Not Looking Behind Quotes & Sayings

I'm lying on a Star Wars bedspread," said a dry voice behind them, "Will I ever be able to look myself in the eye again?"
They all turned.
"By the fact that I'm not on Rashah," Ronan said, looking about him, "but instead apparently in suburban hell, and in contact with this dubious cultural artifact, I take it we won? — Diane Duane

But as the primeval past faded into memory, mankind's knowledge expanded and its hubris grew with the promise of the Serpent that humans would become as gods. The Watchers became less obvious with passing time, as they sought to work more behind the veil of the supernatural world. As divine beings, Watchers could exert hypnotic effect on humans to see them in any appearance they desired. Thus, the eight-foot tall shining Belial made himself appear to be a mere five-foot ten being, both male and female, neither male nor female, a dissolution of gender, an abomination in the Law of God. But to Belial, such intolerant condemnation would not stop him from looking good. Unlike the ordinary, quite uncomely human before him, Belial still wanted to stand out from the crowd. He reveled in abomination. — Brian Godawa

Maybe he dates girls in Denver when he goes there for business but he never asks out girls around here. I think he's simply there for looks."
The same could be said for Lindsey's ex, Hopper. He had been good for looking at but not much else. "That might work for a little while," Lindsey said, "but I prefer my men fully functional."
Holly's gaze locked on something behind Lindsey. Her hazel eyes widened and her lips formed an 'O'. She tipped her head forward, prompting Lindsey to turn and look ... straight into the eyes of Carden Crenshaw. — Tracy March

Leaning Much!

If you are leaning on someone, then you will not be successful.

If you are leaning on a trust fund, government check, inheritance, success will pass you by.

You do not have the need to be successful because you have someone or something looking after you.

What is the belief system for you behind this leaning?

Darryl Stewart Wellness — Darryl Stewart

I was bent over, mixing paint when Georgia slid up behind me and thwacked my rear end, hard, causing me to lurch and sloshing paint on my shoe.
"Did you just slap my ass?" I rubbed at it, completely offended, more than a little surprised.
"It was in my way. And it's kinda hard not to look at."
"It is? Why?" My incredulous voice squeaked in a very unmanly way...
"It's a great-looking ass. That's why," Georgia didn't sound particularly happy about it, honestly. — Amy Harmon

Autobiographia Literaria"
When I was a child
I played by myself in a
corner of the schoolyard
all alone.
I hated dolls and I
hated games, animals were
not friendly and birds
flew away.
If anyone was looking
for me I hid behind a
tree and cried out "I am
an orphan."
And here I am, the
center of all beauty!
writing these poems!
Imagine! — Frank O'Hara

Clary shut her eyes. You didn't say no to an angel, no matter what it had in mind. Her heart pounding, she sat floating in the darkness behind her eyelids, resolutely trying not to think of Jace. But his face appear against the blank screen of her closed eyelids anyway - not smiling at her but looking sidelong, and she could see the scar at his temple, the uneven curl at the corner of his mouth, and the silver line on his throat where Simon had bitten him - all the marks and flaws and imperfections that made up the person she loved most in the world. Jace. A bright light lit her vision to scarlet, and she fell back against the sand, wondering if she was going to pass out - or maybe she was dying - but she didn't want to die, not now that she could see Jace's face so clearly in front of her. She could almost hear his voice, too, saying her name, the way he'd whispered it at Renwick's, over and over again. Clary. Clary. Clary.
"Clary," Jace said. "Open your eyes. — Cassandra Clare

She begins walking toward the door. "Violette?" I call, craning my head so I can see her.
"Yes, Kate?" she asks, looking curious.
"I hope I'm not the Champion," I say, my voice dead calm now, "because I would hate to give you any additional satisfaction. But if I am, I hope you have to chop off an entire hand this time and eat a raw cat in order to absorb me. And I hope you choke on it."
Her creepily calm demeanor finally shatters. Making a noise between a growl and a scream, she stomps over to the bed and slaps my face as hard as she can. Then, spinning on her heels, she races out of the room, slamming the door behind her.
I lay my head back down and taste blood in my mouth. And smile. — Amy Plum

He asked, looking at her dark-rimmed eyes, "You do not sleep?"
She shivered. "No. I do not want to sleep any more. I sleep too much already. It is so cold, where Quincy sends me in my sleep. Deep into the house, farther in, not into the house we see. It is as if that house were a face, and when you see a face you can't see the brain or the thoughts of the person behind it. And it is so strange - the house inside the house."
********
"How is it strange - this that you call the house inside the house?"
She said vaguely, her eyes growing glassy, "Strange. Shapes change, and sizes. The rooms are different: bigger and blacker and longer and the shadows are full of things. Creatures - or sometimes the rooms get smaller, fewer, and the furnishings change and change, like the scenes in a kaleidoscope, and I see the people in the portraits walking about in them. — Evangeline Walton

Are broken windows a new decorating theme around here?" Archer asked, coming up behind Jenna and me and poking his head into the parlor.
"So it would seem," I said. I was still looking outside when a faint light appeared in the gloom. It took me a minute to realize that it was from Cal's cabin. Was someone out there? Was Cal out there?
But just as quickly as it had appeared, the light went out again. Frowning, I turned from the doorway, and I went to slip my arm through Archer's. Then I remembered what Nausicaa had said earlier. Now wasn't exactly the best time for PDA, probably.
The three of us trailed behind everyone else into the ballroom. Here, at least, things looked more or less the same. Of course, the ballroom had always been one of the more bizarre rooms at Hex Hall, so that didn't say much. Still, I was relieved to see the familiar jumble of tables and chairs and not, like, tree stumps or whatever. — Rachel Hawkins

But back then, back on Lispenard Street, I didn't know so much of this. Then, we were only standing and looking up at that red-brick building, and I was pretending that I never had to fear for him, and he was letting me pretend this: that all the dangerous things he could have done, all the ways he could have broken my heart, were in the past, the stuff of stories, that the time that lay behind us was scary, but the time that lay ahead of us was not. — Hanya Yanagihara

In retrospect I can see that my desire to create abstractions has become more and more radical. Art should not be delivering a report on reality, but should be looking at what's behind something. — Andreas Gursky

Believe me, I've thought long and hard about leaving things alone. But then there will always be this wall between us." "It's all ugly things behind the wall," I said, not looking at him. "I'm not afraid of what's behind the wall, only the wall itself." But the wall was my exoskeleton. It was what held me up. Sometimes it was the only thing that held me up. — Sherry Thomas

You are gonna shoot me," he says. "One day." He's still holding Lindsay's hand, he's looking down at where their fingers are wound together and not at Lindsay's face, but his voice is clear. "I ain't thick. I know you'll get sick of me. You can't just let me go, I know too much, you'd be freaked out forever in case I snitched. You'll get proper sick of me one day, not just annoyed, and then you'll shoot me. It's okay."
"I won't get sick of you," Lindsay says. He feels numb and far away, as if its somebody else talking, and almost like he's going to throw up, a sort of lurch in his stomach like when you're at the top of the the Angel tube station escalator and somebody a bit too eager to get on the train shoves you from behind.
"Yeah you will. I'm gonna be with you til I die, though. Least I can say that and know its true, how many people can do that? Bit romantic, really. If you squint, and look at it sideways. — Richard Rider

Opening the door, he nearly did a double take into the mirror behind
him.
Hooch. Hooch, pushing his shades back up onto his head, and re-shouldering the bergan. Hooch, standing in the doorway.
"Been thinking."
Two words, more than usual.
"Been around a bit."
Six, speech worthy of a national holiday.
"Looking for a station now."
Eleven, whole fucking fireworks.
"Central station."
Thirteen, and the heavens came down for Matt.
"You still offering?"
Sixteen, and the world stopped spinning.
Matt stood thinking for a while, not a muscle in his face twitched. Then
stepped aside, gestured the other man to follow him. Closed the door.
"One condition."
Hooch's brows rose for a split second.
Matt broke into a grin at last, which threatened to split his face. "Promise
not to talk too much. — Marquesate

We were moving off now. From each other. As cannot be. Helped. I didn't want it from that time on. You know. All that. When you said sit with me on the school bus. I said no. That inside world had caught alight and what I wanted. To be left alone. To look at it. To swing the torch into every corner of what he'd we'd done. Know it and wonder what does it mean. I learned to turn it off, the world that was not my own. Stop up my ears and everything. Who are you? You and me were never this. This boy and girl that do not speak. But somehow I've left you behind and you're just looking on. — Eimear McBride

She saw how he was staring at it, the bright red hue beneath her bonnet. She could not bear to see the way he was looking at her - right through her - without seeing her. He did not see a woman. He did not see Jane, the woman he had been so passionate with two days before. He saw ... Jane swallowed hard and looked
away, hating the weakness of her spirit. She was more than this, a wilting flower. She was stronger than this. But damn it, this hurt.
It hurt because he was the man responsible for making her burn. For making her feel like a woman. It hurt because it had been a trick. An illusion. And it hurt most of all because he did not see her, the woman she was behind the unfashionable spectacles and garish hair. — Charlotte Featherstone

I think about Ruth walking down the street on East End and wonder how many other residents questioned what she was doing there, even if they never said it to her face. How incredibly easy it is to hide behind white skin, I think, looking at these probable supremacists. The benefit of the doubt is in your favor. You're not suspicious. — Jodi Picoult

Never disregard a conviction that the Holy Spirit brings to you. If it is important enough for the Spirit of God to bring it to your mind, it is the very thing He is detecting in you. You were looking for some big thing to give up, while God is telling you of some tiny thing that must go. But behind that tiny thing lies the stronghold of obstinacy, and you say, "I will not give up my right to myself" - the very thing that God intends you to give up if you are to be a disciple of Jesus Christ. — Oswald Chambers

There is no need to "believe" in Jupiter or Wotan - something that is no more ridiculous then believing in Yahweh however - to be pagan. Contemporary paganism does not consist of erecting altars to Apollo or reviving the worship of Odin. Instead it implies looking behind religion and, according to a now classic itinerary, seeking for the "mental equipment" that produced it, the inner world it reflects, and how the world it depicts as apprehended. In short, it consists of viewing the gods as "centers of value" and the beliefs they generate as value systems: gods and beliefs may pass away, but the values remain. — Alain De Benoist

How incredibly easy it is to hide behind white skin, I think, looking at these probable supremacists. The benefit of the doubt is in your favor. You're not suspicious. The few black faces in the room stand out in harsh counterpoint. — Jodi Picoult

Looking Backward was written in the belief that the Golden Age lies before us and not behind us. — Edward Bellamy

Superhero power ... I probably would just want to fly. I definitely would not want to be able to see through walls. I think walls are there for a reason. People put them up for a reason. You don't want to be looking through them. That would only cause nothing but misery and angst to know what's happening behind people's walls. — Brian Regan

If you're not looking toward the future or trying to improve the current technology, you'll be left behind. — Gwynne Shotwell

What are you looking to do?" Aaron asked as we walked into his workroom.
"Nothing too complicated," I said, displaying my wrist. "I want Bailey's name on my wrist."
Aaron exhaled slowly. "Are you sure? The Johanssons don't play when it comes having their women's names on their wrists. It's forever shit for them. That's how I knew Cooper wasn't fucking around with Farah."
"Bailey's mine, but I can't find a way to make her truly believe. When I try, it feels like just words. I know her name on my wrist is a word too, but maybe it's one that she'll know means forever."
"Fair enough. Just know once the Johansson boys see her name on your wrist, it's like you've gotten on one knee and proposed. Trust me that Bailey and Jodi will be talking wedding dates behind your back. If you lose interest or cheat or break it off, it's not going down softly. The shit will hit the fan."
"The only way Bailey gets rid of me is to put me in the ground. — Bijou Hunter

The whiskey warmed his tongue and the back of his throat, but it did not change his ideas any, and suddenly, looking at himself in the mirror behind the bar, he knew that drinking was never going to do any good to him now. Whatever he had now he had, and it was from now on, and if he drank himself unconscious when he woke up it would be there. — Ernest Hemingway,

He was looking at her from behind the smiling that wasn't smiling but was something you were not supposed to see beyond. — William Faulkner

I put both hands on his chest and backed him up a pace. The black sky behind him was filled with color. I said, "Go. Hurry. You can still help. You're missing it."
He pulled me close again and gazed down at me, tracing one finger so tenderly along my cheekbone. His finger was black, and he might be leaving an attractive black
streak across my skin. I didn't mind. The way he was looking at me with those light blue eyes, I had never felt more beautiful.
He bent his head close to my ear again so I could hear him whisper, "I'm not missing anything — Jennifer Echols

But Brinker came in. I think he made a point of visiting all the rooms near him the first day. "Well, Gene," his beaming face appeared around the door. Brinker looked the standard preparatory school article in his gray gabardine suit with square, hand-sewn-looking jacket pockets, a conservative necktie, and dark brown cordovan shoes. His face was all straight lines - eyebrows, mouth, nose, everything - and he carried his six feet of height straight as well. He looked but happened not to be athletic, being too busy with politics, arrangements, and offices. There was nothing idiosyncratic about Brinker unless you saw him from behind; I did as he turned to close the door after him. The flaps of his gabardine jacket parted slightly over his healthy rump, and it is that, without any sense of derision at all, that I recall as Brinker's salient characteristic, those healthy, determined, not over-exaggerated but definite and substantial buttocks. — John Knowles

I have a real passion for playing a role that's a strong female character, that's just not typical, with a lot of heart, not an easy sell of a movie, not real commercial. It doesn't have to be a big movie, but I'm just looking for something that I really, truly, 100 percent believe in and am behind. — Missy Peregrym

It's important to keep your options open.It's important to live and not get s hung up on the past.The past is called the past for a reason.If you are constantly looking behind you, your eyes aren't on the road ahead.You don't drive a car that way, so why would you live your life that way?. — Rachel Van Dyken

For me, it's just a normal artistic endeavour to explore the dark side. Certainly, I'm not alone in it. Artists generally don't like to accept the version of reality that society and culture hand them. They want to know what's really going on. So you're always looking in the ceilings, under the floorboards and behind the walls, trying to find the mechanisms, the structures, and the truth. I find that often leads you into some dark places. — David Cronenberg

Does that look like a fucking kidnapping to you?" Deborah demanded. "Not a very efficient one," I said, looking at the huge smear of blood. "They left almost half of their victim behind. — Jeff Lindsay

He that can toy with his ministry and count it to be like a trade, or like any other profession, was never called of God. But he that has a charge pressing on his heart, and a woe ringing in his ear, and preaches as though he heard the cried of hell behind him, and saw his God looking down on him-oh, how that man entreats the Lord that his hearers may not hear in vain! — Charles Spurgeon

Beauty surrounds us, but oftentimes it takes a person with a poetic perception, an artist's way of looking at the world, to first notice the sublime, and then stagecraft the splendor of nature so that other people can perceive their synoptic vision. The spirit and aesthetic intention behind the work is what assigns the work its artistic quality. Great works of poetry and writing, for instance, express not simply a criticism of life, but also encompass a philosophy for living. — Kilroy J. Oldster

When you die, you want to die a beautiful death. But what makes for a beautiful death is not always clear. To die without suffering, to die without causing trouble to others, to die leaving behind a beautiful corpse, to die looking good -- it's not clear what is meant by a beautiful death. Does a beautiful death refer to the way you die or the condition of your corpse after death? This distinction is not clear. And when you start to stretch the image of death to the method of how to dispose of your corpse as befitting your image of death, everything grows completely out of hand. — Shinmon Aoki

Strangely enough, he didn't feel any guilt for separating himself from his past. Five years ago, he clearly heard in his dream a message brought to him by Archangel Michael from the God Almighty, telling him he should get up and leave everything behind; that his place was not there; that it was time to go in search for his true self and for his true destiny.
Now, five years after, he was sitting in the Bowery chapel, a broken and homeless man, still trying to find that which he was looking for. But he didn't regret anything he had done in those five years. In his mind, it wasn't his doing. He sincerely believed that he surrendered his own will to the will of God and that everything that happened to him, good or bad, had to happen for some reason. It was God's doing. It was his destiny. He just had to figure out why. — Stevan V. Nikolic

Look ahead, because life is before you, not behind you, or else you stumble! — Mehmet Murat Ildan

I'll be right behind you"
behind her? Thirty-two steps with him looking at her butt?
"No, you wont."
"Look, it's late, i'm tired, can we just-"
"it'll be a cold day in hell when you follow me up those steps. You want to go up, you go first."
"Why?" he said mystified
"you're not looking at my rear end all the way up that hill."
Cal sighed and took the first step. "wait a minute. Now you'll be looking at my butt all the way up the steps."
"yes but you probably have a great butt," Min said. "it's an entirely different dynamic. — Jennifer Crusie

The problem with playing hide-and-seek with your sister is that sometimes she gets bored and stops looking for you.And there you are - under the couch, in the closet, wedged behind the lilac tree - and you don't want to give up,because maybe she's just biding her time. But maybe she's wandered off. ... Maybe she's downstairs watching TV and eating the rest of the Pringles.You wait. You wait until you forget that you're waiting, until you forget that there's anything to you beyond stillnessand quiet; an ant crawls over your knee, and you don't flinch. And it doesn't matter now whether she's coming for you - the hiding is enough. (You win when no one finds you, even if they're not looking.)When you break from behind the tree, it's because you want to. It's the first breath after a long dive. Branches snapunder your feet, and the world is hotter and brighter.
Ready or not, here I come. Here I come, ready or not. — Rainbow Rowell

The Colorman slid off the morgue slab to the cold floor. Bullets pooped from his wounds and plopped on the stone as he limped naked around the room looking for something to wear. All the dead were either naked, too ripe, or too tall for him to use their clothes, so he settled on a white mortician's coat that trailed out behind him as he went. The morgue attendant pretended not to see him as he passed, figuring that a spontaneous reanimation would require paperwork that he did not wish to fill out. — Christopher Moore

Whenever somebody turned his head, he shouted, Stop looking behind you!: There was a strict rule against head turns. When reversing, you were supposed to rely on mirrors only; the blind spot didn't exist, at least not in Coach Tang's eyes. Nobody ever wore a seat belt. I never saw a turn signal flash on the parking range at the Public Safety Driving School. — Peter Hessler

Later," I said to the room at large as I didn't want to appear rude.
For some reason this was met by Shirleen saying, "I'll put money down that she's living with him in four days."
My confused gaze swung to Shirleen but she was looking at the movie star glamour girl who was looking at me.
"Three days," Glamour girl said, smiling at me and I thought, in other circumstances, I would have liked to meet her.
"A week, she's got spirit," The other black lady said. She was smiling at me too, not like I was the butt of some joke, but in a kind way.
I opened the outer door.
Before it closed behind me, I heard Luke say strangely, "Tonight."
Then everyone laughed. — Kristen Ashley

Come along." He bent and caught her behind the knees, hoisting her into his arms. "Benjamin!" She looped her arms around his neck. "You'll do yourself an injury." She was substantial, but in the best possible, most womanly way. "I will not - because you so religiously forgo your sweets." "Only when anybody is looking." She let him carry her into the bedroom and lay her down on the bed. Someone had turned down the covers, and a half-dozen pillows were piled on a chair near the window. Ben started throwing more pillows on the floor. "What are you about, my lord?" "You can have done with my lording, or I'll start in with my ladying. I'm making room. You disguise it well, but that bed is big enough for the both of us. Where is the dog?" "He sleeps in my office. There's a bed for him there. Perhaps he might share it with you, because I have no interest in sharing mine." "Not — Grace Burrowes

Rhoda comes now, having slipped in while we were not looking. She must have made a tortuous course, taking cover now behind a waiter, now behind some ornamental pillar, so as to put off as long as possible the shock of recognition, so as to be secure for one more moment to rock her petals in her basin. We wake her. We torture her. She dreads us, she despises us, yet she comes cringing to our sides because for al our cruelty there is always some name, some face which sheds a radiance, which lights up her pavements and makes it possible for her to replenish her dreams. — Virginia Woolf

When looking back on the lives of men and women of God, the tendency is to say, "What wonderfully keen and intelligent wisdom they had, and how perfectly they understood all that God wanted!" But the keen and intelligent mind behind them was the mind of God, not human wisdom at all. We give credit to human wisdom when we should give credit to the divine guidance of God being exhibited through childlike people who were "foolish" enough to trust God's wisdom and His supernatural equipment. — Oswald Chambers

I was about to order Chinese when I looked out the window and saw you. Hey, do you two want to stay? We're getting moo shu."
It was so like Uncle Chris to go from wanting to beat John up one minute, to inviting him for moo shu the next.
"Uh, maybe," I said. I pointed to the French doors, looking questioningly at John. He nodded. "Let's see how it goes, okay, Uncle Chris?"
"That'd be good," Uncle Chris said. "We could talk all this out."
John followed me inside, Uncle Chris trailing behind us, his expression curious rather than suspicious.
"I hate it when families fight," Uncle Chris was saying. "It makes it so uncomfortable ... "
I suppose I should have counted it lucky that it had been Uncle Chris, and not some other adult, I'd run into first at home. I wasn't sure if it was because of all the years he'd sent out of mainstream society-he still had no idea how to text, or what Google was-or if his personality was really this childlike. — Meg Cabot

Angela returns to the table, frowning. "She won't think her own brother's hot. That's sick." "Like you don't know yours is hot," Tiffany shoots back, looking to me for support. I shrug and look at Angela. "He isn't even close to my type, but he's not exactly terrible to look at." Angela and Tiffany both go silent, looking over my head with wide eyes. Tiffany bites her lip. A soft laugh rings out just behind me. "Thanks? I think. — Kristin Rae

When looking for love, look for one who will not walk in front of you nor behind you yet at your side as an equal! — Michael S. McKinney

You're a people pleaser, aren't you? You're the type that can't stand someone not liking you and showing it." Raising his head, he laughed openly now.
"That's just ... " I wanted to take a book from the shelf beside me and throw it at him. "I don't even have a word - "
"Then I suggest you read a little more so you can find the word you're looking for." He hid his chuckle behind a fist. — Kate Evangelista

The heat at night is worse than the heat in daytime. Even with the fan on, nothing moves, and the walls store up warmth, give it out like a used oven. Surely it will rain soon. Why do I want it? It will only mean more dampness. There's lightning far away but no thunder. Looking out the window I can see it, a glimmer, like the phosphorescence you get in stirred seawater, behind the sky, which is overcast and too low and a dull gray infrared. The searchlights are off, which is not usual. A power failure. Or else Serena Joy has arranged it. I — Margaret Atwood

And so I sit on the dunes in my carefully mismatched clothes, hour after hour, day after day, frozen in my looking back. 'Do not look behind you...lest you be swept away.' That is what scripture say. Only there is nowhere for me to look but back. No future. No redemption. Like Lot's wife, I am turned to salt, my tired eyes trained on the blue-gray horizon, where sea meets sky, where my yesterday's met my tomorrows, a ragtag eccentric, watching and waiting for something that never comes. — Barbara Davis

I would like people to recognize in looking at my story that the person who has the most to do with what happens to you is you. It's not the environment, it's not the other people who were there trying to help you or trying to stop you. It's what you decide to do and how much effort you put behind it. — Ben Carson

Then the prophetess said to the witcher: "I shall give you this advice: wear boots made of iron, take
in hand a staff of steel. Then walk until the end of the world. Help yourself with your staff to break the land before you and wet it with your tears. Go through fire and water, do not stop along the way,
do not look behind you. And when the boots are worn, when your staff is blunt, once the wind and the heat has dried your eyes so that your tears no longer flow, then at the end of the world you may
find what you are looking for and what you love...

The witcher went through fire and water, he did not look back. He did not take iron boots or a staff
of steel. He took only his sword. He did not listen to the words of prophets. And he did well because she was a bad prophet. — Andrzej Sapkowski

The terrible, diabolic thing with this disease is that you are always looking behind your shoulder every couple months with the most recent checkup to see whether there is any sign of it, and I thank God to say at this point there is not. — Joe Eszterhas

You're looking for a man who can fix you?"
"No! I don't expect a man to fix me! I'm not an idiot. I just want a man I can hide behind."
Chase's eyebrows flew high. His mouth twitched up, and Jane felt her mouth twitch, too.
"Jane, I'm no Dr. Phil, but I'm pretty sure you're certifiably fucked-up."
"Shut up!"
"It's true. Man, if I wasn't already in love with you, I'd be out of here. — Victoria Dahl

The quality self-confidence is not bad in youth. We rather like to see it, for it indicates usually the possession or the motive power which makes a man aggressive and enterprising. He works more vigorously if he is sure that he is nearer right than other people, and has no misgivings as to his ability to accomplish his ends. The self distrustful, self-critical young man, who is always looking for direction from somebody else is pretty sure to be left behind in the race. — The New York Sun

He comes into my city, he throws away my people, he orders me around like I'm his servant and now this? How dare he!"
I sighed. "How dare he!" came out. Could "Does he know who I am?" be far behind?
"I'm not some illiterate he can push around. I won't be treated this way. I worked too damn hard, for years. Years! Years of study and that fucking Neanderthal comes in and waves his arms." Ghastek skewed his face into a grimace. He was probably aiming to impersonate Hugh, but he mostly succeeded in looking extremely constipated. "Ooo, I'm Hugh d'Ambray, I'm starting a war!"
Laughing right now was a really bad idea. I had to conserve the energy.
"A war I've been trying years to avoid. Years!"
He kept saying that.
"Does he think it's easy to negotiate with violent lunatics, who can't understand elementary concepts?"
Good to know where we stood with him. — Ilona Andrews

All the dying that summer began with the death of a child, a boy with golden hair and thick glasses, killed on the railroad tracks outside New Bremen, Minnesota, sliced into pieces by a thousand tons of steel speeding across the prairie toward South Dakota. His name was Bobby Cole. He was a sweet-looking kid and by that I mean he had eyes that seemed full of dreaming and he wore a half smile as if he was just about to understand something you'd spent an hour trying to explain. I should have known him better, been a better friend. He lived not far from my house and we were the same age. But he was two years behind me in school and might have been held back even more except for the kindness of certain teachers. He was a small kid, a simple child, no match at all for the diesel-fed drive of a Union Pacific locomotive. It — William Kent Krueger

Late in the afternoon, thunder growling, that same old green pickup rolled in and he saw Jack get out of the truck, beat up Resistol tilted back. A hot jolt scalded Ennis and he was out on the landing pulling the door closed behind him. Jack took the stairs two and two. They seized each other by the shoulders, hugged mightily, squeezing the breath out of each other, saying, son of a bitch, son of a bitch, then, and easily as the right key turns the lock tumblers, their mouths came together, and hard, Jack's big teeth bringing blood, his hat falling to the floor, stubble rasping, wet saliva welling, and the door opening and Alma looking out for a few seconds at Ennis's straining shoulders and shutting the door again and still they clinched, pressing chest and groin and thigh and leg together, treading on each other's toes until they pulled apart to breathe and Ennis, not big on endearments, said what he said to his horses and his daughters, little darlin. — Annie Proulx

In the hall stood Richard Campbell Gansey III in his school uniform and overcoat and scarf and gloves, looking like someone from another world. Behind him was Ronan Lynch, his damn tie knotted right for once and his shirt tucked in.
Humiliation and joy warred furiously inside Adam.
Gansey strode between the pews as Adam's father stared at him. He went directly to the bench, straight up to the judge. Now that he stood directly beside Adam, not looking at him, Adam could see that he was a little out of breath. Ronan, behind him, was as well. they had run.
For him. — Maggie Stiefvater

These people, last seen referring to themselves as the 'Pentagon,' could be anywhere and anyone," the reporter said, looking behind her shoulder and seeming very confused. "It seems to be a huge group, and..." The woman ducked instinctively when she heard someone shout. "As I was saying, the 'Pentagon' is becoming worldwide news, and they are crazy, driven by something called a, 'Ditto?' No one is quite sure what they are planning on doing, or what their intentions are. Everyone is confused, and many are locking themselves in their houses. The Pentagon could be anywhere, anyone, and-"
Jayden turned off the TV. "You know what this means, don't you?"
I sat down, trying to keep my hands from shaking, and nodded. "They're not secret anymore. The Pentagon's gone public. — Embee

No one else could see all the bodies she'd left behind, but they were there, looking at her. Or maybe that was just her, looking at herself, and not liking what she saw. Knowing she could never escape her own judging gaze. — Paolo Bacigalupi

A face stared up at her from the mirror beside her hand. Was that really what she looked like? Was that really what she looked like, all sharp lines and huge silver-grey eyes? Certainly, no one would ever call those features beautiful, Jame thought ruefully; but were they really enough like a boy's to have fooled that old man the alley? Well, maybe with that long black hair out of sight under a cap. It was a very young face and a defiant one, she thought with a odd sense of detachment, but frightened, too. And those extraordinary eyes ... what memories lived in them that she could not share? Stranger, where have you been she asked silently. What have you seen? The thin lips locked in their secrets.
"Ahhh!" Jame said in sudden disgust, tossing away the mirror. Fool, to be obsessed with a past she couldn't even remember. But it was all behind her now. — P.C. Hodgell

In meditation I access it; in yoga I feel it; on drugs it hit me like a hammer - at sixteen, staring into a bathroom mirror on LSD, contrary to instruction ("Don't look in the mirror, Russ, it'll fuck your head up." Mental note: "Look in mirror."). I saw that my face wasn't my face at all but a face that I lived behind and was welded to by a billion nerves. I looked into my eyes and saw that there was something looking back at me that was not me, not what I'd taken to be me. The unrefined ocean beyond the shallow pool was cascading through the mirror back at me. Nature looking at nature. Not me, little ol' Russ, tossed about on turbulent seas; these distinctions were engineered. — Russell Brand

She saw herself riding in the passenger seat, Sam behind the wheel. Like two of those little peg people in a toy car. Husband peg, wife peg, side by side. Facing the road and not looking at each other; for why would they need to, really, having gone beyond the visible surface long ago. No hope of admiring gazes anymore, no chance of unremitting adoration. Nothing left to show but their plain, true, homely, interior selves, which were actually much richer anyhow. — Anne Tyler

And while you bring all countries with you, you come with a purpose of leaving all other countries behind you - bringing what is best of their spirit, but not looking over your shoulders and seeking to perpetuate what you intended to leave behind in them. — Woodrow Wilson

'Hamas has been looking forward to implement Allah'€s promise whatever time it might take. The prophet, prayer and peace be upon him, said: The time will not come until Muslims will fight the Jews (and kill them); until the Jews hide behind rocks and trees, which will cry: O Muslim! there is a Jew hiding behind me, come on and kill him!' — Andrew C. McCarthy

I'm sorry, really, to be taking it all from you. Don't be silly. His eyes, large, liquid, remote, were - were whatever is the opposite of silly. She felt no anger at him, and not envy; she did want him to have her house; only - for a wild moment - wanted desperately not to lose it either. She wanted to share it, share it all; she wanted ... He went on looking at her, fixedly and unashamedly as a cat; and there came a flaw in time, a doubling of this moment, a shadow scene behind this scene, in which he asked her to come now, come to stay, stay now, stay always, yield it all to him and yet have it all ... . As instantly as she perceived it, the flaw healed, and No, no, she said, blinking, turning back to the kitchen door, shaken, as though, unaware, she had found herself walking out on ice. — John Crowley

We are not native. We have no generations of Americans behind us. We have roots elsewhere. We are looking in from the outside. To me, that seems to be perfectly natural. — Don DeLillo

As long as I'm between home and the clinic I do all right. But out in the real world, I feel like prey. I slink around and can feel people looking at me. I feel their eyes boring into me. I feel what they're thinking: Watch her, she could go off anytime. But within the walls of my farmhouse, I climb out of the protective shell, my arms slowly rise like a phoenix, and I dance, wail, fly around the room and then collapse, crying, in front of my mirrors. I start to see in the mirror what it is I really look like, instead of what I was trained from the womb to see. I do not write about it. I do not talk about it. I do not know what I am doing. But just like a baby bird, I am blinking once-sealed eyes and unfolding damp wings. I cannot articulate the past. A part of me knows it's there, lurking, just behind what I can acknowledge, but it is not within sight. And I am keeping it that way. — Julie Gregory

She got out and shut the door without looking back, picking her way through the snow to the black wooden door in the college wall. At least she hadn't told him not to follow. He watched as she carefully brushed the snow off the latch with her rolled umbrella before touching it with her suede gloves. She left the door half open behind her. He followed. When he reached the door he saw she had paused on the garden path leading to her hall and was doing something in the snow with the tip of her umbrella. Still not looking back, she moved on without waiting for him. When he reached the spot he saw that she had written 'I love you' in the snow. It was that night, he believed ever after, that she became pregnant. — Alan Judd

A man is a fool who sits looking backward from himself in the past. Ah, what shallow, vain conceit there is in man! Forget the things that are behind. That is not where you live. Your roots are not there. They are in the present; and you should reach up into the other life. — Henry Ward Beecher

I am not looking to escape the pressure. I am embracing it. Pressure is what builds up in the chamber behind a bullet before it explodes out of the gun. — Ronda Rousey

Returning the Pencil to Its Tray Everything is fine - the first bits of sun are on the yellow flowers behind the low wall, people in cars are on their way to work, and I will never have to write again. Just looking around will suffice from here on in. Who said I had to always play the secretary of the interior? And I am getting good at being blank, staring at all the zeroes in the air. It must have been all the time spent in the kayak this summer that brought this out, the yellow one which went nicely with the pale blue life jacket - the sudden, tippy buoyancy of the launch, then the exertion, striking into the wind against the short waves, but the best was drifting back, the paddle resting athwart the craft, and me mindless in the middle of time. Not even that dark cormorant perched on the No Wake sign, his narrow head raised as if he were looking over something, not even that inquisitive little fellow could bring me to write another word. — Billy Collins

That wasn't so bad," I decided, after downing the shot. Maybe I was getting my rhythm.
"Because you threw it over your shoulder," Scarface told me, looking smug.
"Did not." I looked behind me, only to see an outraged vamp with fey wine dripping down his face. "Oops."
"It was for luck," Ray said defensively, wrapping both my hands around a glass.
"Drink!"
I drank. — Karen Chance

My goal is to achieve a little less injustice in Uruguay, to help the most vulnerable and to leave behind a political way of thinking, a way of looking at the future that will be passed on and used to move forward. There's nothing short-term, no victory around the corner. I will not achieve paradise or anything like that. What I want is to fight for the common good to progress. Life slips by. The way to prolong it is for others to continue your work. — Jose Mujica

What did the others give to each other?
Nothingness.
Granger stood looking back with Montag. Everyone must leave something behind
when he dies, my grandfather said. A child or a book or a painting or a house or a
wall built or a pair of shoes made. Or a garden planted. Something your hand
touched some way so your soul has somewhere to go when you die, and when
people look at that tree or that flower you planted, you're there. It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The
difference between the man who just cuts lawns and a real gardener is in the
touching, he said. The lawn-cutter might just as well not have been there at all; the
gardener will be there a lifetime. — Ray Bradbury

As for their houses, it is no use looking for them, because they are the exact opposite of our houses. You can see our houses by day but you can't see them by dark. Well, you can see their houses by dark, but you can't see them by day, for they are the colour of night, and I never heard of anyone yet who could see night in the daytime. This does not mean that they are black, for night has its colours just as day has, but ever so much brighter. Their blues and reds and greens are like ours with a light behind them. The palace is entirely built of many-coloured glasses, and is quite the loveliest of all royal residences, — J.M. Barrie

The motives behind scientism are culturally significant. They have been mixed, as usual: genuine curiosity in search of truth; the rage for certainty and for unity; and the snobbish desire to earn the label scientist when that became a high social and intellectual rank. But these efforts, even though vain, have not been without harm, to the inventors and to the world at large. The "findings" have inspired policies affecting daily life that were enforced with the same absolute assurance as earlier ones based on religion. At the same time, the workers in the realm of intuition, the gifted finessers - artists, moralists, philosophers, historians, political theorists, and theologians - were either diverted from their proper task, while others were looking on them with disdain as dabblers in the suburbs of Truth. — Jacques Barzun

Wintry morning, looking with dull eyes and sallow face upon the neighbourhood of Leicester Square, finds its inhabitants unwilling to get out of bed. Many of them are not early risers at the brightest of times, being birds of night who roost when the sun is high and are wide awake and keen for prey when the stars shine out. Behind dingy blind and curtain, in upper story and garret, skulking more or less under false names, false hair, false titles, false jewellery, and false histories, a colony of brigands lie in their first sleep. Gentlemen — Charles Dickens

Achilles was looking at me. "Your hair never quite lies flat, here." He touched my head, just behind my ear. "I don't think I've ever told you how I like it."
My scalp prickled where his fingers had been. "You haven't," I said.
"I should have." His hand drifted down to the vee at the base of my throat, drew softly across the pulse. "What about this? Have I told you what I think of this, just here?"
"No," I said.
"This surely then." His hand moved across the muscles of my chest; my skin warmed beneath it. "Have I told you of this?"
"That you have told me." My breath caught a little as I spoke.
"And what of this?" His hand lingered over my hips, drew down the line of my thigh. "Have I spoken of it?"
"You have."
"And this? Surely I would not have forgotten this." His cat's smile. "Tell me I did not."
"You did not."
"There is this too." His hand was ceaseless now. "I know I have told you of this."
I closed my eyes. "Tell me again," I said. — Madeline Miller

She saw Derek and without so much as a hello, leaned to look behind him. "Where's Simon?"
"He's - "
"Is he okay? Why isn't he here?" She glared up at Derek. "Where'd you leave him?"
"Passed out in an alley." Derek frowned in thought. "Not sure where, though ... "
"He's kidding," I said as Tori sputtered.
"We need to get moving." Derek hooked a thumb as Tori while looking at me. " She's your responsibility."
"Excuse me?" Tori said.
Derek didn't even glance her way. "Make sure she keeps up. And shuts up." — Kelley Armstrong

Snobs are people who look down on other people, but that does not justify our looking down on them. Who can say what dark fears of being inferior lurk behind their superior airs or what they suffer in private for the slights they dish out in public? — Frederick Buechner

I'm not that man anymore. No one can stay that way too long. That's why wars end and a later generation catches its breath looking forward and erasing what's behind. — Erri De Luca

Together they crawled through the attic space, looking for the source of a roof leak they'd discovered in the last bathroom. Jax was out in front,
braving the spiderwebs. Maddie was behind him, working really hard at not looking at his butt.
And failing spectacularly.
So when he unexpectedly twisted around, holding out his hand for the clipboard she was now holding, he caught her staring at him.
"I, um - You have a streak of dirt," she said.
"A streak of dirt."
Yes." She pointed to his left perfectly muscled butt cheek. "There."
He was quiet for a single, stunned beat. She couldn't blame him, given that they were both covered in dirt from the filthy attic. "Thanks," he finally
said. "It's important to know where the dirt streaks are."
"It is," she agreed, nodding like a bobble head. "Probably you should stain-stick it right away. I have some in my purse."
"Are you offering to rub it on my ass? — Jill Shalvis

Now I see how many wolf characteristics you had. You were wary, didn't really trust anyone or anything. You were elusive and secretive. You paced out behind the trees, watching everything and waiting for the moment when it was safe to come in and rest by the fire. But you weren't happy there -- no, I take that back, you were happy there, but you weren't comfortable. It wasn't what you knew. It wasn't what you trusted. You trusted meanness, not kindness. Kindness spooked you -- you were always looking for the trap in it. You trusted in a scrappy existence where you had to fight for your survival. — Helen Humphreys

Kate slid to her knees, pulling the child's head to her breast, her mouth in its hair. "Pippa. Pippa, we're awful fools. What Father means is that truly nothing we have ever done can harm us, and Mr. Crawford has mixed us up with someone else. But you know what unstable-looking parents you have. He doesn't believe us, but he says he'll believe you. It's not very flattering," said Kate, looking at her daughter with bright eyes, "but you seem to be the one in the family with an honest sort of face, and your father and I must just be thankful for it. Go over to him, darling. I'll be behind you. And just speak," she said with an edge like a razor. "Just speak as you would to the dog. — Dorothy Dunnett

We want to get there faster. Get where? Wherever we are not. But a human soul can only go as fast as a man can walk, they used to say. In that case, where are all the souls? Left behind. They wander here and there, slowly, dim lights flickering in the marshes at night, looking for us. But they're not nearly fast enough, not for us, we're way ahead of them, they'll never catch up. That's why we can go so fast: our souls don't weigh us down. — Margaret Atwood

She stared at me curiously. Her voice dropped to a whisper. "Sometimes, when I walk along the corridor here, I fancy I hear her just behind me. That quick, light footstep. I could not mistake it anywhere. And in the minstrels' gallery above the hall. I've seen her leaning there, in the evenings in the old days, looking down at the hall below and calling to the dogs. I can fancy her there now from time to time. It's almost as though I catch the sound of her dress sweeping the stairs as she comes down to dinner." She paused. She went on looking at me, watching my eyes. "Do you think she can see us, talking to one another now?" she said slowly. "Do you think the dead come back and watch the living? — Daphne Du Maurier

For a moment they stood looking at each other in the firelight, while the old harper still fingered the shining strings and the other man looked on with a gleam of amusement lurking in his watery blue eyes. But Aquila was not looking at him. He was looking only at the dark young man, seeing that he was darker even than he had thought at first, and slightly built in a way that went with the darkness, as though maybe the old blood, the blood of the People of the Hills, ran strong in him. But his eyes, under brows as straight as a raven's flight-pinions, were not the eyes of the little Dark People, which were black and unstable and full of dreams, but a pale clear grey, lit with gold, that gave the effect of flame behind them. — Rosemary Sutcliff

While waiting for Brenna to prepare the drink he did as directed and worked through their conversation. It would've gone faster had he not kept getting distracted by the sight of her moving with feminine efficiency mere meters away. The sway of her hips were-"Don't I ever want to lick a woman all up?"
She squeaked, then swivelled to face him, bracing her hands on the counter behind her. "Not quite how I would've put it." Her tone was higher than normal.
"But yeah."
"You," he said quietly, no longer able to lie, "You tempt me."
"Oh." Her breasts rose up as she took a deep, shuddering breath. "You've never let on."
Yes, he had. If she ever saw the way he watched her when she wasn't looking, she'd be in no doubt as to the strength of his unacceptable reaction to her. — Nalini Singh

Bags were shoved on all of our heads once more. Hands grabbed me and spurred me forward. "Rick," Zach said behind us. The hands guiding me stopped. The bag was ripped off my head again, and I found myself looking into Zach's eyes. "Bring the girl tomorrow night," he said.
The last thing I wanted to do was bring Rimmel into a room full of these assholes. "What the fuck for?"
He smiled. It looked more like a sneer. "I'd like to meet the nerd. I hear you've become quite smitten."
The more he talked about her, the more he implied he knew her, the more pissed off I got. I lunged forward and shoved my face right up in his. Satisfaction speared me when his eyes widened just a fraction. He wasn't as tough as he thought he was.
"Well, since you seem to know everything," I said, dead calm, "then you must also know that I take care of what's mine. You might be president of this frat, but I own the campus. Do. Not. Push. Me."
- Zach & Romeo — Cambria Hebert

and it goes, the music just goes, without faltering, without hesitation, not depleted through repetition, but enriched; and as it goes- without faltering, without hesitation- the rapid-rushing piece instantly becomes the soundtrack to what I am looking at, regardless of what it may be: the varied tilts of oldsters' hats, wind-gusts corduroying the park's grass, the sparkling of pram wheels, children stepping onto the water fountain's access ledge and hunchbacking behind their button-pushing hand and jutting lips; — Evan Dara

This is what nibbling your ear sounds like." Blake created a soundtrack for his teeth.
"This is what looking into your eyes sounds like." The notes were deep and beckoning.
"This is what my mind hears when my tongue is in your mouth." The kiss sounded steamy and delicate. The rhythm was her heartbeat as he sampled her mouth.
"But when you smile. When you smile it's ... "
Blake scooted the keyboard around behind her. He needed both hands.
She put her hands on his face and smiled in amazement as the music exploded. She couldn't imagine how her simple facial gesture could inspire such a majestic sound.
He smiled back. "One thousand nine hundred and ten."
"So many? Really?"
"Yes, really. And it's not nearly enough. I want to lose count, Livia. Make me lose count." His hands left the beautiful music and grabbed handfuls of her hair. — Debra Anastasia

If there is a main problem in American art today," says critic Tom Piazza, "it is not that we need the new to unshackle us from a suffocating and outmoded tradition. The new is constantly pumped out, by the ton and 24 hours a day, into the esthetic rivers, reservoirs and gullies of our culture, and nobody needs to go looking for it. With all the economic force of corporate profit and advertising behind it, pop culture, with its Billy the Kid ethos, has in fact become the new establishment. In a truly Orwellian irony, the new is the status quo."36 — James Bau Graves

It is tempting when looking at the life of anyone who has committed suicide to read into the decision to die a vastly complex web of reasons; and, of course, such complexity is warranted. No one illness or event causes suicide; and certainly no one knows all, or perhaps even most, of the motivations behind the killing of the self. But psychopathology is almost always there, and its deadliness is fierce. Love, success, and friendship are not always enough to counter the pain and destructiveness of severe mental illness — Kay Redfield Jamison

We shall see. You have been long away from our people. Your skills may have grown rusty."
"What skills?" I asked.
"His sexual ones. That is how we court among our kind," Vlad explained.
"Oh, well, I'm not sure about the charm, Gordane may have to practice on that," I said, making Gordane growl.
"But I can vouch for his sexual skills. He's had plenty of practice." A low growl, two low growls behind me, suddenly made me realize how my words could be taken.
"I meant plenty of practice on other women," I hastened to add, looking exasperatedly at Gryphon and Halcyon-where the growls were coming from. "He has an entire harem of at least eighty women, for Pete's sake."
Thankfully the menacing growls subsided. — Sunny

She realized she'd been staring only when he said, his voice lower and huskier, "Who are you looking for?"
His words snapped her out of her terrible trance. "I ... I ... " she thought furiously and said the only thing that came to mind. "For you. I was looking for you."
Suspicion flashed in his sea-blue eyes. "In the rigging?"
"Yes. Why not?"
"Either you're very ignorant about what a captain does, or you're lying. Why is it?"
Ignoring the plummeting sensation in her stomach, she forced a smile to her face. "Really, Gideon, you are so suspicious. Last night you accused me of plotting behind your back, and this morning you accuse me of lying. Who else would I be looking for but you? — Sabrina Jeffries

VIEW FROM A HILL
I am not yet quite over it.
I am lying down on top of it.
Surveying behind me a wasteland
Of dried-up promise.
While the lights below twinkle
With dull mocking uncertainty.
There isn't much left to look forward to,
And the looking forward of the past has been belied. — John Tottenham