Quotes & Sayings About Not In The Mood

Astrid found the hem of his T-shirt and pulled it up over his head. She unbuckled his belt and shoved his jeans to the deck. She pushed him, gently but insistently, onto the bed. Then she undressed herself and stood in the faint light, looking down at him as he gazed up at her.
"You're giving me a reason to live," he said, half joking.
"I'm just recapturing the mood," she said, trying to make it sound light and sexy.
"You captured me a long time ago."
She climbed atop him. "We walk out of this together, Sam. Whatever it takes. You and me."
"You and me," he said.
She would not yet let him have her. "Whatever it takes," she insisted. "Say it."
"You and me," he said at last. "Whatever it takes."
"Swear it. — Michael Grant

Whenever you're taking advantage of all those rules you make in your favor, you're turning me inside out and when that happens, you're not white and I'm not black, or poor, or one bad mood on the part of some racist asshole away from being unemployed. In your garden, I'm Eve, and when you take me shoe shopping, I'm Cinderella. On top of your mountain, I feel like Mother Earth. In your house, I'm a lady. You dress me like one and you insist others treat me like one. — Eden Connor

Friendship is less simple. It is long and hard to obtain but when one has it there's no getting rid of it; one simply has to cope with it. Don't think for a minute that your friends will telephone you every evening, as they ought to, in order to find out if this doesn't happen to be the evening when you are deciding to commit suicide, or simply whether you don't need company, whether you are not in the mood to go out. No, don't worry, they'll ring up the evening you are not alone, when life is beautiful. As for suicide, they would be more likely to push you to it, by virtue of what you owe to yourself, according to them. May heaven protect us, cher Monsieur, from being set upon a pedestal by our friends! — Albert Camus

Basically, Aristotle believed that every time you behaved unkind and immorally - performing actions your soul was not proud of - you tarnished your soul. The worst shape your soul became in, the worst shape your mood and spirit. — Karen Salmansohn

Nature's purpose in relation to the visual arts is to provide stimulus not imitation ... From its ceaseless urge to create springs all Life all movement and rhythm time and light, color and mood in short, all reality in Form and Thought. — Hans Hofmann

Once you're lost, you panic. You're in total despair, not knowing what to do. I hate it when that happens. Sex can be a real pain that way, 'cause when you get in the mood all you can think about is what's right under your nose - that's sex, all right. — Haruki Murakami

Date of the award approached, I would not have accepted at all.
Depression is a disorder of mood, so mysteriously painful and elusive in the way it becomes known to the self
to the mediating intellect
as to verge close to being beyond description. It thus remains nearly incomprehensible to those who have not experienced it in its extreme mode, although the gloom, "the blues" which people go through occasionally and associate with the general hassle of everyday existence are of such prevalence that they do give many individuals a hint of the illness in its catastrophic form. — William Styron

What the artist or creative scientist feels is not anxiety or fear; it is joy. I use the word in contrast to happiness or pleasure. The artist, at the moment of creating, does not experience gratification or satisfaction ... Rather, it is joy, joy defined as the emotion that goes with heightened consciousness, the mood that accompanies the experience of actualizing one's own potentialities. — Rollo May

Nothing had been the same; and this slight, all-pervading instability, had given her greater pain than if all had been too entirely changed for her to recognise it. I begin to understand now what heaven must be-and, oh! the grandeur and repose of the words-"The same yesterday, to-day, and for ever." Everlasting! "From everlasting to everlasting, Thou art God." That sky above me looks as though it could not change, and yet it will. I am so tired-so tired of being whirled on through all these phases of my life, in which nothing abides by me, no creature, no place; it is like the circle in which the victims of earthly passion eddy continually. I am in the mood in which women of another religion take the veil. I seek heavenly steadfastness in earthy monotony. — Elizabeth Gaskell

When you're in a good mood, bring up the past. When you're in a bad mood, stick to the present. And when you're not feeling emotional at all, it's time to talk about the future. — Marilyn Vos Savant

He smiled and kissed me.
It wasn't precisely a peck on the lips, and my wild vampiric reactions took me off guard yet again. Edward's lips were like a shot of some addictive chemical straight into my nervous system. I was instantly craving more. It took all my concentration to remember the baby in my arms.
Jasper felt my mood change. "Er, Edward, you might not want to distract her like that right now. She needs to be able to focus."
Edward pulled away. "Oops," he said.
I laughed. That had been my line from the very beginning, from the very first kiss.
"Later," I said, and anticipation curled my stomach into a ball.
"Focus, Bella," Jasper urged.
"Right." I pushed the trembly feelings away. Charlie, that was the main thing right now. Keep Charlie safe today. We would have all night ...
"Bella."
"Sorry, Jasper. — Stephenie Meyer

I'm not militant about anything. If there's cheesecake in the house, I'll have some. If I'm in the mood for something, I'll have it. I don't obsess about anything. I could have three or four "cheat days" in a week and then not have dessert for another three months. — Kelly Ripa

If there is a book that the script came from you have to read it, you have to see what you can get out of it: mood, back story and things that may not even be in the film. They kick off your imagination and broaden the character, I think. — Miranda Otto

My nature is happy. And all I can control is my response to input. If you come around me and tell me bad news all the time, I can say, "You know what? I don't want to hear it." If its just gossip, you know, I can choose not to hear it. And that, in effect, can control my mood. — John Travolta

Make love," he suggested. "Make love with me."
"I'm not in the right mood for love."
"Let me try to persuade you. — Charlaine Harris

I saw a study the other day showing that some atypical anti-psychotic was at least as good as mood stabilizers in preventing suicide. It's a very good thing to decrease suicide but we should care at least a little if I'm not killing myself because I feel better or if I just can't remember where I put the damn gun. — Mark Vonnegut

He throws his hands up in a request for mercy, I'm not in the mood so I stab him in the heart. — David Estes

If you're in pop music, you've got to deal with the changing of the guard every few years. By the time the '70s arrived, I was well aware of the cyclical nature of the game. Pop music is a creature of the moment; it thrives on the mood of its time. Either you hook into that or you're not going to be part of it. — Paul Anka

She was a free bird one minute: queen of the world and laughing. The next minute she would be in tears like a porcelain angel, about to teeter, fall and break. She never cried because she was afraid that something 'would' happen; she would cry because she feared something that could render the world more beautiful, 'would not' happen. — Roman Payne

There is no doubt that even the greatest musical geniuses have sometimes worked without inspiration. This guest (inspiration) does not always respond to the first invitation. We must always work, and a self-respecting artist must not fold his hands on the pretext that he is not in the mood. If we wait for the mood, without endeavouring to meet it half-way, we easily become indolent and apathetic. We must be patient, and believe that inspiration will come to those who can master their disinclination. — Pyotr Ilyich Tchaikovsky

The results of decades of neurotransmitter-depletion studies point to one inescapable conclusion: low levels or serotonin, norepinephrine or dopamine do not cause depression. here is how the authors of the most complete meta-analysis of serotonin-depletion studies summarized the data: Although previously the monoamine systems were considered to be responsible for the development of major depressive disorder (MDD), the available evidence to date does not support a direct causal relationship with MDD. There is no simple direct correlation of serotonin or norepinephrine levels in the brain and mood.' In other words, after a half-century of research, the chemical-imbalance hypothesis as promulgated by the drug companies that manufacture SSRIs and other antidepressants is not only with clear and consistent support, but has been disproved by experimental evidence. — Irving Kirsch

I decided when I was a kid that I would only go out of the house if I felt good enough to be bothered. Could I be interrupted at dinner? Am I in the mood? If I am, I go out. If I'm not, I don't! So, it's the art of deciding what the truth of your job is, and what you can and cannot handle. You can design your stresses. — John Travolta

I'm not in the mood to go to a kegger tonight, but Garrett informs me that if he has to go, then I have to go, because, and I quote, "best friends suffer together or not at all."

I politely pointed out that we could always pick the "not at all" option, which earned me a dark scowl and a menacing you're going finger-point. — Elle Kennedy

When I wake up in a bad mood, I try not to stay in one. Learn to make the best of what you have. — Faith Hill

Italian-Americans in New York had not been in much of a flag-waving mood prior to DiMaggio's arrival. By the All-Star break, the rookie had established himself as a wonderful player (.358, 10HR, 60 RBIs), fully justifying the acclaim. But Gehrig was even better (.399, 20 HR, 61 RBIs). He was leading the league in nearly every category, including invisibility. — Jonathan Eig

London is actually a beautiful place when the weather's good; the mood is lighter and everybody's smiling. But for the other 350 days a year, it's miserable. You're standing there waiting for the bus in the rain or you're waiting for a train on a platform and it's freezing. Always a persistent drizzle - or if it's not drizzling, it's overcast and cold. — Craig Taylor

In its severe forms, depression paralyzes all of the otherwise vital forces that make us human, leaving instead a bleak, despairing, desperate, and deadened state ... Life is bloodless, pulseless, and yet present enough to allow a suffocating horror and pain. All bearings are lost; all things are dark and drained of feeling. The slippage into futility is first gradual, then utter. Thought, which is as pervasively affected by depression as mood, is morbid, confused, and stuporous. It is also vacillating, ruminative, indecisive, and self-castigating. The body is bone-weary; there is no will; nothing is that is not an effort, and nothing at all seems worth it. Sleep is fragmented, elusive, or all-consuming. Like an unstable, gas, an irritable exhaustion seeps into every crevice of thought and action. — Kay Redfield Jamison

He kicked in the door with one casual blow, leaned in, and said, "Please don't run. I'm not in a good mood. Better if you just sit still."
He cocked his head and listened, then smiled. "Ah," he said. "And there he goes. You two wait here. — Rachel Caine

On the night before the wedding, when Chips left the house to return to his hotel, she said, with mock gravity: This is an occasion, you know
this last farewell of ours. I feel rather like a new boy beginning his first term with you. Not scared, mind you
but just, for once, in a thoroughly respectful mood. Shall I call you 'sir'
or would 'Mr. Chips' be the right thing? 'Mr. Chips,' I think. Good-bye, then
good-bye, Mr. Chips ... — James Hilton

The fatal misconception behind brainstorming is that there is a particular script we should all follow in group interactions ... [W]hen the composition of the group is right - enough people with different perspectives running into one another in unpredictable ways - the group dynamic will take care of itself. All these errant discussions add up. In fact, they may even be the most essential part of the creative process. Although such conversations will occasionally be unpleasant - not everyone is always in the mood for small talk or criticism - that doesn't mean that they can be avoided. The most creative spaces are those which hurl us together. It is the human friction that makes the sparks. — Jonah Lehrer

Don't tell me," I snickered. "You're in a club that gathers together like raving Trekkies to share secrets of the afterlife. I bet you even have an Enigma CD you crank up to get in the mood." "Don't be silly." His face lit up with an enormous grin. "We listen to Enya, not Enigma. — J.A. Saare

There are two things that really move me: music and acting. And I'm not talking about my music or watching myself as an actor, but listening to other people's music and watching other actors. There are so many different songs that have moved me. It all depends upon the mood that I'm in at that moment. — Janet Jackson

I feel like sleep is the most important thing. I notice in my body, when I don't get enough sleep on a consistent basis, how I am dreary, or my mood changes, or I'm not as focused. — D'Brickashaw Ferguson

Even as a boy Jack had loved the smell of the ground softening in the thaw and coming back to life. Not this spring. A damp, moldy dreariness, something like loneliness, had settled over the homestead. At first Jack did not know its source. Maybe it was only his own mood. Perhaps it was the spring weather, with overcast skies and freezing rain that soaked through the cabin walls. Mabel, too, seemed beset by a morose restlessness. — Eowyn Ivey

Music's the soundtrack of my life and has been since I was a teenager. There's always music. If I'm not playing it, I'm listening to it. With my writing ... sometimes it inspires a story, sometimes it highlights something I'm working on, sometimes it simply helps me stay in the narrative mood. — Charles De Lint

Grief he had always thought of as an emotion, a mood, something that possessed you but that you eventually escaped. Now he knew it was different. Grief was a country, a place you entered hesitantly, or were thrown into without warning. But once you were there, amidst the roiling formless blackness and stench of despair, you could not leave. Even if you wanted to: you could only walk and walk and walk, traveling on through the black reaches with the sound of screaming in your ears, and hope that someday you might glimpse far off another country, another place where you might someday rest. — Elizabeth Hand

Music is one of the most efficient mood elevators we have. People in nursing homes, whether ambulatory or even bedridden, whether lucid or not, would be provided with great pleasure by your playing. Maybe they could even dream, return to the best times in their lives, when they were loved. — Nancy Thayer

Never write when you are not in the mood; when you are not feeling it. If the words do not flow freely, and come to you almost magically, then put it down and do not force yourself to write in the book, or it will reflect in your writing and it will be terribly obvious. — Wayne Hoss

I like hanging around people who knit. They are usually in a good mood. People who are staring into their iPhones *and* demanding your attention at the same time are not as much fun to be around. — Mark Frauenfelder

The truly monumental can only come about by means of the most exact and refined relation between parts. Since each thing carries both a meaning of its own and an associated meaning in relation to something else - its essential value is relative. We speak of the mood we experience when looking at a landscape. This mood results from the relation of certain things rather than from their separate actualities. This is because objects do not in themselves possess the total effect they give when interrelated. — Hans Hofmann

Dale's face is older. Just a little. Around the eyes and mouth. The skin of his neck. The back of his hands. Maybe not, he thinks, turning on the faucet, letting the water grow warm then hot.
He begins shaving his lubricated chin and cheeks. Chrysalis hibernation slows things down, but it doesn't stop them, not all together, and he finds himself to currently resemble something between a derelict and a college student, neither one ringing particularly desirable in his present mood. — David Edward Wagner

Are there not hours of an immortal birth, - Bright visitations from a purer sphere, That cannot live in language? Is there not A mood of glory, when the mind attuned To heaven, can out of dreams create her worlds? - — Robert Montgomery

I was sexually attracted to you before the drugs. Were you even a little sexually
attracted to me?"
Her mood sobered. "I don't think we should
discuss this."
"You're not sexually attracted to me in the least
then?"
She stared into his eyes.
"Why do you want to
know?"
"I'm aroused being close to you. There are no
drugs now."
She gaped a little, astonished that he'd admit
that. It took a lot of restraint not to glance
down at his lap to see if he meant that in a literal sense.
Smiley hesitated, studying her face. "I wish
to touch you and see what
is between us without the aid of drugs."
"That's a bad idea. — Laurann Dohner

Mrs. Seaton?" His lordship was frowning at the table, but when he looked up at her, his expression became perfectly blank - but for the mischief in his eyes. "My lord?" Anna cocked her head and wanted to stomp her foot. The earl in a playful mood was more bothersome than the earl in a grouchy mood, but at least he wasn't kissing her. He held up her right glove, twirling it by a finger, and he wasn't going to give it back, she knew, unless she marched up to him and retrieved it. "Thank you," she said, teeth not quite clenched. She walked over to him, and held out her hand, but wasn't at all prepared for him to take her hand in his, bring it to his lips, then slap the glove down lightly into her palm. "You are welcome." He snagged a third muffin from the bread box and went out the back door, whistling some complicated theme by Herr Mozart that Lord Valentine had been practicing for hours earlier in the week. Leaving — Grace Burrowes

THE WHISTLER
All of a sudden she began to whistle. By all of a sudden
I mean that for more than thirty years she had not
whistled. It was thrilling. At first I wondered, who was
in the house, what stranger? I was upstairs reading, and
she was downstairs. As from the throat of a wild and
cheerful bird, not caught but visiting, the sounds war-
bled and slid and doubled back and larked and soared.
Finally I said, Is that you? Is that you whistling? Yes, she
said. I used to whistle, a long time ago. Now I see I can
still whistle. And cadence after cadence she strolled
through the house, whistling.
I know her so well, I think. I thought. Elbow and an-
kle. Mood and desire. Anguish and frolic. Anger too.
And the devotions. And for all that, do we even begin
to know each other? Who is this I've been living with
for thirty years?
This clear, dark, lovely whistler? — Mary Oliver

Lewis Richardson wrote that his quest to analyze peace with numbers sprang from two prejudices. As a Quaker, he believed that "the moral evil in war outweighs the moral good, although the latter is conspicuous." As a scientist, he thought there was too much moralizing about war and not enough knowledge. "For indignation is so easy and satisfying a mood that it is apt to prevent one from attending to any facts that oppose it. If the reader should object that I have abandoned ethics for the false doctrine that 'tout comprendre c'est tout pardonner' [to understand all is to forgive all], I can reply that it is only a temporary suspense of ethical judgment, made because 'beaucoup condamner c'est peu comprendre' [to condemn much is to understand little]." (p. 200) — Steven Pinker

There was freedom, there was peace, there was, most welcome of all, a summoning together, a resting on a platform of stability. Not as oneself did one find rest ever, in her experience (she accomplished here something dexterous with her needles) but as a wedge of darkness. Losing personality, one lost the fret, the hurry, the stir; and there rose to her lips always some exclamation of triumph over life when things came together in this peace, this rest, this eternity; and pausing there she looked out to meet that stroke of the Lighthouse, the long steady stroke, the last of the three, which was her stroke, for watching them in this mood always at this hour one could not help attaching oneself to one thing especially of the things one saw; and this thing, the long steady stroke, was her stroke. Often she found herself sitting and looking, sitting and looking, with her work in her hands until she became the thing she looked at - that light, for example. — Virginia Woolf

It was sinister, overpowering; it was like a troubled dream conjured by the evil thoughts of a past day. There was no suggestion of ultimate hope, and no possibility of escape. It was a terrible place. I sat up on the deck with my chin in my hands, looking in front of me thinking of nothing, my heart heavy, longing for some nameless thing that I could not explain even to myself. I did not want to feel depressed like this. I wanted to laugh, and not to care about a thought, and to be with people who did not matter, and to have some fun taking that girl ashore. I did not want to be in a lost mood, wretched and distressed. I wished Gudvangen was different, and the mountains wider apart, and the sun shining in a clear sky, and the blue water warm and shallow. — Daphne Du Maurier

She could be affectionate, generous, and optimistic one day; vengeful, depressed, and irritable the next. In the colloquial language of her friends, she was "either in the garret or cellar." In either mood, she needed attention, something the self-contained Lincoln was not always able to provide. — Doris Kearns Goodwin

I said that sometimes it is an esteemed author who puts one on the track of a buried book. "What! He liked that book?" you say to yourself, and immediately the barriers fall away and the mind becomes not only open and receptive but positively aflame. Often it happens that it is not a friend of similar tastes who revives one's interest in a dead book but a chance acquaintance. Sometimes this individual gives the impression of being a nitwit, and one wonders why he should retain the memory of a book which this person casually recommended, or perhaps did not recommend at all but merely mentioned in the course of conversation as being an "odd" book. In a vacant mood, at loose ends, as we say, suddenly the recollection of this conversation occurs, and we are ready to give the book a trial. Then comes a hock, the shock of discovery. — Henry Miller

The setting, concerns, and mood of The Woodlanders are consonant with the Wessex of the earlier novels. There is an element of nostalgia in Hardy's treatment of the woodlands of Little Hintock. Although such rural economies were very much alive in Hardy's day, he strikes an elegiac note in his evocation of a world that will inevitably pass away. However, the woodlands do not form the backdrop to an idyllic pastoral of humanity living in tranquil harmony with nature. The trees, which are such a dominant presence in the novel, compete with each other for nourishment and light, are vulnerable to disease and damage, and are frightening in their moaning under the lash of the storm. The woodlands represent the Darwinian struggle for existence that Hardy sees as extending not only to the inhabitants of this little world but also beyond ... — Geoffrey Harvey

We are living in a time when sensitivities are at the surface, often vented with cutting words. Philosophically, you can believe anything so as you do not claim it a better way. Religiously, you can hold to anything, so long as you do not bring Jesus Christ into it. If a spiritual idea is eastern, it is granted critical immunity; if western, it is thoroughly criticized. Thus, a journalist can walk into a church and mock its carryings on, but he or she dare not do the same if the ceremony is from eastern fold. Such is the mood at the end of the twentieth century. A mood can be a dangerous state of mind, because it can crush reason under the weight of feeling. But that is precisely what I believe postmodernism best represents - a mood. — Ravi Zacharias

For the next fortnight Anne writhed or reveled, according to mood, in her literary pursuits. Now she would be jubilant over a brilliant idea, now despairing because some contrary character would NOT behave properly. — L.M. Montgomery

My sadness is beautiful. It infuses everything I do. It is at the core of my identity and always has been, just as happiness is in some people. I refuse to be told that it's a flaw. I will not mute it with medications for the sake of society. I will hold it close to me and celebrate it rightfully while the rest of the world fails to see it for what it is and it will be their loss. — Ashly Lorenzana

While I was fighting, I heard other people speaking in the name of freedom, and the more they defended this unique right, the more enslaved they seemed to be to their parents' wishes, to a marriage in which they had promised to stay with the other person "for the rest of their lives," to the bathroom scales, to their diet, to half-finished projects, to lovers to whom they were incapable of saying "No" or "It's over," to weekends when they were obliged to have lunch with people they didn't even like. Slaves to luxury, to the appearance of luxury, to the appearance of the appearance of luxury. Slaves to a life they had not chosen, but which they had decided to live because someone had managed to convince them that it was all for the best. And so their identical days and nights passed, days and nights in which adventure was just a word in a book or an image on the television that was always on, and whenever a door opened, they would say: "I'm not interested. I'm not in the mood. — Paulo Coelho

Some people will say, "Oh, but women have the real power, bottom power." And for non-Nigerians, "bottom power" is an expression in which I suppose means something like a woman who uses her sexuality to get favors from men. But "bottom power" is not power at all. Bottom power means that a woman simply has a good root to tap into, from time to time, somebody else's power. And then of course we have to wonder when that somebody else is in a bad mood, or sick, or impotent. — Chimamanda Ngozi Adichie

What occurred did so because I was open to it, and not because fate and I met at a certain angle. I had plenty of time to think about this later. I thought about it so much that the events of that evening sometimes ran along under my mood like a secret river, in the way that all buried truths rushed along quietly in some hidden place. — Rachel Kushner

You in the mood for a movie tonight?" Kate asked him a couple days later. Matt was working, and she was sitting on her customary bucket taking a break, drinking bottled water, and surreptitiously admiring him from every angle.
"I could pick something up on my way over tonight."
"Sure."
"How about Pride and Prejudice?"
"What's that?" he asked warily. It's not one of those movies where they all wear old-fashioned clothes and walk around talking in British accents, is it?"
"That's exactly what it is."
Matt groaned.
"It's romantic! Maybe one of the most romantic stories ever. — Becky Wade

sex takes the consent of two
if one person is lying there not doing anything
cause they are not ready
or not in the mood
or simply don't want to
yet the other is having sex
with their body it's not love
it is rape — Rupi Kaur

I didn't think I was in a morbid mood, but it appears I am. My mind goes round and round trying to figure things out, but I always come back to the same two things: Loneliness and Death. Life ends before we figure anything out, most importantly how not to be lonely. Solitude is fine. But feeling like you have no one to love - abject lonliness - is not alright. — Jonathan Ames

Grandeur and sublimity, not softness, are the features of Estes Park. The glades which begin so softly are soon lost in the dark primaeval forests, with their peaks of rosy granite and their stretches of granite blocks piled and poised by nature in some mood of fury. — Isabella Bird

Scolding must be very, very fun, otherwise children would be allowed to do it. It is not because children don't have what it takes to scold. You need only three things, really. You need time, to think up scolding things to say. You need effort, to put these scolding things in a good order, so that the scolding can be more and more insulting to the person being scolded. And you need chutzpah, which is a word for the sort of show-offy courage it takes to stand in front of someone and give them a good scolding, particularly if they are exhausted and sore and not in the mood to hear it. — Lemony Snicket

And it came to me that these trees had been hardly smaller when I was yet unborn, and had stood as they stood now when I was a child playing among the cypresses and peaceful tombs of our necropolis, and that they would stand yet, drinking in the light of the dying sun, even as now, when I had been dead as long as those who rested there. I saw how little it weighed on the scale of things whether I lived or died, though my life was precious to me. And of those two thoughts I forged a mood by which I stood ready to grasp each smallest chance to live, yet in which I cared not too much whether I saved myself or not. By that mood, as I think, I did live; it has been so good a friend to me that I have endeavored to wear it ever since, succeeding not always, but often. — Gene Wolfe

The town of L - represented the earth, with its sorrows and its graves left behind, yet not out of sight, nor wholly forgotten. The ocean, in everlasting but gentle agitation, and brooded over by a dove-like calm, might not unfitly typify the mind and the mood which then swayed it. For it seemed to me as if then first I stood at a distance, and aloof from the uproar of life; as if the tumult, the fever, and the strife, were suspended; a respite granted from the secret burthens of the heart; a sabbath of repose; a resting from human labours. Here were the hopes which blossom in the paths of life, reconciled with the peace which is in the grave; motions of the intellect as unwearied as the heavens, yet for all anxieties a halcyon calm: a tranquility that seemed no product of inertia, but as if resulting from mighty and equal antagonisms; infinite activities, infinite repose. — Thomas De Quincey

So many people would be afraid to look in the mirror if the saw their character and not their face ... it would be like american horror story. — Turcois Ominek

Have you not heard his silent steps? He comes, comes, ever comes.

Every moment and every age, every day and every night he comes, comes, ever comes.

Many a song have I sung in many a mood of mind, but all their notes have always proclaimed, 'He comes, comes, ever comes.'

In the fragrant days of sunny April through the forest path he comes, comes, ever comes.

In the rainy gloom of July nights on the thundering chariot of clouds he comes, comes, ever comes.

In sorrow after sorrow it is his steps that press upon my heart, and it is the golden touch of his feet that makes my joy to shine. — Rabindranath Tagore

Now you're just being selfish," Dominic said to Jaime, shaking his head. "You have that body for the rest of your life. I only want it for one night."
Not in the mood to hear his packmate making moves - no matter how playful - on the female he intended to claim, Dante growled. "Dominic, no. Not to Jaime."
"But - "
"No."
Dominic sighed in resignation. "Okay, fine."
Noticing that Trey seemed to find the whole thing extremely amusing, Dante raised a brow at him. "It's funny now that he's not saying this shit to Taryn?"
Trey smiled. "Of course."
"I've always got some stored up for my gorgeous Alpha female," said Dominic with an impish grin.
Instantly Trey's smile fell from his face. "Dom, don't do it."
Dominic held his hands up, pleading innocence. "I was just going to ask her if she went to Boy Scouts ... because she has my heart all tied in knots."
Taryn groaned and chuckled at the same time. — Suzanne Wright

Olivia began the search feeling calm, numb even. She did not wish to break the chest unless she had to, and the quantity of papers had multiplied in her absence, appearing on the nightstand, taking up a new shelf on the bookcase. But as she searched, heedless of what she knocked over, or pages she ripped in her haste, her actions began to summon a different mood. She tore through the papers as though she were in the grip of some silent, unfolding hysteria. — Meredith Duran

Dear Supreme Altruist-

I hope you are in a receptive mood.

Thanks very much for placing wihin me the bomb that never stops exploding. Though the benefits have been intangible and in fact I feel that this terrifying mechanism has generally made my life intolerable, I shall never ask you to reverse the situation. I feel I have done everything that may be reasonably expected of me in the way of self-abnegation. However, I now find to my dismay that my lifelong fear of death is beginning to desert me. I believe that this may mean that the bomb's continual explosions may be causing the growth of new slabs of man-bark instead of blasting the loathesome stuff away as it has been doing.

I therefore humbly request that the explosive power of the bomb be increased. Please do not make me weaker; make the bomb stronger.

Amen. — Jim Woodring

Lines Written In Early Spring

I heard a thousand blended notes,
While in a grove I sate reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.

To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What man has made of man.

Through primrose tufts, in that green bower,
The periwinkle trailed its wreaths;
And 'tis my faith that every flower
Enjoys the air it breathes.

The birds around me hopped and played,
Their thoughts I cannot measure:--
But the least motion which they made
It seemed a thrill of pleasure.

The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.

If this belief from heaven be sent,
If such be Nature's holy plan,
Have I not reason to lament
What man has made of man? — William Wordsworth

What y'all ladies got to share? Hmmm, what you bitches got?"

Aunt Georgia sighed and squinted at the boy. She said, "The Lord loves a cheerful giver, but I'm just not in the mood."

The thug moved his hand from his crotch to his scalp, still scratching. "What in the hell's that supposed to mean?" Mrs. Cleveland raised and pumped her walking stick, which, it turned out, was a double-barreled shotgun.

"It means take one more step," she said, "and I'll blast you to hell, you ignorant-ass bastard. — Jabari Asim

So, you don't think I'm strange?' he asks after a while.
Suddenly, remembering why we're in this situation, I snort to show him that I'm in no mood for a serious conversation. 'No. I'm the strange one.'
'No. You're not.' He's serious and looking straight at me. 'I think you're unhappy and don't know how to handle it. — Nikki Rae

Don't." Clary raised a warning hand. "I'm not really in the mood right now."
"That's got to be the first time a girl's ever said that to me," Jace mused. — Cassandra Clare

Doing it all the time, whether or not we are in the mood, gives us ownership of our writing ability. It takes it out of the realm of conjuring where we stand on the rock of isolation, begging the winds for inspiration, and it makes it something as do-able as picking up a hammer and pounding a nail. Writing may be an art, but it is certainly a craft. It is a simple and workable thing that can be as steady and reliable as a chore - does that ruin the romance? — Julia Cameron

To be sure, we would not allow the world, if we can help it, to peep into our soul, much less to enter it. Our No-Man's-Land is hedged about with a wire entanglement of insincerities. And often we take refuge in a temperament, a pose, or a mystic mood. — Ameen Rihani

I'm in a weird-ass mood today, Doc. Wired up, mind all over the place, looking for answers, reasons something solid to cling to, something real, but just when I think I've got it figured out and neatly filed under fixed instead of fucked, turns out I'm still shattered, scattered, and battered. But you probably already knew that, didn't you? ... You might not be able to help me. That makes me sad, but not for me. It makes me sad for you. It must be frustrating for a shrink to have a patient who's beyond fixing. That first shrink I saw when I got back to Clayton Falls told me no one is a lost cause, but I think that's bullshit. I think people can be so crushed, so broken, that they'll never be anything more than a fragment of a whole person. (129) — Chevy Stevens

Don't tell me," Jace said, "Simon's turned himself into an ocelot and you want me to do something about it before Isabelle makes him into a stole. Well, you'll have have to wait till tomorrow. I'm out of commission." He pointed at himself - he was wearing blue pajamas with a hole in the sleeve. "Look. Jammies."
"Jace," Clary said, "this is important."
"Don't tell me," he said. "You've got a drawing emergency. You need a nude model. Well, I'm not in the mood. You could always ask Hodge," he said as an afterthought. "I hear he'll do anything for a -"
"JACE!" she interrupted him, her voice rising to a scream. "JUST SHUT UP FOR A SECOND AND LISTEN, WILL YOU? — Cassandra Clare

With writing ... you must keep in the habit. After a lapse it will take you not an hour, but a week, a month, maybe, to find your mood again - that mood in which things drop from heaven. There's no forcing it; you can't set your notions in front of you, and stare at them till they take shape; they have to come to you whether you ask them or not ... And you have to be in the habit of that mood! Of inspiration! — Anne Bosworth Greene

The liturgy is the place where we wait for Jesus to show up. We don't have to do much. The liturgy is not an act of will. It is not a series of activities designed to attain a spiritual mental state. We do not have to apply will pressure. To be sure, like basketball or football, it is something that requires a lot of practice
its rhythms do not come naturally except to those who have been rehearsing them for years. On some Sundays the soul will indeed battle to even pay attention. In the normal course of worship, we do not have to conjure up feelings or a devotional mood; we are not required to perform the liturgy flawlessly. Such anxious effort ... blind us to what is really going on.
We do have to show up, and we cannot leave early. But if we will dwell there, remain in place, wait patiently, Jesus will show up. — Mark Galli

Having all the wisdom and advice in the world doesn't mean we all won't have the occasional bad day. If someone isn't in the best mood and they're short with you- it's not your fault. Let them cool off. We all have days like that. Take a break and decompress. it'll pass.
Goal: If you're having a bad day, unplug and relax. Take some time for yourself. — Demi Lovato

His personal fulfillment did not lead him to evolve a cheerful Madonna; on the contrary this Madonna was sad; she had already, through his sculptures, known the Descent. The tranquility of his early bas-relief, when Mary still had her decision to make, could never be recaptured. This young mother was committed; she knew the end of her boy's life. That was why she was reluctant to let him go, this beautiful, husky,healthy boy, his hand clasped for protection in hers. That
was why she sheltered him with the side of her cloak.
The child, sensitive to his mother's mood, had a touch of melancholy about the eyes. He was strong, he had courage, he would step forth from the safe harbor of his mother's lap, but just now he gripped her hand with the fingers of one hand, and with the
other held securely to her side. Or was it his own mother he was thinking about, sad because she must leave her son alone in the world? Himself, who clung to her? — Irving Stone

It is quite possible that, even if you set the most relevant, realistic goals, you may not achieve them in the way or the time you wanted to. Life may throw something unexpected in your path, which stops you from achieving what you want, when you want. This is not failure. Feeling like you have failed is bound to lead to low mood, and can often come about if things haven't quite gone according to plan. However, the best thing to do is to draw a mental line under the experience, learn from what has happened and try again. As long as you are still trying, you are working towards your long-term aims; and as long as you are doing that, you are never truly failing. — Anna Barnes

She's in an unusually agreeable mood right now, which leads me to believe that maybe . . . just maybe . . .

"I have one more question, Bridgette."

She cocks an eyebrow and slowly shakes her head. "I'm not telling you the name of that porn."

I drop her hand and roll onto my back. "Fuck."

Maybe not. — Colleen Hoover

I had a dream about you. You were crying, and I couldn't tell if it was because you were sad or because you'd been laughing too hard. So I decided to find out by telling you that I'd just heard from the cops, and your mother had been murdered. Before I got to the punch line you started sobbing in a different manner, so I realized you'd been laughing earlier. By that time the mood had changed, and I decided it best not to deliver the punch line after all. So I sat down next to you and put my arm around you and tried to console you for your perceived loss. — Dora J. Arod

We did not treat the Americans badly. They left Iran in a relaxed mood. The embassy was active here after the revolution. We didn't have any problem with them. They started it. — Akbar Hashemi Rafsanjani

Above the decorous walking around me, sounds of footsteps leaving the verandas of far-flung buildings and moving toward the walks and over the walks to the asphalt drives lined with whitewashed stones, those cryptic messages for men and women, boys and girls heading quietly toward where the visitors waited, and we moving not in the mood of worship but of judgement; as though even here in the filtering dusk, here beneath the deep indigo sky, here, alive with looping swifts and darting moths, here in the hereness of the night not yet lighted by the moon that looms blood-red behind the chapel like a fallen sun, its radiance shedding not upon the here-dusk of twittering bats, nor on the there-night of cricket and whippoorwill, but focused short-rayed upon our place of convergence; and we drifting forward with rigid motions, limbs stiff and voices now silent, as though on exhibit even in the dark, and the moon a white man's bloodshot eye. — Ralph Ellison

When two friends, like you and me, are in the mood to chat, we have to go about it in a gentler and more dialectical way. By 'more dialectical,' I mean not only that we give real responses, but that we base our responses solely on what the interlocutor admits that he himself knows. — Plato

Cover your glass in France or Germany
even worse, in England - and in the voice of someone who has personally affronted, your host will ask why you're not drinking. 'Oh, I just don't feel like it this morning.' 'Why not?' 'I guess I'm not in the mood?' 'Well, this'll put you in the mood. Here. Drink up.' 'No, really, I'm OK.' 'Just taste it.' 'Actually, I'm sort of ... well, I sort of have a problem with it.' 'Then how about half a glass? — David Sedaris

see it spick and span, as if nothing had happened there. She looked at Shweta, with a 'thank you' and 'what was the need' in her eyes. As she scanned the room, her eyes caught Shweta's suitcase, all packed, and kept on the floor. "Shwets, I had a very long and tiring day. I am in no mood for any more surprises. Please tell me that you are not planning to throw — Amit Shankar

Did the queen offer to let you bring another friend?"
"She did," admitted Lissa. "In particular, she suggested Adrian. But he's sulking ... and I'm not really sure I'm in the mood for him."
Christian seemed pleased by this. "Then bring me."
My poor friends. I wasn't sure how much more shock any of them could handle today.
"Why the hell would I bring you?" She exclaimed. All her anger returned at his presumption. It was a sign of her agitation that she'd sworn.
"Because," he said, face calm, "I can teach you how to stake a Strigoi. — Richelle Mead

Lisa was thinking, as she climbed the apparently unending staircase, the she had taken pretty long odds. She had not hesitated to buck the Tiger, Life. Simon Iff had warned her that she was acting on impulse. But
on the top of that
he had merely urged her to be true to it. She swore once more that she would stick to her guns. The black mood fell from her. She turned and looked upon the sea, now far below. The sun, a hollow orb of molten glory, hung quivering in the mist of the Mediterranean; and Lisa entered for a moment into a perfect peace of spirit. She became once with Nature, instead of a being eternally at war with it. — Aleister Crowley

Don't forget you're alive. 'Cause sometimes when you walk around the city and you're in a bad mood, you can think, hey, wait a minute, we're alive! We don't know what the next second will bring and what a fantastic thing this is. This can get easily forgotten in the routine of life, and that's something I'm trying to bring to my attention at all times. Don't forget you're alive. We're not dead, you know. This is the greatest thing. — Joe Strummer

Music is emotional, and you may catch a musician in a very unemotional mood or you may not be in the same frame of mind as the musician. So a critic will often say a musician is slipping. — Nat King Cole

The fact is that these are not my children; they are figures on silvery paper slivered out of time. They represent my children at a fraction of a second on one particular afternoon with infinite variables of light, expression, posture, muscle tension, mood, wind and shade. These are not my children at all; these are children in a photograph. — Sally Mann

There's also way too much religion in the South to be consistent with good mental health.
Still, I love traveling down there, especially when I'm in the mood for a quick trip to the thirteenth century. I'm not someone who buys into all that 'New South' shit you hear; I judge a place by the number of lynchings they've had, overall. — George Carlin

The late hour is such a friend; it has been for so many years. There is not a soul around as I carry Riley downstairs and dump him in my trunk. It is good, for I am not in the mood to kill again, and murder, for me, is very much tied to my mood, like making love. Even when it is necessary. — Christopher Pike

I was short on patience and long on not-in-the-fucking-mood. — N.R. Walker

What they used to call soul. What they used to call spirit. Indivisible, complete, that thing made of mind, distinct from body.
He thought he had one - a soul, a spirit, a nature, an essence. He thought his mind was proof of it.
If mood, facial expression, hunger pain, love of color, if everything human and happenstance came not from the soul, the core of self, but from synapses firing and electrical signals, from the stuff in the brain that could be manipulated and X-rayed, what could he say about himself with any degree of certainty? Was mind just body more refined?
He refused to believe that. — Joshua Ferris

Golf cannot be played in anger, or in any mood of emotiional excess. Half the golf balls struck by amateurs are hit if not in rage surely in bewilderment, or gloom, or in cynicism, or even hysterically - all of those emotional excesses must be contained by the professional. Which is why balance is one of the essential ingredients of golf. Professionals invariably trudge phlegmatically around the course - whatever emotions are seething within - with the grim yet placid and bored look of cowpokes, slack-bodied in their saddles, who have been tending the same herd for two months. — George Plimpton

Some guidelines for a successful 'Grand Tour' of Europe: 1. Energy! Never be 'too tired' or 'not in the mood'. 2. Avoid conflict with Albie. Accept light-hearted joshing and do not retaliate with malice or bitter recriminations. Good humour at all times. 3. It is not necessary to be seen to be right about everything, even when that is the case. 4. Be open-minded and willing to try new things. For example, unusual foods from unhygienic kitchens, experimental art, unusual points of view, etc. 5. Be fun. Enjoy light-hearted banter with C and A. 6. Try to relax. Don't dwell on the future for — David Nicholls