No Author In Text Quotes & Sayings

The author should die once he has finished writing. So as not to trouble the path of the text. — Umberto Eco

Deliberately or not, every author is of course present in every book he or she writes - even in a scientific text. — Abraham Pais

Whether one likes it or not, every reader is at the same time an interpreter. That is, most of us assume as we read that we also understand what we read. We also tend to think that our understanding is the same thing as the Holy Spirit's or human author's intent. However, we invariably bring to the text all that we are, with all of our experiences, culture, and prior understandings of words and ideas. Sometimes what we bring to the text, unintentionally to be sure, leads us astray, or else causes us to read all kinds of foreign ideas into the text. — Gordon D. Fee

Part of what Milton valued in a good book then was contact with the mind of an author rendered otherwise inaccessible by distance or time. Such contact is precisely what much modern and postmodern criticism insists we cannot have. Perhaps a secular world view inevitably leads to a universe in which a text is merely a playing field for the reader's own intellectual athleticism. Perhaps only a Christian view (such as Milton's) of the imago descending from God to author to text can preserve the writing of literature as an act of communication. — Leland Ryken

The author is impacted by a hidden insistence that takes the shape of different combinations each time a
different text is produced but the underlying problem remains the same for him. — Anuradha Bhattacharyya

On the one hand, any analysis which foregrounds one vector of power over another will doubtless become vulnerable to criticisms that it not only ignores or devalues the others, but that its own constructions depend on the exclusion of the others in order to proceed. On the other hand, any analysis which
pretends to be able to encompass every vector of power runs the risk of a certain epistemological imperialism which consists in the presupposition
that any given writer might fully stand for and explain the complexities of contemporary power. No author or text can offer such a reflection of the world, and those who claim to offer such pictures become suspect by virtue of that very claim. — Judith Butler

I will quote one sentence from this text, namely, the one with which it ended. It was also the sentence which finally dissolved the writer's block that had inhibited the author from starting work. I have since used it whenever I myself have been gripped by fear of the blank sheet in front of me. It is infallible, and its effect is always the same: the knot unravels and a stream of words gushes out on to the virgin paper. It acts like a magic spell and I sometimes fancy it really is one. But, even if it isn't the work of a sorcerer, it is certainly the most brilliant sentence any writer has ever devised. It runs: 'This is where my story begins.' — Walter Moers

At first the creative mind submits to its entry into the symbolic register and gets itself structured like everyone else. Then he balks at a fateful moment which becomes a turning point in the history of his mental growth. From the entry into the imaginary order where he acknowledges his ego and then to the symbolic order where he recognizes his place in the society and finally in his de-symbolization or a refusal to obey the Law that is the rules of the world of symbols, a creative genius is born. — Anuradha Bhattacharyya

I'm not rigid about directorial changes: I judge them on a case-by-case basis. In the case of a play whose text is widely familiar, I'm open to drastic changes that may alter the author's meaning, perhaps even considerably. If the results don't work, then I say so. — Terry Teachout

The special knowledge you are about to learn will reveal a "letter theory" that was set into motion from the very first verse in your Bible. It is as though the divine author is telling the reader to expect Hebrew letters and numbers to weave messages, in the sub-text, through the rest of the Bible - starting with verse one. — Michael Ben Zehabe

This is what Laura loved about literature. You could see things in it that perhaps weren't there, but might be. And even that didn't matter if, in the end, readers needed something to be there. They could bring their somethings to a text, as co-creators, embedding a needed reality in the story that, if it was flexible enough, would allow new threads to take their place beside the author's. — L.L. Barkat

Whereas the work is understood to be traceable to a source (through a process of derivation or "filiation"), the Text is without a source - the "author" a mere "guest" at the reading of the Text. — Roland Barthes

I have one rule when adapting any text: nothing gets added; all the words are the original author's own. But in the ordering and recreation of the story, I can do as I please, and to me, the heart and the point of 'Dracula' is appetite. — Kathe Koja

In 1938, Louise Rosenblatt introduced reader response theory or the transactional view of reading. She asserted that what the reader brings to the reading act - his or her world of experiences, personality, and current frame of mind - is just as important in interpreting the text as what the author writes. According to this view, reading is a fusion of text and reader. — Carl M. Tomlinson

When one has a text to question, it is irrelevant to ask the author. — Umberto Eco

In preparing the present volume, it has been the aim of the author to do full justice to the ample material at his command, and, where possible, to make the illustrations tell the main story to anatomists. The text of such a memoir may soon lose its interest, and belong to the past, but good figures are of permanent value. [Justifying elaborate illustrations in his monographs.] — Othniel Charles Marsh

The aim of the scholarly editor is not to produce the the easiest text for the reader, but to get as near as he can to the text of the author. — Frederic G. Kenyon

...the book typographer's job was building a window between the reader inside a room and that landscape which is the author's words. He may put up a stained glass window of marvelous beauty, but a failure as a window; that is he may use some rich superb type like text gothic that is something to be look at, not through. — Simon Garfield

Well, each interpretation of an event, setting or character is unique to each of those who read it because they clothe the author's description with the memory of their own experiences. Every character they read is actually a complex amalgam of people they've met, read or seen before - far more real than it can ever be just from the text on the page. Because every reader's experiences are different, each book is unique for each reader. — Jasper Fforde

The concept of an author, the single creative person who gives the text 'authority', only comes later in this period. Most Old English poetry is anonymous, even though names which are in no way comparable, such as Caedmon and Deor, are used to identify single texts. Caedmon and Deor might indeed be as mythical as Grendel, might be the originators of the texts which bear their names, or, in Deor's case only, the persona whose first-person voice narrates the poem. Only Cynewulf 'signed' his works, anticipating the role of the 'author' by some four hundred years. — Ronald Carter

What must a text be if it can, by itself in a way, turn itself in order to shine again, after an eclipse, with a different light, in a time that is no longer that of its productive source (and was it ever contemporaneous with it?), and then again repeat this resurgence after several deaths, counting, among several others, those of the author, and the simulacrum of a multiple extinction? — Jacques Derrida

I have no problem selling books to media franchises and we do it all the time. The author must understand that he/she is a writer for hire and has no control over copyright or over editorial changes made to the text. — Richard Curtis

We must be forewarned that only rarely does a text easily lend itself to the reader's curiosity ... the reading of a text is a transaction between the reader and the text, which mediates the encounter between the reader and writer. It is a composition between the reader and the writer in which the reader "rewrites" the text making a determined effort not to betray the author's spirit. — Paulo Freire

The meaning of a work is not what the author had in mind at some point, nor is it simply a property of the text or the experience of a reader. Meaning is an inescapable notion because it is not something simple or simply determined. It is simultaneously an experience of a subject and a property of a text. It is both what we understand and what in the text we try to understand. — Jonathan Culler

Every book tells a different story to the person who reads it. How they perceive that book will depend on who they are. A good book reflects the reader, as much as it illuminates the author's text. — Charles De Lint

The author of this text did not write to provoke, but merely to express a truth as he conceives it. Your own theologians have tied logic in knots to advance a doctrine addressing this very same point. What is the Virgin Birth, after all, but the fumbling of minds striving to deal with the indelicate realities of the body? We Jews are merely more forthright about such matters. — Geraldine Brooks

Unless you first do the hard work of answering those questions about a text, your meditations won't be grounded in what God is actually saying in the passage. Something in the passage may "hit" you - but it may hit you as expressing almost the opposite of what the biblical author, inspired by the Spirit, was saying. When that happens, you are listening to your own heart or to the spirit of your own culture, not to God's voice in the Scripture. A great number of books advise "divine reading" of the Bible today, and define the activity uncarefully as reading "not for information but to hear a personal word of God to you." This presents a false contrast. It is certainly true that meditation personalizes the Word, but before we can meditate on what the text personally means to us and our time, we must first need to know as much as possible what the author meant to say to his readers when he wrote it. — Timothy Keller

Once an author finishes a poem, he becomes merely another reader. I may remember what I intended to put into a text, but what matters is what a reader actually finds there which is usually something both more and less than the poet planned. — Dana Gioia

She wasn't all that interested, as a reader, in the reader. She was still partial to that increasingly eclipsed entity: the writer. Madeleine had a feeling that most semiotic theorists had been unpopular as children, often bullied or overlooked, and so had directed their lingering rage onto literature. They wanted to demote the author. They wanted a book, that hard-won, transcendent thing, to be a text, contingent, indeterminate, and open for suggestions. They wanted the reader to be the main thing. Because they were readers.
Whereas Madeleine was perfectly happy with the idea of genius. She wanted a book to take her places she couldn't get to herself. She thought a writer should work harder writing a book than she did reading it. — Jeffrey Eugenides

A novel is designed to stimulate our minds and imagination without any visuals, other than the constructed text."

"An author's job is to breath life into words for the reader. That is the core essence of what we do. — Efthalia

Someone from the Internet Writing Workshop sent me a link to the Gender Genie, where you paste in a section of text and it uses an algorithm to detect whether the author is male or female. Or, if you're an author, you can tell whether you're really nailing your opposite-sex characters. I mean, nailing their dialog. — Max Barry

NOTICE
Persons attempting to find a "text" in this book will be prosecuted; persons attempting to find a "subtext" in this book will be banished; persons attempting to explain, interpret, explicate, analyze, deconstruct, or otherwise "understand" it will be exiled to a desert island in the company only of other explainers.
BY ORDER OF THE AUTHOR — Wendell Berry

One of the things I love most about second person is that it reminds the reader that they are reading a text. It doesn't allow them to drift into the story and not notice that they are reading a book - a book that has an author. — Rob Roberge

The Dominion in 1983 was first published as a thirty page booklet in 1883 under the pseudonym Ralph Centennius. (The author's real name is unknown.) This edition has been proof-read word-by-word against a copy of the original on microfiche. (Canadian Institute for Historical Microreproductions no. 00529) In this text, a mixture of American and British spelling can be found. (For example — Ralph Centennius

When my phone chimes with a text message on Monday morning, I'm still in that dreamy state between sleep and awake where you can pretty much convince yourself of anything. Like that a teen Mick Jagger is waiting in your driveway to take you to school. Or that your favorite book series ended with an actual satisfying conclusion, instead of what the author tried to pass off as a satisfying conclusion. — Jessica Brody

Focusing-Oriented Art Therapy is a major contribution to art therapy literature and practice. Laury Rappaport introduces a contemplative method and philosophy grounded in the body's felt-sense of experience and its innate and largely unrecognized wisdom. This intellectually provocative, yet thoroughly practical text, establishes Rappaport as an emergent leader in the art therapy world and author of a book that every student and art therapist must read in order to appreciate the depth and breadth of our discipline. — Shaun McNiff

The analytical framework of this comprehensive field study of what it means to be an American examines how a person's personality, culture, technology, occupational and recreational activities affect a person's sense of purposefulness and happiness. The text evaluates the nature of human existence, formation of human social relations, and methods of communication from various philosophic and cultural perspectives. The ultimate goal is to employ the author's own mind and personal experiences as a filter to quantify what it means to live and die as a thinking and reflective person. — Kilroy J. Oldster

Few people read coffee-table photo books, and indeed they are not intended to be read. I find the text in these books is often surprisingly good, perhaps because the author
or more importantly, the editor
feels no need to pander. — Tyler Cowen

Together with the topic of a text, the reader usually needs to know its point. He needs to know what the author is trying to accomplish as she explores the topic. — Steven Pinker

I can tell that I shaped the book very deliberately, after a great deal of thought, and that I insisted this piece function as a prologue, but I find the word "intention," confusing ("trust the art," as D.H. Lawrence said, "not the artist"). These speculations are perhaps better responded to by text and reader, rather than author. — Laura Mullen