Novel Writers Quotes & Sayings

I like a lot of Margaret Atwood, I like much of Alice Munro. Again, if you were to ask me about male writers, there's often a novel I admire, but not all of their works. — Ann Beattie

Rich will be my life if I
can keep my memories full
and brimming, and record
them on clear-eyed
mornings while I set
joyously to work setting
pen to holy craft. — Roman Payne

It has long been a tradition among novel writers that a book must end by everybody getting just what they wanted, or if the conventional happy ending was impossible, then it must be a tragedy in which one or both should die. In real life very few of us get what we want, our tragedies don't kill us, but we go on living them year after year, carrying them with us like a scar on an old wound. — Willa Cather

Writers block: when I get it, it's because my subconscious spotted that I'd make a huge structural mistake in constructing a novel before my conscious mind became aware of it, and threw on the brakes. So I've learned not to sweat it: take two days off, then back up a chapter, read through, and try to work out why I'm suddenly uneasy about continuing. — Charles Stross

But re-reading Voss also demonstrates again that although White wasn't 'a nice man', and indeed was - perhaps rightly - scathingly dismissive of my and other Australian writers' work and origins unless they were his friends, he was a genius, and Voss one of the finest works of the modernist era and of the past century. — Thomas Keneally

Now the second common characteristic of fiction follows from this, and it is that fiction is presented in such a way that the reader has the sense that it is unfolding around him. This doesn't mean he has to identify himself with the character or feel compassion for the character or anything like that. It just means that fiction has to be largely presented rather than reported. Another way to say it is that though fiction is a narrative art, it relies heavily on the element of drama. — Flannery O'Connor

To be motivated to write a novel, I need to be unable not to write. — Johnny Rich

I will not adopt that ungenerous and impolitic custom so common with novel writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding?joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid leaves with disgust. — Jane Austen

Today, there are more opportunities for writers in terms of access to larger success, but it's more difficult to publish a literary novel in the lower ranges. In other words, you almost have to hit a home run. You can hit a triple, maybe, but nobody's interested in a single. — James Lee Burke

My Writers Guild of America card is one of my proudest possessions. I was given it after being invited to write the script for a film of my last novel, 'Me Before You,' which is being made by MGM. Whenever I look at it, I think, 'I'm a Hollywood writer!' — Jojo Moyes

The most celebrated American author of the twentieth century, Bellow objected during the first part of his career to being designated a "Jewish writer, " but it was he who demonstrated how a Jewish voice could speak for an integrated America. With Bellow, Jewishness moved in from the immigrant margins to become a new form of American regionalism. Yet he did not have to write about Jews in order to write as a Jew. Bellow's curious mingling of laughter and trembling is particularly manifest in his novel Henderson the Rain King, that follows an archetypal Protestant American into mythic Africa. Bellow not only influenced and paved the way for other American Jewish writers like Philip Roth and Cynthia Ozick, but naturalized the immigrant voice: the American novel came to seem freshly authentic when it spoke in the voice of one of its discernible minorities. — Hana Wirth-Nesher

Like my hero Virginia Woolf, I do lack confidence. I always find that the novel I'm finishing, even if it's turned out fairly well, is not the novel I had in my mind. I think a lot of writers must negotiate this, and if they don't admit it, they're not being honest. — Michael Cunningham

But the reason that writers like Harlan and Lee don't outline is that they enjoy the serendipity, the surprises that arise when they're not constricted by the steel girdle of an outline. And I get that too. Some of the best plot twists in my work have been ones that I didn't plan on, including the ending to PARANOIA. One of the great pleasures of writing fiction is living in the story so that you "experience" it the way your characters do. — Joseph Finder

I think most fiction writers naturally start by writing short stories, but some of us don't. When I first started writing, I just started writing a novel. It's a hard way to learn to write. I don't recommend it to my students, but it just happens that way for some of us. — Andrea Barrett

Authors of so-called 'literary' fiction insist that action, like plot, is vulgar and unworthy of a true artist. Don't pay any attention to misguided advice of that sort. If you do, you will very likely starve trying to live on your writing income. Besides, the only writers who survive the ages are those who understand the need for action in a novel. — Dean Koontz

I never tried to ingratiate myself with great writers. When a great writer has nothing to say, he does something else, like chopping firewood. A great writer doesn't try to find something to write about, he only writes when he has to. I was no great writer. I've always had the need to unload my thoughts, and so had to live with a kind of mental incontinence, but I've never felt forced to write a novel. Nor, for that matter, have I ever chopped firewood. — Jostein Gaarder

If the novel is dead, I'm a necrophiliac. — Tiffany Madison

I've always loved short stories. Even before I was a writer, I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me. — Molly Antopol

Facing the sagging middle when writing a novel, while inevitable, may be
overcome by pre-planning. I divide my collection of proposed scenes into three acts, each scene inciting tension that builds toward the final crisis in Act Three. If by Act Two the emotional river isn't spilling over the banks, I reassess the plot so that once the writing is flowing I don't slide into a dry creek. The central character should be struggling to navigate life well into the end of Act One, even if her fiercest antagonist is only from within. — Patricia Hickman

In undergraduate classes, I often see writers who are still simply imitating. I mean, we all imitate - that's how we learn to speak or write in the first place - but they're writing a Dean Koontz novel or something. — Leni Zumas

One often hears of writers that rise and swell with their subject, though it may seem but an ordinary one. How, then, with me, writing of this Leviathan? Unconsciously my chirography expands into placard capitals. Give me a condor's quill! Give me Vesuvius' crater for an inkstand! Friends, hold my arms! For in the mere act of penning my thoughts of this Leviathan, they weary me, and make me faint with their out-reaching comprehensiveness of sweep, as if to include the whole circle of the sciences, and all the generations of whales, and men, and mastodons, past, present, and to come, with all the revolving panoramas of empire on earth, and throughout the whole universe, not excluding its suburbs. Such, and so magnifying, is the virtue of a large and liberal theme! We expand to its bulk. To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be who have tried it. — Herman Melville

I'll tell you a thing that will shock you. It will certainly shock the readers of Writer's Digest. What I often do nowadays when I have to, say, describe a room, is to take a page of a dictionary, any page at all, and see if with the words suggested by that one page in the dictionary I can build up a room, build up a scene. ... I even did it in a novel I wrote called MF. There's a description of a hotel vestibule whose properties are derived from Page 167 in R.J. Wilkinson's Malay-English Dictionary. Nobody has noticed. ... As most things in life are arbitrary anyway, you're not doing anything naughty, you're really normally doing what nature does, you're just making an entity out of the elements. I do recommend it to young writers. — Anthony Burgess

A failed short story is a few weeks of fruitless work; a failed novel is a dead child. — The New York Writers Workshop

An author is similar to an actor. They play many characters in their lives - photographer, nurse, dancer, doctor, writer, etc. As an author, you have to learn your craft, know each and every element to become that character you're writing about to be able to live and breathe what they do. — Mischa Temaul

Every now and then, I need a little spark of inspiration. It could be from reading (a novel, poetry, story, news article, a blog) or it could be attending an event (play, musical performance, poetry reading, writers conference). Something to wake up the drowsy Artist that lives within. For the past seven months, I have done all of these things and I noticed that my Artist has been up writing articles, a children's story, and most recently, working on new poems. After several years of hibernation, it is good to see my Artist so active. I must continue to give her a jolt to inspire her to do much more. — Sandra Proto

I freely admit that I took great license in writing 'The Dark Queen,' more so than my other historical romance novels. This is largely because I viewed the book as a fantasy novel as much as an historical. I do feel that writers should strive for as much accuracy as possible but, in the end, remember that we are writing fiction. — Susan Carroll

The three rules to writing a novel;

1) Write
2) Write more
3) Keep writing — Sci Furz

Don't panic. Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends' embarrassment, the failing career, the dwindling income, the repossessed house, the divorce ... Working doggedly on through crises like these, however, has always got me there in the end. Leaving the desk for a while can help. Talking the problem through can help me recall what I was trying to achieve before I got stuck. Going for a long walk almost always gets me thinking about my manuscript in a slightly new way. And if all else fails, there's prayer. St Francis de Sales, the patron saint of writers, has often helped me out in a crisis. If you want to spread your net more widely, you could try appealing to Calliope, the muse of epic poetry, too. — Sarah Waters

As you write your novel, you gradually start thinking like some of your characters in it. And at times the writer may lose himself completely in some character. — Avijeet Das

When we as writers take our fears, beliefs, imaginations, and research and offer them up for the Lord to use, we are changed, and our fiction carries the power of truth and the fingerprints of our God on every page. — Amy Wallace

Scrivener is where I live. I'm planning the next novel, two screenplays and a couple of short stories with it and it's amazing how fluid the software makes the process. I genuinely think this is the biggest software advance for writers since the word processor. — Michael Marshall Smith

There were absolutely amazing photographs everywhere, on everyone's Facebook page and everyone's iPhone and Instagram, just floating around in cyberspace for eternity. People took hundreds and thousands of digital pictures; one or two, even twenty or a hundred, were bound to be great. All anyone had to do was click through them all and post the ones they liked, deleting the rest. But using film meant you never knew what was going to be a good picture, let alone a great one, until you were standing there looking at a contact sheet with a magnifying glass and deciding which to print.
Maybe nobody cared anymore, but then again, writers probably felt the same way when word processors were invented. Anyone with a story and a keyboard could write their memoir now, write the great American novel, or tweet a 140-character trope that gets retweeted and it read by hundreds of people every hour of every day. — Nora Raleigh Baskin

I tell writers not to think about writing short stories or novels. Just write one good scene. And then a novel becomes a bunch of good scenes stacked on top of each other. — Joe Hill

When the modern movement began, starting perhaps with the paintings of Manet and the poetry of Baudelaire and Rimbaud, what distinguished the modern movement was the enormous honesty that writers, painters and playwrights displayed about themselves. The bourgeois novel flinches from such notions. — J.G. Ballard

Around 1980, I'd been writing short stories, all to no success; so I wrote a fan letter to Stephen King and asked "How long should it take an aspiring writer to either get published or know when to give up?" Lo and behold, King wrote back to me in long hand with blue flair pen on 14-inch paper, purveying a very nice, helpful note; in it he said my letter proved a "command of the language," that I should never give up, and that it would take years to succeed, not months. "That's cold comfort but it's the truth." This was the ultimate encouragement for a young writer to be who didn't know shit about the market. I took Mr. King's advice and actually sold my first novel little more than a year later. I'll always be copiously grateful for this advice, and it's the same advice I give aspiring writers now (along with the story of King's reply!). — Edward Lee

A novel in progress doesn't have a clear, forward process. It's messy, like a beloved, balky child. — Kay Kenyon

Writers need restrictions. If somebody just says, "Hey, do you want to write a novel, or an article, or a movie, or a short story, you get shut down." — Mitchell Hurwitz

The Anglo-American tradition is much more linear than the European tradition. If you think about writers like Borges, Calvino, Perec or Marquez, they're not bound in the same sort of way. They don't come out of the classic 19th-century novel, which is where all the problems start. 19th-century novels are fabulous and we should all read them, but we shouldn't write them. — Jeanette Winterson

Cunningham himself said in an interview in Poz that he couldn't help noticing that as soon as he wrote a novel without a blowjob, they gave him the Pulitzer Prize. — Christopher Bram

One of the things I tell the writers with whom I work is, man, when you finish a draft of a poem, or short story or novel, you make sure you go out and celebrate all night long because whether the world ever notices or not, whether you get it published or not, you did something most people never do: You started, stuck with, and finished a creative work. And that is a triumph. That is something to celebrate. All the stuff that I'm talking about is really from the point of view of trying to create art - and I don't mean to sound highfalutin when I bring the word "art" in. All I mean is, a work that seeks to illuminate truth in whatever way possible. — Andre Dubus III

My books have all been very deeply felt. You don't spend eight years of your life working on a trendy knockoff. In that sense I've been serious. But I don't do lots of things that other serious writers do. I don't write book reviews. I don't sit on panels about the state of the novel. I don't go to writer conferences. I don't teach writing seminars. I don't hang out at Yaddo or MacDowell. I'm not concerned with my reputation as a writer and where I stand relative to other writers. I'm not competitive or professionally ambitious. I don't think about my work and my career in an overarching or systematic way. I don't think about myself, as I think most writers do, as progressing toward some ideal of greatness. There's no grand plan. All I know is that I write the books I want to write. All that other stuff is meaningless to me. — Bret Easton Ellis

For the philosopher, language, thought, and passion are the same. Ideas are personal to a philosopher; they express their human passion and articulate their novel ideas in language. Ideas are more than mere concepts, trifles that the philosophical mind toys with. Ideas provide both the structure and inner vitality that holds great thinkers' conceptual structure together. — Kilroy J. Oldster

I saw it all suddenly while I was reading Howards End . . . Forster's the only one who understands what the modern novel ought to be . . . Our frightful mistake was that we believed in tragedy: the point is, tragedy's quite impossible nowadays . . . We ought to aim at being essentially comic writers . . . The whole of Forster's technique is based on the tea-table: instead of trying to screw all his scenes up to the highest possible pitch, he tones them down until they sound like mothers'-meeting gossip . . . In fact, there's actually less emphasis laid on the big scenes than on the unimportant ones: that's what's so utterly terrific. It's the completely new kind of accentuation - like a person talking a different language . . . . — Christopher Isherwood

Some writers can produce marvelous plots without planning it out, but I can't. In particular I need to know the structure of a novel: what's going to happen in each chapter and each scene. — Emma Donoghue

Goethe said, "The author whom a lexicon can keep up with is worth nothing"; Somerset Maugham says that the finest compliment he ever received was a letter in which one of his readers said: "I read your novel without having to look up a single word in the dictionary." These writers, plainly, lived in different worlds. — Randall Jarrell

You could use a moth like that as a symbol in a novel, but it was trite, wasn't it? The old moth-to-the-flame image had been used and used again. It was the stuff of amateur poetry. And she, having so little experience crafting a story, would be the most in danger of falling into trite approaches. If she wrote a novel, it probably would be about her father. And the male Luna moth would haunt its pages. Everyone would recognize the work as that of a first novelist. "She wrote about herself through the lens of her father."
The really good novelists, Laura thought, put their fathers, and maybe their mothers too, deeper into the stories. Which, she suddenly thought, might redeem Melville just the littlest bit. — L.L. Barkat

I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don't know why I should be asked to explain your life to you. We have splendid writers to do that, but I am not one of them. It is that business of being universal, a word hopelessly stripped of meaning for me. Faulkner wrote what I suppose could be called regional literature and had it published all over the world. That's what I wish to do. If I tried to write a universal novel, it would be water. Behind this question is the suggestion that to write for black people is somehow to diminish the writing. From my perspective there are only black people. When I say 'people,' that's what I mean. — Toni Morrison

Remember this: a simple pen is much more swift and much more precise than a camera. That's my advice to both beginning and experienced authors: don't write with a camera. A camera is slow. All these modern writers usually make the same mistake - they write books with a film in mind. When you read their works, you don't hear the voice of a real author, you hear that horribly cheesy Hollywood voice-over. Frankly, that's not a novel, it's a movie script. If you write books, use a pen. A pen is swift, it has tempo, you can kill people with it. You cannot kill people with a camera, you can only perhaps bore them to death with it. — Martijn Benders

[ ... ] as Kurt Vonnegut pointed out [ ... ] the literary novel has become extraordinarily privatistic of late. It's as if the big issues (Does God exist? from whence springs decency? what sort of species is Homo Sapiens?) were either settled or not worth discusssing, and serious writers should therefore confine themselves to their various ethnic heritages and interpersonal relationships. — James K. Morrow

I started out hoping to remind people at some point in the novel that we should be loving and kind. But then the theme usurped my life, spilling over into my novels until love was no longer a small voice, but now my purpose as a writer. — Patricia Hickman

Natural writers will often try to force themselves into a form - novel, story, screenplay, or poem - that is not necessarily the appropriate form for the way they see the world ... if, in fact, they are writing from the artist's impulse, which is a deep, inchoate vision of some sort of order behind the apparent chaos of life on planet earth, they'll be driven then to express that vision in the creation of the object - the art object. — Robert Olen Butler

For me, the historical and genealogical library is the one I use. I'm working on, I'll say, it's a time travel novel. I haven't written very much of it. That's the dirty secret of the Cullman center: The writers don't write their fiction there, they just do their research. — Andrew Sean Greer

Fiction operates through the senses, and I think one reason that people find it so difficult to write stories is that they forget how much time and patience is required to convince through the senses. No reader who doesn't actually experience, who isn't made to feel, the story is going to believe anything the fiction writer merely tells him. The first and most obvious characteristic of fiction is that it deals with reality through what can be seen, heard, smelt, tasted, and touched. — Flannery O'Connor

I am of the generation of writers who can get instant feedback from readers within hours of publication. The fan forum is extraordinary - readers from all over the world coming together to discuss, argue and debate scenes and characters from a novel. They add a layer to the story that I cannot write and yes, I will participate in that conversation and answer questions. After all, they are the people I'm writing for and their enthusiasm and questions really pushes me to raise the bar. — Michael Scott

Maybe these dreams of ours just floats away. Here we go again ... changin' face. — Randolph Randy Camp

If professional religious leaders cannot instruct us in mythological lore, our artists and creative writers can perhaps step into this priestly role and bring fresh insight to our lost and damaged role. — Karen Armstrong

I often said that writers are of two types.
There is the architect, which is one type. The architect, as if designing a building, lays out the entire novel at a time. He knows how many rooms there will be or what a roof will be made of or how high it will be, or where the plumbing will run and where the electrical outlets will be in its room. All that before he drives the first nail. Everything is there in the blueprint.
And then there's the gardener who digs the hole in the ground, puts in the seed and waters it with his blood and sees what comes up. The gardener knows certain things. He's not completely ignorant. He knows whether he planted an oak tree, or corn, or a cauliflower. He has some idea of the shape but a lot of it depends on the wind and the weather and how much blood he gives it and so forth.
No one is purely an architect or a gardener in terms of a writer, but many writers tend to one side or the other. I'm very much more a gardener. — George R R Martin

Who are those ever multiplying authors that with unparalleled fecundity are overstocking the world with their quick succeeding progeny? They are novel-writers ... — Hannah More

Many Scandinavian writers who had made their name in literary fiction felt they wanted to have a go at the crime novel to show they could compete with the best. If Salman Rushdie had been Norwegian, he would definitely have written at least one thriller. — Jo Nesbo

It seems important to me that beginning writers ponder this - that since 1964, I have never had a book, story or poem rejected that was not later published. If you know what you are doing, eventually you will run into an editor who knows what he/she is doing. It may take years, but never give up. Writing is a lonely business not just because you have to sit alone in a room with your machinery for hours and hours every day, month after month, year after year, but because after all the blood, sweat, toil and tears you still have to find somebody who respects what you have written enough to leave it alone and print it. And, believe me, this remains true, whether the book is your first novel or your thirty-first. — Joseph Hansen

I love to read. And right now I'm on my last hundred pages of 'The Corrections' by Jonathan Franzen, and I really enjoyed it. His writing is just - he's one of those writers where you just go, 'There are people just meant to be novel writers.' — Candice Accola

He had a book to finish. Ten-thousand words. The other ninety thousand had been difficult. This last tenth seemed impossible. His plot had become derailed. He was unable to see his way through the smoke and coke dust of a mythical railway track that should stretch ahead. Yes, the characters were there, good and solid. Indeed, the story's engine was strong and had shunted yet forward and forward, with only one or two sharp halts. But six weeks ago he met the bumpers. R. was now stuck in a deserted station, his progress blocked. ("Out Back") — Garry Douglas Kilworth

Redwing had read somewhere that one of his favourite writers, Ernest Hemingway, had been asked what was the best training for a novelist. He had said "an unhappy childhood." Redwing had enjoyed a fine time growing up, but he wondered if this whole expedition was unfolding more like a novel, and would be blamed on one person, one character, the guy in charge: him. Maybe you got a happy childhood and then an unhappy adulthood, and that's how novels worked. — Gregory Benford

It was only after five years in the army, when I was having to do a very boring job in a very boring place, that I thought: 'Why not try writing a novel?' partly out of youthful arrogance and partly because there had been a long line of writers in my mother's family. — Antony Beevor

A writer always wears glasses and never combs his hair. Half the time he feels angry about everything and the other half depressed. He spends most of his life in bars, arguing with other dishevelled, bespectacled writers. He says very 'deep' things. He always has amazing ideas for the plot of his next novel, and hates the one he has just published. — Paulo Coelho

I know there are writers who like to say that every novel is hard, and it doesn't get easier. That may be the case, and I've only written two. But the first, to me, was characterized by an enduring oscillation between perseverance and a profound doubt. — Rachel Kushner

But when it comes to most skills, failure is the only way to become better at something. Knitting teaches you that. You may have to unwind all of your stitches and start anew. That doesn't mean you've wasted your time. You learn from every stitch, even those that don't amount to anything. All writers should be made to knit a hat before they start writing a novel. It would help with understanding the importance of revision, and that the process is what can bring you the most — Alice Hoffman

Like many writers, I started by writing short stories. I needed to learn how to write and stories are the most practical way to do this, and less soul-destroying than working your way through a lengthy novel and then discovering it's rubbish. — Kate Atkinson

After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement. — Jules De Goncourt

Are you kidding me?' Shan asked, slightly drunk, slightly dramatic, and now sitting yoga style on the floor. 'You can't write an honest novel about race in this country. If you write about how people are really affected by race, it'll be too obvious. Black writers who do literary fiction in this country, all three of them, not the ten thousand who write those bullshit ghetto books with the bright covers, have two choices: they can do precious or they can do pretentious. When you do neither, nobody knows what to do with you. So if you're going to write about race, you have to make sure it's so lyrical and subtle that the reader who doesn't read between the lines won't even know it's about race ... ' p.335 — Chimamanda Ngozi Adichie

With 'Darkly Dreaming Dexter,' we as a group of writers had to take a rather thin novel and spread it out over the course of 12 episodes, and not only 12 episodes, but lay in story for everyone that's going to take you through five years. — Melissa Rosenberg

I never write the storyline ahead of the novel and stick to it like glue. I prefer my writing to be organic. It takes on a life of it's own. — Airam

To me, a book is a book. A novel is a novel, and you have hundreds of possibilities, options, and they may all be fine. Charles Dickens or Ingeborg Bachmann, Claude Simon or later writers. The one and only condition is that it has to be good: it has to have quality, substance, atmosphere. — Per Petterson

Reading Proust nearly silenced Virginia Woolf. She loved his novel, but loved it rather too much. There wasn't enough wrong with it - a crushing recognition when one considers Walter Benjamin's assessment of why people become writers: because they are unable to find a book already written that they are completely happy with. And — Alain De Botton

History is made not simply with events, but by remembering those events, a double drumbeat like a heartbeat. History can be written not only with books but with ceremonies. Yet a real event read about in a newspaper is not always more important than a fictional one in a novel or play or poem. — Christopher Bram

My spirit has been around far longer than my soul
I've lived several lifetimes already. And one this novel has been written, I will have lived several more. — Terry A. O'Neal

Memory retains some things and discards others. I remember every detail of some scenes from my childhood and adolescence, by no means the most important ones. I remember some people and have totally forgotten others. Memory is like the headlights of a car at night, which fall now on a tree, now on a hut, now on a man. People (usually writers) who tell the story of their lives as a continuous and detailed whole generally fill in the gaps with conjecture; it is hard to tell where genuine reminiscence ends and the novel begins. — Ilya Ehrenburg

If she was going to write a novel, she felt defeated before she began, because someone might be coming along to pick it apart, looking for symbols like The Conch or The Whale, which seemed to have mythic proportions. — L.L. Barkat

I started the first drafts of the book during my sophomore year of college. I wasn't thinking at all about kids at the time. But I was thinking. A lot. About everything. I wish I could capture that head-space again; everything meant something to me in college. Every leaf, every sound, every lecture, every textbook. It's like I was on drugs, 24/7. I am glad I was able to pair that ceaseless pondering with plenty of time to write. What came of that time was the first draft of the novel, a lengthy, unnecessarily angst-driven pile of crap. Years later, with Zoloft, I approached the novel with a more level head, and came away with a much, much better novel. My advice to writers, I suppose, is write your novel when you feel like shit; edit when you feel great. — Caleb J. Ross

And you can tell the writers who do it - Robert Stone, for example, who with each new novel is doing something new. I appreciate that in other writers. — Tobias Wolff

Oh God how subtle he would have to be, how cunning ... No paragraph, no phrase even of the thousands the book must contain could strike a discordant note, be less than fully imagined, an entire novel's worth of thought would have to be expended on each one. His attention had only to lapse for a moment, between preposition and object, colophon and chapter heading, for dead spots to appear like gangrene that would rot the whole. Silkworms didn't work as finely or as patiently as he must, and yet boldness was all, the large stroke, the end contained in and prophesied by the beginning, the stains of his clouds infinitely various but all signifying sunrise. Unity in diversity, all that guff. An enormous weariness flew over him. The trouble with drink, he had long known, wasn't that it started up these large things but that it belittled the awful difficulties of their execution. ("Novelty") — John Crowley

Writers cannot simply have a go, imagining it's easier to produce a story than a novel because fewer words are required. Have a go by all means; be intrepid, but be equipped. — Sarah Hall

I prefer short stories, but publishers would, of course, rather that writers produce novels, since novels are still more commercially viable. — Charles Baxter

You ever try holding, say, even a single chapter of a novel in your head? Consciously? All at once? — Peter Watts

She described how Camus's aphorism "One must imagine Sisyphus happy" helps her fight back against unproductive feelings of meaninglessness.
If we consider, like Camus, Sisyphus at the foot of his mountain, we can see that he is smiling. He is content in his task of defying the Gods, the journey more important than the goal. To achieve a beginning, a middle, an end, a meaning to the chaos of creation - that's more than any deity seems to manage: But it's what writers do. So I tidy the desk, even polish it up a bit, stick some flowers in a vase and start.
As I begin a novel I remind myself as ever of Camus's admonition that the purpose of a writer is to keep civilization from destroying itself. And even while thinking, well, fat chance! I find courage, reach for the heights, and if the rock keeps rolling down again so it does. What the hell, start again. Rewrite. Be of good cheer. Smile on, Sisyphus! — Fay Weldon

TV and film are very different media with different requirements. In a TV show, you have actors and fellow writers and directors, who are interpreting your work. With a novel, you only have ink, words and your reader. — Howard Gordon

I think most writers ... write about episodes meaningful to them in terms of their own imaginations. Now that would include a great deal of what they experience, but I'm not sure there's an autobiographical intention. ... I believe I'm telling the truth when I say that, when I wrote Catch-22, I was not particularly interested in war; I was mainly interested in writing a novel, and that was a subject for it. That's been true of all my books. Now what goes into these books does reflect a great deal of my more morbid nature - the fear of dying, a great deal of social awareness and social protest, which is part of my personality. None of that is the objective of writing. Take five writers who have experienced the same thing, and they will be completely different as people, and they'd be completely different in what they do write, what they're able to write. — Joseph Heller

Letters orchestrated into a song of words create the symphony of a novel. — Leslie Austin

One Bagatelle, and I'll raise you a novel," Megan had tweeted back.
"Writing for tea? Now that would have been a solution for the British empire," Laura returned.
"Writing for me," Megan had typed.
"I'll write you a tea fortune."
"No deal. I want a novel. September sounds good. — L.L. Barkat

Today the crime novelist has one advantage denied to writers of 'straight' or 'literary' novels. Unlike them he can range over all levels of society, for crime can easily breach the barriers that exist in our stratified society. Because of these barriers the modern literary novel, unlike its 19th-century predecessors, is often confined to the horizontal, dealing only with one class. But crime runs through society from top to bottom, and so the crime novelist can present a fuller picture of the way we live now. — Allan Massie

To write a novel is to dream while awake, then express the dream to the reader in an absorbing way. The road leading from the writer's inner world to the readers' is paved with prose. — Alan Joshua

Sometimes I wonder if novel writers aren't completely f**ked in the head. ~ Drew Stirling — Jayden Hunter

We at the Christian Writers Guild couldn't be more proud of Brandy Vallance. Let her debut novel transport you to an entirely fresh time and place where you'll soon forget you're turning pages and find yourself riveted to the destinies of characters who'll leave a lasting impression on your heart. — Jerry B. Jenkins

Always write exactly what you're feeling at the exact moment when writing something like poetry or an emotional novel. Put yourself, pour all emotions into your work ... make yourself cry, feel joy if you are writing joyful things, feel lovey if it calls for it ... just put your heart and soul into all that you do ... then you will be a good writer when you can make whoever reads your work, feel. -Nina Jean Slack — Nina Jean Slack

The fact is that if the writer's attention is on producing a work of art, a work that is good in itself, he is going to take great pains to control every excess, everything that does not contribute to this central meaning and design. He cannot indulge in sentimentality, in propagandizing, or in pornography and create a work of art, for all these things are excesses. They call attention to themselves and distract from the work as a whole. — Flannery O'Connor

Most English writers are not interested in change but in the social novel. That demands a static backdrop. I'm intensely interested in change - probably as a matter of self-preservation. What the hell is going to happen next? — J.G. Ballard

Then I realized that I was falling victim to one of the fallacies of the bad reviewer (whose habits we already discussed at length in yesterday's commentary). I was wishing that Hamid had written a different book than he had. How I might have written this story is completely irrelevant. It would be like dismissing The Godfather because I wished it were a musical. The novel needs to be considered on its own terms. — Kevin Guilfoile

Writers live with fear. Some writers cannot deal with the fear, and so they quit or refuse to publish. In order to write, you must either ignore the fear or trick it into leaving you alone. The fear is very sly, though and hard to trick. The fear in writing comes from exposing your thoughts, your emotions, your experiences, your ideas, your talent, your intelligence and ultimately your self to public scrutiny and possible scorn. The fear is by no means groundless. You have opened yourself up to the possibility of public humiliations...I sometimes wonder if perhaps the greatest novel ever written isn't gathering dust in some filing cabinet somewhere, simply because its author could not overcome the fear of having it published. — Patrick F. McManus

Novelists congratulate themselves on their creation of this kind of "character" or that kind of "character," and readers pretend to talk knowingly about "character," but all it amounts to is that the writers are enjoying themselves writing lies and the readers are enjoying themselves reading lies. In fact, there is no such thing as character, something fixed and final. The real thing is something that novelists don't know how to write about. Or, if they tried, the end result would never be a novel. Real people are strangely difficult to make sense out of. Even a god would have his hands full trying. — Soseki Natsume

A great word becomes a great sentence with great meaning from great writers who have a great imagination and who enchant greatness — Mark Peter Evans