Non Abstract Words Quotes & Sayings

Ebun becomes completely conceptual in the xenosphere. She is an idea from infancy, the non-verbal stage. There are no words with which to understand her form, and there is no image. We are aware of her presence, but it is extremely abstract. The idea is her own, from her own early life. Even she does not fully understand it, but she can pull it out of lost memories and use it. She is safe. It is an elegant solution which I wish I had thought of. — Tade Thompson

Old English poetry is characterised by a number of poetic tropes which enable a writer to describe things indirectly and which require a reader imaginatively to construct their meaning. The most widespread of these figurative descriptions are what are known as kennings. Kennings often occur in compounds: for example, hronrad (whale-road) or swanrad (swan- road) meaning 'the sea'; banhus (bone-house) meaning the 'human body'. Some kennings involve borrowing or inventing words; others appear to be chosen to meet the alliterative requirement of a poetic line, and as a result some kennings are difficult to decode, leading to disputes in critical interpretation. But kennings do allow more abstract concepts to be communicated by using more familiar words: for example, God is often described as moncynnes weard ('guardian of mankind'). — Ronald Carter

Philosophy is the abstract art of thoughts and perceptions that form colors of words and languages that paint the canvas of our minds. — Debasish Mridha

When the vivid reality which is meant by these rather abstract words is truly possessed by us, when that which is unchanging in ourselves is given its chance, and emerges from the stream of succession to recognise its true home and goal, which is God - then, though much suffering may, indeed will, remain; apprehension, confusion, instability, despair, will cease. — Evelyn Underhill

It happened a long time ago," she said quietly. Wells nodded. The words I know formed in his brain but got lost somewhere on the way to his mouth. His eyes began to prickle and he turned away quickly. Eight billion. That's how many people had died during the Cataclysm. It'd always seemed as abstract as any huge figure, like the age of Earth, or the number of stars in the galaxy. Yet now, he'd give anything to know that the people who'd eaten dinner together in this kitchen, with those plates, had somehow made it off the burning planet. "Wells, — Kass Morgan

Latin [...], it was the sign of being able to detach yourself from here and now, abstract your understanding of words, train your memory and live solitary in your head with only books for company. So it was meant to be hard, but I found it wonderfully easy, for just these reasons. I fell in love with Latin. — Lorna Sage

The master-economist must possess a rare combination of gifts ... He must be mathematician, historian, statesman, philosopher - in some degree. He must understand symbols and speak in words. He must contemplate the particular, in terms of the general, and touch abstract and concrete in the same flight of thought. He must study the present in the light of the past for the purposes of the future. No part of man's nature or his institutions must be entirely outside his regard. He must be purposeful and disinterested in a simultaneous mood, as aloof and incorruptible as an artist, yet sometimes as near to earth as a politician. — John Maynard Keynes

Verse is not written, it is bled; Out of the poet's abstract head. Words drip the poem on the page; Out of his grief, delight and rage. — Paul Engle

Physical. In other words, we are understanding one thing in terms of something else of the same kind. But in conventional metaphor, we are understanding one thing in terms of something else of a different kind. In "Inflation has gone up," for example, we understand inflation (which is abstract) in terms of a physical substance, and we understand an increase of inflation (which is also abstract) in terms of a physical orientation (up). The only difference is whether our projection involves the same kinds of things or different kinds of things. — George Lakoff

Forgotten Stars. Time in the Flame.
Missing Shard. The Only Rain.
Door of the Memory. Waves in the Silk.
Silent Birch. Thoughts of Lunatics.
Secret of the Flowers. Soaring of the Souls.
Heart in the Night. And a Kiss Unfolds.
Forgotten Voyager. Voyage in the Words.
Nothing of the World. Someone of the Hemisphere.
Trembling Stones. Sucking Tears.
The Next Gift. The World in the Kisses.
Missing Angels. The Woman of the Girl.
Guardian of the Rings. Thorn in the Pearl.
Whispering Sword. Touching exclaim.
Soul in the Truth. Heat in the Flame.
Thy name, my name, Thy name!
Came. Became. To Remain. — Jasleen Kaur Gumber

Peace is only possible if men cease to place their happiness in the possession of things "which cannot be shared," and if they raise themselves to a point where they adopt an abstract principle superior to their egotisms. In other words, it can only be obtained by a betterment of human morality. — Julien Benda

Each of these passages has faults of its own, but, quite apart from avoidable ugliness, two qualities are common to all of them. The first is staleness of imagery; the other is lack of precision. The writer either has a meaning and cannot express it, or he inadvertently says something else, or he is almost indifferent as to whether his words mean anything or not. This mixture of vagueness and sheer incompetence is the most marked characteristic of modern English prose, and especially of any kind of political writing. As soon as certain topics are raised, the concrete melts into the abstract and no one seems able to think of turns of speech that are not hackneyed: prose consists less and less of words chosen for the sake of their meaning, and more and more of phrases tacked together like the sections of a prefabricated hen-house. — George Orwell

Compared with men, it is probable that brutes neither attend to abstract characters, nor have associations by similarity. Their thoughts probably pass from one concrete object to its habitual concrete successor far more uniformly than is the case with us. In other words, their associations of ideas are almost exclusively by contiguity. So far, however, as any brute might think by abstract characters instead of by association of con cretes, he would have to be admitted to be a reasoner in the true human sense. How far this may take place is quite uncertain. — William James

Some physicists describe gravity in terms of ten dimensions all curled up. But those aren't real words-just placeholders, used to refer to parts of abstract equations. — Scott Adams

The vanquished know war. They see through the empty jingoism of those who use the abstract words of glory, honor, and patriotism to mask the cries of the wounded, the senseless killing, war profiteering, and chest-pounding grief. — Chris Hedges

For myself, I favored the abstract. I collected not just obsolete terms and words, but ideas. — Jasper Fforde

And speaking of this wonderful machine:
[840] I'm puzzled by the difference between
Two methods of composing: A, the kind Which goes on solely in the poet's mind,
A testing of performing words, while he
Is soaping a third time one leg, and B,
The other kind, much more decorous, when
He's in his study writing with a pen. In method B the hand supports the thought,
The abstract battle is concretely fought.
The pen stops in mid-air, then swoops to bar
[850] A canceled sunset or restore a star,
And thus it physically guides the phrase
Toward faint daylight through the inky maze.
But method A is agony! The brain
Is soon enclosed in a steel cap of pain.
A muse in overalls directs the drill Which grinds and which no effort of the will
Can interrupt, while the automaton
Is taking off what he has just put on Or walking briskly to the corner store [860] To buy the paper he has read before. — Vladimir Nabokov

Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes. It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity. That sort of turned me on. — Frank Stella

In a sense, Joyce was Beckett's Don Quixote, and Beckett was his Sancho Panza. Joyce aspired to the One; Beckett encapsulated the fragmented many. But as each author accomplished his task, it was in the service of the other. Ultimately, Beckett's landscapes would resound with articulate silence, and his empty spaces would collect within themselves the richness of multiple shadows
a physicist would say the negative particles
of all that exists in absence, as in the white patches of an Abstract Expressionist painting. Becket would evoke, on his canvasses of vast innuendo and through the interstices of conscious and unconscious thought, the richness that Joyce had made explicit in words and intricate structure. — Lois Gordon

Money, after all, is an abstract artifact, like language - merely symbolized by the paper or coin or whatever. If you can fully grasp its abstractedness, especially in the computer age, it becomes quite clear that no group can monopolize this abstraction, except through a series of swindle. If the usurers had been bolder, they might have monopolized language as well as currency, and people would be saying we can't write more books because we don't have enough words, the way they now say we can't build starships, because we don't have enough money. — Robert Anton Wilson

Maybe stalking the woods is as vital to the human condition as playing music or putting words to paper. Maybe hunting has as much of a claim on our civilized selves as anything else. After all, the earliest forms of representational art reflect hunters and prey. While the arts were making us spiritually viable, hunting did the heavy lifting of not only keeping us alive, but inspiring us. To abhor hunting is to hate the place from which you came, which is akin to hating yourself in some distant, abstract way. — Steven Rinella

When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualizing you probably hunt about until you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning. Probably it is better to put off using words as long as possible and get one's meaning as clear as one can through pictures and sensations. Afterward one can choose - not simply accept - the phrases that will best cover the meaning, and then switch round and decide what impressions one's words are likely to make on another person. — George Orwell

To me, a story can be both concrete and abstract, or a concrete story can hold abstractions. And abstractions are things that really can't be said so well with words. — David Lynch

And so on, until you arrive at the other side, among the purely abstract self-harming: the grinding over your failures, the refusal to remember anything good, the determination to ensure - if anyone falls into the mistake of making it clear they actually like you - that the next time round they change their opinion pronto. Emotional self-cannibalism, in other words, like those tessellated pictures of a person grappling with a mirror image of himself. — Alexander Masters

A Book of Glass
On the table, a book of glass. In the book only a few pages with no words But scratched in a diamond-point pencil to pieces in diagonal Spirals, light triangles; and a French curve fractures lines to
elisions.

The last pages are simplest. They can be read backwards and
thoroughly. Each page bends a bit like ludicrous plastic. He who wrote it was very ambitious, fed up, and finished. He had been teaching the insides and outsides of things

To children, teaching the art of Rembrandt to them. His two wives were beautiful and Death begins As a beggar beside them. What is an abstract persona? A painter visits but he prefers to look at perfume in vials.

And I see a book in glass - the words go off In wild loops without words. I should Wake and render them! In bed, Mother says each child Will receive the book of etchings, but the book will be
incomplete, after all.
But I will make the book of glass. — David Shapiro

A now notorious first fall into alienation, habituating people to abstract the world into printed words, — Susan Sontag

By his own assessment, he was no genius. He had "no great quickness of apprehension or wit" or "power to follow a long and purely abstract train of thought." On the many occasions when I share those feelings, I find it encouraging to review those words because that Englishman did okay for himself - his name was Charles Darwin. — Leonard Mlodinow

I can't actually explain why my lines got shorter, but they did. Just as I can't explain why my early poems were 'all image' and my current ones are relatively abstract. The sense of the line changed with the theme, somehow my ear (or brain or heart/mind) fell in love with a short line and very very simple words. — Gregory Orr

Your words have come true with a vengeance that I shd [should] be forestalled ... I never saw a more striking coincidence. If Wallace had my M.S. sketch written out in 1842 he could not have made a better short abstract! Even his terms now stand as Heads of my Chapters. — Charles Darwin

There were many words that you could not stand to hear and finally only the names of places had dignity. Certain numbers were the same way and certain dates and these with the names of the places were all you could say and have them mean anything. Abstract words such as glory, honor, courage, or hallow were obscene beside the concrete names of villages, the numbers of roads, the names of rivers, the numbers of regiments and the dates. — Ernest Hemingway,

It's one thing to predict [the complete breakdown of civilization]. It's something else again to be right in the middle of it. It's a very humbling thing ... for an academic like me to find his abstract theories turning into concrete reality ... It was all just so many words to me, really, just a philosophical exercise, completely abstract. — Isaac Asimov

There seems to be a firewall in my mind against ideas expressed in numbers and graphs rather than words, or in abstract words such as Sin or Creativity. I just don't understand. And incomprehension is boredom. — Ursula K. Le Guin