Time Travel? — Mandy Hubbard