One Line About Myself Quotes & Sayings

Kevin's always saying things like "You've got a real deep bench, now, kid." Or "You gotta keep your eye on the ball, and you're going to push it over the goal line." And I have no idea what he is talking about, but I nod enthusiastically and say, "Sure, of course, sports," and hope he doesn't ask any follow-up questions. — Mindy Kaling

The first thing that strikes you about Timothy Murphys verse is the palpable texture of his line - that sound of sense practised by that other American poet-farmer, Robert Frost. And just as Murphys ear is trained on the rhythms of local speech and classical epigram, his eye holds fast on the image. This is an undeluded vision, sometimes bleak, often funny, and never less than painstakingly crafted. — Michael Donaghy

Oh, I see how it is. Baby finds her Johnny Castle, and all of a sudden, she forgets about the small matter of her BFF?"
There was only one person in the world who could deliver that line with a straight face. Until I'd heard his voice, I hadn't realized just how much I'd missed it.
"Devon!"
Chase stiffened as Dev's name left my lips, and Devon beamed at me, doing a good impression of someone who hadn't been bristling a moment before, when I'd buried myself in Chase's arms.
"In the flesh," Devon said. "When you call, Bronwyn, I answer. Always." It was a testament to the gravity of the moment that he didn't treat everyone present to an impromptu performance of "Ain't No Mountain." Lest Devon decide the situation did call for some tunes, I pushed on. — Jennifer Lynn Barnes

The bottom line for housing is that the concerns we used to hear about the possibility of a devastating collapse - one that might be big enough to cause a recession in the U.S. economy - while not fully allayed have diminished. Moreover, while the future for housing activity remains uncertain, I think there is a reasonable chance that housing is in the process of stabilizing, which would mean that it would put a considerably smaller drag on the economy going forward. — Janet Yellen

Here's one of the things I learned that morning: if you cross a line and nothing happens, the line loses meaning. It's like that old riddle about a tree falling in a forest, and whether it makes a sound if there's no one around to hear it.
You keep drawing a line farther and farther away, crossing it every time. That's how people end up stepping off the edge of the earth. You'd be surprised at how easy it is to bust out of orbit, to spin out to a place where no one can touch you. To lose yourself
to get lost.
Or maybe you wouldn't be surprised. Maybe some of you already know.
To those people, I can only say: I'm sorry. — Lauren Oliver

There's a famous line from a poem about the ocean," Mother had finally said to end the discussion. "'Water water every where, but not a drop to drink. — Mindy McGinnis

I had always thought about running for high political office, and I was kind of waiting for the stars to line up. And, you know, they don't hold the door open for you. You kind of have to muscle your way in. — Matt Cartwright

I've had a long line of failed television programs, pilots that were never picked up, series that didn't go very long. I've learned that there's really nothing you can do. If it's not in my control, I try not to worry about it. — Nathan Fillion

My line of thoughts about dogs is analogous. A dog reflects the family life. Whoever saw a frisky dog in a gloomy family, or a sad dog in a happy one? Snarling people have snarling dogs, dangerous people have dangerous ones. And their passing moods may reflect the passing moods of others. — Arthur Conan Doyle

Why does a little girl lose her emotional equilibrium in a moment of parental discipline, or a megastar musician forget who she is because of one criticism? Or why, when a text message or the subject line of an e-mail says, "We need to talk" (or for us pastors, "About your sermon") are we struck with a sudden feeling of doom? Why do we spend hours in the gym or in front of the mirror or online meticulously editing our social media profiles? Why is the perfect "selfie" such a large part of how we present ourselves to the world? Why do we live in constant disequilibrium about what our real or imagined critics might say about us? — Scott Sauls

There is a fine line between humility and humiliation, and when Augustine's critics, both loyal and disloyal, fault him for morbid self-criticism, they generally mean to imply that he has crossed the line. You can have a relationship with another person only if you know something of humility; otherwise your ego gets in the way. If, however, you are humiliated instead of humbled, there is no 'you' to enter into a relationship. Massilians and Pelagians had differing understandings of when humility before God became too much of a good thing, but they had common cause in not liking Augustine's scruples about the human will to relate to God. If everything about the soul's relationship to God is God's doing, including the very desire to be in relation, where exactly does the soul surface in its redemption? The Word seems to have become a monologue. — James Wetzel

I have never sold my story, done 'Hello!' magazine, any of that stuff. I'm not guilty of exploiting my private life for cash and then saying, 'Oh, I don't want to talk about my private life.' I've never crossed that line. — Paul Merton

I remember sitting in my room and thinking of where it all went wrong and how I ended up losing control of everything, and I realized I hadn't asked myself one question: And then what? That was my most important lesson. I learned to think about the consequences before the action and that saves me, to this day, from a lot of trouble. If you play it down the line, you'll start making better choices. — Karrine Steffans

We are wolves, which are wild dogs, and this is our place in the city. We are small and our house is small on our small urban street. We can see the city and the train line and it's beautiful in its own dangerous way. Dangerous because it's shared and taken and fought for.
That's the best way I can put it, and thinking about it, when I walk past the tiny houses on our street, I wonder about the stories inside them. I wonder hard, because houses must have walls and rooftops for a reason. My only query is the windows. Why do they have windows? Is it to let a glimpse of the world in? Or for us to see out? — Markus Zusak

For decades afterwards, I punished myself with images of Sofia standing
naked in the snow, shivering, clutching a chunk of cement that a guard had told her was soap, in the worst winter Poland has ever known. But as I stared at the empty train tracks and thought of the stationmaster making the schoolyard slash across his throat, I had no idea what he was talking about. I could not have conjured up the kind of man who would be willing to design an oven that would be economically fueled by the fat of the men, women and children it was burning. I would not have believed that these same engineers would find other men willing to carry out their monstrous plans. I, too, would have dismissed it as propaganda, that one kind of human being could industriously collect and kill six million of another kind of human being. Somewhere along the line, there would have to be someone who said no.
Forgive me, Sofia. Forgive me, Isaiah. I did not know. — Helen Maryles Shankman

One result of this productive system is that the middle class has grown from being about 15 percent of the population in 1920 to being 86 percent of the population in 2011. While some of the population always seem to live at the poverty line, the vast majority of Americans today are affluent compared to their grandparents. They have the money to buy the products produced by American industry. In the process, the definition of poverty has changed. The majority of Americans who are classified by the government as living at the poverty level have indoor plumbing, color television sets, cell phones, air-conditioning, washers and dryers, microwaves, automobiles, and access to free health care. They are also a significant buying group. — Arthur Hughes

The thing about looking back over Clinton's presidency, and probably anybody's presidency, is that when you look back, the events all line up in a way that makes sense. At the time, you don't know where it's going. — Dee Dee Myers

Adventure games are all about details - if you happen to take this one object and use it with this other object, in a really weird place, at a weird time. If you happen to write a really funny dialogue line for that, even if it didn't solve the puzzle, people will appreciate that. — Tim Schafer

When we got to the Lock-Horne Building on Park Avenue - again Win's full name is Windsor Horne Lockwood III, so you do the math - Dad said, "You want me to just drop you off?" Sometimes my father leaves me awestruck. Fatherhood is about balance, but how can one man do it so well, so effortlessly? Throughout my life he pushed me to excel without ever crossing the line. He reveled in my accomplishments yet never made them seem to be all that important. He loved without condition, yet he still made me want to please him. He knew, like now, when to be there, and when it was time to back off. "I'll be okay." He — Harlan Coben

First of all is the fact that I have some rather good turns of phrase. I don't say that pridefully ... it's just that when a line I forgot about smacks me in the face and says, "Look at me! Aren't I lovely?" I have to notice. — Rachel Heffington

People write about getting sick, they write about tummy trouble, they write about having to wait for a bus. They write about waiting. They write three pages about how long it took them to get a visa. I'm not interested in the boring parts. Everyone has tummy trouble. Everyone waits in line. I don't want to hear about it. — Paul Theroux

SCHOOL BEGINS IN August this year. I live nearby, and so I walk and skip the bus. I read while I walk to school up the two hills, one sidewalk, a more or less straight line. I pretend the streets I pass through are empty. I have been reading about the Neutron Bomb. I want to be like that, radiant and deadly, a ghost of an impact, to pass through walls, to kill everyone, in flight among the empty houses, punching through molecules like a knife through a paper bag. See me. I am five feet and two inches tall. I am still thin, freckled, large eyes, small nose. My hair waves and grows long, to my neck. I pick flowers for my mother as I walk. The neighborhood kids call me Nature Boy. I want to die. Help — Alexander Chee

A good way to figure out how likely it is that the directors are sucking money out of a company is to draw a chart with each director's name in a box. Read through the Management section, and each time you identify a professional or personal connection between two directors, connect their boxes with a line. If you also happen to know about other relationships between directors, for instance one director is married to the other director's daughter, or one director is an old college buddy of another director, you can draw a line in there as well. If, upon completion, the chart looks like a spider web then hold on to your wallet. — Peter Troob

I don't really pursue writing songs for other people. I guess one of the things I always think about is a good line in a song should be something I can hear myself saying. — Craig Finn

She remembered one of her boyfriends asking, offhandedly, how many books she read in a year. "A few hundred," she said.
"How do you have the time?" he asked, gobsmacked.
She narrowed her eyes and considered the array of potential answers in front of her. Because I don't spend hours flipping through cable complaining there's nothing on? Because my entire Sunday is not eaten up with pre-game, in-game, and post-game talking heads? Because I do not spend every night drinking overpriced beer and engaging in dick-swinging contests with the other financirati? Because when I am waiting in line, at the gym, on the train, eating lunch, I am not complaining about the wait/staring into space/admiring myself in reflective surfaces? I am reading!
"I don't know," she said, shrugging. — Eleanor Brown

No one asks the cow or the chicken where it gets its protein. I eat about 4,000 or 5,000 calories a day, and I cook for myself. I also have a line of cooks that work with me - some raw, some vegan. — John Salley

So I'm reading some poem by Louise . . . something, I forget her last name, but it's about Hades and the underworld, and I don't even notice that Paige has come up to my table until she says, 'Doesn't everyone want love?' And I'm thinking, wow, that's a pretty deep question, but then again Paige is really smart, and this is my chance to finally show her that I'm not just a dumb jock. So I say, 'I heard this theory once that love means your subconscious is attracted to someone else's subconscious.'"

"Very deep," Cade said.

"Exactly. And I'm feeling proud of myself for that one, until she points to the book and says, 'Oh, that wasn't a question. I was just quoting a line from the poem. — Julie James

He sounded positively hostile. I could tell he was about to hang up. "Wait a minute. Who's IYCGM?" "If you can't get me," he gritted. "And IYD?" "If you're dying, Ms. Lane. But if I were you, I'd call that one only if I was sure I was dying, otherwise I'll kill you myself." I heard a man in the background laugh. The line went dead. — Karen Marie Moning

He pulled me up into the world of advanced literature, where you wrote essays about a line of Dante, where nothing could be made complex enough, where art dealt with the supreme, not in a high-flown sense because it was the modernist canon with which we were engaged, but in the sense of the ungraspable, which was best illustrated by Blanchot's description of Orpheus's gaze, the night of the night, the negation of the negation, which of course was in some way above the trivial and in many ways wretched lives we lived, but what I learned was that also our ludicrously inconsequential lives, in which we could not attain anything of what we wanted, nothing, in which everything was beyond our abilities and power, had a part in this world, and thus also in the supreme, for books existed, you only had to read them, no one but myself could exclude me from them. You just had to reach up. — Karl Ove Knausgard

can't see her in the dark, but I know she's looking at me when she says, "I know you've been kind of weird about Ryan and that's why we didn't use him for Mr. Vernon's going-away party, but, Becs, you have to admit he'd be completely perfect for this. He has the hair and the accent and the guitar. The girls will totally eat him up." She's so right, but aaaaaaah. I'm way too embarrassed around Ryan. I mean, at least I learned my lesson and I'm not throwing myself at him anymore. No more bike crashes for me. The other day, he and Lance were in the line ahead of me, Sades, and Izzy at mini golf and when Lance asked us to join them, I was the one to say they should just go ahead so we could have girl time. I could tell Ryan was, like, ubershocked. His eyebrows were — Jen Malone

I was in Sarasota, Florida, on a spring-break trip with my friends Bruce and Karen Moore. Bruce and I were waiting on the beach for the rest of our crew when and a man and his grown kids came strolling up the sand. They looked at me for a minute, sort of hesitating, and then asked, "Would you mind taking a picture?" "Sure," I said, and quickly arranged all of us in a line, putting myself in the middle and motioning to Bruce to come snap the photo. Right about that time, the father said, "Actually, we were wondering if you could take a picture just of us." An understandable mistake on my part, but really embarrassing. Bruce has had a field day reminding me of that one ever since.

Lesson learned: Never assume anything about your own importance. It's a great big world, and all of us are busy living our lives. None of us knows all the time and effort that another person puts into his or her passion. — Amy Grant

Everything about us, everything around us, everything we know and can know of is composed ultimately of patterns of nothing; that's the bottom line, the final truth. So where we find we have any control over those patterns, why not make the most elegant ones, the most enjoyable and good ones, in our own terms? Yes, we're hedonists, Mr. Bora Horza Gobuchul. We seek pleasure and have fashioned ourselves so that we can take more of it; admitted. We are what we are. But what about you? What does that make you? — Iain Banks

There's been times when I've been standing in a line at a movie and someone's hit me with something really heavy about someone really close and how our music has helped them get through it. Even in our darkest moments we try and find something beautiful. — Eddie Vedder

You really have to take your time; you have to know your character and your scene. The line you are about to say comes from the moment right before. It's not what's said, it's what is in between the spaces, it's what's in between the lines; that is the most important to play. — Sarah Shahi

His eyes were still closed and his body rocked gently to the music, but his face was almost ... desolate. His words matched his face, as he sang about how each day was a struggle, and never seeing my face caused him physical pain. He sang that "my face was his light, and he felt drenched in darkness without it." Tears fell freely after I heard that line. — S.C. Stephens

I should have guessed you were Jace's sister," he said. "You both have the same artistic talent."
Clary paused, her foot on the lowest stair. She was taken aback. "Jace can draw?"
Nah." When Alec smiled, his eyes lit like blue lamps and Clary could see what Magnus had found so captivating about him. "I was just kidding. He can't draw a straight line. — Cassandra Clare

The best answer I can give is that poetry is all about the effect it has on a reader, and Robert Frost was very, very good at that. If you're asking whatit MEANS that the line is repeated [and miles to go before I sleep] I'd have to say I don't know. It's stylistic. But the effect is pretty clear. — Haven Kimmel

Ford was humming something. it was just one note repeated at intervals. He was hoping that somebody would ask him what he was humming, but nobody did. if anybody had asked him he would have said he was humming the first line of a Noel Coward song called "Mad About the Boy" over and over again. it would then have been pointed out to him that he was only singing one note, to which he would have replied that for reasons that he hoped would be apparent, he was omitting the "About the Boy" bit. he was annoyed that nobody asked. — Douglas Adams

You ever hear about that experiment an American journalist did in Moscow in the 1970s? He just lined up at some building, nothing special about it, just a random door. Sure enough, someone got in line behind him, then a couple more, and before you knew it, they were backed up around the block. No one asked what the line was for. They just assumed it was worth it. I can't say if that story was true. Maybe it's an urban legend, or a cold war myth. Who knows? — Max Brooks

I suppose you can't help who you fancy, can you? And that was the bottom line, I fancied Nick. Fancied him more than I'd fancied anyone in years, and somehow, when someone gives you that tingly feeling in the pit of your stomach, you stop thinking about the rights and wrongs, the shoulds and should nots, and you just go with it. — Jane Green

Even Proust - there's a famous passage where Odette opens the door with a cold, she's sulky, her hair is loose and undone, her skin is patchy, and Swann, who has never cared about her until that moment, falls in love with her because she looks like a Botticelli girl from a slightly damaged fresco. Which Proust himself only knew from a reproduction. He never saw the original, in the Sistine Chapel. But even so - the whole novel is in some ways about that moment. And the damage is part of the attraction, the painting's blotchy cheeks. Even through a copy Proust was able to re-dream that image, re-shape reality with it, pull something all his own from it into the world. Because - the line of beauty is the line of beauty. It doesn't matter if it's been through the Xerox machine a hundred times. — Donna Tartt

I didnt pay atteniton to times or distance, instead focusing on how it felt just to be in motion, knowing it wasn't about the finish line but how I got there that mattered. — Sarah Dessen

I drew a line for myself. I never dated anyone that could hire me when I was first in Hollywood, and I think that kept me focused on what I was there to do and how I wanted to go about it. I took it a step at a time. — Cheryl Ladd

Sometimes I forget what I look like and I do something out of character, such as sing shepherd tunes in Aramaic while I'm waiting in line at Starbucks, but the nice bit about living in urban America is that people tend to either ignore eccentrics or move to the suburbs to escape them. — Kevin Hearne

Big D. November '63. He was there that Big Weekend. He caught the Big Moment and took this Big Ride.
He was a sergeant on Vegas PD. He was married. He had a chemistry degree. His father was a big Mormon fat cat. Wayne Senior was jungled up all over the nut Right. He did Klan ops for Mr. Hoover and Dwight Holly. He pushed high-line hate tracts. He rode the far-Right zeitgeist and stayed in the know. He knew about the JFK hit. It was multi-faction: Cuban exiles, rogue CIA, mob. Senior bought Junior a ticket to ride.
Extradition job with one caveat: kill the extraditee. — James Ellroy

But the bottom line is that, as humans, we are by nature selfish creatures. The only way we care about anything, really, is by making it about us. — Sarah Dessen

I conquered my stage fright a long time ago. In my line of work, it's kind of a pre-requisite that you not feel bad about looking stupid in front of a lot of people. — Buzz Osborne

The man who has not the habit of reading is imprisoned in his immediate world, in respect to time and space. His life falls into a set routine; he is limited to contact and conversation with a few friends and acquaintances, and he sees only what happens in his immediate neighbourhood. From this prison there is no escape. But the moment he takes up a book, he immediately enters a different world, and if it is a good book, he is immediately put in touch with one of the best talkers of the world. This talker leads him on and carries him into a different country or a different age, or unburdens to him some of his personal regrets, or discusses with him some special line or aspect of life that the reader knows nothing about. An ancient author puts him in communion with a dead spirit of long ago, and as he reads along, he begins to imagine what the ancient author looked like and what type of person he was. — Lin Yutang

I'm pre-med," he added smugly.
"Okay." I said again. I didn't shrug this time, but his jaw tightened a bit as if he was annoyed that I wasn't displaying the proper amazement at his accomplishment.
"And I'm next in line to be promoted to death investigator." The look he gave me was nothing short of a challenge, and I had to fight to not roll my eyes. What, he expected me to start crowing about my own accomplishments so he could top them? He'd be waiting a long time for that. — Diana Rowland

I don't think I'm a home run hitter. Most of my home runs are line drives. If I hit it, thanks God. But it's not the kind of thing that I think about. I just go out there and try to have a better season than I had before. Home runs are not in my mind. — Robinson Cano

The thing about reason is that there's a geometry to it. It travels in a straight line, so that slightly different beginnings can lead you to wildly divergent endpoints. — Rachel Hartman

There are freaky talking mannequins in the Salem Witch Museum that recite the Lord's Prayer and while they do resemble shrunken apples they nevertheless help the visitor understand how hard it must have been for the condemned to say the line about forgiving those who trespass against us. — Sarah Vowell