Old Commercial Quotes & Sayings

Ten years after the first commercial train service began operating between Liverpool and Manchester, in 1830, the first train timetable was issued. The trains were much faster than the old carriages, so the quirky differences in local hours became a severe nuisance. In 1847, British train companies put their heads together and agreed that henceforth all train timetables would be calibrated to Greenwich Observatory time, rather than the local times of Liverpool, Manchester or Glasgow. More and more institutions followed the lead of the train companies. Finally, in 1880, the British government took the unprecedented step of legislating that all timetables in Britain must follow Greenwich. For the first time in history, a country adopted a national time and obliged its population to live according to an artificial clock rather than local ones or sunrise-to-sunset — Yuval Noah Harari

Every morning when I wake up and look in the mirror, I see a black face and I love it. Sure, I've been to Paris and grew up surfing, and yes, I speak like I'm in a commercial. But I'm just like the women you see walking on the side of the road with their laundry baskets and their Bibles. I'm just like the old men pedaling their rusty bicycles. I'm no different from the men who drive your tractors or the woman who probably raised you. I'm just like them, no better and no worse. I'm black, Remy, which means everything and nothing — Natalie Baszile

You can't just repurpose old material created for one platform, throw it up on another one, and then be surprised when everyone yawns in your face. No one would ever think it was a good idea to use a print ad for a television commercial, or confuse a banner ad for a radio spot. Like their traditional media platform cousins, every social media platform has its own language. — Gary Vaynerchuk

When I was around 9 years old, I was watching TV one day. I was looking at this commercial, with a kid in the bathtub playing with a rubber ducky or something, and I said, 'Where do those kids come from? How come they get to be on TV? I could do that stuff.' — Kristy Swanson

Music has become more pervasive and portable than ever. But it feels less previous in the bargain. I don't want to confuse artistic and commercial value, but it's just a fact that some kid who rips an album for free isn't going to give it the same attention he would if it cost him ten bucks. At what point does convenience become spiritual indolence? I realize this makes me sound like an old fart, but sometimes I get nostalgic for the days when the universe of recorded sound wasn't at our fingertips, when we had to hunt and wait and - horror of horrors - do without, when our longing for a particular record or song made it feel sacred. — Steve Almond

Leonardo's twenty-six-year-old father, Ser Piero, was (as his honorary title implied) a notary: someone who wrote wills, contracts, and other commercial and legal correspondence. The family had produced notaries for at least five generations, but with Leonardo the chain was to snap. He was, as his grandfather's tax return stated a few years later, "non legittimo" - born out of wedlock - and as such he (along with criminals and priests) was barred from membership in the Guild of Judges and Notaries. Leonardo's mother was a sixteen-year-old girl named Caterina, and an apparent difference in their social status meant she and Piero, a bright and ambitious young man, did not marry. Almost — Ross King

[SF] was a commercial genre born in the old adventure pulp magazines
of the first third of the twentieth century, aimed primarily at
adolescent males, which, over the decades, in fits and starts,
evolved into an intellectually credible, scientifically germane,
transcendental literature without losing its popular base.

Of what other literature in the history of the western world can
this truly be said? — Norman Spinrad

In other words, the man at the ticket office had personally had intimate social and commercial progress with more nitwits, dowagers, traveling salesmen, conventioneers, old fogies, and outright jackasses than the entire population of the City of Brotherly Love. I — Joe Queenan

I did a commercial when I was, like, 5 or 6 years old for ... what was it called? ... Cabbage Patch Kids! That was the first thing I ever did. Little bit embarrassing. — Logan Lerman

I've never been in love, but I've always imagined it
weirdly
like some sort of OxiClean commercial. The TV host shows a scene from an ordinary day, and then takes a big old sponge soaked in love and swipes away the stains. Suddenly that same scene is missing all the mistakes, all the loneliness. The colors are like jewels, ten times richer than they were before. The music is louder and clearer. "Love," the host will say, "makes life a little brighter. — Jodi Picoult

When I first started acting I was about nine years old. I had never been to audition in my life and my agent sent me out. It was just a commercial for 'Harry Potter.' That was the first thing I ever went out for and I got the 'Harry Potter' commercial which was really cool, but I didn't play Harry Potter. — Alexander Ludwig

I remember my first commercial. This is really great 'Degrassi' trivia: The character Toby on 'Degrassi,' played by Jake Goldsbie, he and I were in both of our first commercial ever when we were four. It was for Tiger Toys, this old Game Boy-type thing. Both of our lines were, 'Mommy, I can do it!' — Charlotte Arnold

When I got old enough to date, I realized that Valentine's Day is just a commercial marketing scam to make men feel bad. So I let my boyfriends off the hook. — Evangeline Lilly

It was difficult in India to find an eight year old who could play a widow. The reason for that is that most of the children in India are really exposed to Bollywood. It's commercial Indian cinema which is really over the top. To find an actor, or even a non-actor, who felt natural was difficult. — Deepa Mehta

If you take sales presentations and brokers of commercial real estate and businesses ... I'm 70 years old, I've never seen one I thought was even within hailing distance of objective truth ... 'incentive-caused bias,' causes this terrible abuse. And many of the people who are doing it you would be glad to have married into your family compared to what you're otherwise going to get ... — Charlie Munger

This is Nick's wife, Amy, who was born and raised in New York City." And her friends, plump and welcoming, immediately suffer some strange Tourettesian episode: They repeat the words - New York City! - with clasped hands and say something that defies response: That must have been neat. Or, in reedy voices, they sing "New York, New York," rocking side to side with tiny jazz hands. Maureen's friend from the shoe store, Barb, drawls "Nue York Ceety! Get a rope," and when I squint at her in confusion, she says, "Oh, it's from that old salsa commercial!" and when I still fail to connect, she blushes, puts a hand on my arm, and says, "I wouldn't really hang you. — Gillian Flynn

I've really only had one (dream) since I got into this business at 13 years old, which was to be in this business forever. Once I did my first television commercial, I caught that itch and that bug. I want to be a part of pieces of art - as far as cinema is concerned - that people will want to see for generations to come. That's my dream. — Leonardo DiCaprio

Foundational design principles regarding aesthetics, symbolism and meaning of place were for the old-timer carpenter, simply routine.
Unfortunately, these principles began to lose their footing in the late 1800s, when building practices shifted toward more commercial technologies. — Shannon Taylor Scarlett

I played a lot of moms. You're always too young when you're playing moms. My first kid when I started playing moms was about six months old. And then a month later I was doing another commercial audition and my kid was two, and then about eight months later my kid was 11. — Carrie Coon

-Hello, welcome to Wal-Mart.
Amanda lifted up her pink sunglasses to gape at the old guy in the requisite blue vest.
- Ohmigod, it's just like the commercial. If a smiling yellow dot bounces toward me, I'm going to freak out. — Erin McCarthy

Sabine was now sixteen and old enough to begin doing what any girl like her would."
Brazen Mortal crossed her arms over her chest and knowingly said, "Prostitution."
"Wrong. Commercial fishing."
"Really?"
"Noooo," Sabine said. "Fortune-telling. — Kresley Cole

America ... is being lost through television. Because in advertising, mendacity and manipulation are raised to the level of internal values for the advertisers. Interruption is seen as a necessary concomitant to marketing. It used to be that a seven- or eight-year old could read consecutively for an hour or two. But they don't do that much anymore. The habit has been lost. Every seven to ten minutes, a child is interrupted by a commercial on TV> Kids get used to the idea that their interest is there to be broken into. In consequence, they are no longer able to study as well. Their powers of concentration have been reduced by systematic interruption. — Norman Mailer

I Love Spirituality it reminds me of the Old Quaker Oats Commercial. "Nothing is better for thee than me"! — Stanley Victor Paskavich

In 1861, on the eve of the Civil War, Grant, aged thirty-nine, with four children at home and scarcely a penny in the bank, had made no mark on the world and looked unlikely to do so, for all the boom conditions of mid-century America. His Plymouth Rock ancestry, his specialist education, his military rank, which together must have ensured him a sheltered corner in the life of the Old World, counted for nothing in the New. He lacked the essential quality to be what Jacques Barzun has called a "booster," one of those bustling, bonhomous, penny-counting, chance-grabbing optimists who, whether in the frenetic commercial activity of the Atlantic coast, in the emergent industries of New England and Pennsylvania or on the westward-moving frontier, were to make America's fortune. Grant, in his introspective and undemonstrative style, was a gentleman, and was crippled by the quality. — John Keegan

The time of dangling insects arrived. White houses with caterpillars dangling from the eaves. White stones in driveways. You can walk at night down the middle of the street and hear women talking on the telephone. Warmer weather produces voices in the dark. They are talking about their adolescent sons. How big, how fast. The sons are almost frightening. The quantities they eat. The way they loom in doorways. These are the days that are full of wormy bugs. They are in the grass, stuck to the siding, hanging in the hair, hanging from the trees and eaves, stuck to the window screens. The women talk long-distance to grandparents of growing boys. They share the Trimline phone, beamish old folks in hand-knit sweaters on fixed incomes.
What happens to them when the commercial ends? — Don DeLillo

There's still a place for someone to come up with a strong headline, some copy in a commercial that's well written. I'm not saying it was better in the old days; it's just a totally different way of communicating. — Jerry Della Femina

the old anti-'commercial' tendencies mocked throughout this book have been bulked up into a worldview by the runaway growth of what I call semipopular music." (Oh yeah, "semipopular music." Er, "music more popular in form than in market share." At least when it starts out. Under the rubric "alternative," now also an established image-making strategy that informs many of the "brands" ambitious young musicians concoct for themselves. — Robert Christgau

In a world where nearly everything that passes for art is tinny and commercial and often, in addition, hollow and academic, I argue
by reason and by banging the table
for an old-fashioned view of what art is and does and what the fundamental business of critics ought therefore to be. Not that I want joy taken out of the arts; but even frothy entertainment is not harmed by a touch of moral responsibility, at least an evasion of too fashionable simplifications. — John Gardner

My dad had a commercial film company, so he had a videotape player before anyone. So he got Mel Brooks movies or Citizen Kane or some classic old movies. And every summer the revival house in Evanston would show the great films from the '50s and '60s and '70s. — John Cusack

My first commercial was an Old Navy commercial where I stood in line in front of a club, and Fran Drescher was in it. — Amber Stevens

I was almost 8 years old when I was watching a kid on a TV commercial, and I told my mom that I wanted to do the same thing. She said that I would need to get an agent and that she would research it. — Victoria Justice

Athens built the Acropolis. Corinth was a commercial city, interested in purely materialistic things. Today we admire Athens, visit it, preserve the old temples, yet we hardly ever set foot in Corinth. — Harold Urey

At forty-five, I feel grateful almost daily to be the adult I wished I could be when I was seventeen. I work on my arm strength at the gym; I've become pretty good with tools. At the same time, almost daily, I lose battles with the seventeen-year-old who's still inside me. I eat half a box of Oreos for lunch, I binge on TV, I make sweeping moral judgments. I run around in torn jeans, I drink martinis on a Tuesday night, I stare at beer-commercial cleavage. I define as uncool any group to which I can't belong. I feel the urge to key Range Rovers and slash their tires; I pretend I'm never going to die.
You never stop waiting for the real story to start, because the only real story, in the end, is that you die. — Jonathan Franzen

Down there in the dark was the most technologically sophisticated navy strike force in the world, launching fighters and cruise missiles into Afghanistan ... I had to admit that what the Taliban was doing was brillant. Without satellites, without an air force, with even their primitive radar knocked out, they were ingenious enough to use plain old commercial flights to keep track of the fifth fleets positions. I realized that if we were counting on our military technology alone to win the war on terror, we had a lot of lessons to learn. — Greg Mortenson

I hope I am not too old to take it up seriously, nor too stupid about machines to qualify as a commercial pilot. I do not feel like spending the rest of my life writing books that no one will read. It is not as though I wanted to write them. *1937 — Samuel Beckett

Back in the old days, everyone was shocked if a band had a sponsor for their tour. Now, Bob Dylan can do a commercial for Victoria's Secret and people don't really blink; the Beatles' songs are in all sorts of commercials these days and it doesn't seem to offend anybody. The times are changing. — Judd Apatow

This used to be a commercial building," says Fernando, "but Erudite converted it into a school, for post-Choosing education. After the major renovations in Erudite headquarters about a decade ago
you know, when all the buildings across from Millennium were connected?
they stopped teaching there. Too old, hard to update."
"Thanks for the history lesson," says Christina. — Veronica Roth

think I was inspired by a commercial for an old board game called Stay Alive. — John Darnielle

Client companies and advertising agencies are old-world-order places. The systems and processes and structures come from a time when you shot the TV commercial, then you did the print ads, then you did everything else - including the website. Everything has changed, but the systems haven't. — Cindy Gallop

When I was six years old, a children's agent moved in next door to us, sent me out on a commercial audition, and I got the job. — Eve Plumb

Everyone experiences grace, even if they don't realize it.
It's kind of like Moby's music. You could ask your average sixty-something-year-old retired banker in Connecticut if he's ever heard of Moby and/or his music and the response you'd receive more than likely would be a resounding, "No - what's a Moby?"
But if you say, "Remember that American Express commercial where Tiger Woods is putting around New York City? Remember the song playing? That was Moby."
"Oh, then, OK. I guess I have heard Moby," our theoretical retired banker in New Canaan might say.
"So ... what exactly is a Moby?"
That's like grace. Not that grace is a pretentious vegan techno-rocker, but you get the idea.
Grace is everywhere, all around us, all of the time. We only need the ears to hear it and the eyes to see it. — Cathleen Falsani

She licked again, taking her time,even though she didn't need to; her first stroke numbed the bite site. No, this second taste was for her, not him, and there was no lying about that. "I'm starting to feel like a Tootsie Pop, here" he rasped. She couldn't contain a smile. " Yes ... how did that old commercial go?" She licked him. "One." She licked him again, and he moaned. "Two." She licked him once more, and his hips came off the bed, "Three. — Larissa Ione

It never occurred to me that I'd be typecast, although I was. And I never thought of the role as a commercial product, because I was ... well, I was playing this slightly messianic alien. He isn't violent, he doesn't get his leg over the girl, he doesn't steal, and he's rather wry, and adorable, and mysterious. He's lived for 900 years or something. He lives the life of the old patriarchs of the Old Testament. That's not commercial. He's special. — Tom Baker

I know it sounds absurd, but 11 months old, I did my first commercial. — Hayden Panettiere