One Side Of A Story Quotes & Sayings

One of the first problems to be faced at Niagara was how to get a wire over the gorge and its violent river. Ellet solved that nicely by offering five dollars to the first American boy to fly a kite over to the Canadian side. The prize was won by young Homer Walsh, who would tell the story for the rest of his days. Once the kite string was across, a succession of heavier cords and ropes was pulled over, and in a short time the first length of wire went on its way. After that, when the initial cable had been completed, Ellet decided to demonstrate his faith in it in a fashion people would not forget. He had an iron basket made up big enough to hold him and attached it to the cable with pulleys. Then stepping inside, on a morning in March 1848, he pulled himself over the gorge and back again, all in no more than fifteen minutes' time, and to the great excitement of crowds gathered along both rims. — David McCullough

Into a nondescript one-story building on the western side of the compound, passing through a security door marked AUTHORIZED PERSONNEL ONLY. Through a metal detector manned by heavily armed, stone-faced soldiers. Into an elevator that carries us four stories beneath the earth. Reznik doesn't talk. He doesn't even look at me. I have a pretty good idea where we're going, but no idea why. I nervously pick at the front of my new uniform. — Rick Yancey

Gil sat baking in the sun for at least 45 minutes before one of the tour guides noticed him looking listless and leaning to his left side. As she approached him, she noticed that he had a stupid grin on his face.
"Are you all right, Mr. Cohen?" she asked as she tried to slowly help him to his feet.
His shirt was drenched with sweat and his skin was mostly clammy, signally that he was suffering from the middle stages of heat stroke.
"It's not so bad?" he muttered as he struggled to stand straight up. "What not so bad, Mr. Cohen?" one of the tour guides asked.
"Death," Gil stated in a glazed response.
The guide looked at the heat-stricken man who appeared to have amoment of clarity amidst all of the sweat and dehydration. "Why is death not so bad?" she pressed on. Gil took a big swig of Gatorade and replied, "Because life wasn't so great. — Phil Wohl

A great Tamil poet, given to decadence and debauchery, once said that the story of his life could serve as an example to the youth on how one should
not live. Having lived, or rather, having sleepwalked for ten years through the desolate wastelands of depression, I survived to reach the other side. I believe that this validates my claim to write this book for you. — Indu Muralidharan

We just sent some footage to ABC Primetime, who is doing a segment that alleges to tell our side of the story, and in that, a week before she became ill, there's Eliza Jane at her friend's birthday party, blowing, over and over again, a party horn - the one with the long, curly thing that sticks out when you blow it and retracts when you breathe in - over and over and over again ... this child that, a few weeks later, would be said to have died of fatal pneumonia. — Christine Maggiore

Her soul died that night under a radiant silver moon in the spring of 1918 on the side of a blood-spattered trench. Around her lay the mangled dead and the dying. Her body was untouched, her heart beat calmly, the blood coursed as ever through her veins. But looking deep into those emotionless eyes one wondered if they had suffered much before the soul had left them. Her face held an expression of resignation, as though she had ceased to hope that the end might come. — Helen Zenna Smith

However, although The Da Vinci Code did a whole heap of things defectively, it did one thing stupefyingly well - the plot. It was as though Brown had jettisoned all traces of style and credibility from his novel because he had realised, in a flash of Leonardo-like scientific insight, that style and credibility were the very properties preventing his theoretical story-balloon from taking flight. So they had been tossed over the side, along with beauty, truth and five hundred years of literary progress. — Andy Miller

Choose the beautiful story, with the bright lights, the one where he can hear us," she told him. "That's the true one. Not the scary story, not the sharks." "But isn't it more scary to be utterly alone upon the waters, completely cut off from everyone, no friends, no family, no direction, nothing but a radio for solace?" She touched the side of his face. "That's your story," she said. "You're trying to tell me your story, aren't you?" Jun Do stared at her. "Oh, you poor boy," she said. "You poor little boy. It doesn't have to be that way. Come in off the water, things can be different. You don't need a radio, I'm right here. You don't have to choose the alone." ========== The Orphan Master's Son: A Novel (Pulitzer Prize for Fiction) (Johnson, Adam) — Anonymous

On the movie side of things, the difficulties come with so few movies being made, and when they are, it seems that it's a marketing game. Story sometimes takes a backseat to that one grand marketing idea. — Jim Rash

High up overhead the snow settled among the tracery
of the cathedral towers. Many a niche was drifted full; many a statue
wore a long white bonnet on its grotesque or sainted head. The gargoyles
had been transformed into great false noses, drooping toward the point.
The crockets were like upright pillows swollen on one side. In the
intervals of the wind there was a dull sound dripping about the
precincts of the church. — Robert Louis Stevenson

To invent a story, or admirably and thoroughly tell any part of a story, it is necessary to grasp the entire mind of every personage concerned in it, and know precisely how they would be affected by what happens; which to do requires a colossal intellect: but to describe a separate emotion delicately, it is only needed that one should feel it oneself; and thousands of people are capable of feeling this or that noble emotion, for one who is able to enter into all the feelings of someone sitting on the other side of the table. — John Ruskin

One of my biggest influences as a writer is J. K. Rowling. I grew up with Harry Potter. One thing I absolutely loved was how every single person in Harry's world was so three-dimensional - it was as if each one was the main character in his or her own story and was just making a guest appearance in Harry's story. I strive to do that as a writer. I want every side character to be the main character of his or her own story. — Angie Thomas

The real thing about evil," said the Witch at the doorway, "isn't any of what you said. You figure out one side of it - the human side, say - and the eternal side goes into shadow. Or vice versa. It's like the old saw: What does a dragon in its shell look like? Well no one can ever tell, for as soon as you break the shell to see, the dragon is no longer in its shell. The real disaster of this inquiry is that it is the nature of evil to be secret. — Gregory Maguire

Grip's favorite painting didn't contain a single figure. 'Seven A.M.' showed distant trees on one side, and on the other a storefront that time had passed by. So still. Some kind of story could probably be told, but one refrained from asking questions. The light and shadows convinced the viewer to exist in the moment. Hopper had drawn sharp lines where the sun cast shadows on the white walls inside the window, while outside the ground gleamed like warm sand. The hands of an old wall clock suggested that the time was seven. Someone who should have been there was somewhere else. Yet nothing was missing. With the morning light streaming down on the ground and in through the window, time might as well have stopped - so the clock always stood at seven.
Just like that, a place where nothing ever changes. — Robert Karjel

When one side only of a story is heard and often repeated, the human mind becomes impressed with it insensibly. — George Washington

Telling a story of illness, one pulls a thread through a narrow opening flanked on one side by shame and the other by trivia. — Susan Griffin

So I simply said one of the great trite truths: There is generally more than one side to a story. — Roger Zelazny

He said you have to be on the side of the losers, the people with bad lungs. You have to be with those who are homesick and can't breathe very well in Ireland. He said it makes no sense to hold a stone in your hand. A lot more people would be homeless if you speak the killer language. He said Ireland has more than one story. We are the German-Irish story. We are the English-Irish story, too. My father has one soft foot and one hard foot, one good ear and one bad ear, and we have one Irish foot and one German foot and a right arm in English. We are the brack children. Brack, homemade Irish bread with German raisins. We are the brack people and we don't have just one language and one history. We sleep in German and we dream in Irish. We laugh in Irish and we cry in German. We are silent in German and we speak in English. We are the speckled people. — Hugo Hamilton

The whiskey was a good start. I got the idea from Dylan Thomas. He's this poet who drank twenty-one straight whiskeys at the White Horse Tavern in New York and then died on the spot from alcohol poisoning. I've always wanted to hear the bartender's side of the story. What was it like watching this guy drink himself out of here? How did it feel handing him number twenty-one and watching his face crumple up before the fall of the stool? And did he already have number twenty-two poured, waiting for this big fat tip, and then have to drink it himself after whoever came took the body away? — Michael Thomas Ford

There's probably one more story about Bosnia that I'd like to do, because I spent a fair amount of time on the Serb side of the lines, which isn't apparent in the other books. — Joe Sacco

One day, you muster the courage and let go of the fear. In a brief moment of insanity, you give wings to the stories you had wanted to tell; some you didn't even know were in you. In that instant, something about you changes. You are born again.

That is not to say the fear and worry and second-guessing go away. They are there. But you learn to cope with them. You learn that they don't control you at all times. In those fleeting moments of freedom, you have the power. You know you are not perfect. You realize no one was born perfect. No one. Rome wasn't built in a day either.
A weird thing happens when you get a glimpse of that side of you. A child-like zeal possesses you. It is addictive. You discover your voice. You matter. Maybe not to the world, yet. You matter to yourself. You are worthy. You are alive. You can be. — K.J. Kilton

No one has really heard my side of the story, the adventure we had together, the transformation that I had going from a schoolgirl to a woman overnight. — Priscilla Presley

Aidan," ...
He held up his finger. "One second, babe. I gotta finish telling Pesh this story."
"But my water broke."
Without taking his eyes of Pesh, Aidan slid his glass of water over to her. "Here take mine."
If the situation hadn't been dire, Megan would have laughed at how oblivious Aidan was. Pesh leaned forward in his seat. "Um, Aidan, I think-"
He didn't get a chance to finish. Instead, water splashed across the side of Aidan's face. He shot out of his chair before whirling around to Emma. "What the hell, Em?"
"My. Water. Broke," she muttered through gritted teeth.
"Oh shit," he replied. — Katie Ashley

Landowner of those parts. An archway to one side leads to a church, the Madonna del Carmine - Our Lady of Mount Carmine. Narrow stone steps run up the hillside, flanked by closely clustered two-story stone houses with red-tile roofs. For centuries, the paesani of Roseto — Malcolm Gladwell

In a popular teaching story, a man being chased by a tiger leaps off a cliff in his attempt to get away. Fortunately, a tree growing on the side of the cliff breaks his fall. Dangling from it by one arm - tiger pacing above, jutting rocks hundreds of feet below - he yells out in desperation, "Help! Somebody help me!!" A voice responds, "Yes?" The man screams, "God, God, is that you?" Again, "Yes." Terrified, the man says, "God, I'll do anything, just please, please, help me." God responds, "Okay then, just let go." The man pauses for a moment, then calls out, "Is anyone else there? — Tara Brach

One marker, which I would read a bit later on, tells the familiar story of Narcissa Whitman, "trail-blazer and martyred missionary," who followed the north side of the Platte in 1836 on horseback, "becoming the first white women to cross the American continent," and who, along with her husband, Marcus, was "massacred by Cayuse Indians" at their Protestant mission in 1847 in Walla Walla, Washington. (The Indians there were justifiably enraged at the whites for spreading measles to them.) — Robert D. Kaplan

Now, to tell my story
if not as it ought to be told, at least as I can tell it,
I must go back sixteen years, to the days when Whitbury boasted of forty coaches per diem, instead of one railway, and set forth how in its southern suburb, there stood two pleasant house side by side, with their gardens sloping down to the Whit, and parted from each other only by the high brick fruit-wall, through which there used to be a door of communication; for the two occupiers were fast friends. — Charles Kingsley

Don't you think it's strange that life, described as so rich and full, a camel-trail of adventure, should shrink to this coin-sized world? A head on one side, a story on the other. Someone you loved and what happened. That's all there is when you dig in your pockets. The most significant thing is someone else's face. What else is embossed on your hands but her? — Jeanette Winterson

Then she is on me. Her soft, hot body collapses onto my own ravenous frame. She pushes my legs open with her knees and pulls my arms above my head with her hands, holding me a willing hostage. For one long moment we are eye to eye. Her breasts press down into my nipples, goading them but offering no release, and then her lips come crashing down on mine. She kisses me as though she already owns me; exploring my mouth with her tongue, dragging it aggressively from one side of my lips to the other. — Felicity Brandon

There was a man here, lashed himself to a spar as his ship went down, and for seven days and seven nights he was on the sea, and what kept him alive while others drowned was telling himself stories like a madman, so that as one ended another began. On the seventh day he had told all the stories he knew and that was when he began to tell himself as if he were a story, from the earliest beginnings to his green and deep misfortune. The story he told was of a man lost and found, not once, but many times, as he choked his way out of the waves. And the night fell, he saw the Cape Wrath light, only lit a week it was, but it was, and he knew that if he became the story of the light, he might be saved. With his last strength he began to paddle towards it, arms on either side of the spar, and in his mind the light became a shining rope, pulling him in. He took hold of it, tied it round his waist, and at that moment, the keeper saw him, and ran for the rescue boat. — Jeanette Winterson

I try to believe," she said, "that God doesn't give you more than one little piece of the story at once. You know, the story of your life. Otherwise your heart would crack wider than you could handle. He only cracks it enough so you can still walk, like someone wearing a cast. But you've still got a crack running up your side, big enough for a sapling to grow out of. Only no one sees it. Nobody sees it. Everybody thinks you're one whole piece, and so they treat you maybe not so gentle as they could see that crack. — Rebecca Wells

What if they still think I'm the price or whatever?"
Daniel gave her a soft, unexpected smile. "I'm certain they still think that. Many do. But only you get to decide how you will fulfill your role in this old story. What we started when we first kissed at Sword & Cross? That awakening in you was only the first step. All those lessons you learned during your time in the Announcers have armed you. The Outcasts can't take that away from you. No one can. And besides"-he grinned-"no one can touch you when I am at your side."
"Daniel?" She took a sip of the grapefruit soda, felt it fizz down her throat. "How will I fulfill my role in this old story?"
"I have no idea," he said, "but I can't wait to find out."
"Neither can I. — Lauren Kate

Being a mixed-blood person of Ojibway and European ancestry, I always found that I only heard one side of the story - that was the conquerers' side, the side of the French Jesuit missionaries that came to live in what is now Ontario. — Joseph Boyden

It seemed a church committee needed an architect to build a bridge "over a very dangerous and rapid river." Designer after designer failed, until one boasted - to the horror of his priggish benefactors - "I could build a bridge to the infernal regions, if necessary." The chairman assured his shocked colleagues: "he is so honest a man and so good an architect that if he states soberly and positively that he can build a bridge to Hades - why, I believe it. But," he admitted, "I have my doubts about the abutment on the infernal side!" Henry Villard could not help noticing "Lincoln's facial contortions" as he reached the story's moral: "So," he concluded, when "politicians said they could harmonize the Northern and Southern wings of the democracy, why, I believed them. But I had my doubts about the abutment on the Southern side. — Harold Holzer

It seemed like a hybrid of Spinal Tap, the British The Office, and something entirely original. Scenes would be blocked and rehearsed almost like a play, with entire scenes performed top to bottom many times. Two or three cameras would find the action and just follow the actors as they moved around. Actors often didn't know when they were on camera or where the cameras were. "Spy shots" lent a sense of intimacy to moments. Actors were allowed to look into the camera to show their reactions to things and spoke directly to the camera with "talking heads," used to further the story or display another side of what a character was feeling.15, 16 Camera operators were very close or very far away but a dynamic part of the action. We would shoot eight or nine pages in a twelve-hour day, which is about double what one shoots on a feature film. — Amy Poehler

There's a wonderful, perhaps apocryphal story that people tell about Daniel Patrick Moynihan, the brilliant, prickly, and iconoclastic late senator from New York. Apparently, Moynihan was in a heated argument with one of his colleagues over an issue, and the other senator, sensing he was on the losing side of the argument, blurted out: 'Well, you may disagree with me, Pat, I'm entitled to my own opinion." To which Moynihan frostily replied, "You are entitled to you own opinion, but you are not entitled to you own facts. — Barack Obama

She allowed herself to relax and enjoy the wave of applause breaking over them. Marta glanced at her mother, who had tears running down her face, but her smile was the happy one Marta hadn't seen in a long time. She no longer looked drawn and sad, but the pretty Mutti her Vati had adored.
A hand brushed her head. But when she turned to look, no one stood close to that side of her. But she caught a whiff of a familiar scent, cigars- and-Vati smell, and knew in her heart her father had come to listen to her sing. — Debra Holland

He was clearly in love with Amber too, and this time it wasn't the usual water off the back of the duck. Instead, the duck, wounded by a hunter and bewildered because half its head had been shot way, and was still tottering about on its webby feet by the side of the pond. From the one side it looked like a duck usually looks. From the other, it was a different story. — Ali Smith

I knew, of course, that I should be well paid for my services, but I would gladly have accepted half the sum I expected if I could have had it that night, for our little treasury was wholly exhausted, and we had not sixpence to purchase a breakfast for the following day. When the great hall door shut upon me, and I found myself on the pavement, with all the luxury and splendour on one side, and I and my desolation on the other, the contrast struck me cruelly, for I too, had been rich, and dwelt in illuminated palaces, and had a train of liveried servants at my command, and sweet music had echoed through my halls. I felt desperate, and drawing my hat over my eyes I began pacing the square, forming wild plans for the relief or escape from my misery. ("The Italian's Story") — Catherine Crowe

I turn my head a little. The radio's caroling "Tonight," velvety smooth and young and filled with plaintive desire. Maria's song from West Side Story. I remember one beautiful night long ago at the Winter Garden, with a beautiful someone beside me. I tilt my nose and breathe in, and I can still smell her perfume, the ghost of her perfume from long ago. But where is she now, where did she go, and what did I do with her?
Our paths ran along so close together they were almost like one, the one they were eventually going to be. Thin fear came along, fear entered into it somehow, and split them wide apart.
Fear bred anxiety to justify. Anxiety to justify bred anger. The phone calls that wouldn't be answered, the door rings that wouldn't be opened. Anger bred sudden calamity.
Now there aren't two paths anymore; there's only one, only mine. Running downhill into the ground, running downhill into its doom.
("New York Blues") — Cornell Woolrich

At one point in the story, following a brazen daytime bank robbery, Electro is shown escaping from the authorities by climbing up the side of a building, as easily as Spider-Man . . . we see one observer exclaim, "Look!! That strangely-garbed man is racing up the side of the building!" A second man on the street picks up the narrative: "He's holding on to the iron beams in the building by means of electric rays - using them like a magnet!! Incredible!"

There are three feelings inspired by this scene. The first is wonder as to why people rarely use the phrase "strangely-garbed" anymore. The second is nostalgia for the bygone era when pedestrians would routinely narrate events occurring in front of them, providing exposition for any casual bystander. And the third is pleasure at the realization that Electro's climbing this building is actually a physically plausible use of his powers. — James Kakalios

I pushed my pile of papers to one side, stroked Shadow and stared into the fire, longing for the comfort of a story where everything had been planned well in advance, where the confusion of the middle was invented only for my enjoyment, and where I could measure how far away the solution was by feeling the thickness of pages still to come. I had no idea how many pages it would take to complete the story of Emmeline and Adeline, nor even whether there would be time to complete it. — Diane Setterfield

He started to say, "I have a lot of work - " just as Izzy
walked in the front door, and his mouth fell open. Her hair
had been swept up on one side, pinned back by a pink flower.
Nothing too big. Just the right size to look kind of sexy. His
gaze skimmed down over a pink sparkly dress that stopped
mid-thigh - and she had the legs for it. Now, not only was he
dealing with the fact that she wasn't a kid anymore, he was
seeing her as a gorgeous, sexy woman. It was as if someone
had waved a magic wand and she'd changed overnight. — Susan Meier

In supernatural horror stories, however, magical thinking is a completely different matter. Those characters contending with what seems to be the work of magic will deny till the very last moment that anything magical is going on. They will invoke reason and evidence and eek out corroborations for the cause of their problems. But readers of these stories are rarely, if ever, on the side of these characters. They desperately want to believe that there is indeed something magical going on and they are primed to accept it whenever it occurs. Some readers especially enjoy a story with bad magic, as it assures them that magic is confined to fiction and will not leak into their real lives. This is the most perverse form of magical thinking and the one least likely to be recognized as such. — Thomas Ligotti

I think of a person I haven't seen or thought of for years, and ten minutes later I see her crossing the street. I turn on the radio to hear a voice reading the biblical story of Jael, which is the story that I have spent the morning writing about. A car passes me on the road, and its license plate consists of my wife's and my initials side by side. When you tell people stories like that, their usual reaction is to laugh. One wonders why.
I believe that people laugh at coincidence as a way of relegating it to the realm of the absurd and of therefore not having to take seriously the possibility that there is a lot more going on in our lives than we either know or care to know. Who can say what it is that's going on? But I suspect that part of it, anyway, is that every once and so often we hear a whisper from the wings that goes something like this: You've turned up in the right place at the right time. You're doing fine. Don't ever think that you've been forgotten. — Frederick Buechner

I remember him. Jaxton only knew I existed long enough to take the piss out of me. He certainly never liked me." Roman sighed, giving his side of the story, though it was a slanted
one. Only three people knew the real story; him, Jaxton and Ben, and it was far from the tale of bully and victim that Jaxton kept telling people.
"Yeah, that's what he said," Thayer agreed, with a laugh.
Roman wasn't even surprised. Disappointed, but never surprised. — Elaine White

Some novels present a story form many points of view. Most movies tell only one person's side of the story. Sometime it's easy to use the strongest point of view, or find the character with the most dramatic experience. It depends on which themes the scriptwriter wants to explore. — Seth Grahame-Smith

suggested. 'Are you for real? Why would I want to put myself out there to be judged and criticised? I do that enough myself.' Going to the papers with my story was the last thing I wanted to do. Nobody wants to be exposed as a drug addict, especially one with a history like mine. I could barely understand the nature of my own addiction and I certainly didn't expect others to understand. With such stigma and shame attached to drug use, people just didn't want to know. Junkies like me were pushed to the side and marginalised as though we had leprosy. Like some sort of forgotten race. — Rachael Keogh

The themes of Jesus' teaching are important, but of course he was more than a teacher. All the Gospels put the end of his life at the dramatic center of his story. Here all the hopes of Israel come together - he is the king of the Jews, the greatest of all the suffering prophets. Yet Jesus transformed those expectations. He did not lead Israel to victory over Rome. Indeed, one of the remarkable features of the narratives of his last days is that his increasing isolation makes it impossible to identify him with any one 'side' or cause. The Roman governor sentenced him as a Jewish rebel, but the leaders of Judaism also turned against him. He attacked the powerful on behalf of the poor, but in the end the mob too called for his blood. His own disciples ran away; Peter denied him. He did not go to his death agony as a representative of Jews, or of the poor, or of Christians, but alone, and thus, according to Christian faith, as a representative of all. — William C. Placher

Hey, Rhubarb, we may need to rethink our approach."
"No, we don't."
"I've only got one hand here, kiddo. Maybe if I grab the middle-"
"If you grab the middle, it'll be the last thing that hand ever does!"
He pondered that as if it explained something. "So I'm guessing then you don't get a lot of company down here."
"Bobby, so help me, I will rip your arm off and beat you with it, do you hear me?"
"Okay, geez. Let me just get a look - " He picked her skirt up and pulled it over his head.
"Bobby!" She was actually too mortified to even scream so it came out like a squeak from a dying rat.
"Dammit, there's no light under here, can't see a thing."
Thank God for small blessings. "Get out of there!"
"Tell you what, how about you use your spare hand and I use mine on either side of your hips and we yank together. — Dee Tenorio

I think it's a lot easier to tell a war story about two sides of a conflict with one another as opposed to one side in conflict with itself. — Christopher McQuarrie

She says I shall now have one mouth the more to fill and two feet the more to shoe, more disturbed nights, more laborious days, and less leisure or visiting, reading, music, and drawing.
Well! This is one side of the story, to be sure, but I look at the other. Here is a sweet, fragrant mouth to kiss; here are two more feet to make music with their pattering about my nursery. Here is a soul to train for God; and the body in which it dwells is worth all it will cost, since it is the abode of a kingly tenant. I may see less of friends, but I have gained one dearer than them all, to whom, while I minister in Christ's name, I make a willing sacrifice of what little leisure for my own recreation my other darlings had left me. Yes, my precious baby, you are welcome to your mother's heart, welcome to her time, her strength, her health, her tenderest cares, to her lifelong prayers! Oh, how rich I am, how truly, how wondrously blest! — Elizabeth Payson Prentiss

Some readers may realize that this story, first published in 1956, has been overtaken by events. In 1965, astronomers discovered that Mercury does not keep one side always to the Sun, but has a period of rotation of about fifty-four days, so that all parts of it are exposed to the sunlight at one time or another.
Well, what can I do except say that I wish astronomers would get things right to begin with?
And I certainly refuse to change the story to suit their whims. — Isaac Asimov

If you listen to only one side of the story, you are simply a coward. — Ben Tolosa

In addition, help your children learn self-discipline by such activities as learning to play a musical instrument or other demanding skill. I am reminded of the story of the salesman who came to a house one hot summer day. Through the screen door he could see a young boy practicing his scales on the piano. His baseball glove and hat were by the side of the piano bench. He said, "Say, boy, is your mother home?" To which the boy replied, "What do you think?" Thank heavens for conscientious parents! — Joe J. Christensen

Uneducated therapists often have an inability to cope with the behaviors of persecutory alters. They commonly focus on helping one side of the personality system and battling with the other side. When "Satan" or some similar part talks in a deep scary voice to you or to the client, it is easy to think this is a nasty perpetrator or a supernatural being, and to and to oppose it or fight with it or try to banish it. However, if you do this, you will engender the hostility of this part, who has probably been very badly hurt and told a lot of lies. You will foster internal splitting in this way, and get nowhere fast.
Once you recognize that these alters have a protective intent, you can see that working with them involves enlisting them in the service of healing, just as they were originally enlisted in the cause of safety. You will see examples of these kinds of errors, which often result in clients leaving their therapists, in survivor LisaBri's story: When therapists make mistakes. — Alison Miller

On a blustery October night in a church outside Minneapolis, several hundred believers had gathered for a three-day seminar. I began with a one-hour presentation on the gospel of grace and the reality of Salvation. Using Scripture, story, symbolism, and personal experience, I focused on the total sufficiency of the redeeming work of Jesus Christ on Calvary. The service ended with a song and a prayer.
Leaving the church by a side door, the pastor turned to his associate and fumed, 'Humph, that airhead didn't say one thing about what we have to do to earn our salvation!'
Something is radically wrong. — Brennan Manning

I am going to take you every imaginable way,' he promised on a whisper, tugging her bodice lower.
'Excellent,' she murmured. She tugged his shirt from his trousers.
'Right side up, upside down, sideways, sitting, standing. You on top. Then me on top.'
'A brilliant plan.' His shirt fell from his shoulders. Oh, his shoulders. The vast glorious curve of them. She couldn't wait to lick one.
'Backward, forward. On the bed, on the table, on the settee.'
He paused, and lifted her dress off over her head with all the ceremony of an unveiling. It fell to the floor.
'And then?' she whispered.
'And then we'll do it all over again.'
It was the never-ending story! — Julie Anne Long

One thing that gets lost in all the aggregation throughout this book: on an individual level, the personal affects of these broad social forces are often very subtle... when you go person by person, any individual's experience is too small and too varied to conclusively say anything racial has happened. It could be your skin or it could be just you. On the other side of it, it's laughable to think of one red-faced guy searching for n****r jokes because Barak Obama got elected, but it's a lot less funny when you can see that he's one of thousands and thousands making the same search. And it's less funny still when you see the large affects these private attitudes can still have, even in public life. Thus the story of just one of us versus the story of us all. That's why data like this is necessary; it ends arguments that anecdotes could never win. It provides facts that need facing. — Christian Rudder

Lee Duffy was a man apart and someone who only comes around once in a lifetime, a total one off. There have been a lot of things written about him in the press and it's always been from the other side of the coin. There are always two sides to every story and Lee's family have never fully told us their side. They are very distrustful of the press after Lee was made out to be some kind of monster.
If Lee had been born and bred in London, he would have been an icon.
He was Robin Hood, Dick Turpin and Muhammad Ali rolled into one. — Stephen Richards

I haven't said anything about your novel yet,' he said, taking a seat on the other side of the table. 'But it made an indelible impression on me. I was deeply shaken after reading it.'
'Why's that?' I asked.
'Because you went so far. You went so unbelievably far. I was glad you did, I was sitting here, smiling, because you had brought it off. When we met you wanted to be a writer. No one else had had the idea. Only you. And then you achieved it. But that wasn't why I was shaken. It was because you went so far. Do you really have to go that far, I thought at the time. And it was frightening. Speaking for myself, I can't go that far.'
'What do you mean? How do you mean I went so far? It's just a standard novel.'
'You say things about yourself it's unheard of to say. Not least the story of the thirteen-year-old. I'd never have thought you would dare. — Karl Ove Knausgard

When relationships have outlived their shelf life, people often realize that at some level, they are sticking it our because they once thought in the light of their divine love that the other person would change. Sorry for breaking the poetic hope here, but that doesn't happen. People are like rubber bands. They may be able to stretch from time to time and do some amazing things, but in general they are who they are. If manipulation and machinations on your side get them to behave the way you want, I will set my clock on the fact that they will return to their previous way of behaving, or they will keep faking it. To be in a relationship with someone who is not really there doesn't make sense. People who aren't cooperating feel like a project to us, like something for us to rescue or fix. Rescuing is the province of firefighters and fairy tales, but it's not real life. The stance of sticking it out in hopes of redemption is an old story and one that has wasted many lives. — Ramani Durvasula

For one ... If you shoot me and your boss realizes it was without good reason, you'll have fucked up your trial period. And trust me; I know you're still in it." Ian pulled open a drawer in a small brown cabinet.
"Secondly, it could end very badly for me and I'd rather prevent that. Getting shot is not on my list of things to do today." He wrapped his hand around the steel grip of his own weapon and removed it from the drawer.
"And last but not least, if you plan to shoot me ... Well, it'll be a matter of which of us is quicker and has better aim." A pleasant smile crossed his features and he casually waved the gun from side to side. "Do you want to risk it? — Natasha McNeely

You've got my heart in unfamiliar territory. It's never been out here on my sleeve. But here tonight with you it's quite a different story. You bring out a side of me no one has ever seen. — Toby Keith

There is an old story from the Eastern tradition that says that when the gods created the universe, they found a place for everything but the truth, and this created a problem, because the gods did not want this wisdom discovered right away. One of the gods suggested the top of the highest mountain, another the farthest star, a third spoke up for the dark side of the moon, and another for the bottom of the deepest ocean. Finally, they decide to place truth inside the human heart. In that way, we would search for it all over the universe, with the secret within us all the time. — Stephen Kendrick

Claire: Dear Claire, "What" and "If" are two words as non-threatening as words can be. But put them together side-by-side and they have the power to haunt you for the rest of your life: What if? What if? What if? I don't know how your story ended but if what you felt then was true love, then it's never too late. If it was true then, why wouldn't it be true now? You need only the courage to follow your heart. I don't know what a love like Juliet's feels like - love to leave loved ones for, love to cross oceans for but I'd like to believe if I ever were to feel it, that I will have the courage to seize it. And, Claire, if you didn't, I hope one day that you will. All my love, Juliet — Lise Friedman

A crime scene is a crime scene is a crime scene. Except for the unique nightmarish qualities of each one. I was standing in a bedroom of a very nice one-story ranch. There was a white ceiling fan that turned slowly. It made a faint whirring creak, as if it wasn't screwed in tight on one side. Better to concentrate on the small things. The way the east light fell through the slanting blinds, painting the room in zebra-stripe shadows. Better not to look at what was left on the bed. Didn't want to look. Didn't want to see. Had to see. Had to look. Might find a clue. Sure, and pigs could fucking fly. But still, maybe, maybe there would be a clue. Maybe. Hope is a lying bitch. There — Laurell K. Hamilton

Oh, I'm real. I'm the story of Sheresa. I write a little bit of the fiction of me every day. You see what I'm talking about? Then once you have the boundaries of history and fiction secure, where does everything else fall? Somewhere in between the two. History holds up one side of our lives and fiction the other. Mother, father. Birth, death, and in between, that's where you find religion. That's where you find art, science, engineering. It's where things get made from belief and memory. — Samantha Hunt

In the dresser mirror, my face looks the same, but I feel something happening around me, some change as palpable as weather. Stuck in the mirror are mementos from my childhood - red and yellow ribbons for various underachievements, a brown corsage from grad school graduation, a curling and faded picture of me petting a deer in Wisconsin - which is now over. I wandered through it and came out the other side.

It's a stark feeling. Like getting to the last page of a book and seeing 'The End.' Even if you didn't like the story that much, or your childhood, you read it, you lived it. And now it's over, book closed, that long-ago deer you petted in the Dells as dead as the one in The Yearling. — Jo Ann Beard