Old Dark House Quotes & Sayings

I remember being a 12 year old art kid and feeling like there was no exciting art movement happening, especially for somebody like me. I was looking around for artistic inspiration and could find nothing - until my older brother's friend brought a Giger book over to the house. Upon seeing the first image I knew I would never be the same. A whole new world opened up to me and I have been exploring it ever since. It's no doubt that I would not be here today, doing what I do, without his influence. H.R. Giger is the king of the Dark Art movement. — Chet Zar

A note in Sarah's dark, decisive handwriting was taped to the staircase's newel post. "Out. Thought the house needed some time alone with you first. Move slowly. Matthew can stay in Em's old room. Your room is ready." There was a postscript, in Em's rounder scrawl. "Both of you use your parents' room. — Deborah Harkness

It is the unknown that terrifies us in life, the unfamiliar and the unpredictable. People fear what they're not sure of. What they cannot control. It's The Old Dark House again. If we don't know what's in the dark and quiet place, we fill it with bogeymen and demons. — Dennis O'Donnell

He had been walking for a long time, ever since dark in fact, and dark falls soon in December.
("The Old House In Vauxhall Walk") — Charlotte Riddell

He felt as if he were being violently emptied out, as if a big magnet were pulling his blood and fluids down into the earth. He was weeping again, unstoppably, his head like the chandelier in his grandparents' house in Buffalo, the one that was too high for them to reach and that every time he visited had one fewer bulb alight. His head was an old chandelier, going dark. — Jeffrey Eugenides

It was a pleasure to burn.
It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. — Ray Bradbury

The Prodigal

Dark morning rain
Meant to fall
On a prison and a schoolyard,
Falling meanwhile
On my mother and her old dog.

How slow she shuffles now
In my father's Sunday shoes.
The dog by her side
Trembling with each step
As he tries to keep up.

I am on another corner waiting
With my head shaved.
My mind hops like a sparrow
In the rain.
I'm always watching and worrying about her.

Everything is a magic ritual,
A secret cinema,
The way she appears in a window hours later
To set the empty bowl
And spoon on the table,
And then exits
So that the day may pass,
And the night may fall
Into the empty bowl,
Empty room, empty house,
While the rain keeps
Knocking at the front door. — Charles Simic

In the big house opposite someone was playing the piano at Dolzhikov's. It was beginning to get dark, and stars were twinkling in the sky. Here my father, in an old top-hat with wide upturned brim, walked slowly by with my sister on his arm, bowing in response to greetings.
"Look up," he said to my sister, pointing to the sky with the same umbrella with which he had beaten me that afternoon. "Look up at the sky! Even the tiniest stars are all worlds! How insignificant is man in comparison with the universe!"
And he said this in a tone that suggested that it was particularly agreeable and flattering to him that he was so insignificant. How absolutely devoid of talent and imagination he was! — Anton Chekhov

My 13-year-old daughter leaves the house at 7:15 every morning and takes a smelly city bus to school way uptown. It's like 8 degrees out, and it's dark and she's got this morning face and I send her out there to take a bus. Meanwhile, my driver is sitting in a toasty Mercedes that's going to take me to work once both kids are gone. I could send her in the Mercedes and then have it come back to get me, but I can't have my kid doing that. I can't do that to her. Me? I earned that f - ing Mercedes. You better f - ing believe it. — Louis C.K.

The Eliots found it a queer sort of evening - a transition evening. Hitherto the Herb of Grace had been to them a summer home; they had known it only permeated with sun and light, flower-scented, windows and doors open wide. But now doors were shut, curtains drawn to hide the sad, grey dusk. Instead of the lap of the water against the river wall they heard the whisper of the flames, and instead of the flowers in the garden they smelt the roasting chestnuts, burning apple logs, the oil lamps, polish - all the home smells. This intimacy with the house was deepening; when winter came it would be deeper still. Nadine glanced over her shoulder at the firelight gleaming upon the dark wood of the panelling, at the shadows gathering in the corners, and marvelled to see how the old place seemed to have shrunk in size with the shutting out of the daylight. It seemed gathering them in, holding them close. — Elizabeth Goudge

And so they sat in silence. Sipping cold tea. Smoking. The windows of the house across the street shone molten gold, the silver sickle of the new moon hung in the dark blue sky, and there was a sharp crackling sound coming through the window - they must have been burning old crates again on the street. — Arkady Strugatsky

The house in Silverlake was dark, its windows as empty as a dead man's eyes. It was an old California Craftsman with a full front porch and two dormer windows set on the long slope of the roof. But no light shone behind the glass, not even from above the doorway. Instead, the house cast a foreboding darkness about it that not even the glow from the streetlight could penetrate. A man could be standing there on the porch and Bosch knew he probably wouldn't be able to see him. 'You — Michael Connelly

The strange white world lay stroked by silence. No birds sang. The garden was no longer there, in this forested land. Nor were the out-buildings nor the old crumbling walls. There lay only a narrow clearing round the house now, hummocked with unbroken snowdrifts, before the trees began, with a narrow path leading away. — Susan Cooper

He sits in an old armchair in the corner covered with bits of blankets and a bucket behind the chair that stinks enough to make you sick and when you look at that old man in the dark corner you want to get a hose with hot water and strip him and wash him down and give him a big feed of rashers and eggs and mashed potatoes with loads of butter and salt and onions.
I want to take the man from the Boer War and the pile of rags in the bed and put them in a big sunny house in the country with birds chirping away outside the window and a stream gurgling. — Frank McCourt

To know a thing you have to trust what you know, and all that you know, and as far as you know in whatever direction your knowing drags you. I once had a pet pine squirrel named Omar who lived in the cotton secret and springy dark of our old green davenport; Omar knew that davenport; he knew from the Inside what I only sat on from the Out, and trusted his knowledge to keep from being squashed by my ignorance. He survived until a red plaid blanket
spread to camouflage the worn-out Outside
confused him so he lost his faith in his familiarity with the In. Instead of trying to incorporate a plaid exterior into the scheme of his world he moved to the rainspout at the back of the house and was drowned in the first fall shower, probably still blaming that blanket: damn this world that just won't hold still for us! Damn it anyway! — Ken Kesey

I haven't been out driving at this time of night in many years, much less in an unfamiliar area. These are the things that scare you as you get older. You understand night all too well, all its attendant meanings. You try to avoid it, work around it, keep it from entering your house. Your weary, ornery body tells you to stay up late, sleep less, keep the lights on, don't go into the bedroom - if you have to sleep, sleep in your chair, at the table. Everything is about avoiding the night. Because of that, I suppose that I should be scared out here in the dark, but I am finally past that, I think.
(p.204) — Michael Zadoorian

The house was quiet, my room dark and still. I lay awake and thought of all the good men on TV who'd been shot in the head. I saw again the dead soldiers lying on the ground , and until Pop had cried over us, I hadn't thought much about Jeb and me having to go and fight, too. But in only nine years I'd be as old as the dead, and it'd be my turn, wouldn't it? — Andre Dubus III

The night of the fireworks changed the course of many lives in England, though no one suspected the dark future as hundreds of courtiers stared, faces upturned in delight, at the starbursts of crimson, green, and gold that lit up the terraces, gardens, and pleasure grounds of Rosethorn House, the country home of Richard, Baron Thornleigh. That night, no one was more proud to belong to the baron's family than his eighteen-year-old ward, Justine Thornleigh; she had no idea that she would soon cause a deadly division in the family and ignite a struggle between two queens. Yet she was already, innocently, on a divergent path, for as Lord and Lady Thornleigh and their multitude of guests watched the dazzle of fireworks honoring the spring visit of Queen Elizabeth, Justine was hurrying away from the public gaiety. Someone had asked to meet her in private. — Barbara Kyle

If this had been an old house, with creaking wood, and dark shadows, and heavily panelled walls, there might have been an eerie feeling. But this house was the essence of modernity. There were no dark corners - no possible sliding panels - it was flooded with electric light - everything was new and bright and shining. There was nothing hidden in this house, nothing concealed. It had no atmosphere about it. Somehow, that was the most frightening thing of all ... . — Agatha Christie

All day, the colours had been those of dusk, mist moving like a water creature across the great flanks of mountains possessed of ocean shadows and depths. Briefly visible above the vapour, Kanchenjunga was a far peak whittled out of ice, gathering the last of the night, a plume of snow blown high by the storms at its summit.
Sai, sitting on the veranda, was reading an article about giant squid in an old National Geographic. Every now and then she looked up at Kanchenjunga, observed its wizard phosphorescence with a shiver. The judge sat at the far corner with his chessboard, playing against himself. Stuffed under his chair where she felt safe was Mutt the dog, snoring gently in her sleep. A single bald lightbulb dangled on a wire above. It was cold, but inside the house, it was still colder, the dark, the freeze, contained by stone walls several feet deep. — Kiran Desai

These are not sentimental keepsakes. She never looks at them, and often forgets what she has there. They are not booty, they don't have ritualistic significance. She does not take something every time she goes to Gordon's house, or every time she stays over, or to mark what she might call memorable visits. She doesn't do it in a daze and she doesn't seem to be under a compulsion. She just takes something, every now and then, and puts it away in the dark of the old tobacco tin, and more or less forgets about it. — Alice Munro

Where are you?
You mean where in the house?
Are you in your bedroom?
Yes, I've been reading. Is this some kind of phone sex?
It's just two old people talking in the dark, Addie said. — Kent Haruf

Some places speak distinctly. Certain dark gardens cry aloud for a murder; certain old houses demand to be haunted; certain coasts are set apart for shipwreck. — Robert Louis Stevenson

Tendrils of mist slithered over the forest floor, around the base of trees. Xander noticed that some of it had climbed the porch pillars and drifted, almost invisibly, over the shingles of the porch roof. It reminded him of an old TV series Dean's dad had bought on DVD: Dark Shadows. It was about a creepy old house and a vampire who lived there. Barnabas, Xander remembered. — Robert Liparulo

The young man had killed himself; but she did not pity him; with the clock striking the hour, one, two, three, she did not pity him, with all this going on. There! the old lady had put out her light! The whole house was dark now with this going on, she repeated, and the words came to her, Fear no more the heat of the sun. She must go back to them. But what an extraordinary night! She felt somehow very like him - the young man who had killed himself. She felt glad that he had done it; thrown it away. The clock was striking. The leaden circles dissolved in the air. He made her feel the beauty; made her feel the fun. But she must go back. She must assemble. She must find Sally and Peter. And she came in from the little room. — Virginia Woolf

High house shadow, and a knife in the dark. A new game's begun, or the old one's just turned. — Steven Erikson

Three centuries had flowed past the old Manor House, centuries of births and of homecomings, of country dances and of the meetings of fox hunters. Strange that now in its old age this dark business should have cast its shadow upon the venerable walls! And yet those strange, peaked roofs and quaint, overhung gables were a fitting covering to grim and terrible intrigue. As I looked at the deep-set windows and the long sweep of the dull-coloured, water-lapped front, I felt that no more fitting scene could be set for such a tragedy. — Arthur Conan Doyle

When alone in a dark forest waiting for an audience with an evil god, the most prudent course of action is to be quiet and wait. 'Prudent' wasn't one of my favourite words.
"Hello? I've come to borrow a cup of sugar. Anybody? Perhaps there is an old woman with a house made of candy who could help me?"
"Marrying for love isn't wise."
The voice came from somewhere to the left. Melodious, but not soft, definitely female and charged with a promise of hidden power. Something told me that hearing her scream would end very badly for me.
I stopped and pivoted toward the voice.
"Marry for safety. Marry for power. But only fools marry for love."
When a strange voice talks to you in the black woods, only idiots answer.
I was that idiot. "Thank you, counsellor. How much do I owe you for this session? — Ilona Andrews

The creature had nut-brown skin mixed with patches of ash. It was human-sized and formed, but its skin looked like the bark of an old, old tree. About the same height as Donna, it was spindly with arms and legs that were all joints and angles. Its face was narrow and pointed, with hair on top of its head like thick moss and narrow black eyes that glinted even in the dim light of the room. The thing's body was clothed in lichen and moss, with vines twining around its sharp limbs. The creature opened its lipless mouth, a dark slash across its twisted face.

Donna's mind flashed back to the party and the shadow she'd seen sliding through the darkness outside Xan's house. She hadn't been imagining things, after all.

The wood elves had returned to the city. — Karen Mahoney

Our house was an old Tudor mansion. My father was very particular in keeping the smallest peculiarities of his home unaltered. Thus the many peaks and gables, the numerous turrets, and the mullioned windows with their quaint lozenge panes set in lead, remained very nearly as they had been three centuries back. Over and above the quaint melancholy of our dwelling, with the deep woods of its park and the sullen waters of the mere, our neighborhood was thinly peopled and primitive, and the people round us were ignorant, and tenacious of ancient ideas and traditions. Thus it was a superstitious atmosphere that we children were reared in, and we heard, from our infancy, countless tales of horror, some mere fables doubtless, others legends of dark deeds of the olden time, exaggerated by credulity and the love of the marvelous. ("Horror: A True Tale") — John Berwick Harwood

I landed in London on a wintry autumn evening. It was dark and raining, and I saw more fog and mud in a minute than I had seen in a year. I walked from the Custom House to the Monument before I found a coach; and although the very house-fronts, looking on the swollen gutters, were like old friends to me, I could not but admit that they were very dingy friends. — Charles Dickens

An eerie atmosphere leeched from the soot-damaged walls. It was as if the house had died, and yet she felt she belonged here. It was as if the old place wanted to claim her from the grave. — Sara Sheridan

When they took a young man into Tellson's London house, they hid him somewhere till he was old. They kept him in a dark place, like a cheese, until he had the full Tellson flavour and blue-mould upon him. Then only was he permitted to be seen, spectacularly poring over large books, and casting his breeches and gaiters into the general weight of the establishment. — Charles Dickens

You make me thirsty, Promethea, my river, you make me eternally thirsty, my water. As if I had spent my life in an old house of dried mud, so dry myself that I could not even thirst, until yesterday. And suddenly yesterday, the dusty floor of my old house burst open and while I was still dozing away my parched existence, drop by drop I heard the music of coolness awaken the thirst under my dry soul. And leaning over the dark shaft of my life, I saw my childhood springs unearthed. Is that always how (by accident) we rediscover Magdalenian riches? — Helene Cixous

IT WAS A DARK AND STORMY NIGHT.
In her attic bedroom Margaret Murry, wrapped in an old patchwork quilt, sat on the foot of her bed and watched the trees tossing in the frenzied lashing of the wind. Behind the trees clouds scudded frantically across the sky. Every few moments the moon ripped through them, creating wraithlike shadows that raced along the ground.
The house shook.
Wrapped in her quilt, Meg shook.
...
The window rattled madly in the wind, and she pulled the quilt close about her. Curled up on one of her pillows, a gray f luff of kitten yawned, showing its pink tongue, tucked its head under again, and went back to sleep. — Madeleine L'Engle