No Mind Reader Quotes & Sayings

Forgive my asking you to use your mind. It is a thing which no novelist should expect of his reader ... — Owen Wister

I'm adorable, first off. My sense of humor is stellar - obvs."
"Obvs," she echoes dryly.
"I'm extraordinarily skilled in the art of conversation."
She nods. "When it's about yourself, of course."
"Of course." I pretend to think it over some more. "Oh, and I'm a mind reader. No lie. I always know what the other person is thinking."
"Yeah? What am I thinking right now?" Allie challenges.
"That you want me to shut up and fuck you again."
She shakes her head in dismay. "Goddamn it. That's actually what I was thinking."
I smirk at her and tap my forehead. "Told ya. Mind reader. — Elle Kennedy

There is no public record of Barack Obama's (or Stanley Ann Dunham's) being in the CIA. Perhaps he was, perhaps he wasn't. The reader may consider the information and, based on background, life experiences, and ability to keep an open mind, may come to either conclusion.
But any explanation of why Barack Obama would not have mentioned a word of his Most Excellent Pakistani Adventure in either of his two autobiographies requires a conspiracy theory that might cast doubt on either the sanity or the sincerity fothe person proposing it. — Mondo Frazier

Plate glass ... has no beauty of its own. Ideally, you ought not to be able to see it at all, but through it you can see all that is happening outside. That is the equivalent of writing that is plain and unadorned. Ideally, in reading such writing, you are not even aware that you are reading. Ideas and events seem merely to flow from the mind of the writer into that of the reader without any barrier between. I hope that is what is happening when you read this book — Isaac Asimov

What is reading, in the last analysis, but an interchange of thought between writer and reader? If the book enters the reader's mind just as it left the writer's -- without any of the additions and modifications inevitably produced by contact with a new body of thought -- it has been read to no purpose. — Edith Wharton

It is doubtful whether a supreme master of style could pack all the elements of truth that complete justice would demand into a hundred word account of what had happened in Korea during the course of several months. For language is by no means a perfect vehicle of meanings. Words, like currency, are turned over and over again, to evoke one set of images to-day, another to-morrow. There is no certainty whatever that the same word will call out exactly the same idea in the reader's mind as it did in the reporter's. Theoretically, if each fact and each relation had a name that was unique, and if everyone had agreed on the names, it would be possible to communicate without misunderstanding. In the exact sciences there is an approach to this ideal, and that is part of the reason why of all forms of world-wide cooperation, scientific inquiry is the most effective. — Walter Lippmann

A story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it. — Ian McEwan

To impress your offer on the mind of the reader or listener, it is necessary to put it into brief, simple language ... No farfetched or obscure statement will stop them. You have got to hit them where they live in the heart or in the head. You have got to catch their eyes or ears with something simple, something direct, something they want. — John Caples

In a story you only had to wish, you only had to write it down and you could have the world ... It seemed so obvious now that it was too late: a story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it. Reading a sentence and understanding it were the same thing; as with the crooking of a finger, nothing lay between them. There was no gap during which the symbols were unraveled. — Ian McEwan

Remember that only when past genius is transmitted into a present power shall we meet the first truly american poet. And somewhere, born to the streets rather than the athenaeum, we will come upon the first true reader. The spirit of the american is suspected to be timid, imitative, tame
the scholar decent, indolent, complaisant. The mind of our country, taught to aim at low objects, eats upon itself. Without action, the scholar is not yet man. Ideas must work through the bones and arms of good men or they are no better than dreams. — Matthew Pearl

The reader will have noticed that one no longer treats the siege of Troy as a myth. To do so would be to exhibit a most uncritical mind; even the legends of King Arthur have a historic foundation, and those of the Nibelungen are still more probable. — Leonard W. King

My readers have to work with me to create the experience. They have to bring their imaginations to the story. No one sees a book in the same way, no one sees the characters the same way. As a reader you imagine them in your own mind. So, together, as author and reader, we have both created the story. — J.K. Rowling

There must be courage; there must be no awe. There must be criticism, for humor, to my mind, is encapsulated in criticism. There must be a disciplined eye and a wild mind ... There must be a magnificent disregard of your reader, for if he cannot follow you, there is nothing you can do about it. — Dorothy Parker

Only a reader can become a writer. Develop a lively intellect and the ability to become interested in anything, no matter how mundane it might seem at first. Look for the story. Develop an eye for detail. Feed your mind and your brain: learn as much as you can about everything you can. — Susan Campbell Bartoletti

It is more than probable that I am not understood; but I fear, indeed, that it is in no manner possible to convey to the mind of the merely general reader, an adequate idea of that nervous intensity of interest with which, in my case, the powers of meditation (not to speak technically) busied and buried themselves, in the contemplation of even the most ordinary objects of the universe. — Edgar Allan Poe

That's most interesting. But I was no more a mind-reader then than today. I
was weeping for an altogether different reason. When I watched you dancing that day, I saw something else. I saw a new world coming rapidly. More
scientific, efficient, yes. More cures for the old sicknesses. Very good. But a
harsh, cruel world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could not
remain, and she was holding it and pleading, never to let her go. That is what I saw. It wasn't really you, what you were doing, I know that. But I saw you and it broke my heart. And I've never forgotten. — Kazuo Ishiguro

At the same time, I think books create a sort of network in the reader's mind, with one book reinforcing another. Some books form relationships. Other books stand in opposition. No two writers or readers have the same pattern of interaction. — Margaret Mahy

If/when I die, do not want Pam lonely. Want her to remarry, have full life. As long as new husband is nice guy. Gentle guy. Religious guy. Very caring + good to kids. But kids not fooled. Kids prefer dead dad (i.e., me) to religious guy. Pale, boring, religious guy, with no oomph, who wears weird sweaters and is always a little sad, due to, cannot get boner, due to physical ailment.
Ha ha.
Death very much on my mind tonight, future reader. Can it be true? That I will die? That Pam, kids will die? Is awful. Why were we put here, so inclined to love, when end of our story = death? That harsh. That cruel. Do not like.
Note to self: try harder, in all things, to be better person. — George Saunders

The House Was Quiet and the World Was Calm
The house was quiet and the world was calm.
The reader became the book; and summer night
Was like the conscious being of the book.
The house was quiet and the world was calm.
The words were spoken as if there was no book,
Except that the reader leaned above the page,
Wanted to lean, wanted much to be
The scholar to whom his book is true, to whom
The summer night is like a perfection of thought.
The house was quiet because it had to be.
The quiet was part of the meaning, part of the mind:
The access of perfection to the page.
And the world was calm. The truth in a calm world,
In which there is no other meaning, itself
Is calm, itself is summer and night, itself
Is the reader leaning late and reading there. — Wallace Stevens

But I do not have the reader in mind when I write. No true writer does that. — Guillermo Cabrera Infante

How solemn is this fact: nothing can be concealed from God! "For I know the things that come into your mind, every one of them" (Ezek. 11:5). Though he be invisible to us, we are not so to him. Neither the darkness of night, the closest curtains, nor the deepest dungeon can hide any sinner from the eyes of Omniscience. The trees of the garden were not able to conceal our first parents. No human eye beheld Cain murder his brother, but his Maker witnessed his crime. Sarah might laugh derisively in the seclusion of her tent, yet was it heard by Jehovah. Achan stole a wedge of gold and carefully hid it in the earth, but God brought it to light. David was at much pains to cover up his wickedness, but ere long the all-seeing God sent one of his servants to say to him, "Thou art the man!" And to writer and reader is also said, "Be sure your sin will find you out" (Num. 32:23). — Arthur W. Pink

Movie or no, you should never put pictures of the book's characters on the cover. That only cramps the reader's fantasy. You force him to keep seeing the faces of the actors in the movie. For someone who has seen the movie first and then, out of curiosity, goes on to read the whole book, that might not be so bad. But anyone who reads the book first is faced with a dilemma. During the reading he sees the faces of all the characters in his mind's eye. Faces he wants to assemble with his own fantasy. No matter how those faces may be described. Despite your superfluous descriptions of noses, eyes, ears, and hair color, each reader constructs his own faces in his own imagination. Three hundred thousand readers; that's three hundred thousand different faces for each character. Three hundred thousand faces that are destroyed at one fell swoop by that one face in the movie. As a reader, it's pretty tough to remember that imaginary face after seeing the actor on the screen. Two — Herman Koch

Far and away the greatest menace to the writer - any writer, beginning or otherwise - is the reader. The reader is, after all, a kind of silent partner in this whole business of writing, and a work of fiction is surely incomplete if it is never read. The reader is, in fact, the writer's only unrelenting, genuine enemy. He has everything on his side; all he has to do, after all, is shut his eyes, and any work of fiction becomes meaningless. Moreover, a reader has an advantage over a beginning writer in not being a beginning reader; before he takes up a story to read it, he can be presumed to have read everything from Shakespeare to Jack Kerouac. No matter whether he reads a story in manuscript as a great personal favor, or opens a magazine, or - kindest of all - goes into a bookstore and pays good money for a book, he is still an enemy to be defeated with any kind of dirty fighting that comes to the writer's mind. — Shirley Jackson

Shakespeare has surface beneath surface to an immeasurable depth, adapted to the plummet-line of every reader; his works present many phases of truth, each with a scope large enough to fill a contemplative mind. Whatever you seek in him you will surely discover, provided you seek truth. There is no exhausting the various interpretations of his symbols, and a thousand years hence a world of new readers will possess a whole library of new books, as we ourselves do, in these volumes old already. — Nathaniel Hawthorne

Of course a poem is a two-way street. No poem is any good if it doesn't suggest to the reader things from his own mind and recollection that he will read into it, and will add to what the poet has suggested. But I do think poetry readings are very important. — James Laughlin

I have no particular reader in mind, but a passionate desire to tell an honest, moving story. — Chitra Banerjee Divakaruni

The process of reading is reciprocal; the book is no more than a formula, to be furnished out with images out of the reader's mind. — Elizabeth Bowen

Well, the fact is, we can never know what people do in the privacy of their own rooms. The door is closed. The blinds are drawn. We don't know. I leave it up to the reader. But there's no doubt in my mind that they loved each other, and this was an ardent, loving relationship between two adult women. — Blanche Wiesen Cook

The world is like a sheet of paper on which something is typed. The reading and the meaning will vary with the reader, but the paper is the common factor, always present, rarely perceived. When the ribbon is removed, typing leaves no trace on the paper. So is my mind - the impressions keep on coming, but no trace is left. — Sri Nisargadatta Maharaj

For language is by no means a perfect vehicle of meanings. Words, like currency, are turned over and over again, to evoke one set of images to-day, another to-morrow. There is no certainty whatever that the same word will call out exactly the same idea in the reader's mind as it did in the reporter's. — Walter Lippmann

There is no such thing as a story. The words on paper are only instructions used by each reader to create a story. The story itself exists in the reader's mind and nowhere else. And it is different for each reader, because no two people have the same experience, background, training, interests, and so on. — Damon Knight

There is (gentle reader) nothing (the works of God only set apart) which so much beautifies and adorns the soul and mind of man as does knowledge of the good arts and sciences . Many arts there are which beautify the mind of man; but of all none do more garnish and beautify it than those arts which are called mathematical , unto the knowledge of which no man can attain, without perfect knowledge and instruction of the principles, grounds, and Elements of Geometry. — John Dee

I end with a word on the new symbols which I have employed. Most writers on logic strongly object to all symbols ... I should advise the reader not to make up his mind on this point until he has well weighed two facts which nobody disputes, both separately and in connexion. First, logic is the only science which has made no progress since the revival of letters; secondly, logic is the only science which has produced no growth of symbols. — Augustus De Morgan

Reader, I think proper, before we proceed any further together, to acquaint thee that I intend to digress, through this whole history, as often as I see occasion, of which I am myself a better judge than any pitiful critic whatever; and here I must desire all those critics to mind their own business, and not to intermeddle with affairs or works which no ways concern them; for till they produce the authority by which they are constituted judges, I shall not plead to their jurisdiction. — Henry Fielding

Our time and attention is scarce. Art is not that important to us, no matter what we might like to believe ... Our love of art is often quite temporary, dependent upon our moods, and our love of art is subservient to our demand for a positive self image. How we look at art should account for those imperfections and work around them.
Keep in mind that books, like art museums, are not always geared to the desires of the reader. Maybe we think we are supposed to like tough books, but are we? Who says? Many writers (and art museums) produce for quite a small subsample of the ... public. — Tyler Cowen

I began to understand art as a kind of black box the reader enters. He enters in one state of mind and exits in another. The writer gets no points just because what's inside the box bears some linear resemblance to 'real life' - he can put whatever he wants in there. What's important is that something undeniable and nontrivial happens to the reader between entry and exit. In fact, 'Slaughterhouse-Five' seemed to be saying that our most profound experiences may require this artistic uncoupling from the actual. The black box is meant to change us. If the change will be greater via the use of invented, absurd material, so be it. — George Saunders

No mind ever grew fat on a diet of novels. The pleasure which they occasionally offer is far too heavily paid for: they undermine the finest characters. They teach us to think ourselves into other men's places. Thus we acquire a taste for change. The personality becomes dissolved in pleasing figments of imagination. The reader learns to understand every point of view. Willingly he yields himself to the pursuit of other people's goals and loses sight of his own. Novels are so many wedges which the novelist, an actor with his pen, inserts into the closed personality of the reader. The better he calculates the size of the wedge and the strength of the resistance, so much the more completely does he crack open the personality of the victim. Novels should be prohibited by the State. — Elias Canetti

But the operation of writing implies that of reading as its dialectical correlative and these two connected acts necessitate two distinct agents. It is the joint effort of author and reader, which brings upon the scene that concrete and imaginary object which is the work of the mind. There is no art except for and by others. — Jean-Paul Sartre

Now I began to understand art as a kind of black box the reader enters. He enters in one state of mind and exits in another. The writer gets no points just because what's inside the box bears some linear resemblance to "real life"
he can put whatever he wants in there. What's important is that something undeniable and nontrivial happens to the reader between entry and exit. — George Saunders

Tales of ordinary characters would appeal to a larger class , but I have no wish to make such an appeal . The opinions of the masses are of no interest to me , for praise can truly gratify only when it comes from a mind sharing the author's perspective . There are probably seven persons in all , who really like my work and they are enough . I should write even if I were the only patient reader , for my aim is merely self expression . I could not write about ' ordinary people ' because I am not in the least interested in them . Without interest there can be no art . Man's relations to man do not captivate my fancy . It is man's relations to the cosmos - to the unknown - which alone arouses in me the spark of creative imagination . — H.P. Lovecraft

I exercised my mental muscles in the library, and lo and behold, I transformed myself from a casual reader into a focused one. So it was more than just free books, but also free space and a culture that reinforced settling down, deep reading, thinking, imagining, and exploring with my mind. I am no doubt a writer today because I had a place to go as a kid, where I knew stories were essential, and where everybody also reveled in the wonder within books. — Sergio Troncoso