Open Text Quotes & Sayings

To expound Scripture is to bring out of the text what is there and expose it to view. The expositor pries open what appears to be closed, makes plain what is obscure, unravels what is knotted and unfolds what is tightly packed ... Whether long or short, our responsibility as expositors is to open it up in such a way that it speaks its message clearly, plainly, accurately, relevantly, without addition, subtraction or falsification. — Matt Chandler

In my youth I regarded the Universe as an open book, printed in the language of physical equations, whereas now it appears to me as a text written in invisible ink, of which, in our rare moments of grace, we are able to decipher a small fragment. — Arthur Koestler

And he gave me a few of the Xeroxed sheets of paper lying on the table in front of him. As he passed them to me, his thumb brushed mine and I trembled from the touch. I had the sensation that our past and our future were in our fingers and that they had touched. And so, when I began to read the proffered pages, I at one moment lost the train of thought in the text and drowned it in my own feelings. In these seconds of absence and self-oblivion, centuries passed with every read but uncomprehended and unabsorbed line, and when, after a few moments, I came to and re-established contact with the text, I knew that the reader who returns from the open seas of his feelings is no longer the same reader who embarked on that sea only a short while ago. I gained and learned more by not reading than by reading those pages ... — Milorad Pavic

Fundamental law of criticism. A life in harmony with nature, the love of truth and of virtue, will purge the eyes to understand her text. By degrees we may come to know the primitive sense of the permanent objects of nature, so that the world shall be to us an open book, and every form significant of its hidden life and final cause. A new interest surprises us, whilst, under the — Ralph Waldo Emerson

On another note, I also learned that everyone plays games with texting, like waiting longer than the other person to text, sending replies of equal length, always trying to get the last word, and the like. Even if you say you "don't play games," that is a type of game - it is the "I don't play games" game. Everyone hates these games and no one wants to play them. For the most part, people just want to be honest and say how they feel, and they definitely want others to be honest and open with them. But here's the thing: Unfortunately those games are actually kind of effective. No matter how much people want things to be different, I don't think we can defeat the insecurities and tendencies built into our internal psychology. — Aziz Ansari

One thing I have learned hard, if indeed I have learned it now: it is a reduction of our humanity to hide from pain, our own or others'. To hide from anything. That was Marian's text. Be open, be available, be exposed, be skinless. Skinless? Dance around in your bones. — Wallace Stegner

Is not the most erotic portion of a body where the garment gapes? In perversion (which is the realm of textual pleasure) there are no "erogenous zones" (a foolish expression, besides); it is intermittence, as psychoanalysis has so rightly stated, which is erotic: the intermittence of skin flashing between two articles of clothing (trousers and sweater), between two edges (the open-necked shirt, the glove and the sleeve); it is this flash itself which seduces, or rather: the staging of an appearance-as-disappearance. — Roland Barthes

The Bible is not a set of instructions that can give us simple answers," wrote Webber, "nor a text with which to prove points ... . The guidance the Bible gives was provided for a society very different from ours ... and any set of words is open to different interpretations. — Sara Miles

Oh, Sam, this is Kate. Kate, meet Sam.' I wave my hand between the two of them, watching as Kate turns all angelic, putting her hand out to Sam, who grins before clasping it.

'Nice to meet you, Kate.' he says smoothly, maintaining his grin and running his free hand through his mousey waves.

'You too.' She arches a brow.

She's a brazen hussy! She's flirting with him. She giggles as Sam compliments her on her wild, red hair, their hands still linked. My phone declares a text. To escape the blatant flirting exchange going on in front of me, I pick it up and open the message with one eye closed.

There better be a GOOD f**king reason for you standing me up. Someone had better be dying. I'm going out of my f**king mind, lady. NO KISS — Jodi Ellen Malpas

I'm not rigid about directorial changes: I judge them on a case-by-case basis. In the case of a play whose text is widely familiar, I'm open to drastic changes that may alter the author's meaning, perhaps even considerably. If the results don't work, then I say so. — Terry Teachout

Children are illuminated text-books, breviaries of doctrine, living bodies of divinity, open always and inviting their elders to peruse the characters inscribed on the lovely leaves. — Amos Bronson Alcott

Since one could virtually open the Bible to any page and likely find something that speaks to his particular situation, is it fair to attribute this to the voice of God? After all, the Bible is not the only relevant book in existence. There are other religions with other scriptural texts which could do the same job. In fact, the text need not even be "scriptural." I could select Sartre's "Existentialism and Humanism" off the shelf, randomly flip to any page, and likely find something applicable to my life. Does this mean God is speaking through the writings of Jean-Paul Sartre, a man who was by no means considered a friend to Christian thought? If the answer is yes, then who really needs to read the Bible? If this God is capable of turning anything into his "word" at any time, then you could theoretically receive a message from him in your Alpha-Bits. — Michael Vito Tosto

Modern cosmetic surgeons have a direct financial interest in a social role for women that requires them to feel ugly. They do not simply advertise for a share of a market that already exists: Their advertisements create new markets. It is a boom industry because it is influentially placed to create its own demand through the pairing of text with ads in women's magazines. The industry takes out ads and gets coverage; women get cut open. They pay their money and they takes their chances. As surgeons grow richer, they are able to command larger and brighter ad spaces. — Naomi Wolf

I've solved the mystery: You have to submit silently. Open up, let go. Let anything penetrate you, even the most painful things. Endure. Bear up. That's the magic key! The text comes by itself, and its meaning shakes the soul ... You mustn't let scar tissue form on your wounds; you have to keep ripping them open in order to turn your insides into a marvelous instrument that is capable of anything. All this has its price. — Klaus Kinski

I once preached a sermon in the open air in haying time during a violent storm of rain. The text was, "He shall come down like rain upon the mown grass, as showers that water the earth," and surely we had the blessing as well as the inconvenience. I was sufficiently wet, and my congregation must have been drenched, but they stood it out, and I never heard that anybody was the worse in health, though, I thank God, I have heard of souls brought to Jesus under that discourse. Once in a while, and under strong excitement, such things do no one any harm, but we are not to expect miracles, nor wantonly venture upon a course of procedure which might kill the sickly and lay the foundations of disease in the strong. — Charles Haddon Spurgeon

We should think about what we mean by literacy. If you say, "He's a very literate person," what you really mean is that he knows a lot, thinks a lot, has a certain frame of mind that comes through reading and knowing about various subjects.The major route open to literacy has been through reading and writing text. But we're seeing new media offer richer ways to explore knowledge and communicate, through sound and pictures. — Seymour Papert

Ask me if Christianity (my version of it, yours, the Pope's, whoever's) is orthodox, meaning true, and here's my honest answer: a little, but not yet. Assuming by Christianity you mean the Christian understanding of the world and God, Christian opinions on soul, text, and culture I'd have to say that we probably have a couple of things right, but a lot of things wrong, and even more spreads before us unseen and unimagined. But at least our eyes are open! To be a Christian in a generously orthodox way is not to claim to have the truth captured, stuffed, and mounted on the wall. — Brian D. McLaren

You finish sending a text and relax your arms and lower your legs and when animals open up like that, they want to fuck. — Caroline Kepnes

When do I say No? I say No when I feel that the intention of the play, or the spirit, or tone - or text! - is being knowingly changed. Fortunately, this has happened only once. Next time I would say No earlier, and definitively. Otherwise, ultimately, the only No you have is No, you can't open the play. And that No is very very hard to say. — Lisa Loomer

I flipped open my phone and sent Daniel a text: I love you.
As I crawled into bed, my phone beeped with a message back from him: Always. — Bree Despain

The impact of the Yemeni manuscripts is still to be felt. Their variant readings and verse orders are all very significant. Everybody agrees on that. These manuscripts say that the early history of the Koranic texts is much more of an open question than many have suspected: the text was less stable, and therefore had less authority, than has always been claimed. — Andrew Rippin

While life is meant to test, challenge, and strengthen us, if we are attempting to negotiate the twists and turns and ups and downs of mortality alone, we're doing it all wrong. Mortality is a test, but it is an open book test. We have access not only to the divine text but to Him who authored it. — Sheri L. Dew

Generally, the imagery and the text go hand in hand. It's much easier when the text comes first, but sometimes I need visual stimulation in order to find the words. I get an idea of what I want when I begin to shoot, and the text is usually the last thing to be resolved. I tend to leave the text open, and I refine the words up to the last minute. As for the image, I can resolve that and get that done fairly quickly. — Lorna Simpson

Communication. It's important to be completely open and fearless when it comes to communication. Good, bad, happy, sad. Talk it out, hug, see a shrink, text each other, hurl marshmallows. Whatever it takes to ensure a deep understanding of each other's feelings. Cancer is not a solo mission. — Ethan Zohn

The 'open text' often emphasizes or foregrounds process, either the process of the original composition or of subsequent compositions by readers. — Lyn Hejinian

I would urge us to be not too certain of our accustomed ways of looking at Genesis, and to open ourselves to the wisdom of the God-bearing men of the past who have devoted so much intellectual effort to understanding the text of Genesis as it was meant to be understood. These Holy Fathers are our key to understanding Genesis. — Seraphim Rose

Open text is one of a pair of terms popularized by Eco to refer to kinds of interpretative interactions between text and reader. An open text, unlike a closed one such as a work of popular fiction, is not aimed at a specific reader in a specific social context. It is also open in that its theme, structure and language are more complex, less explicit, more "open-ended": what other critics as Barthes in reception theory would call "Indeterminate". The open text constructs the model of its own reader as part of its structural strategy. — Katie Wales

And still the text will remain, if it is really cryptic and parodying (and I tell you that it is so through and through. I might as well tell you since it won't be of any help to you. Even my admission can very well be a lie because there is dissimulation only if one tells the truth, only if one tells that one is telling the truth), still the text will remain indefinitely open, cryptic and parodying. — Jacques Derrida

Our sense of "open" is that the authority to make decisions about that gets distributed based on merit and understanding and participation and leadership, not solely on employment or a title or a business plan. Technical colleagues will define "open" as "open standards," "interoperable" - you can find it, search it, cut and paste it, view source, mix and match - all those things that we associate with text on the Web, that you can continue to do that with audio and video and whatever's next. — Mitchell Baker

She wasn't all that interested, as a reader, in the reader. She was still partial to that increasingly eclipsed entity: the writer. Madeleine had a feeling that most semiotic theorists had been unpopular as children, often bullied or overlooked, and so had directed their lingering rage onto literature. They wanted to demote the author. They wanted a book, that hard-won, transcendent thing, to be a text, contingent, indeterminate, and open for suggestions. They wanted the reader to be the main thing. Because they were readers.
Whereas Madeleine was perfectly happy with the idea of genius. She wanted a book to take her places she couldn't get to herself. She thought a writer should work harder writing a book than she did reading it. — Jeffrey Eugenides

Mann is widely recognized as a master of irony and ambiguity, yet it's remarkable how quickly people foreclose options he carefully leaves open. Lots of readers - including eminent critics - jump to conclusions: that Nietzsche's Birth of Tragedy is a central background text, that Aschenbach is an inferior writer, that he's never been attracted by pubescent male beauty before, that he dies of cholera. — Philip Kitcher

Victoria started to text something else, but then she shoved her phone in her pocket and yanked open the door. Why was she trading insults with him on a phone when he was right there? — Lynn Raye Harris

What's been missing from digital music sales has been the possibility of added depth. In a printed package one can only include so many images and so much text - for example - but digitally it's wide open. For the most part at the moment we get less information for slightly less money - though we could be getting a lot more. — David Byrne

At last either Betsie or I would open the Bible. Because only the Hollanders could understand the Dutch text, we would translate aloud in German. And then we would hear the life-giving words passed back along the aisles in French, Polish, Russian, Czech, back into Dutch. They were little previews of heaven, these evenings beneath the lightbulb. — Corrie Ten Boom

Open the "book of life" and you will see a "text" of about 3 billion letters, filling about 10,000 copies of the new York Times Sunday edition. Each line looks something like this:
TCTAGAAACA ATTGCCATTG TTTCTTCTCA TTTTCTTTTC ACGGGCAGCC
These letters, abbreviations of the molecules making up the DNA, could easily mean that the anonymous donor whose genome has been sequenced will be bald by the age of fifty. Or they could reveal that he will develop Alzheimer's disease by seventy. We are repeatedly told that everything from our personality to future medical history is encoded in this book. Can you read it? I doubt it. Let me share a secret with you: Neither can biologists or doctors. — Albert-Laszlo Barabasi

My phone buzzes and I fish it from my pocket, expecting Tacey or maybe my parents checking in to make sure I'm okay. But it's an unfamiliar number.
Do you blame yourself?
I read the words once. Twice. I see Stella's locker door swinging open and I hear a train whistle, but neither are happening. It's all in my head. I force myself to take a breath and head outside. This text is a wrong number. It's not for me, and it's definitely not about Stella.
And then another message.
Do you wish you'd done something? What if you still could?
I text back quickly.
I think you have the wrong number.
I don't have the wrong number, Piper. — Natalie D. Richards

Conversation lets you be an artist every time you open your mouth--or shut it. As Robert Louis Stevenson said, "The most important art is to omit"; the key to being a master conversationalist is to listen at least as much as you talk. Just as the other arts include pauses in a dramatic play, white margins around printed text, and space between a singer's phrases, conversation is about silences as well as about words. — Margaret Shepherd

I believe that to preach or to expound the scripture is to open up the inspired text with such faithfulness and sensitivity that God's voice is heard and His people obey Him — John Stott

I flip open my phone to text Jessica:
Me: Guess who's pregnant?
Jess: u?
Me: Get real.
Jess: ur mom?
Me: yep
Jess: Mazel tov!?
Me: Don't congratulate me, plz
Jess: Could b worse
Me: How?
Jess: Could be u?
Me: I'm a virgin.
Jess: Nobody's perfect. — Simone Elkeles

I have always had a weakness for footnotes. For me a clever or a wicked footnote has redeemed many a text. And I see that I am now using a long footnote to open a serious subject - shifting in a quick move to Paris, to a penthouse in the Hotel Crillon. Early June. Breakfast time. The host is my good friend Professor Ravelstein, Abe Ravelstein. My wife and I, also staying at the Crillon, have a room below, on the sixth floor. She is still asleep. The entire floor below ours (this is not absolutely relevant but somehow I can't avoid mentioning it) is occupied just now by Michael Jackson and his entourage. He performs nightly in some vast Parisian auditorium. Very soon his French fans will arrive and a crowd of faces will be turned upward, shouting in unison, 'Miekell Jack-sown'. A police barrier holds the fans back. Inside, from the sixth floor, when you look down the marble stairwell you see Michael's bodyguards. One of them is doing the crossword puzzle in the 'Paris Herald'. — Saul Bellow

open coding; development of concepts; grouping concepts into categories; formation of a theory. In the open coding stage, we analyze the text and identify any interesting phenomena in the data. Normally each unique phenomenon is given a distinctive name or code. The procedure and methods for identifying coding items are discussed in section 11.5.2. In the second stage, collections of codes that describe similar contents are grouped together to form higher level "concepts." In the third stage, broader groups of similar concepts are identified to form "categories" and there is a detailed interpretation of each category. In this process, we are constantly searching for and refining the conceptual construct that may explain the relationship between the concepts and categories (Glaser, 1978). In the last stage, theory formulation, we aim at creating inferential and predictive statements about the phenomena recorded in the data. — Jonathan Lazar

But on a Sunday morning when I want to grab an omelet over girl talk, I'm at a loss. My Chicago friends are the let's-get-dinner-on-the-books-a-month-in-advance type. We email, trading dates until we find an open calendar slot amidst our tight schedules of workout classes, volunteer obligations (no false pretenses here, the volunteers are my friends, not me, sadly), work events, concert tickets and other dinners scheduled with other girls. I'm looking for someone to invite to watch The Biggest Loser with me at the last minute or to text "pedicure in half an hour?" on a Saturday morning. To me, that's what BFFs are. — Rachel Bertsche

He'd never answered the text from his brother last night because he was otherwise occupied getting a gorgeous stranger off on an open-air balcony in the middle of downtown Chicago. You couldn't make this shit up.
Penthouse, check your mail. — Kate Meader

Obedience is the thing, living in active response to the living God. The most important question we ask of this text is not, 'What does this mean?' but 'What can I obey?' A simple act of obedience will open up our lives to this text far more quickly than any number of Bible studies and dictionaries and concordances. — Eugene H. Peterson

To be a critical reader means for me: (1) to affirm the enduring power of the Bible in my culture and in my own life and yet (2) to remain open enough to dare to ask any question and to risk any critical judgement. Nothing less than both of these points, together, can suffice for me. I was a reader of the Bible before I was a critic of it, but I found becoming a critic to be liberating and satisfying, and therefore I judge criticism to be a high calling of inestimable value. Yet, I recognize the prior claim of the text and the preeminence of reading over criticism; accordingly, I see and occasionally am apprehended by moments in which the text wields its indubitable power. The critic's ego says this could be a taste of the cherished post-critical naivete; the reader's proper humility before the text says that a reader should not judge such things. — Robert M. Fowler

And so, when I began to read the proffered pages, I at one moment lost the train of thought in the text and drowned it in my own feelings. In these seconds of absence and self-oblivion, centuries passed with every read but uncomprehended and unabsorbed line, and when, after a few moments, I came to and re-established contact with the text, I knew that the reader who returns from the open seas of his feelings is no longer the same reader who embarked on that sea only a short while ago. — Milorad Pavic

(In the real world, you'd want to use a custom search system of some sort. Search the Web for open-source full-text search to get an idea of the possibilities.) — Nigel George

When Dr. James Young Simpson sought to apply anesthesia to a woman in childbirth, the clergymen of his day foamed at the mouth and spat upon him with vituperation and abuse, for attempting to violate God's direct command that 'in pain thou shalt bring forth children,' as based upon the idiotic text of the Bible. But Dr. Simpson persisted despite the ravings of the religious lunatics of his day.
The importance of Dr. Simpson's application of anesthesia to the relief of pain in childbirth, and his open defiance of the religionists, are beyond the measure of words to evaluate. — Joseph Lewis

Emerson said that a library is a magic chamber in which there are many enchanted spirits. They wake when we call them. When the book lies unopened, it is literally, geometrically, a volume, a thing among things. When we open it, when the book surrenders itself to its reader, the aesthetic event occurs. And even for the same reader the same book changes, for the change; we are the river of Heraclitus, who said that the man of yesterday is not the man of today, who will not be the man of tomorrow. We change incessantly, and each reading of a book, each rereading, each memory of that rereading, reinvents the text. The text too is the changing river of Heraclitus. — Jorge Luis Borges