One Of A Kind Experience Quotes & Sayings

A novel works it's magic by putting a reader inside another person's life. The pace is as slow as life. It's as detailed as life. It requires you, the reader, to fill in an outline of words with vivid pictures drawn subconsciously from your own life, so that the story feels more personal than the sets designed by someone else and handed over via TV or movies. Literature duplicates the experience of living in a way that nothing else can, drawing you so fully into another life that you temporarily forget you have one of your own. That is why you read it, and might even sit up in bed till early dawn, throwing your whole tomorrow out of whack, simply to find out what happens to some people who, you know perfectly well, are made up. It's why you might find yourself crying, even if you aren't the crying kind. — Barbara Kingsolver

Life, in her experience, had a kind of velvet luster. You looked at yourself from one perspective and all you saw was weirdness. Move your head a little bit, though, and everything looked reasonably normal. — Jonathan Franzen

When I talk to a few thousand people, I just feel I am talking to an old friend. Like that. I never felt some kind of distance, so therefore, I feel one source of happiness. In that kind of atmosphere, my experience seems some benefit to some people. — Dalai Lama

She cries quietly, her shoulders heaving up and down, not the kind of loud sobbing that the women Chika knows do, the kind that screams Hold me and comfort me because I cannot deal with this alone. The woman's crying is private, as though she is carrying out a necessary ritual that involves no one else. — Chimamanda Ngozi Adichie

I read, with a kind of hopeless envy, histories and legends of people of our craft who "do not write for money." It must be a pleasant experience to be able to cultivate so delicate a class of motives for the privilege of doing one's best to express one's thoughts to people who care for them. Personally, I have yet to breathe the ether of such a transcendent sphere. I am proud to say that I have always been a working woman, and always had to be ... — Elizabeth Stuart Phelps Ward

And now the solider toiled upward through an extremely steep ascent over rock outcroppings and ravines. At the top, they saw something few white men had ever seen: the preternaturally flat expanse of the high plains, covered only with short buffalo grass. 'As far as the eye could reach,' wrote Carter, 'not an object of any kind or living thing was in sight. It stretched out before us- one uninterrupted plain, only to be compared with the ocean in its vastness.' The scene was terrifying even for men with experience of the plains. 'This is a terrible country,' railroad worker Arthur Ferguson had written a few years earlier, 'the stillness, wildness, and desolation of which is awful... Not a tree to be seen... and it seemed as if the solitude had been eternal. — S.C. Gwynne

I speak as an unregenerate reader, one who still believes that language and not technology is the true evolutionary miracle. I have not yet given up on the idea that the experience of literature offers a kind of wisdom that cannot be discovered elsewhere; that there is profundity in the verbal encounter itself, never mind what further profundities that author has to offer; and that for a host of reasons the bound book is the ideal vehicle for the written word. — Sven Birkerts

Ladies and gentlemen of the class of '97:
Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.
Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 p.m. on some idle Tuesday. — Mary Schmich

Though no one notices at the time, in-loveness obliterates the humanity of the beloved. One does a curious kind of insult to another by falling in love with him, for we are really looking at our own projection of God, not at the other person. If two people are in love, they tread on star dust for a time and live happily ever after - that is so long as this experience of divinity has obliterated time for them. Only when they come down to earth do they have to look at each other realistically and only then does the possibility of mature love exist. If one person is in love and the other not, the cooler one is likely to say, "We would have something better between us if you would look at me rather than at your image of me. — Robert A. Johnson

I often like to think that our map of the world is wrong, that where we have centered physics, we should actually place literature as the central metaphor that we want to work out from. Because I think literature occupies the same relationship to life that life occupies to death. A book is life with one dimension pulled out of it. And life is something that lacks a dimension which death will give it. I imagine death to be a kind of release into the imagination in the sense that for characters in a book, what we experience is an unimaginable dimension of freedom. — Terence McKenna

When I was young and knew Virginia Woolf slightly, I learned something that startled me - that a person may be ultrasensitive and not warm. She was intensely curious and plied one with questions, teasing, charming questions that made the young person glow at being even for a moment the object of her attention. But I did feel at times as though I were "a specimen American young poet" to be absorbed and filed away in the novelist's store of vicarious experience. Then one had also the daring sense that anything could be said, the sense of freedom that was surely one of the keys to the Bloomsbury ethos, a shared secret amusement at human folly or pretensions. She was immensely kind to have seen me for at least one tea, as she did for some years whenever I was in England, but in all that time I never felt warmth, and this was startling. — May Sarton

Time is a relationship that we have with the rest of the universe; or more accurately, we are one of the clocks, measuring one kind of time. Animals and aliens may measure it differently. We may even be able to change our way of marking time one day, and open up new realms of experience, in which a day today will be a million years. — George Zebrowski

Well, the experience for me making a film is the most profound one. I really don't have any business watching the movie so much. Maybe I could watch it for entertainment purposes, but you have so little input and control of the final product once you're done that I feel like I just would rather leave it alone. It kind of leaves me in a place where every film I do, I'm kind of having to reinvent and figure out how to start again fresh, and hopefully not repeat myself. — Jared Leto

Businesses are, in reality, quasi-religious sects. When you go to work in one you embrace a new faith. And if they are really big businesses, you progress from faith to a kind of mystique. Belief in the product, preaching the product, in the end the product becomes the focus of a transcendental experience. Through "the product" one communes with the vast forces of life, nature, and history that are expressed in business. Why not face it? Advertising treats all products with the reverence and the seriousness due to sacraments. — Thomas Merton

In time, most children stop being puzzled in this way. They settle in. The world around them, as it becomes familiar and daily, becomes ordinary. But for writers, like children who have never quite grown up, life retains a quality of strangeness; it remains a matter of questions for which there are no satisfactory answers, of hidden motives, displaced explanations, subtle concealments and mysteries. Eavesdropping of one kind or another, keeping an eye open and an ear cocked, even in public places, for the giveaway facial expression or gesture, the revealing word, becomes a settled habit for the writer, a necessary part of his professional equipment: the laying down of small scraps of information, of observation or experience, for future use. — David Malouf

With 'Bright Star' and with 'The Piano,' too, I felt a kind of sadness about it being in such a different era, because of my lack of experience with the era. And one of the ways I'd get over it is to remind myself that every film, even if it's contemporary, creates its own world. — Jane Campion

It is a foible of our human nature that when we have an extremely unpleasant experience, it gives us a peculiar satisfaction if it is "the biggest" of its disagreeable kind that has happened since the world began. During a heat wave, for instance, we are very pleased if the papers announce that it is "the highest temperature reached since the year 1881," and we feel a little resentment towards the year 1881 for having gone us one better. Or if our ears are frozen till all the skin peels off, it fills us with a certain happiness to learn that "it was the hardest frost recorded since 1786." It is just the same with wars. The war in progress is either the most righteous or the bloodiest, or the most successful, or the longest, since such and such a time; any superlative whatever always affords us the proud satisfaction of having been through something extraordinary and record-breaking. — Karel Capek

I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you're recreating the experience of life, not just relaying a 'this happened, then that happened' kind of narrative. The specific details and layers of depth that make the world of the story - and what the character is experiencing in that world - as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer. — Lara Campbell McGehee

No-one would want to go through a traumatic experience but when you've survived something life-shattering and risen above it, you achieve a kind of serenity. — Jane Wilson-Howarth

Christine O'Donnell is making a mockery of running for public office. She has no real history, no real success in any kind of business. And what that sends to my generation is, one day, you can just wake up and run for Senate, no matter how [much] lack of experience you have. — Meghan McCain

The kind of operation that is necessary to help us out of our dualistic thinking is a nondual experience. Then we begin to see things as one again. — Haridas Chaudhuri

One of the aspects I like about the film is that there is a kind of emotional, psychological discussion during the storytelling, ... Before taking a drug, go through yourself, experience yourself, all your hopes and fears in your own time. Before the pharmacology, do the psychology. — Keanu Reeves

Solitude is one thing and being alone is another. Solitude can be isolation, an escape, an unwanted thing; but to be alone without the burden of life, with that utter freedom in which time/thought has never been, is to be with the universe. In solitude there is despairing loneliness, a sense of being abandoned, lost, craving for some kind of relationship, like a ship lost at sea. All our daily activity leads to this isolation, with its endless conflicts and miseries, and rare joys thrown in. This isolation is corruption, manifested in politics, in business and of course in organized religions. Corruption exists in the very high places and on the very doorstep. To be tied is corruption; any form of attachment leads to it, whether it be to a belief, faith, ideal, experience, or any conclusion. — Jiddu Krishnamurti

Brother Lawrence says, in The Practice of the Presence of God, 'There is not in the world a kind of life more sweet and delightful than that of a continual conversation with God. Those only can comprehend it who practice and experience it' (Letter 5). No one who has ever tried it has ever given it a lesser rating than that. For even though our prayer-contact with God may be almost infinitely poor, the God we thus contact is infinitely rich! Therefore, 'we are to be pitied who content ourselves with so little. God has infinite treasure to bestow' (Letter 4). What is that? 'What no eye has seen, nor ear heard, not the heart of man conceived, what God has prepared for those who love him' (1 Cor 2:9). — Peter Kreeft

I keep thinking my father gave me Turgenev, and then I realize at some point, Oh, this is a false memory. I mean, that's one of the things that interests me about memoir. It should be as much about how we remember, and that includes false memories, and the realization that one is having a false memory. That's the kind of an interesting way of layering the whole experience of recollection. — Marco Roth

Here in the United States, we speak with reverence of authentic experience. We write poems about our daddies taking us fishing and breaking our hearts by making us throw the little fish back into the river. We even tell the reader the kind of car we were driving, the year and the model, to give the impression that it's all true. It's because we think of ourselves as journalists of a kind. Like them, we'll go anywhere for a story. Don't believe a word of it. As any poet can tell you, one often sees better with eyes closed than with eyes wide open. — Charles Simic

But even if we remain in our own country, Christians and non-Christians are often widely separated from one another by social sub-cultures and lifestyles as well as by different values, beliefs and moral standards. Only an incarnation can span these divides, for an incarnation means entering other people's worlds, their thought-world, and the worlds of their alienation, loneliness and pain. Moreover, the incarnation led to the cross. Jesus first took our flesh, then bore our sin. This was a depth of penetration into our world in order to reach us, in comparison with which our little attempts to reach people seem amateur and shallow. The cross calls us to a much more radical and costly kind of evangelism than most churches have begun to consider, let alone experience. — John R.W. Stott

At the same time, one of the things I noticed was that the moment there was any kind of audio attached to virtual reality, it really improved the experience, even though the audio didn't feel like a sound engineer or composer had been anywhere near it. — Thomas Dolby

I see the experience of pictures as a kind of cycle, a kind of circular motion in which you're in the world, then you enter the picture and you're in a different world (it's not the same as the one you live in, but recognizable as one you might live in). And then you're returned to your world with an enlarged sense of its possibilities. — Frank Gohlke

The more a man knows about himself in relation to every kind of experience, the greater his chance of suddenly, one fine morning, realizing who in fact he is ... — Aldous Huxley

The first effect of realizing that one is made of nothing is a kind of panic-stricken insecurity. One looks round for some more stable thing to clutch, and in this matter none of the beings of our experience are any more stable than we, for at the origin of them all is the same truth: all are made of nothing. — Frank Sheed

One of the ways in which parenting is a learning experience and an opportunity for moral growth is that we learn as parents that we don't choose the kind of child that we have. — Michael Sandel

If you celebrate your differentness, the world will, too. It believes exactly what you tell it - through the words you use to describe yourself, the actions you take to care for yourself, and the choices you make to express yourself. Tell the world you are one-of-a-kind creation who came here to experience wonder and spread joy. Expect to be accommodated. — Victoria Moran

What I think we as the church lack, though, is a place to talk about how things really are right now. In our desire to be an inspiration to one another we often veil what is true, because what is true is not always inspirational. It's not easy to watch or personally experience a marriage on the verge of divorce, or a child battling cancer, or a betrayal of the worst kind, or dreams lost in the dust, or overwhelming feelings of despair or emptiness. But these things are real. And hurting believers whose lives are in tatters need real help. If we were able to put aside our need for approval long enough to be authentic, then, surely, we would be living as the church. — Sheila Walsh

But these ideas were no more than abstractions because, despite his intellectual rejection of conventional morality, his emotional allegiance to the code of conduct it prescribed was unswerving. Self-disgust was legitimate, but detesting his mother was unthinkable. He could not pay heed to the painful messages of his childhood memories without destroying the hopes that had helped him to survive as a child. Time and again, Rimbaud tells us that he had no one to rely on except himself. This was surely the fruit of his experience with a mother who had nothing to offer him but her own derangement and hypocrisy, rather than true love. His entire life was a magnificent but vain attempt to save himself from destruction at the hands of his mother, with all the means at his disposal. Young people who have gone through much the same kind of childhood as Rimbaud are often fascinated by his poetry because they can vaguely sense the presence of a kindred spirit in it. Rimbaud — Alice Miller

Man is constantly being assured that he has more power than ever before in history, but his daily experience is one of powerlessness ... If he is with a business organization, the odds are great that he has sacrificed every other kind of independence in return for that dubious one known as financial. — Richard M. Weaver

Even reading my first bad review was an awesome experience. It was cool because you make something and not everybody's going to like it. I felt like that kind of grew me up a little bit into a professional. I was a student filmmaker, and no one writes reviews about student films. — Ryan Coogler

And here you are, another practical sort - neither Catholic nor Protestant, nor wicked, I think. Let us pray that you are not one of a kind, as in my experience your type tend to be o' tremendous use to God. — Lyndsay Faye

But whenever I meet dynamic, nonretarded Americans, I notice that they all seem to share a single unifying characteristic: the inability to experience the kind of mind-blowing, transcendent romantic relationship they perceive to be a normal part of living. And someone needs to take the fall for this. So instead of blaming no one for this (which is kind of cowardly) or blaming everyone (which is kind of meaningless), I'm going to blame John Cusack. — Chuck Klosterman

Grip of Paradox. A predatory bird with a great sharp beak and vicious talons - Paradox. To be in its grip is to suffer, yet so exquisitely, one might mistake the experience for a kind of ecstasy. — Joyce Carol Oates

Doing the right thing isn't supposed to hurt this bad.
When you're faced with a choice and you choose the right one, there's supposed to be this big moment of clarity you experience. It's an overall kind of feeling; where you just know instinctively that the choice you've made is right and you move ahead feeling lighter and better than you've ever felt because of it. — Melyssa Winchester

For many of us, work is the one place where we feel appreciated. The things that we long to experience at home - pride in our accomplishments, laughter and fun, relationships that aren't complex - we sometimes experience most often in the office. Bosses applaud us when we do a good job. Co-workers become a kind of family we feel we fit into. — Arlie Russell Hochschild

Egin by talking about the kind of existentialist chaos that exists in our own lives and our inability to overcome the sense of alienation and frustration we experience when we try to create bonds of intimacy and solidarity with one another. Now part of this frustration is to be understood again in relation to structures and institutions. In the way in which our culture of consumption has promoted an addiction to stimulation - one that puts a premium on packaged and commodified stimulation. The market does this to convince us that our consumption keeps oiling the economy for it to reproduce itself. But the effect of this addiction to stimulation is an undermining, a waning of our ability for qualitatively rich relationships. — Cornel West

In a variation on James's recipe for interesting experience
the familiar leavened by the novel
Hobbs's "art of choosing difficulties" requires selecting projects that are "just manageable." If an activity is too easy, you lose focus and get bored. If it's too hard, you become anxious, overwhelmed, and unable to concentrate. Tellingly, one group is distinguished by its zeal for the kind of work that requires you to give it all you've got: high achievers particularly relish taking on risky projects that have only a 50/50 chance of success. — Winifred Gallagher

Life scars the writer but he is not without weapons of vengeance. The art of fiction is a prism that he can use to refract human experience. That one can write about something gives him courage to endure it; that he has written about it brings him, if not deeper understanding, some kind of peace. — Kerima Polotan

I have always enjoyed watching women dress. The appeal isn't sexual. Most girls' first glimpse of private female life is watching their mothers dress and put makeup on. It makes sense that we'd find it comforting. Childhood fascinations often crystallize this way. Isn't beauty forever defined, in a sense, by the first things we found beautiful? Surely part of my pleasure results from the inundation of images that we all experience. But I also love ritual, and it is a mesmerizing one. I enjoy the ritual of dressing myself, too. It is a form of basking in a kind of femininity that I am opposed to as an ideal, but for better or worse, I think we all fetishize the female body, and intellectualization doesn't spare anyone the obsession. — Melissa Febos

You are a living, breathing, organic being. Of course you can feel pain, of course you can feel hurt, of course it feels overwhelming sometimes as the jagged, rough, and hard world outside bumps up against your soft skin. You are not a machine that rams through each experience, performing tasks with no emotions. You are alive. You are alive. You are alive. Be kind to this soft creature as it learns its way around a busy and loud world. Be easy with yourself because some days you'll be the only one who is. But that's okay because you're the only one that makes a real difference. — Emily Maroutian

Jesus is compelling in the way the discovery of the stars or the experience of a one-of-a-kind romance is compelling. His presence draws you in to the deep. — Michael Spencer

There are many options in a marriage. If the couple has been together for a certain amount of time and has a certain amount of liberalism or life experience, it could be the kind of relationship in which one partner ventures into the occasional affair, which is then forgiven. This only happens every 13 years on average, but it obviously does occur. — Volkmar Sigusch

When your witnessing is ninety percent, your mind is reduced to ten percent. And when your witnessing is one hundred percent - total, absolute - the screen is empty, the film has disappeared. This is the state of meditation: when there are no thoughts, no feelings - nothing moves, everything stops. There is tremendous serenity. Out of this serenity, silence, peace, a new kind of experience arises, new flowers blossom. — Rajneesh

A metaphor is not merely a linguistic expression (a form of words) used for artistic or rhetorical purposes; instead, it is a process of human understanding by which we achieve meaningful experience that we can make sense of. A metaphor, in this "experiential" sense, is a process by which we understand and structure one domain of experience in terms of another domain of a different kind. — Mark Johnson

If Gissing is less compassionately observant than Mrs Gaskell, less overtly polemical than Kingsley, still The Nether World and Demos would be sympathetically endorsed by either of them, or by their typical readers. Yet Gissing does introduce an important new element, and one that remains significant. He has often been called 'the spokesman of despair,' and this is true in both meanings of the phrase. Like Kingsley and Mrs Gaskell, he writes to describe the true conditions of the poor, and to protest against those brute forces of society which fill with wreck the abysses of the nether world. Yet he is also the spokesman of another kind of despair: the despair born of social and political disillusion. In this he is a figure exactly like Orwell in our own day, and for much the same reason. Whether one calls this honesty or not will depend on experience. — Raymond Williams

Many secular observers and spiritual practitioners alike mistake mystical chanting as a kind of anthropological curiosity or interesting musical diversion from secular mainstream entertainment, sometimes labeling it 'world' or 'folk' music. But uttering or chanting spells, mantras or prayers shouldn't be regarded as a romantic excursion to a distant past, or faraway place, or as an escape from our everyday stresses, for relaxation or entertainment. These sounds are meant to be experienced as the timeless unity of energy currents. The chanting of ancient esoteric sounds enables us to realize we are never separate from the one continuously existing omnipresent vibration of the cosmos. — Zeena Schreck

In all human cultures, the social world has two clear dimensions: a horizontal dimension of closeness or liking, and a vertical one of hierarchy or status ... Now imagine yourself happily moving around your two-dimensional social world, a flat land where the X axis is closeness and the Y axis is hierarchy. Then one day, you see a person do something extraordinary, or you have an overwhelming experience of natural beauty , and you feel lifted "up." But it is not the "up" of hierarchy, it's some other kind of elevation. This chapter is about that vertical movement. My claim is that the human mind perceives a third dimension, a specifically moral dimension that I will call "divinity. — Jonathan Haidt

I had a foretaste of another, larger kind of knowledge: one I believe human beings will be able to access in ever larger numbers in the future. But conveying that knowledge now is rather like a chimpanzee, becoming human for a single day to experience all of the wonders of human knowledge, and then returning to one's chimp friends and trying to tell them what it was like knowing several different Romance languages, the calculus, and the immense scale of the universe. — Eben Alexander

There's a sort of melancholy romance to the experience of being lonesome. I think of reading as a kind of romantic alone activity that you're doing. The image would include being curled up somewhere on a rainy day and you're reading very intensely involved in a world that no one can see because it's inside your head. — Joyce Carol Oates

If the objects who serve us feel ecstacy, they are much more often concerned with themselves than with us, and our own enjoyment is consequently impaired. The idea of seeing another person experience the same pleasure reduces one to a kind of equality which spoils the unutterable charms that come from despotism. — Marquis De Sade

Poems, even when narrative, do not resemble stories. All stories are about battles, of one kind or another, which end in victory or defeat. Everything moves towards the end, when the outcome will be known.
Poems, regardless of any outcome, cross the battlefields, tending the wounded, listening to the wild monologues of the triumphant or the fearful. They bring a kind of peace. Not by anaesthesia or easy reassurance, but by recognition and the promise that what has been experienced cannot disappear as if it had never been. Yet the promise is not of a monument. (Who, still on a battlefield, wants monuments?) The promise is that language has acknowledged, has given shelter, to the experience which demanded, which cried out. — John Berger

On all levels, evolution occurs in response to a crisis situation, not infrequently a life-threatening one, when the old structures, inner or outer, are breaking down or are not working anymore. On a personal level, this often means the experience of loss of one kind or another: the death of a loved one, the end of a close relationship, loss of possessions, your home, status, or a breakdown of the external structures of your life that provided a sense of security. — Eckhart Tolle

When I read poetry, I want to feel myself suddenly larger ... in touch with - or at least close to - what I deem magical, astonishing. I want to experience a kind of wonderment. And when you report back to your own daily world after experiencing the strangeness of a world sort of recombined and reordered in the depths of a poet's soul, the world looks fresher somehow. Your daily world has been taken out of context. It has the voice of the poet written all over it, for one thing, but it also seems suddenly more alive ... — Mark Strand

The line separating investment and speculation, which is never bright and clear, becomes blurred still further when most market participants have recently enjoyed triumphs. Nothing sedates rationality like large doses of effortless money. After a heady experience of that kind, normally sensible people drift into behavior akin to that of Cinderella at the ball. They know that overstaying the festivities - that is, continuing to speculate in companies that have gigantic valuations relative to the cash they are likely to generate in the future - will eventually bring on pumpkins and mice. But they nevertheless hate to miss a single minute of what is one helluva party. Therefore, the giddy participants all plan to leave just seconds before midnight. There's a problem, though: They are dancing in a room in which the clocks have no hands. — Warren Buffett

Travel Tip: The term is in situ -- in the place of origin. We travel to put ourselves in situ , in a place where we belong. The feeling that one was born in the wrong place is an ancient an universal experience, such that I suspect (a) it is part of our human DNA; and (b) is why our kind are born wanderers. We travel to find the place where we can recognize ourselves for once. Be on the lookout for that jolt of unexpected familiarity in a foreign land: that's how you'll know you are in situ . — Vivian Swift

Washington not only fit the bill physically, he was also almost perfect psychologically, so comfortable with his superiority that he felt no need to explain himself. (As a young man during the French and Indian war he had been more outspoken, but he learned from experience to allow his sheer presence to speak for itself.) While less confident men blathered on, he remained silent, thereby making himself a vessel into which admirers for their fondest convictions, becoming a kind of receptacle for diverse aspirations that magically came together in one man. — Joseph J. Ellis

For me, the perfect film has no dialogue at all. It's purely a visual, emotional, visceral kind of experience. And I think one can create wonderful depth and meaning and communication without using words. I started out as an illustrator and a cartoonist and caricature artist, so for me the visual is primary. — Bill Plympton

Some Hindus have an elephant to show.
No one here has ever seen an elephant.
They bring it at night to a dark room.
One by one, we go in the dark and come out
saying how we experience the animal.
One of us happens to touch the trunk.
A water-pipe kind of creature.
Another, the ear. A strong, always moving
back and forth, fan-animal. Another, the leg.
I find it still, like a column on a temple.
Another touches the curve back.
A leathery throne. Another, the cleverest,
feels the tusk. A rounded sword made of porcelain.
He is proud of his description.
Each of us touches one place
and understands the whole in that way.
The palm and the fingers feeling in the dark
are how the senses explore the reality of the elephant.
If each of us held a candle there,
and if we went in together, we could see it. — Rumi

We read to find out what the world is like, to experience lots of lives, not just the one we live. If it is true that our lives are chaotic and we crave a shape, stories are the shapes that we put on experience, containing all the wisdom in the world. We can even choose what kind of wisdom suits us. — Ramona Koval

The mathematician of to-day admits that he can neither square the circle, duplicate the cube or trisect the angle. May not our mechanicians, in like manner, be ultimately forced to admit that aerial flight is one of that great class of problems with which men can never cope ... I do not claim that this is a necessary conclusion from any past experience. But I do think that success must await progress of a different kind from that of invention. — Simon Newcomb

Twenty miles on, we have spotted a roadside sign: 'CHAINSAW CARVED MUSHROOMS'. Troubles promptly forgotten, Stuart falls to gawping at the road ahead. What could it all be about? 'As one victim to another,' his body language seems to marvel, 'What's a mushroom done to deserve that kind of abuse?' Not even in the worst days of street-fighting did he ever experience ill-treatment on this scale. — Alexander Masters

Then, Patrick, you do feel it too? You do feel ... something? It would be so bleak if you felt nothing. That's what scares women, you know.'
'I do know, and you needn't be scared. I feel something all right.'
'Promise me you'll always treat me as a person.'
'I promise.'
'Promises are so easily given.'
'I'll fulfill this one. Let me show you.'
After a shaky start he was comfortably in the swing of it, having recognised he was on familiar ground after all. Experience had brought him to see that this kind of thing was nothing more than the levying of cock-tax, was reasonable and normal, in fact, even though some other parts of experience strongly suggested that what he had shelled out so far was only a down payment. — Kingsley Amis

We help each other by sharing our experiences. At the end of the day, the human condition requests one thing: to share. You are not here just to profit. If you don't share, you are nothing. I'll give you an example. You can be watching the most beautiful sunset, in the most beautiful place in the world, and this beautiful sunset can be an oppressive experience because you have nobody to share it with. But if you are in a bazaar or a train station full of people, even without any beautiful sunset, it gives you more emotion, more interaction, it becomes a kind of paradise. We are born to share, we are really born to share, so you have to do it. You have to share what you have. In my case, the Internet is a tool to share. My blog is free. Facebook is free. It's an inner cause I have: to use my celebrity to bring people together and share what I have and what each of them have. — Paulo Coelho

Why grace? Because some days, it's the only thing we have in common. Because it's the one thing I'm certain is real. Because it's the reason I'm here. Because it's the oxygen of religious life, or so says a musician friend of mine, who tells me, "Without it, religion will surely suffocate you." Because so many of us are gasping for air and grasping for God, but fleeing from a kind of religious experience that has little to do with anything sacred or gracious. — Cathleen Falsani

There is a certain kind of pain that can change you. Even the strongest sword, when placed in a raging fire, will soften and bend and change its form ...
Trust me on this one. I know this from personal experience. I hope that you never will, but, since you're a person, and therefore prone to making horrible, soul-splitting mistakes, you probably will one day know what this kind of guilt and shame feels like. And when that time comes, I hope you have the strength ... to take advantage of the fire and reshape your own sword. — Adam Gidwitz

I think I probably learned something from almost every gig that I've done, not only because each occurred at a different phase of my development, but because each one had something different to offer. Ideally, you should be able to get something out of everything, positive or negative. And if it's negative, try to turn it into some kind of learning experience. — Vinnie Colaiuta

The documentary style is an incredibly flexible and useful one. It's a wonderful tool for establishing the credibility of the version of things that's in the photograph - a kind of rhetorical device or rhetorical strategy. It's always felt very natural to me, because I want a person to end up thinking about the world, and to think about it in a way that is transformed by the experience of art. — Frank Gohlke

The kind of trust that is necessary to build a great team is what I call vulnerability-based trust. This is what happens when members get to a point where they are completely comfortable being transparent, honest, and naked with one another, where they say and genuinely mean things like "I screwed up," "I need help," "Your idea is better than mine," "I wish I could learn to do that as well as you do," and even, "I'm sorry." When everyone on a team knows that everyone else is vulnerable enough to say and mean those things, and that no one is going to hide his or her weaknesses or mistakes, they develop a deep and uncommon sense of trust. They speak more freely and fearlessly with one another and don't waste time and energy putting on airs or pretending to be someone they're not. Over time, this creates a bond that exceeds what many people ever experience in their lives and, — Patrick Lencioni

Jammed together at lunch. Not a drinker, nevertheless I experience a distinct alteration of consciousness in the presence of others - socially, but even in the classroom or seminar - a heightening, livening, intensifying sensation - a kind of euphoria. (Would the drinkers attain the same heights, without drinking? But they never make the experiment.) The process is deceptive: one feels oneself fulfilled, with these shreds and bits of other people, but at the same time one is being drained. — Joyce Carol Oates

Long before reaching this kind of stability in meditation, however, one can discover that the sense of self - the sense that there is a thinker behind one's thoughts, an experiencer amid the flow of experience - is an illusion. The feeling that we call "I" is itself the product of thought. Having an ego is what it feels like to be thinking without knowing that you are thinking. Consider — Sam Harris

Over the years since that time I seemed to fall back into sales as a mainstay of existence of some kind, and I have learned many valuable lessons along the way. It has not always been rainbows and sunshine, but I have tried to gain knowledge from every experience along the journey. There have been many, many great moments; far too many to recount in one sitting. It is the great moments that outweigh the others. — Michael Delaware

Koinonia is often translated by the word "fellowship," but that is too thin a word for many of us (especially those with memories of bad potluck dinners in the fellowship hall). Koinonia is a rich word that refers to shared life lived in intimate community. It is sharing one another's joys and burdens. It is walking together in the details of daily life. Apart from a deep experience of koinonia, our corporate worship gathering too easily devolves into a kind of individual spectator experience that we all happen to have in the same time and place week after week. — Barry D. Jones

The self that does not survive scrutiny is the subject of experience in each present moment - the feeling of being a thinker of thoughts inside one's head, the sense of being an owner or inhabitant of a physical body, which this false self seems to appropriate as a kind of vehicle. Even if you don't believe such a homunculus exists - perhaps because you believe, on the basis of science, that you are identical to your body and brain rather than a ghostly resident therein - you almost certainly feel like an internal self in almost every waking moment. And yet, however one looks for it, this self is nowhere to be found. It cannot be seen amid the particulars of experience, and it cannot be seen when experience itself is viewed as a totality. However, its absence can be found - and when it is, the feeling of being a self disappears. — Sam Harris

My own experience of growing up as a Roman Catholic in Scotland has led me to fear independence in Scotland. The possibility of Scotland being a kind of Stormont is a real one. I wrote a book recently about Neil Lennon's year of living dangerously and in the course of it I had to revisit some of my own experiences. Of course, most Scottish people are not swivel-eyed, loyalist sectarians but there are a large number of them. A large six-figure number, and if I were living in Scotland as a Roman Catholic I would be worried about that. — George Galloway

One of the threats to Christianity in the 21st century is this idea that religion is best understood as a kind of aesthetic experience, and that you can get all your morality from that. — John Cornwell

Before that experience, I had often felt the kind of alone that comes from the suspicion that you are not only genetically different from those around you, but different in your very soul ... [then] I was a different kind of alone. I was alone and ashamed of myself ... it was no one's fault but mine. — Jillian Lauren

I thought about the terrible uselessness of suffering. Love leaves behind its creation-the next generation coming into the world; the continuation of humanity. But suffering? Such a great part of human experience, the most difficult and painful, passes leaving no trace. If one were to collect the energy of suffering emitted by the millions of people here [Magadan, Russia] and transform it into the power of creation, one could turn our planet into a flowering garden. But what would remain?
Rusty carcasses of ships, rotting watchtowers, deep holes which some kind of ore was once extracted. A dismal, lifeless emptiness. Not a soul anywhere, for the exhausted columns have already passed and vanished in the cold eternal fog. — Ryszard Kapuscinski

Samuel Vimes dreamed about Clues. He had a jaundiced view of Clues. He instinctively distrusted them. They got in the way. And he distrusted the kind of person who'd take one look at another man and say in a lordly voice to his companion, "Ah, my dear sir, I can tell you nothing except that he is a left-handed stonemason who has spent some years in the merchant navy and has recently fallen on hard times," and then unroll a lot of supercilious commentary about calluses and stance and the state of a man's boots, when exactly the same comments could apply to a man who was wearing his old clothes because he'd been doing a spot of home bricklaying for a new barbecue pit, and had been tattooed once when he was drunk and seventeen* and in fact got seasick on a wet pavement. What arrogance! What an insult to the rich and chaotic variety of the human experience! — Terry Pratchett

STORIES WE TELL is one of the boldest and most exciting films I've seen in the last six months, and the kind of experience that has the power to alter your perception of the world. — A.O. Scott

In essence, individuals more concerned with portraying their own uniqueness were more likely to select an alcoholic beverage not yet ordered at their table in an effort to demonstrate that they were in fact one of a kind. What these results show is that people are sometimes willing to sacrifice the pleasure they get from a particular consumption experience in order to project a certain image to others. When people order food and drinks, they seem to have two goals: to order what they will enjoy most and to portray themselves in a positive light in the eyes of their friends. — Dan Ariely

One of the things I like about performing on the stage is that it is a kind of meditative experience. Time does stand still. You have no concept or feeling of the passing of two or three hours' time. It's all kind of one present moment, which is a kind of a description of meditation. — Michael Emerson

I wondered if my life was going to be one immersion after another, a great march of shallow, unpopular popular culture infatuations that don't really last and don't really mean anything. Sometimes I even think maybe my deepest obsessions are just random manifestations of my loneliness or isolation. Maybe I infuse ordinary experience with a kind of sacred aura to mitigate the spiritual vapidity of my life ... no, it is beautiful to be enraptured. To be enthralled by something, anything. And it isn't random. It speaks to you for a reason. If you wanted to, you could look at it that way, and you might find you aren't wasting your life. You are discovering things about yourself and the world, even if it is just what you find beautiful, right now, this second. — Dana Spiotta

So I've seen life as one long learning process. And if I see - you know, if I fly on somebody else's airline and find the experience is not a pleasant one, which it wasn't in - 21 years ago, then I'd think, well, you know, maybe I can create the kind of airline that I'd like to fly on. — Richard Branson

Kilmartin wrote a highly amusing and illuminating account of his experience as a Proust revisionist, which appeared in the first issue of Ben Sonnenberg's quarterly Grand Street in the autumn of 1981. The essay opened with a kind of encouragement: 'There used to be a story that discerning Frenchmen preferred to read Marcel Proust in English on the grounds that the prose of A la recherche du temps perdu was deeply un-French and heavily influenced by English writers such as Ruskin.' I cling to this even though Kilmartin thought it to be ridiculous Parisian snobbery; I shall never be able to read Proust in French, and one's opportunities for outfacing Gallic self-regard are relatively scarce. — Christopher Hitchens

Helen Vendler calls this kind of interrogation of a work "roads not taken," suggesting that it's useful, when writing critically, to consider what differences it makes to the work or the encounter with the work if changes are made. It's one way of better understanding your experience, comparing it to other possible experiences you can imagine having. — Laura Mullen

Each life is a kind of assignment, I believe," Eliza told her. "You're given this one assigned slot each time you come to earth, this little square of experience to work through. So even if your life has been troubled, I believe, it's what you're meant to deal with on this particular go-round. — Anne Tyler

There is nothing passive about mindfulness. One might even say that it expresses a specific kind of passion - a passion for discerning what is subjectively real in every moment. It is a mode of cognition that is, above all, undistracted, accepting, and (ultimately) nonconceptual. Being mindful is not a matter of thinking more clearly about experience; it is the act of experiencing more clearly, including the arising of thoughts themselves. Mindfulness is a vivid awareness of whatever is appearing in one's mind or body - thoughts, sensations, moods - without grasping at the pleasant or recoiling from the unpleasant. — Sam Harris

Upon the whole, then, it appears, that no testimony for any kind of miracle has ever amounted to a probability, much less to a proof; and that, even supposing it amounted to a proof, it would be opposed by another proof; derived from the very nature of the fact, which it would endeavour to establish. It is experience only, which gives authority to human testimony; and it is the same experience, which assures us of the laws of nature. When, therefore, these two kinds of experience are contrary, we have nothing to do but subtract the one from the other, and embrace an opinion, either on one side, or the other, with that assurance which arises from the remainder. But according to the principle here explained, this subtraction, with regard to all popular religions, amounts to an entire annihilation; and therefore we may establish it as a maxim, that no human testimony can have such force as to prove a miracle, and make it a just foundation for any such system of religion. — Christopher Hitchens

The observer self, a part of who we really are, is that part of us that is watching both our false self and our True Self. We might say that it even watches us when we watch. It is our Consciousness, it is the core experience of our Child Within. It thus cannot be watched - at least by anything or any being that we know of on this earth. It transcends our five senses, our co-dependent self and all other lower, though necessary parts, of us.
Adult children may confuse their observer self with a kind of defense they may have used to avoid their Real Self and all of its feelings. One might call this defense "false observer self" since its awareness is clouded. It is unfocused as it "spaces" or "numbs out." It denies and distorts our Child Within, and is often judgmental. — Charles L. Whitfield

To be responsibly self-directing means that one chooses - and then learns from the consequences. So clients find this a sobering but exciting kind of experience. — Carl R. Rogers

Sometimes I do feel exposed. I have this kind of theory about different channels or levels of relaying experience - when I tell someone, one on one, in a personal context, about something that's happened to me - that has a very different valence, a different charge, than when/if I've said it in a public forum. — Leslie Jamison

I am made to think, not for the first time, that in my writing I have plunged ahead-head-on, heedlessly one might say-or 'fearlessly'- into my own future: this time of utter raw anguished loss. Though I may have had, since adolescence, a kind of intellectual/literary precocity, I had not experienced much;nor would I experience much until I was well into middle age-the illnesses and deaths of my parents, this unexpected death of my husband. We play at paste till qualified for pearl says Emily Dickinson. Playing at paste is much of our early lives. And then, with the violence of a door slammed shut by wind rushing through a house, life catches up with us. — Joyce Carol Oates

My experience with life is that it's very fragmented. In one place certain kinds of thing occur, and in another place a different kind of thing occurs. I would like my work to have some vivid indication of those differences. I guess, in painting, it would amount to different kinds of space being represented in it. — Jasper Johns