Old Words Or Quotes & Sayings

Words actually failed me. I felt as dumb as my lounge-less friend in the corner. "You injected me with vampire blood?" My words were said slowly, ensuring that I didn't get one wrong or accidentally call Francis a fucking asshat. "You're a vampire?"
Francis' expression managed to convey how stupid he thought that question was. "I live underground, and you've never seen me outside. I'm pale in complexion ands obviously hundreds of years old. What did you think I was? Agoraphobic? — Steve McHugh

There are new words now that excuse everybody. Give me the good old days of heroes and villains, the people you can bravo or hiss. There was a truth to them that all the slick credulity of today cannot touch. — Bette Davis

He has an idea. For wood. Or Styron does. Something about boxcars." "Boxcars?" "A mess of them at the old yard." "That's good news. That's real good news." He smiled, and she braced herself for the three words that she knew would follow. "The Lord provides," he said. She felt — Rae Meadows

And when she thinks of that generation of silent men, the boys who lived through the Depression and grew up to become soldiers or not-soldiers in the war, she doesn't blame them for refusing to talk, for not wanting to go back into the past, but how curious it is, she thinks, how sublimely incoherent that her generation, which doesn't have much of anything to talk about yet, has produced men who never stop talking, men like Bing, for example, or men like Jake, who talks about himself at the slightest prompting, who has an opinion on every subject, who spews forth words from morning to night, but just because he talks, that doesn't mean she wants to listen to him, whereas with the silent men, the old men, the ones who are nearly gone now, she would give anything to hear what they have to say. — Paul Auster

Few words in any language carry such a load of meaning as 'honor.' It is an old word, unchanged even in its spelling from classical Latin to modern English. Spoken or written, it does not seem to require much explanation; most people think they know what it means. — Edmund Morgan

Old English poetry is characterised by a number of poetic tropes which enable a writer to describe things indirectly and which require a reader imaginatively to construct their meaning. The most widespread of these figurative descriptions are what are known as kennings. Kennings often occur in compounds: for example, hronrad (whale-road) or swanrad (swan- road) meaning 'the sea'; banhus (bone-house) meaning the 'human body'. Some kennings involve borrowing or inventing words; others appear to be chosen to meet the alliterative requirement of a poetic line, and as a result some kennings are difficult to decode, leading to disputes in critical interpretation. But kennings do allow more abstract concepts to be communicated by using more familiar words: for example, God is often described as moncynnes weard ('guardian of mankind'). — Ronald Carter

You are never too old to be daring. Whether fifteen or ninety-five...believe your words have power. And use them. — Natalie Lloyd

Why are you so afraid of the word 'Fascism,' Doremus? Just a word - just a word! And might not be so bad, with all the lazy bums we got panhandling relief nowadays, and living on my income tax and yours - not so worse to have a real Strong Man, like Hitler or Mussolini - like Napoleon or Bismarck in the good old days - and have 'em really run the country and make it efficient and prosperous again. 'Nother words, have a doctor who won't take any back-chat, but really boss the patient and make him get well whether he likes it or not! — Sinclair Lewis

European languages and a Google app can now turn your words into a foreign language, either in text form or as an electronic voice. Skype, an internet-telephony service, said recently that it would offer much the same (in English and Spanish only). But claims that such technological marvels will spell the end of old-fashioned translation businesses are premature. Software can give the gist of a foreign tongue, but for business use (if executives are sensible), rough is not enough. And polyglot programs are a pinprick in a vast industry. The business of translation, interpreting and software localisation (revising websites, apps and the like for use in a foreign language) generates revenues of $37 billion a year, reckons Common Sense Advisory (CSA), a consulting firm. — Anonymous

But in a way it's like looking at old photographs of yourself. There comes a point at which the record needs to be updated, because you've shed too many links with what you were. He doesn't quite know how it happened; all he knows is that he doesn't recognize himself in those stories any more, though he remembers the bursting feeling of writing them, something in himself massing and pushing irresistibly to be born. He hasn't had that feeling since; he almost thinks that to remain a writer he'd have to become one all over again, when he might just easily become an astronaut, or a farmer. It's as if he can't quite remember what drove him into words in the first place, all those years before, yet words are what he still deals in. I suppose it's a bit like marriage, he said. You build a whole structure on a period of intensity that's never repeated. It's the basis of your faith and sometimes you doubt it, but you never renounce it because too much of your life stands on that ground. — Rachel Cusk

The Fourth Amendment to the United States Constitution, intact for over 200 years, guaranteed that the right of the people to be secure in their persons, houses, papers and effects, against unreasonable searches and seizures, shall not be violated, and no warrants shall issue, but upon probable cause, supported by oath of affirmation, and particularly describing the place to be searched, and the persons or things to be seized. After September 11th, 2001, those were just words on an old piece of paper, no longer a restriction of the Government's overreaching power to shake down its subjects. — Kenneth Eade

Safe Sex
If he and she do not know each other, and feel confident
they will not meet again; if he avoids affectionate words;
if she has grown insensible skin under skin; if they desire
only the tribute of another's cry; if they employ each other
as revenge on old lovers or families of entitlement and steel
then there will be no betrayals, no letters returned unread,
no frenzy, no hurled words of permanent humiliation,
no trembling days, no vomit at midnight, no repeated
apparition of a body floating face-down at the pond's edge — Donald Hall

That is the art of being a good librarian. You must always be able to lay hands on anything your master requires. Keep everything, chiot, throw away nothing, however insignificant or old. You never know when it might be needed. "The cornerstone which the builders rejected", that is what an ancient book is, Vincent, a cornerstone. Many might consider it worthless, but one day it may prove to be the very stone upon which the whole house stands. Words, Vincent, always hoard the written words as if they were royal jewels. [Gaspard] — Karen Maitland

How can you love me?" she asked, forcing herself to say the words that would kill the tenderness in his eyes. "You don't even know me. You know 'Lady Agatha,' a composite, a character, a role I played."

He shook his head, his negation gentle but certain. "I didn't fall in love with a character, a title, or an occupation. I didn't fall in love with you because of your past or despite it.
"I love you because of your intensity and passion, because you make me want to be better than I am, because seeing my reflection in your eyes makes me better than I am. I love you because you laugh easily and honestly. I love you because you carried an ugly mutt into a drawing room as though it were a prince and because you gave an old soldier a strawberry trifle. I love you, Letty. — Connie Brockway

For me the poem and the poetry open mic isn't about competition and it never will be. Honestly? It's wrong. The open mic is about 1 poet, one fellow human being up on a stage or behind a podium sharing their work regardless of what form or style they bring to it. In other words? The guy with the low slam score is more than likely a far better poet-writer than the guy who actually won. But who are you? I ? Or really anyone else to judge them? The Poetry Slam has become an overgrown, over used monopoly on American literature and poetry and is now over utilized by the academic & public school establishments. And over the years has sadly become the "McDonalds Of Poetry". We can only hope that the same old stale atmosphere of it all eventually becomes or evolves into something new that translates to and from the written page and that gives new poets with different styles & authentic voices a chance to share their work too. — R.M. Engelhardt

I just got another kitten, you know. Found another trademark. It's quite embarrassing I missed it."
"Nine cats? They can send you to prison for that."
He pushed his glasses back on his nose. "I'm calling him Murad, after the cigarettes."
"Never heard of them."
"They're an obsolete Turkish brand, popular in the 1910s and '20s. Murad means 'desire' in Arabic. The only brand that ever appears in a Cordova film is Murad. There's not one Marlboro, Camel, or Virginia Slim. It goes further. If the Murad cigarette is focused upon by the camera in any Cordova film. The very next person who appears on-screen has been devastatingly targeted. In other words, the gods will have drawn a great big X across his shoulder blades and taped an invisible sign there that reads FUCKED. His life will henceforth never be the same. — Marisha Pessl

It may sound dorky, but I love books--the feel of the paper, the old, musty smell, and especially the way the words roll over you and take you somewhere altogether different. They've been my escape as long as I can remember. Whether I need a break from schoolwork or my brother or just life in general, there's always a books that can take me someplace far away. — Cheryl Renee Herbsman

You think I'm with you out of guilt?"
"No, you ass. Of course not. I just mean - "
"You're a nut, MacAllister. I'm with you because I love you."
There it was, out. Three little words. Three of the most common words in the world, but string them together and they were more powerful than any warrant, any extradition papers, or even treaty. Stronger than any magical spell. Had he really never said them aloud to Taylor? — Josh Lanyon

It pleases him how Spell is how the word is made but also, in the hands of the magician, how the world is changed. One letter separates Word from World, and that letter is like the number one, or an 'I', or a shaft of light between almost closed curtains. There is an old letter called a thorn, which jags and tears at the throat as it's uttered. Later he learns that Grammar and Glamour share the same deeper root, which is further magic, and there can be neither magic without that root, nor plant. He's lost in it like Chid in Child, or God reversed into Dog. Somewhere inside him is a colon. A sentence can last for life. — Charles Lambert

Reading all my old love letters was disorienting. You remember thinking the thoughts and writing the words but, man, you can't TOUCH those feelings. Its like they belonged to someone else. Someone you don't even know. I'm aware, in an intellectual way. That I felt all those things about him, but this emotions are far away now.
What's so strange to me is that I can't even force my heart back to that place where I felt that all consuming passion. That makes me feel distant from myself. Who WAS I then? Will I ever be able to get back to that place? Reading the letters again made me wonder: Which is the real me? The one who saw the world in that emotionally saturated way, or the me who sees it the way I do now? — Bill Shapiro

He asked her, 'Why do you feel sorry for me, Old Woman?'
The Old Woman stood beside him and looked out the window at the Garden, so beautiful, flowering and everywhere illuminated by the rays of the setting sun, and said, 'I feel sorry for you, dear Youth, because I know where you are gazing and what you are waiting for. I feel sorry for you and your mother.'
Perhaps because of these words, or perhaps because of something else, there was a change in the Youth's mood. The Garden, flowering behind the high fence below his window, and exuding a wonderful fragrance, suddenly seemed somehow strange to him; and an ominous sensation, a sudden fear, gripped his heart with a violent palpitation, like heady and languid fragrances rising from brilliant flowers.
'What is happening?' he wondered in confusion.
("The Poison Garden") — Valery Bryusov

Perhaps we should explore some other options before swanning off to Ireland," Dad said, pushing his glasses up. "After all, Sophie, you've been through quite the ordeal."
"I'll nap on the plane. Look, we are dealing with the possibility of an army of demons. I don't know about you guys, but those words are right up there with 'root canal' and 'school on Saturdays' in terms of things that terrify me. Were already three weeks behind. We don't have time to just sit here and explore options or read more books or listen to more half-assed prophecies from this jerk," I said, pointing to Torin. He made a gesture that I think was the old-timey version of flipping me off.
"So, yeah," I continued. "Maybe this is a totally stupid idea. But if there's even a chance one of us can get into the underworld, then we have to take it."
"Okay, I do like you," Finley said, flashing me a grin. — Rachel Hawkins

I can find no words for what I feel. My consciousness is withdrawn into itself; I hear my heart beating, and my life passing. It seems to me that I have become a statue on the banks of the river of time, that I am the spectator of some mystery, and shall issue from it old, or no longer capable of age. — Henri Frederic Amiel

Have your new year's resolutions been a new beginning for you or have they just been different words on the same old beginning? Maybe now's the time to establish a new pattern of viewing your life fresh. — Mary Anne Radmacher

Have you noticed the words which Old Testament people use when someone important calls them by name? They don't say "What?" or "Yes?" They answer with the curious sentence, "Here I am". So much is in that sentence: readiness to respond, a willing servitude, an offering of oneself to the other. — Walter Wangerin Jr.

All the things I thought I was - simple and plain and sometime funny - are very small words. They do not begin to describe me. They do not begin to express what is inside of me. I have value, and I have worth. I cannot be replaced like old shoes or taken for granted like tap water. — Adriana Trigiani

Inside I feel much like a 12-year-old or a 17-year-old who knows big words. — Tim O'Brien

Being with a friend in great pain is not easy. It makes us uncomfortable. We do not know what to do or what to say, and we worry about how to respond to what we hear. Our temptation is to say things that come more out of our own fear than out of our care for the person in pain. Sometimes we say things like 'Well, you're doing a lot better than yesterday,' or 'You will soon be your old self again,' or 'I'm sure you will get over this.' But often we know that what we're saying is not true, and our friends know it too.
We do not have to play games with each other. We can simply say: 'I am your friend, I am happy to be with you.' We can say that in words or with touch or with loving silence. Sometimes it is good to say: 'You don't have to talk. Just close your eyes. I am here with you, thinking of you, praying for you, loving you. — Henri J.M. Nouwen

I must have been 3 years old or less, and I remember paging through these comics, trying to figure out the stories. I couldn't read the words, so I made up my own stories. — Daniel Clowes

You meet somebody at the seashore on a vacation and have a wonderful time together. Or in a corner at a party, while the glasses clink and somebody beats on a piano, you talk with a stranger whose mind seems to whet and sharpen your own and with whom a wonderful new vista of ideas is spied. Or you share some intense or painful experience with somebody, and discover a deep communion. Then afterward you are sure that when you meet again, the gay companion will give you the old gaiety, the brilliant stranger will stir your mind from its torpor, the sympathetic friend will solace you with the old communion of spirit. But something happens, or almost always happens, to the gaiety, the brilliance, the communion. You remember the individual words from the old language you spoke together , but you have forgotten the grammar. You remember the steps of the dance, but the music isn't playing any more. So there you are. — Robert Penn Warren

And then I'm in a porn store. It's kinda boring, actually. It looks like a regular store - shelves of DVDs and old VHS tapes and a rack of magazines, all under this harsh fluorescent glow. I mean, there are some differences from a regular video store, I guess, like A. At the regular video store, very few of the DVDs have the words guzzling or slut in them, whereas here the opposite seems to be the case, and also B. I'm pretty sure the regular video store doesn't have any devices used for spanking, whereas this place has several. Also, C. There are very few items for sale at the regular video store that make you think, "I have no earthly idea what that is supposed to do or where it is supposed to do it." Other — John Green

Words taken literally or held as ultimate truth can keep us stagnant and stuck, holding on to old ideologies. I now know that everything I need is already contained within me and is completely aceessible if I allow myself to open up to what I sense is true for me ... and the same is true for you. — Anita Moorjani

And there was somewhere inside me the thought: By Jove! this is the deuce of an adventure - something you read about; and it is my first voyage as second mate - and I am only twenty - and here I am lasting it out as well as any of these men, and keeping my chaps up to the mark. I was pleased. I would not have given up the experience for worlds. I had moments of exultation. Whenever the old dismantled craft pitched heavily with her counter high in the air, she seemed to me to throw up, like an appeal, like a defiance, like a cry to the clouds without mercy, the words written on her stern: Judea, London. Do or Die. O youth! The strength of it, the faith of it, the imagination of it! To me she was not an old rattle-trap carting around the world a lot of coal for a freight - to me she was the endeavor, the test, the trial of life. I think of her with pleasure, with affection, with regret - as you would think of someone dead you have loved. I shall never forget her. — Joseph Conrad

The pathfinders of modern thought did not derive what is good from the law ... Their role in history was not that of adapting their words and actions to the text of old documents or generally accepted doctrines: they themselves created the documents and brought about the acceptance of their doctrines. — Max Horkheimer

As to ... old composers like Schubert or Beethoven, I imagine that, while modern music expresses both feeling, thought and imagination, they expressed pure feeling. And you know all day sitting at work, eating, walking, etc., you have hundreds of feelings that can't be put into words. And that is why I think that in a sense music is the highest of the arts, because it really begins where the others leave off. — C.S. Lewis

Sadly, many storytellers and artists are still addicted to the old delusions (happy is boring, evil is interesting) about the risks of good mental health. Even those who don't view peace of mind as a threat to their creative power often believe that it's a rare commodity attained through dumb luck ... .It's possible to define a more supple variety of happiness that does not paralyze the will or sap ambition ... .the number one trait of happy people is a serious determination to be happy. Bliss is a habit you can cultivate, in other words, not an accident. — Rob Brezsny

Depression is awful beyond words or sounds or images ... it bleeds relationships through suspicion, lack of confidence and self-respect, the inability to enjoy life, to walk or talk or think normally, the exhaustion, the night terrors, the day terrors. There is nothing good to be said for it except that it gives you the experience of how it must be to be old, to be old and sick, to be dying; to be slow of mind; to be lacking in grace, polish and coordination; to be ugly; to have no belief in the possibilities of life, the pleasures of sex, the exquisiteness of music or the ability to make yourself and others laugh. — Kay Redfield Jamison

It does seem, in other words, not only more difficult for a woman experimental writer to be accepted than for a woman writer (which corresponds to the male situation of experimental writer vs. writer), but also peculiarly more difficult for a woman experimental writer to be accepted than for a male experimental writer. She may, if young, get caught up in a "movement," like Djuna Barnes, like H.D., like Laura Riding, as someone's mistress, and then be forgotten, or if old, she maybe "admitted" into a group, under a label, but never quite as seriously considered as the men in that group. — Christine Brooke-Rose

I call on those that call me son, Grandson, or great-grandson, On uncles, aunts, great-uncles or great-aunts, To judge what I have done. Have I, that put it into words, Spoilt what old loins have sent? — William Butler Yeats

By putting "God" and "work" in the same title - in, so to speak, the same breath - Mr. Keeble challenges the modern orthodoxy, which has done its best to keep those terms separate. The great dissociation of which T. S. Eliot and others have spoken has made it likely that people will exclude from their forms of worship any reference to their economic life or the quality of their work, and that they will exclude from their work any sense of religious obligation. By bringing those two words back into their old association, and by the honor he gives to people who conscientiously kept them associated, Mr. Keeble restores to practical viability the idea of good work. He brings again into view the possibility of religion practicable in work, and work compatible with worship and wholly meant. Wendell Berry Lanes Landing Farm Port Royal, Kentucky — Brian Keeble

The violent illiteracies of the graffiti, the clenched silence of the adolescent, the nonsense cries from the stage-happening, are resolutely strategic. The insurgent and the freak-out have broken off discourse with a cultural system which they despise as a cruel, antiquated fraud. They will not bandy words with it. Accept, even momentarily, the conventions of literate linguistic exchange, and you are caught in the net of the old values, of the grammars that can condescend or enslave. — George Steiner

Ok I'm not so smart I'm working class. But it's the working class that keeps the world running and it's the working class that get exploited. What kind revolution is it that just throws out big words that working class people can't understand.
Revolution or not the working class will just keep on scraping a living in the same old shitholes
I'm not going to believe in any damned revolution. Love is all I'm going to believe in.
Midori — Haruki Murakami

Manage me, I am a mess, swept under the rug of yesterday's home improvement, a whimsical urge tossed aside for the easy reassurance of home and comfort. I am the photograph tucked away as a book-mark, in a book left half unread, once reopened to find memories crawling back into peripheral sight, faded, creased and lonely. I long to be admired, long to be held, torn and laughed at, laughed with, like a distant relative or an old friend breathing in their last breath. I missed the moment when time collapsed and memory was erased, replaced by finicky social experiments, lost in the blur of intoxication, sucked through multi-colored bendy-straws, making way for a spinning world where hub-caps stood still, but our vision didn't. If I could leave you with only one thing, it would be small, foldable, and made from trees, with a few careless words, scribbled in blue; Take a minute to learn me, take a moment to love me, because I need your love to live,and without it, I am nothing. — Alex Gaskarth

Few pleasures, for the true reader, rival the pleasure of browsing unhurriedly among books: old books, new books, library books, other people's books, one's own books - it does not matter whose or where. Simply to be among books, glancing at one here, reading a page from one over there, enjoying them all as objects to be touched, looked at, even smelt, is a deep satisfaction. And often, very often, while browsing haphazardly, looking for nothing in particular, you pick up a volume that suddenly excites you, and you know that this one of all the others you must read. Those are great moments - and the books we come across like that are often the most memorable. — Aidan Chambers

Every so often I take out a volume and read a page or two. After all, reading is looking after in a manner of speaking. Though they're not old enough to be valuable for their age alone, nor important enough to be sought after by collectors, my charges are dear to me, even if, as often as not, they are as dull on the inside as on the outside. No matter how banal the contents, there is always something that touches me. For someone now dead once thought these words significant enough to write them down. — Diane Setterfield

The typewriter is neat and compact and sturdy and blue, just the right machine to pound out a missive of love. When you strike the keys it's a sound that hasn't been heard in the qorld world for thirty years (we are so far away from a time when typewriters won world wars). When you strike the keys they make a sound like a pistol shot, a sound so definite and sure you feel like a genius, or an orayor orator, or a beat poet. When you strike the keys you just want to keep on fucking writing. You have to wrestle with the thing, like I am doing now, steer it like an old manual car, keep the words together and right and on the page, but the blood and muscle of a typewriter, it is a beautiful thing. — Yvette Walker

I would write:
"The soft melting hunk of butter trickled in gold down the stringy grooves of the split yam."
Or:
"The child's clumsy fingers fumbled in sleep, feeling vainly for the wish of its dream."
"The old man huddled in the dark doorway, his bony face lit by the burning yellow in the windows of distant skycrapers."
My purpose was to capture a physical state or movement that carried a strong subjective impression, an accomplishment which seemed supremely worth struggling for. If I could fasten the mind of the reader upon words so firmly that he would forget words and be conscious only of his response, I felt that I would be in sight of knowing how to write narrative. — Richard Wright

A local white bootlegger, idling under the store awning, accosted Major Stem. "Why'd you call that damned nigger woman 'Mrs. Shaw'?" he demanded. In those days, white Southerners did not use courtesy titles for their black neighbors. While it was permissible to call a favored black man "Uncle" or "Professor" - a mixture of affection and mockery - he must never hear the words "mister" or "sir." Black women were "girls" until they were old enough to be called "auntie," but they could never hear a white person, regardless of age, address them as "Mrs." or "Miss" or "Ma'am." But Major Stem made his own rules. — Timothy B. Tyson

In a segment of the Sermon on the Mount, appearing in Matthew 5, Jesus is reported to have set six new teachings of his against six old Jewish teachings. The latter are introduced by such words as 'You have heard that it was said by them of old time' and the former by 'But I say unto you.'
Since both the teachings of old time and Jesus' new teachings are predicated on the same profoundly mistaken views of human nature and of the world in general, it is unimportant for us here today to compare and contrast these teachings or to determine which is better or worse in some way or other. The point is that whether better or worse, in this way or that, both are lodged in an egregiously mistaken mythology
but in a mythology of enormous importance for us, because it is one of the wellsprings of Western culture. — Delos McKown

Words were originally magic, and the word retains much of its old magical power even to-day. With words one man can make another blessed, or drive him to despair; by words the teacher transfers his knowledge to the pupil; by words the speaker sweeps his audience with him and determines its judgments and decisions. Words call forth effects and are the universal means of influencing human beings. — Sigmund Freud

You are lovely, brilliant, witty ... the incredible words which would relieve her of any need to repay him or refuse his gifts; loveliness and wit were priced higher than any gift he offered, while if a girl were loved, even old women of hard experience would admit her right to take and never give. — Graham Greene

Cynthia had been on friendly terms with an eccentric librarian called Porlock who in the last years of his dusty life had been engaged in examining old books for miraculous misprints such as the substitution of "1" for the second "h" in the word "hither." Contrary to Cynthia, he cared nothing for the thrill of obscure predictions; all he sought was the freak itself, the chance that mimics choice, the flaw that looks like a flower; and Cynthia, a much more perverse amateur of misshapen or illicitly connected words, puns, logogriphs, and so on, had helped the poor crank to pursue a quest that in the light of the example she cited struck me as statistically insane. ("The Vane Sisters") — Vladimir Nabokov

All great shows, she told me when I was little (and still learning to flex the tiny muscles in my esophagus), depend on the most ordinary objects. We can be a weary, cynical lot - we grow old and see only what suits us, and what is marvelous can often pass us by. A kitchen knife. A bulb of glass. A human body. That something so common should be so surprising - why, we forget it. We take it for granted. We assume that our sight is reliable, that our deeds are straightforward, that our words have one meaning. But life is uncommon and strange; it is full of intricacies and odd, confounding turns. So onstage we remind them just how extraordinary the ordinary can be. This, she said, is the tiger in the grass. It's the wonder that hides in plain sight, the secret life that flourishes just beyond the screen. For you are not showing them a hoax or a trick, just a new way of seeing what's already in front of them. This, she told me, is your mark on the world. This is the story that you tell. — Leslie Parry

Words are great, but even I can admit they have certain short-comings. No word can ever give justice to a smile from a man who never smiled or to an old woman who gives up her seat on the bus to a soldier who lost his leg. And I'm still convinced there's no word out there for the feeling you get the first time you ever hit home plate or bury your first dog or muster up enough courage to tell a girl you love her. — Laura Miller

They know they dare not have their stuff stripped down to plain words. These Bishops and parsons with their beloved Christianity are like a man who has poisoned his wife and says her body's too sacred for a post-mortem. Nowadays, by the light we have, any ecclesiastic must be born blind or an intellectual rascal. Don't tell me. The world's had this apostolic succession of oily old humbugs from early Egypt onwards, trying to come it over people. Antiquity's no excuse. A sham is no better for being six thousand years stale. Christianity's no more use to us now than
the Pyramids. — H.G.Wells

The magic in these Masonic rituals is very, very old. And way back in those days, it worked. As time went on, and it started being used for spectacle, to consolidate what were only secular appearances of power, it began to lose its zip. But the words, moves, and machinery have been more or less faithfully carried down over the millennia, through the grim rationalizing of the World, and so the magic is still there, though latent, needing only to touch the right sensitive head to reassert itself. — Thomas Pynchon

94 was a good year to be twelve. Star Wars still had two more years as Box Office King, cartoons were still hand-drawn, and the Disney "D" still looked like a backwards "G." Words like "Columbine," "Al Qaeda" and "Y2K" were not synonymous with "terror," and 9-1-1 was an emergency number instead of a date. At twelve years old, summer still mattered. Monarch caterpillars still crawled beneath every milkweed leaf. Dandelions (or "wishes" as Mara called them) were flowers instead of pests. And divorce was still considered a tragedy. Before Mara, carnivals didn't make me sick. — Jake Vander Ark

We don't have to paint what we're doing in crass language, understand? Don't use the words money or power, and don't insinuate there are payoffs involved. Perhaps it isn't precisely the most noble or overly patriotic mission, but it can be construed as being in the best interest of continued capitalism and we both know that the U.S. was built and supported by good old capitalism. — Tom Myers

Two more [birds added to her cage]. I call them the Wards in Jarndyce. They are caged up with all the others. With Hope, Joy, Youth, Peace, Rest, Life, Dust, Ashes, Waste, Want, Ruin, Despair, Madness, Death, Cunning, Folly, Words, Wigs, Rags, Sheepskin, Plunder, Precedent, Jargon, Gammon, and Spinach!? - - - Miss Flite to Esther. [I thought a the last two a bit strange until I looked and saw the old definitions of gammon (as being double talk or obfuscation) and spinach (as being a spurious and unwanted growth). How appropriately summarized the situation! — Charles Dickens

Just at that moment, Lucilla happened to cross the lawn at a distance. At sight of her, I could not, as I pointed to her, forbear exclaiming in the words of Sir John's favorite poet,
There doth beauty dwell,
There most conspicuous, e'en in outward shape,
Where dawns the high expression of a mind.
"This is very fine," said Sir John, sarcastically. "I admire all you young enthusiastic philosophers, with your intellectual refinement. You pretend to be captivated only with _mind_. I observe, however, that previous to your raptures, you always take care to get this mind lodged in a fair and youthful form. This mental beauty is always prudently enshrined in some elegant corporeal frame, before it is worshiped. I should be glad to see some of these intellectual adorers in love with the mind of an old or ugly woman. I never heard any of you fall into ecstasies in descanting on the mind of your grandmother. — Hannah More

Old words; words that nearly brought me to my knees. Live free or die — Lauren Oliver

Old Korean adage, "Even jade has flaws." Or, in other words: Nothing in life is ever perfect. — Alan Brennert

It struck me how comfortable I felt with him, as if we were old friends or had already done this many times over, him handing me pages with his heart on his sleeve - he couldn't pretend this work didn't mean everything to him - me reading his words, quietly amazed by what he could do. — Paula McLain

Storytellers know this, for they choose their first words with care. If I began this story with the words "Out of the mist of time comes the story of Jade Moon, the Fire Horse girl," you would expect it to throb with adventure and end with heroics. If I began it with "It is said" or "There is an old saying," you would search the story for wisdom. But this is not a story of heroics or wisdom; it is my story. There once was a girl, a Fire Horse girl. — Kay Honeyman

Angela had never really got on with modern poetry. Even stuff like Seamus Heaney, Death of a Naturalist and the other book. He seemed such a lovely man and she really did try, but it sounded like prose you had to read very slowly. Old stuff she understood. Rum-ti-tum. Now sleeps the crimson petal, now the white ... Dirty British coaster with a salt-caked smoke stack ... Something going all the way back. Memorable words, so you could hand it down the generations. But free verse made her think of free knitting or free juggling. This, for example. She extracted a book at random. Spiders by Stanimir Stoilov, translated by Luke Kennard. She flipped through the pages ... the hatcheries of the moon ... the earth in my father's mouth. — Mark Haddon

The bait's got a theory; the bait's finding a practice, working it out; the bait's going to write it down and she don't have to use words, she'll make signs, in blood, she's good at bleeding, boys, the vein's open, boys, the bait's got plenty, each month more and more without dying for a certain long period of her life, she can lose it or use it, she works in broad strokes, she makes big gestures, big signs; oh and honey there's so much bait around that there's going to be a bloodbath in the old town tonight, when the new art gets its start. — Andrea Dworkin

I should count myself most fortunate ... " Swann was beginning, a trifle pompously, when the Doctor broke in derisively. Having once heard it said, and never having forgotten that in general conversation emphasis and the use of formal expressions were out of date, whenever he heard a solemn word used seriously, as the word 'fortunate' had been used just now by Swann, he at once assumed that the speaker was being deliberately pedantic. And if, moreover, the same word happened to occur, also, in what he called an old 'tag' or 'saw,' however common it might still be in current usage, the Doctor jumped to the conclusion that the whole thing was a joke, and interrupted with the remaining words of the quotation, which he seemed to charge the speaker with having intended to introduce at that point, although in reality it had never entered his mind.
"Most fortunate for France!" he recited wickedly, shooting up both arms with great vigour. — Marcel Proust

Daughter to that good Earl, once President Of England's Council, and her Treasury, Who lived in both, unstained with gold or fee, And left them both, more in himself content, Till sad the breaking of that Parliament Broke him, as that dishonest victory At Chaeronea, fatal to liberty, Killed with report that old man eloquent. Though later born than to have known the days Wherein your father flourished, yet by you, Madam, methinks I see him living yet; So well your words his noble virtues praise, That all both judge you to relate them true, And to possess them, honoured Margaret. — John Milton

I was greeted by the Ulmers' eleven-year-old daughter, a girl of remarkable poise. Mrs. Ulmer was busily typing a manuscript that needed to make the evening mail and after welcoming me, in a very friendly manner, she returned to work. There were two other children and Mr. Ulmer, who was writing the manuscript just as his wife was typing it. The youngest child, who could have been no more than five or six, had the task of relaying the handwritten pages from his father to his eldest sister, who would quickly scan them for errors, and from her to his mother. The middle child, a little girl of seven or eight, lay on the floor with a large dictionary and would look up words when called upon by her parents or sister. — Robert Bruce Stewart

E felt no more than a boy again-but a very well-versed boy who couldn't help thinking of the scene described by these old words, surely the most beautiful words written or said: His father, when he saw him coming, ran to meet him. — Tobias Wolff

It is the link between satisfaction and redress
the idea that a satisfaction scene, whatever else it is, is a revenge tragedy
that I want to pursue; and the sense that we waylay our desire
make it literally unreal
with pictures of its satisfaction. Pornography, for example, can easily be used, among many other things, to pre-empt the elaboration of erotic fantasy; it can be, in Masud Kahn's words, 'the stealer of dreams'. To put it in old-fashioned Freudian language, fantasies of satisfaction are defences against desiring, the attempt in fantasy to take the risk out of desire; or to put it in more Kleinian language, fantasies of satisfaction are attacks upon desire; they are, in fact, against desiring, both up against it and in opposition to it. Our fantasies of satisfaction are clues to our fears about desiring. Wishful fantasies are the original sins of omission. — Adam Phillips

If we use common words on a great occasion, they are the more striking, because they are felt at once to have a particular meaning, like old banners, or everyday clothes, hung up in a sacred place. — George Eliot

My generation was obsessed with scoliosis. Judy Blume dedicated an entire novel to it. At least once a month we would line up in the gym, lift our shirts, and bend over, while some creepy old doctor ran his finger up and down our spines. Nuclear war was a high-concept threat, two words that often rang out in political speeches or on the six o-clock news. Our spines. Lice. Nuclear war. The Big Three. — Amy Poehler

It's over for me, isn't it?" The old man glanced across the room mid-chew. "What do you mean?" "I'm not getting my body back." He shrugged. "Probably not." My head swam. It didn't matter that at some level I had suspected the truth; hearing the words spoken out loud felt like a kick in the teeth. "Why didn't you tell me before?" "You're a smart guy, Alexander, and we both know you had already figured it out. That's always the way with people - truth staring them in the face but unwilling to accept it." He ate another cookie quietly. "But," he added, "even if I had spelled it out you wouldn't have believed me. You weren't ready or willing to accept it yet. You'd just have gotten all worked up. — Linda Francis Lee

You know how it is between sisters in their middle age? that old old friendship, how loose-fitting it is? the comfort and safety in it? how you can let silence lie between you without it taking on any weight? how you can let words out of your mouth without wariness or precision because you know your sister will listen to what's worthwhile and let the rest fall out of her ears into the air? how you can be surly, unreasonable, stupid, in the certainty of her grace? — Molly Gloss

I was sorry he had not a cat, or a young dog, or better still, an old dog. But all he had to offer in the way of dumb companions was a pink and grey parrot. He used to try and teach it to say, Nihil in intellectu, etc. These first three words the bird managed well enough, but the celebrated restriction was too much for it, all you heard was a series of squawks. — Samuel Beckett

You English words?
I know you:
You are light as dreams,
Tough as oak,
Precious as gold,
As poppies and corn,
Or an old cloak:
Sweet as our birds
To the ear,
As the burnet rose
In the heat
Of Midsummer — Edward Thomas

Last time I said something perhaps I shouldn't have, something that's been taken the wrong way: "The poor are always with you." At that moment, back then, I wanted my friends' attention. I meant I was going to die soon, but they would have the rest of their lives to care for the poor. But the rich have twisted my words to mean something quite different: that there's nothing you can do about the poor. That the poor are part of life, like disease or accidents or hurricanes or getting old. Poverty is natural. You'll never get rid of it, so forget about trying. Don't worry that the poor have so much less than you do. Go eat your big meal, go drive your big car, go sleep in your big house. Let the poor look in the windows. Jesus says it's OK. Well, Jesus doesn't say it's OK. OK? P — Tony Hendra

There are no words and there is no singing, but the music has a voice. It is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. It is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy and pain, redemption and damnation. It is a voice with love and without love. I like the voice, and though I can't talk to it, I like the way it talks to me. It says it is all the same, Young Man. Take it and let it be. — James Frey

I watch life trickle from the bullet wound of a sixteen-year-old "example" and marvel how things weak, even words, will turn vicious and merciless to gain power,despite reason or history — Susan Abulhawa

The old woman smiled sweetly at Fermin. My friend stroked her face and her forehead. She appreciated the touch of another skin like a purring cat. I felt a lump in my throat.
'A stupid question, wasn't it?' Fermin went on. 'What
you'd like is to be out there, dancing a foxtrot. You look like a dancer; everyone must tell you that.'
I had never seen him treat anyone with such delicacy, not even Bernarda. His words were pure flattery, but the tone and expression on his face were sincere.
'What pretty things you say,' she murmured in a voice that was broken from not having had anyone to speak to or anything to say. — Carlos Ruiz Zafon

The idea of painless, nonthreatening coercion is an illusion. Fear is the inseparable companion of coercion, and its inescapable consequence. If you think it your duty to make children do what you want, whether they will or not, then it follows inexorably that you must make them afraid of what will happen to them if they don't do what you want. You can do this in the old-fashioned way, openly and avowedly, with the threat of harsh words, infringement of liberty, or physical punishment. Or you can do it in the modern way, subtly, smoothly, quietly, by withholding the acceptance and approval which you and others have trained the children to depend on; or by making them feel that some retribution awaits them in the future, too vague to imagine but too implacable to escape. — John Holt

The difference from a person and an angel is easy. Most of an angel is in the inside and most of a person is on the outside. These are the words of six- year old Anna, sometimes called Mouse, Hum, or Joy. At five years, Anna knew absolutely the purpose of being, knew the meaning of love, and was a personal friend and helper of Mister God. At six, Anna was a theologian, mathematician, philosopher, poet, and gardener. If you asked her a question you would always get ananswer in due course. On some occasions the answer would be delayed for weeks or months; but eventually, in her own good time, the answer would come: direct, simple, and much to the point. — Fynn

4. Confusion in the Market Place Indeed it was, for as they approached, Milo could see crowds of people pushing and shouting their way among the stalls, buying and selling, trading and bargaining. Huge wooden-wheeled carts streamed into the market square from the orchards, and long caravans bound for the four corners of the kingdom made ready to leave. Sacks and boxes were piled high waiting to be delivered to the ships that sailed the Sea of Knowledge, and off to one side a group of minstrels sang songs to the delight of those either too young or too old to engage in trade. But above all the noise and tumult of the crowd could be heard the merchants' voices loudly advertising their products. "Get your fresh-picked ifs, ands, and buts." "Hey-yaa, hey-yaa, hey-yaa, nice ripe wheres and whens." "Juicy, tempting words for sale. — Norton Juster

The young man could stand it no more.
What is this? I've been ambushed by a night patrol
in full daylight! Your blitherings try to keep me
from the presence of a holy man,
but I know what light led me here, the same
that turned the golden calf into words in a sacred story.
A saint is a theater where the qualities of God can be seen.
Don't try to keep me out. Puff on this candle, and your face will get burned! Rather try blowing out the sun, or fitting a muzzle on the sea!
Old bats like you dream that their cave-dark
is everywhere, but it's not. — Rumi

Richard put away the Narnia books, convinced, sadly, that they were an allegory; that an author (whom he had trusted) had been attempting to slip something past him. He had had the same disgust with the Professor Challenger stories, when the bull-necked old professor became a convert to Spiritualistm; it was not that Richard had any problems believing in ghosts - Richard believed, with no problems or contradictions, in everything - but Conan Doyle was preaching, and it showed through the words. Richard was young, and innoncent in his fashion, and believed that authors should be trusted, and that there should be nothing hidden beneath the surface of a story. — Neil Gaiman

Sir, you said that if you don't believe God is real, then He can't do anything to you. In that case, sir, then. . . ." He paused. "None of us believe you're real." It took a moment for his meaning to settle in. Abby completed the logic in her mind - if they didn't believe Del Quera was real, then he couldn't . . . he couldn't do anything to them! She had the impulse to burst out in a laugh. No grand statements or famous words were necessary - a difficult question had just been disarmed by an eight year-old. — C.R. Hedgcock

Not enough youths fighting windmills. And the old are fearful, jaded or dead. Do not ask me what to do. I am just as cowardly as you. And do not tell me it is enough to speak the truth; that it is bravery enough. Every mountain leveled to the ground, every forest burned, every man, woman, and child who lost their shanties to arsonist fires were defended to the heavens - with words. — Psyche Roxas-Mendoza

As the process of reform unfolded, Zwingli came increasingly to see himself as a prophet to his people. Like the prophets of the Old Testament, the "shepherd" or "watchman" (Zwingli's preferred words for pastor) needed to guard zealously the flock against attacks from the evil one and be ready to die fighting for the cause of Christ. — Timothy George

Old England is an imaginary place, a landscape built from words, woodcuts, films, paintings, picturesque engravings. It is a place imagined by people, and people do not live very long or look very hard. We are very bad at scale. The things that live in the soil are too small to care about; climate change too large to imagine. We are bad at time too. We cannot remember what lived here before we did; we cannot love what is not. Nor can we imagine what will be different when we are dead. We live out our three score and ten, and tie our knots and lines only to ourselves. We take solace in pictures, and we wipe the hills of history. — Helen Macdonald

She dealt her pretty words like Blades
How glittering they shone
And every One unbared a Nerve
Or wantoned with a Bone
She never deemed
she hurt
That
is not Steel's Affair
A vulgar grimace in the Flesh
How ill the Creatures bear
To Ache is human
not polite
The Film upon the eye
Mortality's old Custom
Just locking up
to Die. — Emily Dickinson

We all know how it says it's going to end, Dreamer, but no one knows for sure. That's up to you, and your friends. It is the Four who shall decide whether or not it comes true, not a bunch of words written on a piece of paper. Not even," he turned the book around so that its insides were facing her, "if it's written in on very old, very large, dusty paper. — Chani Lynn Feener

Ah sir," replied Caderousse, "we cannot console those who will not be consoled, and he was one of these; besides, I know not why, but he seemed to dislike seeing me. One night, however, I heard his sobs, and I could not resist my desire to go up to him, but when I reached his door he was no longer weeping but praying.
I cannot now repeat to you, sir, all the eloquent words and imploring language he made use of; it was more than piety, it was more than grief, and I, who am no canter, and hate the Jesuits, said then to myself, 'It is really well, and I am very glad that I have not any children; for if I were a father and felt such excessive grief as the old man does, and did not find in my memory or heart all he is now saying, I should throw myself into the sea at once, for I could not bear it. — Alexandre Dumas

He'd been about to turn away when she lifted her face to the moon and sang.
It was not in any language that he knew. Not in the common tongue, or in Eyllwe, or in the languages of Fenharrow or Melisande, or anywhere else on the continent
This language was ancient, each word full of power and rage and agony.
She did not have a beautiful voice. And many of the words sounded like half sobs, the vowels stretched by the pangs of sorrow, the consonants hardened by anger. She beat her breast in time, so full of savage grace, so at odds with the black gown and veil she wore. The hair on the back of his neck stood as the lament poured from her mouth, unearthly and foreign, a song of grief so old that it predated the stone castle itself.
And the the song finished, its end as butal and sudden as Nehemia's death had been.
She stood there a few moments, silent and unmoving. — Sarah J. Maas

That break comes for all of us, at different times and in different ways. The nourishment of food, the bonds of friendship, the occasions for celebration, and the delights of legitimate pleasure end in a matter of a moment for each life and each relationship. It is to this vulnerability of living that Jesus points His finger. The poet puts it in these words: Our life contains a thousand springs and dies if one be gone; Strange that a harp of a thousand strings can stay in tune so long. There is an old adage that says you can give a hungry man a fish, or better still, you can teach him how to fish. Jesus would add that you can teach a person how to fish, but the most successful fisherman has hungers fish will not satisfy. G — Ravi Zacharias

I have heard what poets write about women. They rhyme and rhapsodize and lie. I have watched sailors on the shore stare mutely at the slow-rolling swell of the sea. I have watched old soldiers with hearts like leather grow teary-eyed at their king's colors stretched against the wind.
Listen to me: these men know nothing of love.
You will not find it in the words of poets or the longing eyes of sailors. If you want to know of love, look to a trouper's hands as he makes his music.
A trouper knows. — Patrick Rothfuss

I'm writing this in part to tell you that if you ever wonder what you've done in your life, and everyone does wonder sooner or later, you have been God's grace to me, a miracle, something more than a miracle. You may not remember me very well at all, and it may seem to you to be no great thing to have been the good child of an old man in a shabby little town you will no doubt leave behind. If only I had the words to tell you. — Marilynne Robinson

I love to read the dedications of old books written in monarchies for they invariably honor some (usually insignificant) knight or duke with fulsome words of sycophantic insincerity, praising him as the light of the universe (in hopes, no doubt, for a few ducats to support future work); this old practice makes me feel like such an honest and upright man, by comparison, when I put a positive spin, perhaps ever so slightly exaggerated, on a grant proposal. — Stephen Jay Gould

I didn't learn to read until I was almost 14 years old. Reading out loud for me was a nightmare because I would mispronounce words or reconstruct things that weren't even there. That's when one of my teachers discovered I had a learning disability called dyslexia. Once I got help, I read very well! — Patricia Polacco

I went back to the clanging city,
I went back where my old loves stayed,
But my heart was full of my new love's glory,
My eyes were laughing and unafraid.
I met one who had loved me madly
And told his love for all to hear
But we talked of a thousand things together,
The past was buried too deep to fear.
I met the other, whose love was given
With never a kiss and scarcely a word -
Oh, it was then the terror took me
Of words unuttered that breathed and stirred.
Oh, love that lives its life with laughter
Or love that lives its life with tears
Can die - but love that is never spoken
Goes like a ghost through the winding years ...
I went back to the clanging city,
I went back where my old loves stayed,
My heart was full of my new love's glory, -
But my eyes were suddenly afraid. — Sara Teasdale