Quotes & Sayings About Not Everything Is What It Seems

It often seems to me that's all detective work is, wiping out your false starts and beginning again.
Yes, it is very true, that. And it is just what some people will not do. They conceive a certain theory, and everything has to fit into that theory. If one little fact will not fit it, they throw it aside. But it is always the facts that will not fit in that are significant. — Agatha Christie

But perhaps this is all to the good. Perhaps it's best to live with the possibility that around any corner, at any time, may come the person who reminds you of your own capacity to surprise yourself, to put at risk everything that's dear to you. Who reminds you of the distances we have to bridge to begin to know anything about one another. Who reminds you that what seems to be - even about yourself - may not be. That like him, you need to be forgiven. — Sue Miller

There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk. — John Cassavetes

What seems clear to me,' Karl Wertheimer joined in, 'is that Eli Black believes in the myth of the artist. This is a myth that holds that everything must be sacrificed for art. It may not be a foolish myth if one is, say, Michelangelo or Beethoven. But if one is less than that then the myth of the artist is very destructive, sadly so for people who become too closely involved with him. — Joseph Epstein

Thank you for getting me," I try to say. My lips are so tired they don't want to move.
"Anytime,Zara.Really.I mean it." He seems to be smelling my hair.
"I know you hate me and everything but we should be friends," I tell him, closing my eyes.
"I don't hate you," he says. "That's not it at all."
"What is it then? Are you a victim of parthenophobia?"
"Parthenophobia?"
"Fear of girls."
"You are so strange." He moves back even closer to me, this wicked glint in his eyes like he's trying hard not to snort-laugh at me. His hand presses against the side of my head. Nobody has ever touched me like this before, all gentle and romantic, but strong at the same time. "I'm not afraid of girls."
"Then why haven't you kissed any?"
For a second his eyes flash. "Maybe the right one hasn't come around yet. — Carrie Jones

It is really laughable to see what different ideas are prominent in various naturalists' minds, when they speak of 'species'; in some, resemblance is everything and descent of little weight-in some, resemblance seems to go for nothing, and Creation the reigning idea-in some, descent is the key,-in some, sterility an unfailing test, with others it is not worth a farthing. It all comes, I believe, from trying to define the undefinable. — Charles Darwin

Perhaps it was, what you don't realize, my dear (not having killed anyone) our judgement is distorted afterward and everything seems exaggerated. — Agatha Christie

Everything is more complicated than you think. You only see a tenth of what is true. There are a million little strings attached to every choice you make; you can destroy your life every time you choose. But maybe you won't know for twenty years. And you'll never ever trace it to its source. And you only get one chance to play it out. Just try and figure out your own divorce. And they say there is no fate, but there is: it's what you create. Even though the world goes on for eons and eons, you are here for a fraction of a fraction of a second. Most of your time is spent being dead or not yet born. But while alive, you wait in vain, wasting years, for a phone call or a letter or a look from someone or something to make it all right. And it never comes or it seems to but doesn't really. And so you spend your time in vague regret or vaguer hope for something good to come along. Something to make you feel connected, to make you feel whole, to make you feel loved. — Charlie Kaufman

Dear Jutta, Sorry I have not written these past months. The fever is mostly gone now and you should not worry. I have been feeling very clearheaded lately and what I want to write about today is the sea. It contains so many colors. Silver at dawn, green at noon, dark blue in the evening. Sometimes it looks almost red. Or it will turn the color of old coins. Right now the shadows of clouds are dragging across it, and patches of sunlight are touching down everywhere. White strings of gulls drag over it like beads. It is my favorite thing, I think, that I have ever seen. Sometimes I catch myself staring at it and forget my duties. It seems big enough to contain everything anyone could ever feel. Say hello to Frau Elena and the children who are left. — Anthony Doerr

There is a remarkably distinctive smell emitted by fearful bureaucrats. It is acrid, rank, and seems to cling to the clothing and the hair. Acting like a pheromone, it drives senior management to form small defensive herds from which to scream homicidally at middle management that they must not tell junior staff who can fix the problem what is going on because everything, including what has just been reported on the radio, is secret. — Peter Macinnis

And yet. And yet. If asked - if pressed - Honora would have to say she is strangely content. It's an odd feeling that she cannot describe to anyone - not to her mother and certainly not to Sexton, whose unhappiness seems to have no bounds, whose unhappiness is defined now by what he does not have, which is almost everything. He will always, in his mind, be the salesman who no longer has anything to sell. A man who longs for the open road but who cannot ever take it. Whereas Honora, oddly, now has more purpose than she ever did before. She is a dutiful wife who tends to her husband in spite of his weaknesses. She is a woman with ingenuity. She is a woman without illusions. She is a woman who, above all, is too busy trying to make a go of it to fret about her marriage. — Anita Shreve

When a memory fails to appear, it seems as though the time when it was created did not really exist, and maybe that is true. Time itself is nothing; only the experience of it is something. When that dies, it assumes the form of a denial, the symbol of mortality, what you have already lost before you lose everything. When his friend had said something similar to his father, his response had been, If you had to retain everything, you'd explode. There's simply not enough space for it all. Forgetting is like medicine; you have to take it at the right time. — Cees Nooteboom

No matter what it looks like or seems like. There is hope at the end of the tunnel. Think smart and plan for your future. Your words are power. Your thoughts are dynamite and your life can make a major difference for someone else. You are above and not beneath. You are the head and not the tail. See hope in everything that you do because you are filled with major purpose. Giving up is not an option and living life to the fullest is a major choice. Choose to be happy! Live for tomorrow. — Alisha Broughton

You can't get on with the rest of your life if you are forever taking your spectacles off and inspecting them; indeed, one of the problems with spectacles is that if you break them you may not be able to see properly in order to mend them yourself. So it is with worldviews: when you are questioned about some or all of your worldview, and you have (as it were) to take it off and look at it in order to see what's going on, you may not be able to examine it very closely because it is itself the thing through which you normally examine everything else. The resulting sense of disorientation can be distressing. It can lead to radical change. It shakes the very foundation of persons and societies. Sometimes, it seems, it can turn persecutors into apostles ... — N. T. Wright

It's been six months, Nancy.'
'What's your hurry? It took me a year to get used to living with Carl. I mean, what do men do anyway? They work, eat, drink, and play games. Sex for them is in the sports and recreation category. You can't live with a man and not be lonely.'
'You think so?'
'Absolutely. Besides, once you have kids, it all changes anyway. Everything seems to make sense then. — Andre Dubus III

when i was little i used to save my baths for later. id come back to them before bed and sit in the old cold bathwater and run cool water out of the shower and pretend i was hiding in vietnam and it was raining. i was young when i did this and am not sure why i was thinking about vietnam or what i knew about it. i did this when i was older too. im thinking about doing it again tonight.

you are running out of time to get everything you want exactly the way you want it. (this is a joke.) most things are going to be left unsaid. (this is not a joke.) a few weeks ago my mom sent me an email with pictures of eagles that said "how about these eagles." she visits my cousin in jail once a month. that seems like a lot for an aunt. he is in jail because he shot his girlfriend in the face but they are still together. she told me once that she knew in her heart that he is guilty but now she claims she never said that. — Heiko Julien

It is my fault".
"You're right. It is". At that Jace looked up in absolute astonishment. Surprise at being agreed with battled with horror and relief in equal measures.
"Is it?"
"The harm is not deliberate, of course. But you are like me. We poison and destroy everything we love. There is a reason for that".
"What reason?"
Valentine glanced up at the sky. "We are meant for a higher purpose, you and I. The distractions of the world are just that, distractions. If we allow ourselves to be turned aside from our course by them, we are duly punished."
"And our punishment is visited on everyone we care about? That seems a little hard on them."
"Fate is never fair[...] — Cassandra Clare

Everything in the universe is older than it seems. Blame Einstein for that. We see what a thing was when the light left it, and that was long ago. Nothing in the night sky is contemporary, not to us, not to one another. Ancient stars exploded into ruin before their sparkle ever caught our eyes; those glimpsed in glowing "nurseries" were crones before we witnessed their birth. Everything we marvel at is already gone.
Yet, light rays go out forever, so that everything grown old and decayed retains somewhere the appearance of its youth. The universe is full of ghosts.
But images are light, and light is energy, and energy is matter; and matter is real. So image and reality are the same thing, after all. Blame Einstein for that, as well. — Michael Flynn

And yet the idea is hard to accept, it's so hard to succeed in making something happen, even what's been decided on and planned out, not even the will of a god seems forceful enough to manage it, if our own will is made in its semblance. It may be, rather, that nothing is ever unmixed and the thirst for totality is never quenched, perhaps because it is a false yearning. Nothing is whole or of a single piece, everything is fractured and evenomed, veins of peace run through the body of war and hatred insinuates itself into love and compassion, there is truce amid the quagmire of bullets and a bullet amid the revelries, nothing can bear to be unique or prevail or be dominant and everything needs fissures and cracks, needs it negation at the same time as its existence. And nothing is known with certainty and everything is told figuratively. — Javier Marias

For a moment I just watch Sean wrap Corr's leg, watching how his shoulders move when they're not hidden by his jacket, how he tilts his head when he's involved in his work. He either hasn't noticed my arrival or he's pretending that he hasn't, and either's fine by me. There's something rewarding about watching a job done well, or at least a job done with everything you've got. I try to put my finger on how it is that Sean Kendrick seems so different to other people, what it is about him that makes him seem so intense and still at the same time, and I think, finally, that it's something about hesitation. Most people hesitate between steps or pause or are somehow uneven about the process. Whether that process is wrapping a leg or eating a sandwich or just living life. But with Sean, there's never a move he's not sure of, even if it means not moving at all. — Maggie Stiefvater

From this moment on, nothing is what it seems. You're not a human being, you're a character- and filmmakers are doing everything in their power to kill you even now.
Supernatural powers and curses are real, and numbers like 666 and 237 can kill you just as easily as a butch knife.
Log cabins are slaughterhouses, cornstalks are antennas for evil, and aliens never, ever come in peace. — Seth Grahame-Smith

What is an obsession? It is a form of programming that has gotten completely out of hand. Religious fanatics are a prime example, as are those people who become enveloped in a political concept. Most of man's progress has come about as a result of obsessions. The Wright brothers were not just tinkerers with an idea; their idea swallowed them up. Most leaders are obsessed with power or possessed by egos so large their only concern is their place in history. I have known writers obsessed with a single subject. Like Bobby Fischer and chess, anything and everything outside their subject seems meaningless. Any art form - music, painting, dance - is done best by those who are completely possessed by it. Such possession often borders on madness. This world would be a sorry place without such madmen. — John A. Keel

Beside her, she can feel each breath he draws. How is it possible to be so close to a person and still not know what you are to each other? With baseball, it's simple. There's no mystery to what happens on the field because everything has a label
full count, earned run, perfect game
and there's a certain amount of comfort in this terminology. There's no room for confusion and Ryan wishes now that everything could be so straightforward. But then Nick pulls her closer, and she rests her head on his chest, and nothing seems more important that this right here. — Jennifer E. Smith

Maybe nothing is art", maybe everything is or could be art. To that, no doubt she would have responded like she did in the installation: "The term [artist] itself seems old-fashioned. It's a term that does not relate to modern times. And it's too confining. What I love about fashion is its accessibility and its democracy. Everyone wears it, and everyone relates to it. — Miuccia Prada

Well, I never been to much school, you understand, but it seems to me that you're assuming something you shouldn't assume ... that God sees the world like you do; one thing at a time, from just one spot. Seems to me that he's supposed to be everywhere, know everything ... Think about that; he knows what you're feeling, how you're hurting. Feels my pain, your pain like it was his own. Hell son, the question isn't how God could care about just one person; question is, how could he not? — Jim Butcher

Destiny has a fickle mind, the path to it is winding, and not everything is what it seems. — Amanda J. Nassar

[Wild animals], and the beautiful landscapes that sustain them ... possess a value and a virtue regardless of our dwindling connection with them. It seems that there is a virtue and a wisdom in keeping some things beyond our reach: that the protection of wilderness itself is imperative ... We have touched, and are consuming, everything. The world is very old, and we are so new. I like the feeling of awe
what the late writer Wallace Stegner called 'the birth of awe'
in beholding wild country not reduced by man. I like to remember that it is wild country that gives rise to wild animals; and that the marvelous specificity of wild animals reminds us to wake up, to let our senses be inflamed by every scent and sound and sight and taste and touch of the world. I like to remember that we are not here forever, and not here alone, and that the respect with which we behold the wild world matters, if anything does. — Rick Bass

In order for a god to be all-knowing, he must know even the fact of his own omniscience. But can he do this? He may know the totality of facts constituting the world; call this Y. But in order to know that he has mastered Y, he must also know that 'There are no facts unknown to me' - and this is beyond Y.
It seems impossible that a god (or anyone) could ever be sure that nothing exists beyond his ken. It makes no sense to imagine [a god] arriving at this limit, peering beyond it (at what?), and satisfying himself no further facts exist. But without this certainty he cannot be sure of his own omniscience, and so does not know everything.
A theist might argue that his god has created all the facts in existence. But an omniscient god would have to be sure of even this - that he is the sole creator, and that there are no facts unknown to him. And how could he come to this knowledge? — Roland Puccetti

See? Grumpy. And defensive. If you need help, ask me, you stubborn asshole."
"Right, like you ask for help or time off when your leg hurts?"
"My leg is fine."
"What a coincidence," Cole said. "I'm fine too. I'm so damn fine it's not even funny. Everything's
great. The ranch is great."
"Seems like it."
"Obviously."
"You're as screwed up as I am, — Maisey Yates

I had become wiser, I tried to find out what irony really is, and discovered that some ancient writer on poetry had spoken of "Ironia, which we call the drye mock." And I cannot think of a better term for it: The drye mock. Not sarcasm, which is like vinegar, or cynicism, which is so often the voice of disappointed idealism, but a delicate casting of cool and illuminating light on life, and thus an enlargement. The ironist is not bitter, he does not seek to undercut everything that seems worthy or serious, he scorns the cheap scoring-off of the wisecracker. He stands, so to speak, somewhat at one side, observes and speaks with a moderation which is occasionally embellished with a flash of controlled exaggeration. He speaks from a certain depth, and thus he is not of the same nature as the wit, who so often speaks from the tongue and no deeper. The wit's desire is to be funny; the ironist is only funny as a secondary achievement. — Robertson Davies

It is not enough for me to ask question; I want to know how to answer the one question that seems to encompass everything I face: What am I here for? — Abraham Joshua Heschel

I'm not even sure I want kids, by the way, even if I'm not the one who has to be pregnant. It seems too risky. I mean, what if you end up with a kid that's just plain bad? Or stupid? It's not like you can give it away or put it in a garage sale or something. You're pretty much stuck with it for a long time.
I know now they have all these tests they can do so you can find out if your kid has three arms or is retarded or whatever, but you can't test for everything. You can't test for crazy, for example, or for bad taste in music and clothes and stuff. You can't know if your kid is going to be someone you would actually want to have hanging around. You just have to take your chances. That seems like a pretty big gamble to me. — Michael Thomas Ford

[N]early every creationist debater will mention the second law of thermodynamics and argue that complex systems like the earth and life cannot evolve, because the second law seems to say that everything in nature is running down and losing energy, not getting more complex. But that's NOT what the second law says; every creationist has heard this but refuses to acknowledge it. The second law only applies to closed systems, like a sealed jar of heated gases that gradually cools down and loses energy. But the earth is not a closed system
it constantly gets new energy from the sun, and this (through photosynthesis) is what powers life and makes it possible for life to become more complex and evolve. It seems odd that the creationists continue to misuse the second law of thermodynamics when they have been corrected over and over again, but the reason is simple: it sounds impressive to their audience with limited science education, and if a snow job works, you stay with it. — Donald R. Prothero

More than the choking heat, more than the blinding flames that rise up into the night sky, more than the endlessly leaping colours that change shape with every moment, more than all of these is the transforming power of fire. Fire takes solid wooden beams and reduces them to charcoal. It licks at everything with a scarlet tongue and leaves it black. It spreads like the folds of a golden robe over human bodies and what is left is gray and chalky: ash, blown up and up by every breath of wind only to fall like dust on the ground. When it is burning most fiercely, it seems that it might go on forever and devour everything in its path. It does not cower and withdraw in front of princes. Palace and hovel alike are good fuel and nothing more. It is unstoppable. And when it has moved, what remains is desolation. — Adele Geras

Then he comes to the brink of a precipitous fall; that is, he comes to the point where he himself will have to be taken as standing-reserve. Meanwhile man, precisely as the one so threatened, exalts himself to the posture of lord of the earth. In this way the impression comes to prevail that everything man encounters exists only insofar as it is his construct. This illusion gives rise in turn to one final delusion: It seems as though man everywhere and always encounters only himself ... In truth, however, precisely nowhere does man today any longer encounter himself, i.e. his essence. Man stands so decisively in attendance on the challenging-forth of Enframing that he does not apprehend Enframing as a claim, that he fails to see himself as the one spoken to, and hence also fails in every way to hear in what respect he ek-sists, from out of his essence, in the realm of an exhortation or address, and thus can never encounter only himself. — Martin Heidegger

Never judge a woman by her attitude...listen to her story, get to know her heart & experience her fears...Not everything is what it seems...~E.Williams

I Will Never have to Solidify my existence....If you know my name my Existence is Profound....E~Williams — Ebony

The writer in any field, and particularly the television writer, runs into "dry periods" - weeks or months when it seems that everything he writes goes the rounds and ultimately gets nowhere. This is not only a bad moment but an endless one. I remember a five-month period late in 1952 when my diet consisted chiefly of black coffee and fingernails. I'd written six half-hour television plays and each one had been rejected at least five times. What this kind of thing does to a family budget is obvious; and what it does to the personality of the writer is even worse. — Rod Serling

Time will prolong time, and life will serve life. In this field that is both limited and bulging with possibilities, everything to himself, except his lucidity, seems unforeseeable to him. What rule, then, could emanate from that unreasonable order? The only truth that might seem instructive to him is not formal: it comes to life and unfolds in men. The absurd mind cannot so much expect ethical rules at the end of its reasoning as, rather, illustrations and the breath of human lives. — Albert Camus

What can be accomplished by a few principles is not effected by many. But it seems that everything we see in the world can be accounted for by other principles, supposing God did not exist. For all natural things can be reduced to one principle, which is nature, and all voluntary things can be reduced to one principle, which is human reason, or will. Therefore there is no need to suppose God's existence. — Thomas Aquinas

You really want my honest opinion?" I ask.
Anton gestures for me to go on. "Please, this is why I hired you, devochka."
I detect a little hint of sarcasm, but I go ahead and say, "I hate restaurants like this."
"Why?" He seems genuinely curious to know why.
"Because - because they're expensive."
"What is the problem? I'm paying for everything."
I shake my head. "It's not that - you see," I lower my voice, " this is where famous people eat."
"Famous?" Anton pretends to look around. "Where?"
"I think that's the guy from that prank show. And there's that guy from those vampire movies. And Maya Findlay."
"Yeah? I don't know who they are."
"Really?" I ask dubiously.
"I'm not into the famous people thing too."
"Really."
"Yes."
"Which is why you only date models who want to become actresses." I notice him giving me a look. "Sorry," I say sheepishly. — Maria Malonzo

What is it, the difference between ordinary people and those with genius? Not just ordinary people either. Intelligent people, sensitive ones, exceptionally talented ones. Even people like Sonja who give everything and then more, who work harder than seems possible on the thing they love. — Anna Smaill

Galen and Rayna are close."
I gasp. "How do you know that? I can't feel them." My heart turns traitor, beating like I just ran five miles uphill. It has nothing to do with sensing and everything to do with the mention of Galen's name.
"I'm a Tracker, Emma. I can sense them from almost across the world. Especially Rayna. And from the feel of things, Galen is flittering that cute little fin of his like crazy to get back to you. Rayna must be riding on his back."
"You can tell what she's doing?"
"I can tell how fast she's moving. No one can swim as fast as Galen, Rayna included. He must be pretty impatient to see you."
"Yeah. Impatient for me to change so he can have another royal subject to order around."
Toraf's laughter startles me, not because it's loud, but because his mood seems to swing around on an axis. "Is that what you think?" he says. — Anna Banks

Nobody had ever tried to stop me in June as long as I could remember, and when you are nine years old, what you remember seems forever; for you remember everything and everything is important and stands bigs and full and fills up Time and is so solid that you can walk around and around it like a tree and look at it. You are aware that times passes, that there is a movement in time, but that is not what Time is. Time is not a movement, a flowing, a wind then, but is, rather, a kind of climate in which things are, and when a thing happens it begins to live and keeps on living and stands solid in Time like the tree that you can walk around."
from "Blackberry Winter — Robert Penn Warren

1. Milo There was once a boy named Milo who didn't know what to do with himself - not just sometimes, but always. When he was in school he longed to be out, and when he was out he longed to be in. On the way he thought about coming home, and coming home he thought about going. Wherever he was he wished he were somewhere else, and when he got there he wondered why he'd bothered. Nothing really interested him - least of all the things that should have. "It seems to me that almost everything is a waste of time," he remarked one day as he walked dejectedly home from school. "I can't see the point in learning to solve useless problems, or subtracting turnips from turnips, or knowing where Ethiopia is or how to spell February." And, since no one bothered to explain otherwise, he regarded the process of seeking knowledge as the greatest waste of time of all. — Norton Juster

Truthfulness, honor, is not something which springs ablaze of itself; it has to be created between people. This is true in political situations. The quality and depth of the politics evolving from a group depends in large part on their understanding of honor. Much of what is narrowly termed "politics" seems to rest on a longing for certainty even at the cost of honesty, for an analysis which, once given, need not be re-examined ... It isn't that to have an honorable relationship with you, I have to understand everything, or tell you everything at once, or that I can know, beforehand, everything I need to tell you. It means that most of the time I am eager, longing for the possibility of telling you. That these possibilities may seem frightening, but not destructive to me. That I feel strong enough to hear your tentative and groping words. That we both know we are trying, all the time, to extend the possibilities of truth between us. — Adrienne Rich

What is this, Enki?" says the Queen. "Do you not honor me?"
Enki's smile is wide and bright. "I give you the greatest honor," he says.
"You are dressed in the manner of a slave," says she, "in a city where there are none."
"There aren't," he agrees, though now his smile seems too sharp for his words. "But there is the verde."
"And what of it?"
"I am dressed in the manner of my people."
"Are we not your people?" And we see that the Queen is torn between amusement and anger. Enki is leading her in a dance, but has not tapped out its rhythm.
"You are everything to me."
"And yet you come before us hardly as a king."
"I come before you," says Enki, "as a simple verde boy." He takes a quick step back, almost skipping, and his dust-lightened hair bobs around his ears. "I will leave you as a king." And when the drums start, that's how he dances: as a king. — Alaya Dawn Johnson

The question about the page is: what is beneath it? It seems to have only two dimensions, you can pick it up and turn it over and the back is the same as the front. Nothing, you say, disappointed.
But you were looking in the wrong place, you were looking on the back instead of beneath. Beneath the page is another story. Beneath the page is a story. Beneath the page is everything that has ever happened, most of which you would rather not hear about.
The page is not a pool but a skin, a skin is there to hold in and it can feel you touching it. Did you really think it would just lie there and do nothing?
Touch the page at your peril: it is you who are blank and innocent, not the page. Nevertheless you want to know, nothing will stop you. You touch the page, it's as if you've drawn a knife across it, the page has been hurt now, a sinuous wound opens, a thin incision. Darkness wells through. — Margaret Atwood

Wanna know what a bullet feels like, Warren? A real one? It's not like in the comics ... I think you need to. Feel it ... It's not going to make a neat little hole. First - it'll obliterate your internal organs. Your lung will collapse, feels like drowning ... When it finally hits your spine, it'll blow your central nervous system- ... I'm talking. The pain will be unbearable, but you won't be able to move ... A bullet usually travels faster than this, of course. But the dying? It seems like it takes forever. Something, isn't it? One tiny piece of metal destroys everything. It ripped her insides out ... It took her light away. From me. From the world ... And now the one person who should be here is gone - and a waste like you gets to live. A tiny piece of metal. Can you feel it now? — Joss Whedon

What is important is not what is said, but that some talk be continually going on. Silence is the great crime, for silence is lonely and frightening. One shouldn't feel much, nor put much meaning into what one says: what you say seems to have more effect if you don't try to understand. One has the strange impression that these people are all afraid of something - what is it? It is as if the "yatata" were a primitive tribal ceremony, a witch dance calculated to appease some god. There is a god, or rather a demon, they are trying to appease: it is the specter of loneliness which hovers outside like the fog drifting in from the sea. One will have to meet this specter's leering terror for the first half-hour one is awake in the morning anyway, so let one do everything possible to keep it away now. — Rollo May

It would be good," thought Prince Andrei, glancing at the little image that his sister had hung around his neck with such reverence and emotion, "It would be good if everything were as clear and simple as it seems to Princess Marya . How good it would be to know where to seek help in this life, and what to expect after it, beyond the grave! How happy and at peace I should be if I could now say:" Lord have mercy on me! ... But to whom should I say this? To some power
indefinable and incomprehensible, to which I not only cannot appeal, but which I cannot express in words
The Great All or Nothing," he said to himself, "or to that God who has been sewn into this amulet by Marya? There is nothing certain, nothing except the nothingness of everything that is comprehensible to me, and the greatness of something incomprehensible but all important! — Leo Tolstoy

A statement about luck is a statement about the mind, not about the world ... We find what seems to have been the lucky break or the big mistake, and so we thank our lucky stars that we took the road less traveled or curse the fates that sent that little wavelet that flipped us on our backs. With hindsight, we seem to see that everything preceding the pivotal point was leading up to it, tending toward it, and that everything following it grew from it.
To any observer outside the lucky one himself, however, luck is simply chance. Chance is neutral. — Eric Kraft