Quotes & Sayings About Old Time Music
Enjoy reading and share 100 famous quotes about Old Time Music with everyone.
Top Old Time Music Quotes
There was nothing that I ever did, no conscious effort to do one kind of behavior or another, I can't explain what it was, but I can explain that the thinking of the time was that we didn't want to emulate our heroes. That wasn't kosher. 'Don't try to play the old cliches, play like yourself' - that's what people were saying — Larry Coryell
His eyes are cold and restless
His wounds have almost healed
And she'd give half of Texas
Just to change the way he feels
She knows his love's in Tulsa
And she knows he's gonna go
Well it ain't no woman flesh and blood
It's that damned old rodeo
Well it's bulls and blood
It's dust and mud
It's the roar of a Sunday crowd
It's the white in his knuckles
The gold in the buckle
He'll win the next go 'round
It's boots and chaps
It's cowboy hats
It's spurs and latigo
It's the ropes and the reins
And the joy and the pain
And they call the thing rodeo
She does her best to hold him
When his love comes to call
But his need for it controls him
And her back's against the wall
And it's So long girl I'll see you
When it's time for him to go
You know the woman wants her cowboy
Like he wants his rodeo — Garth Brooks
He exuded ambiguities she decided, that was his fascination.
His mouth spoke; his eyes said something other: his smile belied everything ...
He played with the language of the Circle of Days like a child with an arsenal of twigs ...
His music said otherwise it seemed to echo through time out of a past as old as the stones on the hill. He lied with every note he played.
Or in his music he finally told the truth. — Patricia A. McKillip
I would play music every day from the time I was about 4 or 5 years old. Every time I would go from one end of the house to the other, I would pass the piano and play a few notes. — William Eggleston
Make sure you control the radio on a long road trip. You don't want to listen to some old-fashioned music the whole time. — Preston Shay
Meghan and I talked about music - she loved Ella Fitzgerald. "What about all the hip acts that college kids love? Do you like any of them?"
"Like who?"
"I don't know all their names. Snoop Diggity Do and all those hip cats." Meghan shook her head and laughed. We talked about movies - she loved anything made before 1964. No wonder I thought she was older; she was an old soul in a young body.
"So what's your favorite movie?" I asked.
"To Kill a Mockingbird." My mother would have liked Meghan. She made my father and me watch To Kill a Mockingbird with her when I was in first grade. It must have been the twentieth time she'd seen it, but she still cried at the parts that made her weepy-eyed the first nineteen times. — Donna VanLiere
If you want to be happy with your music all the time, start exposing yourself to unfamiliar music now, so it will be in the sweet spot by the time you've worn out the old pleasures. — Loretta Graziano Breuning
There is nothing more notable in Socrates than that he found time, when he was an old man, to learn music and dancing, and thought it time well spent. — Michel De Montaigne
We have that storytelling history in country and bluegrass and old time and folk music, blues - all those things that combine to make up the genre. It was probably storytelling before it was songwriting, as far as country music is concerned. It's fun to be a part of that and tip the hat to that. You know, and keep that tradition alive. — Chris Stapleton
Twelve years ago me and Allanah became really sick of writing pop songs, ... Eventually we dug a grave for the Thompson Twins, pushed them in there, and then moved to New Zealand. Before that I'd lived for a long time in south London where reggae was the music of the streets around me. You'd hear it booming out of people's windows and shops, and you could buy great old reggae singles for 50p (NZ1.30) in second hand shops. I'd always loved that sound, so soon after we got here I started making electronic dub records with my mate Rakai Karaitiana as International Observer. — Tom Bailey
Tshikona is lwa-ha-masia-khali-i-tshi-vhila, "the time when people rush to the scene of the dance and leave their pots to boil over." Tshikona "makes sick people feel better and old men throw away their sticks and dance." Tshikona "brings peace to the countryside ... " It is an example of the production of the maximum of available human energy in a situation that generates the highest degree of individuality in the largest possible community of individuals. — John Blacking
Ronan rationed the music from their old life, as if he used up a bit of his memories of his father every time he played it. — Maggie Stiefvater
The God who is ever uttering himself in the changeful profusions of nature; who takes millions of years to form a soul that shall understand him and be blessed; who never needs to be, and never is, in haste; who welcomes the simplest thought of truth or beauty as the return for seed he has sown upon the old fallows of eternity, who rejoices in the response of a faltering moment to the age-long cry of his wisdom in the streets; the God of music, of painting, of building, the Lord of Hosts, the God of mountains and oceans; whose laws go forth from one unseen point of wisdom, and thither return without an atom of loss; the God of history working in time unto christianity; this God is the God of little children, and he alone can be perfectly, abandonedly simple and devoted. — George MacDonald
I've been working in the music industry since I was 15 years old, and I feel like I've always been ahead of my time. — Wynter Gordon
I'm pretty sure in my older years, I'll be doing old-time flavored folk-mountain music. — Dolly Parton
For recessional music there's "Closing Time" by Semisonic, a four-chord farewell to the old century. — Thomas Pynchon
He can hum the music in his old man's quivering voice, but he prefers it in his head, where it lives on in violins and reedy winds. If he imagines it in rehearsal he can remember every step of his three-minute solo as if he had danced it only yesterday, but he knows, too, that one time, onstage in Berlin, he had not danced it as he had learned it; this much he knows but cannot recreate, could no recreate it even a moment after he had finished dancing it. While dancing he had felt blind to the stage and audience, deaf to the music. He had let his body do what it needed to do, free to expand and contract in space, to soar and spin. So, accordingly, when he tries to remember the way he danced it on stage, he cannot hear the music or feel his feet or get a sense of the audience. He is embryonic, momentarily cut off from the world around him. The three most important minutes of his life, the ones that determined his fate and future, are the three to which he cannot gain access, ever. — Evan Fallenberg
I'm one of those artists that doesn't actually hate my old hits. I love Boston music. I really like 'More than a Feeling.' After playing it to myself in a basement for such a long time, I'm happy to do it out on stage. — Tom Scholz
The first time I knew what I wanted to do with my life was when I was about four years old. I was listening to an old Victrola, playing a railroad song ... I thought that was the most wonderful, amazing thing ... That you could take this piece of wax and music would come out of that box. From that day on, I wanted to sing on the radio. — Johnny Cash
It's a scary question for a musician or songwriter today - what does the future hold? It is a strange time in the music business too; it feels like we are all in some kind of transitional period, stuck between old technology and new. — Dean Wareham
There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them. — Jonathan Hale
In my opinion, the best time to be alive is always right now. People are aways whining about how they were born in the wrong century, but they really haven't thought things through. They picture the old castle they wish they could live in, but they don't think about the drafts in the winter or the pitch darkness at night, or all the spiders and the lice. They can't imagine the everyday pain of a life without movies or recorded music or... or... Interet videos about cats. And don't even get me started on women who idealize the past. Do you have any idea what it was like to be a woman even a hundred years ago? Horrible! And a hundred years before that, the situation practically defies description. We might as well have been slaves. Trussed up in hoop skirts and corsets, married off like racehorses. Good riddance to history, I say! — Tommy Wallach
The old music industry is dead. We're standing in the ruins of a business built on private jets, Cristal, $18 CDs and million-dollar recording budgets. We're in the midst of the greatest music industry disruption of the past 100 years. A fundamental shift has occurred - a shift that Millennials are driving. For the first time, record sales aren't enough to make an artist's career, and they certainly aren't enough to ensure success. The old music industry clung desperately to sales to survive, but that model is long gone.2 - Honeyman — Larry Wacholtz
My mom tells this story that even when I was in the womb, my father played the piano and she sang. So, before I officially got here, I was already surrounded by music. I also like the way my father explains it. When I was about 3-years old, in order to keep me quiet, my father would put me in the bassinet and either put on some music or play the piano. When he started playing, I got quiet and eventually went to sleep. He said by the time I turned 3, I just climbed up on the piano and started playing it with the attitude of I'm gonna play dis here piano. — Cyrus Chestnut
Trout sat back and thought about the conversation. He shaped it into a story, which he never got around to writing until he was an old, old man. It was about a planet where the language kept turning into pure music, because the creatures there were so enchanted by sounds. Words became musical notes. Sentences became melodies. They were useless as conveyors of information, because nobody knew or cares what the meanings of words were anymore.
So leaders in government and commerce, in order to function, had to invent new and much uglier vocabularies and sentence structures all the time, which would resist being transmuted to music. — Kurt Vonnegut
One of the most important times in my life was the first time that I remember seeing my daddy get onstage and play music with a bunch of guys. All of them playing something different at the same time and all becoming one, and me soaking that in at 5 years old and going, 'That's my daddy up there, and he's a part of something.' — Randy Houser
My son, Walker, has a band called The Dust Busters. You know, he plays banjo, fiddle, guitar, and mandolin, so a lot of my interest in that kind of music comes from him constantly listening to this stuff. He's taught me the history of it. It's remarkable how these young kids are now turned on to more traditional old-time music. — Sam Shepard
A good portion of my work with Tangerine Dream at the time involved film music, and I remember approaching it as any 23-year-old would - without much fear or respect. Also, Tangerine Dream was typically asked to deliver a monochromatic kind of score, the electronic-analog trademark sound that TD had become famous for following landmark films such as Sorcerer [Universal, 1977], Thief [MGM, 1981], and Risky Business [Warner Brothers, 1983]. — Paul Haslinger
I was always taught as a kid that if there's anything you want in life, you've got to work towards it. I guess that sort of stayed with me, really. But also, for me, from the time I was, like, 10 years old, all I ever wanted to do was be in a band and make music. — Paul Weller
We both young what made you grow younger."
"The music?"
He nodded and whispered. "You don't have to go back to being old. We'll practice all the time. We'll record albums and we'll tour. — David Agranoff
I liked old time music but what i meant by that was the period from the 1930s through the 60s, nothing before and little after.
Performers like fats waller, Sinatra, billie holiday, louis armstrong, rosemary clooney, ella, sammy Davis Jr, dean martin ... If the lyrics weren't stupid. Words were important. — Jeffery Deaver
It was around that time, early 60s. There were like three kindred spirits in New Jersey. I had two friends who played folk music, old-time music and bluegrass and we started a little band called the Garret Mountain Boys. — David Grisman
It is the nature of a nine-year-old mind to believe that each extreme experience signifies a lasting change in the quality of life henceforth. A bad day raises the expectation of a long chain of grim days through dismal decades, and a day of joy inspires an almost giddy certainty that the years thereafter will be marked by endless blessings. In fact, time teaches us that the musical score of life oscillates between that of Psycho and that of The Sound of Music, with by far the greatest number of our days lived to the strains of an innocuous and modestly budgeted picture, sometimes a romance sometimes a like comedy sometimes a little art film of puzzling purpose and elusive meeting. Yet I've known adults who live forever in that odd conviction of nine-year-olds. Because I am an optimist and always have been, the expectation of continued joy comes more easily to me than pessimism, which was especially true during that period of my childhood. — Dean Koontz
And if you look around, if you listen to some music nowdays, I'm not so optimistic ... I have the feeling that some of the young people I've met they think already, before they start playing, they think already about the product: how can we sell it ... maybe my view is really very old fashioned nowadays, but I think art at any times needs time for development and this fast food bullshit is not working ... younger guys: take your time, music is really a thing of long terms, actually it's a lifelong thing to learn and to develop your own stuff. — Peter Brotzmann
I have been in the music industry ever since I was six years old. I have been inspired by so many great artists and of course trying to be original at the same time. I try not to work under boundaries while I'm making music. — Asher Monroe
One practice I rely on all the time is basic meditation which allows me to strip away the noise. Its like the old-fashioned dial on the radio, where you were getting static and then you found that clear, sweet spot on the dial, where the music would come through. That's what meditation is for me. Dialing out the static, the noise, the anxiety, the fear, and coming into a place that's deep and quiet. It's like dropping into a well of inspiration and wisdom. — Elizabeth Lesser
I like for it to be mountain music or old-time country music or traditional bluegrass. Either one will fit me. It's traditional, basically. — Ralph Stanley
I'm into old-time music; I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like. So there's some connection between visual images and music. — Robert Crumb
By the brook she came suddenly upon Rosemary West, who was sitting on the old pine tree. She was on her way home from Ingleside, where she had been giving the girls their music lesson. She had been lingering in Rainbow Valley quite a little time, looking across its white beauty and roaming some by-ways of dream. Judging from the expression of her face, her thoughts were pleasant ones. Perhaps the faint, occasional tinkle from the bells on the Tree Lovers brought the little lurking smile to her lips. Or perhaps it was occasioned by the consciousness that John Meredith seldom failed to spend Monday evening in the gray house on the white wind-swept hill. — L.M. Montgomery
There is scarcely any great author in European literature, old or new, who has not distinguished himself in his treatment of the supernatural. In English literature, I believe there is no exception from the time of the Anglo-Saxon poets to Shakespeare, and from Shakespeare to our own day. And this introduces us to the consideration of a general and remarkable fact, a fact that I do not remember to have seen in any books, but which is of very great philosophical importance: there is something ghostly in all great art, whether of literature, music, sculpture, or architecture. It touches something within us that relates to infinity — Lafcadio Hearn
It's old, very old I think. Made up long ago in our hills. What my music teacher calls a mountain air. But the words are easy and soothing, promising tomorrow will be more hopeful than this awful piece of time we call today. — Suzanne Collins
Paradise Lost is a poem. The old, blind bastard's trying to sing to you. Listen, as the Isley Brothers say, to the music. You must learn to do that before you can expect to understand. Slowly. Slowly. A few licks at a time. — John Edgar Wideman
She was surprised that her hands had not forgotten, that somewhere in her mind, after a year of darkness and slavery, music was still alive and breathing. That somewhere, between the notes, was Sam. She forgot about time as she drifted between pieces, voicing the unspeakable, opening old wounds, playing and playing as the sound forgave and saved her. — Sarah J. Maas
The daisies and buttercups nodded in the breeze, like skinny-necked old ladies listening to dance music.
What if necessary evil had an opposite? This is what it would be. This unnecessary good.
For the first time in days, Mo smiled. — Tricia Springstubb
It's funny, if you go back and look at all those old movies a lot of times they didn't have the budget for music. Each scene here was written to a different time, whether that be 'Breakfast in America' or just different soundtracks that we had for different parts of the movie. I'm interested to see how it all plays once it's all put together. — Todd Farmer
A friend of mine, that I had known for some time, came up one day with an old guitar. I don't know where he got it, I don't know how long he'd had it, but he knew about two chords on it. He proceeded to teach them to me, and then we proceeded to go crazy over music. — Charlie Daniels
When I was 15, 16, 17 years old, I spent five hours a day juggling, and I probably spent six hours a day seriously listening to music. And if I were 16 now, I would put that time into playing video games. — Penn Jillette
That's the music that I play at home all the time, Joni Mitchell. Court and Spark I love because I'd always hoped that she'd work with a band. But the main thing with Joni is that she's able to look at something that's happened to her, draw back and crystallize the whole situation, then write about it. She brings tears to my eyes, what more can I say? It's bloody eerie. I can relate so much to what she says. Now old friends are acting strange/They shake their heads/They say I've changed. — Jimmy Page
I do covers for CDs and LPs of music that I like, reissues of old-time music, and then I'm inspired to make some kind of drawing based on this love of the music. I don't do album covers or CD covers for groups or musicians I don't like or have no interest in. — Robert Crumb
Nothing's changed, we said to ourselves. The war had been an interruption, nothing more. We would pick up our lives where we had left off and go on. We would go back to school again. We would study hard, every day, to make up for lost time. We would seek out our old classmates. "Where were you?" they'd ask, or maybe they would just nod and say, "Hey." We would join their clubs, after school, if they let us. We would listen to their music. We would dress just like they did. We would change our names to sound more like theirs. And if our mother called out to us on the street by our real names we would turn away and pretend not to know her. We would never be mistaken for the enemy again! — Julie Otsuka
You have to enjoy playing. The old-timers did, and that's one reason why their music is a lasting music. I feel that I play jazz to entertain the listener, and you just can't do that unless you yourself are entertained at the same time. — Barry Harris
Elementary and high school students will still be tested under the new law. There just won't be so much riding on the scores. Also the arts didn't disappear under the old law, No Child Left Behind. But, Christopher Woodside of the National Association for Music Education says with so much time spent testing math and reading, the arts suffered. — Elizabeth Blair Lee
The sniper puts the cellist in his sights. Arrow is about to send a bullet into him, but stops. His finger isn't on the trigger ... His hand isn't even in the vicinity of the trigger ... His head leans back slightly, and she sees that his eyes are closed, that he is no longer looking through his scope. She knows what he's doing. It's very clear to her, unmistakable. He's listening to the music. And then Arrow knows why he didn't fire yesterday ... She is at once, sure of two things. The first is that she does not want to kill this man, and the second is that she must. Time is running out. There's no reason not to kill him. A sniper of his ability has wihtout doubt killed dozens, if not hundreds. Not just soldiers. Women crossing streets. Children in playgrounds. Old men in water lines. She knows this to a certainity. Yet she doesn't want to pull her trigger. All because she can see that he doesn't want to pull his ... The final notes of the cellist's melody reach him, and he smiles. — Steven Galloway
The way you hold the bow, the way that violinists are trained to produce a note, is really different. I'm not an expert in classical music. I don't want to say something that ends up in print and somebody comes running after me with a shovel, but they're taught for each note to stand alone in a very deliberate kind of way, which is really different than how notes are strung together in old-time music to create rhythm. — Bruce Molsky
So when you see an old lady wearing a beehive, it's because it's from a time when she was most happy. I think that's true about music as well. There is a period from 1986 to 1996 where it's impossible to articulate the impact that new music had on my life. There was so much stuff coming out during that time that I was obsessed with, like the Dead Kennedys and the Breeders. It isn't as simple as saying that's when I was happiest, but it was a time when music had an emotional impact on me. When I was putting up the 43 Folders site, I had The Meadowlands by The Wrens on repeat for over a week and it became like a good friend. — Anonymous
Reference when we talked about Machiavelli, didn't you? I could've sworn you did." "Just because I don't enjoy it doesn't mean I know nothing about it. Tupac was around back in my wind-up phonograph days, you know." I cast her a sardonic look, which makes her laugh and shrug, as if to say 'hey, not my fault you're an old ass man.' "I'm surprised you know anything about him, actually. He died around the time you were born." "Yeah, well, music never really goes out of style, especially Tupac," she says with a smile. — J.M. Darhower
With technology and everything, compact discs are going to be, like, vintage soon, right? The way vinyl is now. Like, if I ever have kids, they're going to look at CDs and think, 'What is this crap, geez, how clunky.' By then everyone will have the fiftieth edition of iPods - or maybe they'll just have music downloaded directly into their brains, like with microchips, or something. And I'll be the old lady in the corner going, 'Back when I was a kid, we had mix tapes, and floppy disks, and gas didn't cost twenty bucks a gallon, and oh, yeah, MTV actually played music videos, if you can believe it.' And they'll probably say, 'Oh, Mom, you and your stories, we're jetting to the oxygen bar, see you later,' and take off in their flying cars. You know there'll be flying cars, it's only a matter of time. — Hannah Harrington
Speaking of WAMU, [bluegrass and old time music DJ] Ray Davis did a lot of work there. I've know Ray, I guess for 50 years - 40, or 50 years. And, he plays a lot of my records. — Ralph Stanley
Martin Sloan, age thirty-six, vice-president in charge of media. Successful in most things but not in the one effort that all men try at some time in their lives - trying to go home again. And also like all men perhaps there'll be an occasion, maybe a summer night sometime, when he'll look up from what he's doing and listen to the distant music of a calliope, and hear the voices and the laughter of the people and the places of his past. And perhaps across his mind there'll flit a little errant wish, that a man might not have to become old, never outgrow the parks and the merry-go-rounds of his youth. And he'll smile then too because he'll know it is just an errant wish, some wisp of memory not too important really, some laughing ghosts that cross a man's mind, that are a part of the Twilight Zone. — Rod Serling
I learned an invaluable lesson from a kid in Argentina when we were playing Buenos Aires in 2002. I came out of the hotel and this 16-year-old-boy asked me to sign his copy of my Six Wives of Henry VIII album. As I was signing it I asked him 'what does a 16 year-old like about this old music?' and he looked at me, quite hurt, and said, 'it might be old to you, Mr Wakeman, but I only heard it for the first time last week. When you hear something for the first time, it's new.' I've never forgotten that. — Rick Wakeman
When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them. — Luc Ferrari
For me, I like old-school rap music. There was a time when music was so, so rich overall, and the content of what people talked about was so deep on every level, song-for-song, pound-for-pound, and on radio, there was so much content. I gravitate more towards that type of music, to be honest. — Ciara
When I was 4 years old my mother put me into an early music education school. That's where they taught you perfect pitch and harmony and how to write music and all that. At that time, one of the homeworks was to listen to all the sounds and the noise of a day and transfer that into musical notes. — Yoko Ono
I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it. — M. Ward
When I was 14-15 years old I was able to earn a little money from time to time but I'm not complaining since, very soon I could provide a normal living. I was discovered also by other musicians and they asked me to work with them. Even in my early age several well-known artists asked for my services both on the stage and in the studio. This experience proved to be very useful, musicians showed me various musical situations and various music experiments. — Richard Clayderman
Challenging is good, like good conversation, yes? Who wants to have dinner with the same old easy listening music sounding friends all the time? — Hilton Als
Living alone,' November whispered, 'is a skill, like running long distance or programming old computers. You have to know parameters, protocols. You have to learn them so well that they become like a language: to have music always so that the silence doesn't overwhelm you, to perform your work exquisitely well so that your time is filled. You have to allow yourself to open up until you are the exact size of the place you live, no more or else you get restless. No less, or else you drown. There are rules; there are ways of being and not being. — Catherynne M Valente
Even now, at 82 years old, if I don't learn something every day, you know what I think? It's a day lost. Now, I don't practice every day. I just take the guitar, swear at it. But I should be swearing at myself. But I fool with music. I'm doing something musically all the time. And my ears are wide open for anything I can hear. — B.B. King
[she felt] sorry for herself, for getting older, for being mortal, for all the music she still wanted to hear, the books she intended to read, the places she had meant to visit, the things she had promised herself she'd learn one day [ ... ] and probably never would because time was beginning to feel like a fast express train that no longer stopped at all the stations. — Francesca Marciano
An old Russian folk song is like water held back by a dam. It looks as if it were still and were no longer flowing, but in its depths it is ceaselessly rushing through the sluice gates and the stillness of its surface is deceptive. By every possible means, by repetitions and similes, the song slows down the gradual unfolding of its theme. Then at some point it suddenly reveals itself and astounds us. That is how the song's sorrowing spirit comes to expression. The song is an insane attempt to stop time by means of its words. — Boris Pasternak
I hollowed out, stopped listening to music, never picked up a pencil, started slipping into old habits. All of the vibrancy I used to see became de-saturated. Lost Slowly, once I had done enough damage to myself, I began to climb out of the hole. Clean. When I made it out, the only thing left inside was the voice, and for the second time in my life, I no longer ignored it - because it was my own. — Gerard Way
Call me a relic, call me what you will, say I'm old fashion, say I'm over the hill. Today's music ain't got the same soul, I like that old time rock and roll. — Bob Seger
He welcomes the chance to do fatherly things with the little girl, and those ten morning minutes with dear little four-year-old Ruby, with her deep soulful eyes, and the wondrous things she sees with them, and her deep soulful voice, and the precious though not entirely memorable things she says with it, and the smell of baby shampoo and breakfast cereal filling the car, that little shimmering capsule of time is like listening to cello music in the morning, or watching birds in a flutter of industry building a nest, it simply reminds you that even if God is dead, or never existed in the first place, there is, nevertheless, something tender at the center of creation, some meaning, some purpose and poetry. — Scott Spencer
It was a cruel world though. More than half of all children died before they could reach maturity, thanks to chronic epidemics and malnutrition. People dropped like flies from polio and tuberculosis and smallpox and measles. There probably weren't many people who lived past forty. Women bore so many children, they became toothless old hags by the time they were in their thirties. People often had to resort to violence to survive. Tiny children were forced to do such heavy labor that their bones became deformed, and little girls were forced to become prostitutes on a daily basis. Little boys too, I suspect. Most people led minimal lives in worlds that had nothing to do with richness of perception or spirit. City streets were full of cripples and beggars and criminals. Only a small fraction of the population could gaze at the moon with deep feeling or enjoy a Shakespeare play or listen to the beautiful music of Dowland. — Haruki Murakami
All I have is the will to remember. Time revoked/fever dreams - I wake up reaching, afraid I'll forget. Pictures keep the woman young. L.A., fall 1958.
Newsprint: link the dots. Names, events - so brutal they beg to be connected. Years down - the story stays dispersed. The names are dead or too guilty to tell. I'm old, afraid I'll forget: I killed innocent men. I betrayed sacred oaths. I reaped profit from horror.
Fever - that time burning. I want to go with the music - spin, fall with it. — James Ellroy
I've been doing music for a pretty long time, since I was a kid, and I must have been around 10 years old when I started playing shows with my siblings. — Stacey King
... especially the young ones, come into the canyon for the first time, quiet as deer, some of them, coming to your hand for salt: their dark eyes wide and gleaming with the wonder and the fear we had all felt at seeing for the first time life as our dreams had always imagined it ... at seeing so many people with whom they could fall in love. The old enchantment composed of lights, music, people was transfixing them for the first time, and it made their faces even more touching. — Andrew Holleran
I think my style is quite grungy and punky. I love the '90s and the music from that time, and I love punk music. I'm also a fan of mixing vintage with some high fashion, which links back to my musical taste because I tend to mix old music with newer songs. — Chelsea Leyland
In the United States, many people said you can't have folk music in the United States because you don't have any peasant class. But the funny thing was, there were literally thousands, tens of thousands, hundreds of thousands of people who loved old time fiddling, ballads, banjo tunes, blues played on the guitar, spirituals and gospel hymns. These songs and music didn't fit into any neat category of art music nor popular music nor jazz. So gradually they said well let's call it folk music. — Pete Seeger
They were looking for a builder to construct the home they thought they wanted, but he was the architect, coming with a new plan that would give them everything they needed, but within quite a new framework. They were looking for a singer to sing the song they had been humming for a long time, but he was the composer, bringing them a new song to which the old songs they knew would form, at best, the background music. He was the king, all right, but he had come to redefine kingship itself around his own work, his own mission, his own fate. — N. T. Wright
The old man slowly raised himself from the piano stool, fixed those cheerful blue eyes piercingly and at the same time with unimaginable friendliness upon him, and said: Making music together is the best way for two people to become friends. There is none easier. That is a fine thing. I hope you and I shall remain friends. Perhaps you too will learn how to make fugues, Joseph. — Hermann Hesse
As I sit here on a snowy morning watching the flakes gently fall outside my window, I look at the 300-year-old building across the street and the beautifully carved angels on its facade. There was a time people would create, just to give something beautiful to the world which we are so blessed to live in and a time when people understood the work of all of the arts. — Kytka Hilmar-Jezek
Music, I suppose, will be the thing that sustains me in the time of my life when I am too old for sex and not quite ready to meet God. It has always been an essential part of me. — Dolly Parton
If for one minute you think you're better than a sixteen year old girl in a Green Day t-shirt, you are sorely mistaken. Remember the first time you went to a show and saw your favorite band. You wore their shirt, and sang every word. You didn't know anything about scene politics, haircuts, or what was cool. All you knew was that this music made you feel different from anyone you shared a locker with. Someone finally understood you. This is what music is about. — Gerard Way
It is a blessing to get old. It is a blessing to find the time to do the things, to read the books, to listen to the music. I have nothing now but praise for my life. — Maurice Sendak
Everyone experiences grace, even if they don't realize it.
It's kind of like Moby's music. You could ask your average sixty-something-year-old retired banker in Connecticut if he's ever heard of Moby and/or his music and the response you'd receive more than likely would be a resounding, "No - what's a Moby?"
But if you say, "Remember that American Express commercial where Tiger Woods is putting around New York City? Remember the song playing? That was Moby."
"Oh, then, OK. I guess I have heard Moby," our theoretical retired banker in New Canaan might say.
"So ... what exactly is a Moby?"
That's like grace. Not that grace is a pretentious vegan techno-rocker, but you get the idea.
Grace is everywhere, all around us, all of the time. We only need the ears to hear it and the eyes to see it. — Cathleen Falsani
To express dynamic motion through a static moment became for me limited and unsatisfactory. The basic idea was to liberate myself from this old concept and arrive at an image in which the spectator could feel the beauty of a fourth dimension, which lies much more between moments than within a moment. In music one remembers never one tone, but a melody, a theme, a movement. In dance, never a moment, but again the beauty of a movement in time and space. — Ernst Haas
The worst part is wondering how you'll find the strength tomorrow
to go on doing what you did today and have been doing for much
too long, where you'll find the strength for all that stupid running around, those projects that come to nothing, those attempts to escape from crushing necessity, which always founder and serve only to convince you one more time that destiny is implacable, that every night will find you down and out, crushed by the dread of more and more sordid and insecure tomorrows. And maybe it's treacherous old age coming on, threatening the worst. Not much music left inside us for life to dance to. Our youth has gone to the ends of the earth to die in the silence of the truth. And where, I ask you, can a man escape to, when he hasn't enough madness left inside him? The truth is an endless death agony. The truth is death. You have to choose: death or lies. I've never been able to kill myself. — Louis-Ferdinand Celine
I started playing guitar at the age of 8 or 9 years. Very early, and I was like already into pop music and was just trying to copy what I heard on the radio. And at a very early age I started experimenting with old tape recorders from my parents. I was 11 or 12 at that time and then when I was like 14 or 15 I had a punk band. I made all the classic rock musician's evolutions and then in the early nineties I bought my first sampler and that is how I got into electronic music, because I was able to produce it on my own. That was quite a relief. — Christian Fennesz
You meet somebody at the seashore on a vacation and have a wonderful time together. Or in a corner at a party, while the glasses clink and somebody beats on a piano, you talk with a stranger whose mind seems to whet and sharpen your own and with whom a wonderful new vista of ideas is spied. Or you share some intense or painful experience with somebody, and discover a deep communion. Then afterward you are sure that when you meet again, the gay companion will give you the old gaiety, the brilliant stranger will stir your mind from its torpor, the sympathetic friend will solace you with the old communion of spirit. But something happens, or almost always happens, to the gaiety, the brilliance, the communion. You remember the individual words from the old language you spoke together , but you have forgotten the grammar. You remember the steps of the dance, but the music isn't playing any more. So there you are. — Robert Penn Warren
I do not wish to grow old, to outlive my illusions. Only a short respite from cares and sorrow, a brief time of flowers, and music, and love, and laughter, and ecstatic tears. — Anne Reeve Aldrich
They travel through the heartland, past cold factories and drifty towns, to the old, old mountains slumbering east of Tennessee. — Sarah Sullivan
I was about 16 years old years when my father took me to a square dance festival in North Carolina. For the first time in my life, I found there was music in my country that you never heard on the radio, and you didn't hear on the juke boxes, and in theaters. I fell in love with it, especially the long-necked banjos. — Pete Seeger
Be patient, kiddo. It'll come." He turns and faces me. "You know when you fall and get a big old bruise on your leg? That bruise isn't going anywhere for a while. But it takes longer to heal if you're pressing on it all the time." I motion for him to wait while I grab napkins from the bar and blow my nose. "Be gentle with yourself. Listen to good music. Eat good food. Nourish your body and your spirit, and you'll be all right. — Carrie Firestone
While I have not ruled out the possibility of doing music, what I don't want to do is go onstage and perform old songs. I do, all the time, but I don't think it is artistically brave. — Henry Rollins
I had a hard time when I came back to Sweden and started school, because I looked different. And we moved to a really small town on the west coast of Sweden, and there were no brown people around. It didn't really get any better until I started music school at about 10 years old. — Seinabo Sey
For the longest time, I didn't even want to admit I was serious about music. Before the Shins, I would tell myself, 'Oh, I'm going to figure something out someday.' I had this romantic vision of being this old dude maybe making guitars or something. — James Mercer
Embrace your journey and those who come across your path. Be gracious in your endeavors. Focus on your craft. Those who support your dreams now and feel your sincere humility and gratitude will be there 20, 30, 40 years from now, padding your old bones and time worn, weary soul. — Ann Marie Frohoff
I never considered myself an Americana artist, but I'm a huge fan of old-time music from the States, the recordings that were made in the '20s and '30s. Trying to chase down the exact stylistic trappings of that stuff always felt like a dead end. That spirit of directness and economy, but also the poetic pungency of the writing and almost ugly, or raw, performance - all that seemed like the real message. I've just tried to somehow stay true to that feeling. — Will Sheff
Something going on: some sodality. Pity so empty. Nice discreet place to be next some girl. Who is my neighbour? Jammed by the hour to slow music. That woman at midnight mass. Seventh heaven. Women knelt in the benches with crimson halters round their necks, heads bowed. A batch knelt at the altarrails. The priest went along by them, murmuring, holding the thing in his hands. He stopped at each, took out a communion, shook a drop or two (are they in water?) off it and put it neatly into her mouth. Her hat and head sank. Then the next one. Her hat sank at once. Then the next one: a small old woman. The priest bent down to put it into her mouth, murmuring all the time. Latin. The next one. Shut your eyes and open your mouth. What? Corpus: body. Corpse. Good idea the Latin. Stupefies them first. Hospice for the dying. They don't seem to chew it: only swallow it down. Rum idea: eating bits of a corpse. Why the cannibals cotton to it. — James Joyce