On Photography Susan Sontag Quotes & Sayings

If there can be a better way for the real world to include the one of images, it will require an ecology not only of real things but of images as well. — Susan Sontag

Photography is, first of all, a way of seeing. — Susan Sontag

Photographs are perhaps the most mysterious of all the objects that make up, and thicken, the environment we recognize as modern. Photographs really are experience captured, and the camera is the ideal arm of consciousness in its acquisitive mood. — Susan Sontag

Photography is a kind of overstatement, a heroic copulation with the material world. — Susan Sontag

Photography is an elegiac art, a twilight art. Most subjects photographed are, just by virtue of being photographed, touched with pathos. — Susan Sontag

In photographing dwarfs, you don't get majesty and beauty. You get dwarfs. — Susan Sontag

All photographs aspire to the condition of being memorable - that is, unforgettable. — Susan Sontag

A photograph comes into being, as it is seen, all at once. — Susan Sontag

People robbed of their past seem to make the most fervent picture takers, at home and abroad. — Susan Sontag

The destiny of photography has taken it far beyond the role to which it was originally thought to be limited: to give more accurate reports on reality (including works of art). Photography is the reality; the real object is often experienced as a letdown. — Susan Sontag

Often something looks, or is felt to look, "better" in a photograph. Indeed, it is one of the functions of photography to improve the normal appearance of things. (Hence, one is always disappointed by a photograph that is not flattering.) — Susan Sontag

When Cartier-Bresson goes to China, he shows that there are people in China, and that they are Chinese. — Susan Sontag

The painter constructs, the photographer discloses. — Susan Sontag

To us, the difference between the # photographer as an individual eye and the photographer as an objective recorder seems fundamental, the difference often regarded, mistakenly, as separating photography as art from # photography as document. But both are logical extensions of what photography means: note-taking on, potentially, everything in the world, from every possible angle. — Susan Sontag

Photography - the supreme form of travel, of tourism - is the principal modern means for enlarging the world. As a branch of art, photography's enterprise of world enlargement tends to specialize in the subjects felt to be challenging, transgressive. A photograph may be telling us: this too exists. And that. And that. (And it is all 'human.') But what are we to do with this knowledge - if indeed it is knowledge, about, say, the self, about abnormality, about ostracized or clandestine worlds? — Susan Sontag

In contrast to the written account-which, depending on its complexity of thought, reference, and vocabulary, is pitched at a larger or smaller readership-a photograph has only one language and is destined potentially for all. — Susan Sontag

Images anesthetize. An event known through photographs certainly becomes more real than it would have been if one had never seen the photographs ... But after repeated exposure to images it also becomes less real ... 'concerned' photography has done at least as much to deaden conscience as to arouse it. — Susan Sontag

The photographer both loots and preserves, denounces and consecrates. — Susan Sontag

The photographer is now charging real beasts, beleaguered and too rare to kill. Guns have metamorphosed into cameras in this earnest comedy, the ecology safari, because nature has ceased to be what it always had been - what people needed protection from. Now nature - tamed, endangered, mortal - needs to be protected from people. When we are afraid, we shoot. But when we are nostalgic, we take pictures. — Susan Sontag

Nobody ever discovered ugliness through photographs. But many, through photographs, have discovered beauty. — Susan Sontag

That we are not totally transformed, that we can turn away, turn the page, switch the channel, does not impugn the ethical value of an assault by images. It is not a defect that we are not seared, that we do not suffer enough, when we see these images. Neither is the photograph supposed to repair our ignorance about the history and causes of the suffering it picks out and frames. Such images cannot be more than an invitation to pay attention, to reflect, to learn, to examine the rationalizations for mass suffering offered by established powers. Who caused what the picture shows? Who is responsible? Is it excusable? Was it inevitable? Is there some state of affairs which we have accepted up to now that ought to be challenged? All this, with the understanding that moral indignation, like compassion, cannot dictate a course of action. — Susan Sontag

There is the satisfaction of being able to look at the image without flinching. There is the pleasure of flinching. — Sontag, Susan

To photograph is to frame, and to frame is to exclude. — Susan Sontag

One of art photography's most vigorous enterprises
[is] concentrating on victims, on the unfortunate
but without the compassionate purpose that such a project is expected to serve. — Susan Sontag

To collect photographs is to collect the world. — Susan Sontag

Paintings invariably sum up; photographs usually do not. Photographic images are pieces of evidence in an ongoing biography or history. And one photograph, unlike one painting, implies that there will be others. — Susan Sontag

Perhaps the only people with the right to look at images of suffering of this extreme order are those who could do something to alleviate it - say, the surgeons at the military hospital where the photograph was taken - or those who could learn from it. The rest of us are voyeurs, whether or not we mean to be. — Sontag, Susan

Needing to have reality confirmed and experience enhanced by photographs is an aesthetic consumerism to which everyone is now addicted. Industrial societies turn their citizens into image-junkies; it is the most irresistible form of mental pollution. — Susan Sontag

Photographs objectify: they turn an event or a person into something that can be possessed. — Susan Sontag

The shock of photographed atrocities wears off with repeated viewings, just as the surprise and bemusement felt the first time one sees a pornographic movie wear off after one sees a few more. — Susan Sontag

Life is not about significant details, illuminated a flash, fixed forever.
Photographs are. — Susan Sontag

Cameras began duplicating the world at that moment when the human landscape started to undergo a vertiginous rate of change: while an untold number of forms of biological and social life are being destroyed in a brief span of time, a device is available to record what is disappearing. — Susan Sontag

As objects of contemplation, images of the atrocious can answer to several different needs. To steel oneself against weakness. To make oneself more numb. To acknowledge the existence of the incorrigible. — Susan Sontag

You can go into all sorts of situations with a camera and people will think they should serve it. — Susan Sontag

The tradition of portrait painting, to embellish or idealize the subject, remains the aim of everyday and of commercial photography, but it has had a much more limited career in photography considered as art. Generally speaking, the honors have gone to the Cordelias. — Susan Sontag

Today everything exists to end in a photograph. — Susan Sontag

While a painting, even one that meets photographic standards of resemblance, is never more than the stating of an interpretation, a photograph is never less than the registering of an emanation (light waves reflected by objects)- a material vestigate of its subject in a way that no painting can be ... Having a photograph of Shakespeare would be like having a nail from the True Cross. — Susan Sontag

There is an aggression implicit in every use of the camera. — Susan Sontag

Photographs trade simultaneously on the prestige of art and the magic of the real. — Susan Sontag

As industrialization provided social uses for the operations of the photographer, so the reaction against these uses reinforced the self-consciousness of photography-as-art. — Susan Sontag