Notes You Should Have When Talking Quotes & Sayings

If conversation was the lyrics, laughter was the music, making time spent together a melody that could be replayed over and over without getting stale. — Nicholas Sparks

The call was already under way when Lauren walked into his office. Nick gestured toward his chair and got up so taht she could sit at his desk and take notes.Two minutes after Lauren sat down, he leaned over her from behind, braced his hands on the desk on either side of her and brushed his lips across her hair.
Lauren's self-control snapped. "Damn you, stop it!" she burst out.
"What?" "What?" "What?" three masculine voices chorused.
Nick leaned toward the speaker and drawled, "My secretary thinks you're talking too fast,and she'd like you to stop it so she can catch up."
"Well,all she had to do was ask," one offended male replied.
"I hope you're satisfied!" Lauren whispered furiously.
"I'm not," Nick chuckled in her ear. "But I'm going to be. — Judith McNaught

When I was a kid, my favorite movies were the George Pal version of 'War Of The Worlds,' 'Them,' and 'Invasion of the Body Snatchers.' Those movies were scary! They haunted my nightmares for years, so when I started writing, I wanted to write a story that was just as big and just as scary. — David Gerrold

Success is not greedy, as people think, but insignificant. That is why it satisfies nobody. — Lucius Annaeus Seneca

So you're not talking to Cadence, laughing in class because of the notes the two of you pass back and forth? You didn't just get up and walk away from your friends after they ran her off? All of that, it's all bullshit right?
Shit. He knows. — Melyssa Winchester

It is hard to stay focused with so much swirling around me. God is distracting. He never stops talking, and I can never stop listening. There is a reason we sleep. — N.D. Wilson

I once found myself driving, smoking a cigar, taking notes, and talking on the phone at the same time. I only became completely aware of this when I had to shift, and realized something had to give. — Gene Weingarten

Whenever I hang out with my female friends, I feel like context is never needed. They can just say two words about something, it's like hearing the first two notes of a song and you can always identify the song. They can just say a word and I know exactly what they're talking about. — Heidi Julavits

Talking about covers, whether visually or sonically, if a particular combination of notes struck a chord in your heart in a way that you want to be a part of it by covering that song, then there's nothing wrong with it. — Ville Valo

Loden loves guns, loves to talk about them. Right now he's trying to talk about them with me, a distinctly trying experience for I keep shepherding the conversation back to dead bodies which Loden clearly doesn't enjoy very much. You would think that a man who felt comfortable extolling the virtues of hollow point bullets ("Expands to twice its size and just thumps that person.") would be okay talking about dead bodies, but apparently not. "You just cringe," he said when I mentioned the prospect of shooting into human cadaver tissue. Then he made a noise that I transcribed in my notes as olllggg. — Mary Roach

It didn't take Celeste long to realize that this was going to be the sort of book club where the book was secondary to the proceedings. She felt a mild disappointment. She'd been looking forward to talking about the book. She'd even, embarrassingly, prepared for book club, like a good little lawyer, marking up a few pages with Post-it notes and writing a few pithy comments in the margins. — Liane Moriarty

Originally I had a block about appearing in a musical. I went to a voice teacher for a while, but that did no good. My range is about one and a half notes. I ended up talking the musical numbers, which was revolutionary at the time. The lyrics are extremely intricate. They move along like a precisely acted scene. If you miss a word - heaven help you - the orchestra rattles past like an express train, and you've got to run like the devil to catch up. — Rex Harrison

For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms. — Cornel West

The [Great] Actor is able to approach in himself a cosmic dread as large as life. He is able to go from his dread to a joy so sweet that it is without limit. Only then will the actor have direct access to the life that moves in him, which is as free as his breathing. And like his breathing, he doesn't cause it to happen. He doesn't contain it, and it doesn't contain him. — Joseph Chaikin

But there was a discipline, it was just that we didn't understand. We thought he was formless, but I think now he was tormented by order, what was outside it. He tore apart the plot - see his music was immediately on top of his own life. Echoing. As if, when he was playing he was lost and hunting for the right accidental notes. Listening to him was like talking to Coleman. You were both changing direction with every sentence, sometimes in the middle, using each other as a springboard through the dark. You were moving so fast it was unimportant to finish and clear everything. He would be describing something in 27 ways. There was pain and gentleness everything jammed into each number. — Michael Ondaatje

I was very chatty and talkative and always getting sent out of class for talking too much and not paying attention, passing notes. — Lucy Punch

We start out talking about the story, trying to figure out who is who and what should happen, taking notes the whole time. Then I do a rough layout of the issue, showing what happens on each page. Then we discuss that some more. — Phil Foglio

He was flying over India now, still making notes. He remembered hearing an Indian politician on TV talking about the British prime minister and being unable to pronounce her name properly. "Mrs. Torture," he kept saying. "Mrs. Margaret Torture." This was unaccountably funny. — Salman Rushdie

I reckon I can count on 30 more writing years, averaging a book a year (I can't keep up the 2-2.5 a year I used to do these days). And these days I've gotten round to wondering, for each new idea, "do I want to be remembered for this?" before I get to the point of spending a year on it. — Charles Stross

I'm less interested in uniqueness than in goodness. I see so many concerts where the program notes are more interesting than the music. I remember talking to one composer who went through the most complicated mathematical algorithm to generate some material from scratch. It took weeks and weeks, and he came up with a C major chord. For me, honesty is more interesting than originality. — Anna Meredith

When we talk about books ... we are talking about our approximate recollections of books ... What we preserve of the books we read - whether we take notes or not, and even if we sincerely believe we remember them faithfully - is in truth no more than a few fragments afloat, like so many islands, on an ocean of oblivion ... We do not retain in memory complete books identical to the books remembered by everyone else, but rather fragments surviving from partial readings, frequently fused together and further recast by our private fantasies. ... What we take to be the books we have read is in fact an anomalous accumulation of fragments of texts, reworked by our imagination and unrelated to the books of others, even if these books are materially identical to ones we have held in our hands. — Pierre Bayard

The lovely thing is, if Marvel had a Spider-Man movie over at Sony or something, they own the rights to the character, and the editors and producers make suggestions and get notes and things. But you're talking about Matthew Vaughn and Jane Goldman. They're two of the best people in the world. The notes are just things like, "This is absolutely brilliant." — Mark Millar

Hey, when you love a woman, and when she's this crazy in love with you, you've got to do whatever she says, man. — Arby Robbins

Magnus didn't look at her; he was looking down at the tent, where Clary sat talking with Tessa, where Alec stood side by side with Maia and Bat, laughing, where Isabelle and Simon were dancing to the music Jace was playing on the piano, the haunting sweet notes of Chopin reminding him of another time, and the sound of a violin at Christmas. — Cassandra Clare

You have made some notes, read some writing books, and done some research. Mostly what you've done is talk about writing a book. An idea for a book is not a book; it is a waste of time. There is no singular thing that makes someone a writer, but there is one thing that makes someone a joke
talking about writing a book without doing any work. — Pat Walsh

When I give a speech at a corporate event, I often ask those in attendance, 'Do you know how to tell if you're doing the job?' As heads start whispering back and forth, I provide these clue: 'If you're up at 3 A.M. every night talking into a tape recorder and writing notes on scraps of paper, have a knot in your stomach and a rash on your skin, are losing sleep and losing touch with your wife and kids, have no appetite or sense of humor, and feel that everything might turn out wrong, then you're probably doing the job.' — Bill Walsh

This world, that world, doesn't matter. You never make people to see what you see, hear, feel what you feel. Notes don't do it, words don't do it, paints, bronze, marble, nothing. All you can do, you maybe get it a little close, a little closer. But right, like you're talking? No. — Peter S. Beagle