Night World Book 1 Quotes & Sayings

I want to rewind the clock, take back the night when the world shattered. I want to erase everything that went wrong. — Amy Hatvany

The difference between wanting to write and having written is one year of hard, relentless labour. It's a bridge you have to build all by yourself, all alone, all through the night, while the world goes about its business without giving a damn. The only way of making this perilous passage is by looking at it as a pilgrimage. — Shatrujeet Nath

December 26, 7:40 p.m.
Dear America,
I've been thinking of our first kiss. I suppose I should say first kisses, but what I mean is the second, the one I was actually invited to give you. Did I ever tell you how I felt that night? It wasn't just getting my first kiss ever; it was getting to have that first kiss with you. I've seen so much, America, had access to the corners of our planet. But never have I come across anything so painfully beautiful as that kiss. I wish it was something I could catch with a net or place in a book. I wish it was something I could save and share with the world so I could tell the universe: this is what it's like; this is how it feels when you fall.
These letters are so embarrassing. I'll have to burn them before you get home.
Maxon — Kiera Cass

The English major is, first of all, a reader. She's got a book pup-tented in front of her nose many hours a day; her Kindle glows softly late into the night. But there are readers and there are readers. There are people who read to anesthetize themselves - they read to induce a vivid, continuous, and risk-free daydream. They read for the same reason that people grab a glass of chardonnay - to put a light buzz on. The English major reads because, as rich as the one life he has may be, one life is not enough. He reads not to see the world through the eyes of other people but effectively to become other people. What is it like to be John Milton, Jane Austen, Chinua Achebe? What is it like to be them at their best, at the top of their games? — Mark Edmundson

You will stay up all night reading this brilliant and devastating novel the way you might have with a new best friend in junior high-one whose revelations thrilled and terrified you, and whose raw, hard-earned wisdom remade the way you saw the world. It evokes the genius of Angela Pneumans canonical progenitors: Flannery O'Connor, Katherine Anne Porter, Walker Percy. Lay It on My Heart is a gorgeous, riveting, and unforgettable book. — Julie Orringer

The whole world makes comic book movies now. — M. Night Shyamalan

No matter how hard you try, you will never be able to carry the world. So you need to get it off your shoulders before you break your back. (From Night Marchers book 2 coming soon.) — Rebecca Gober

Solitude In the dark night Snowflakes falling slowly In absolute silence Blissful peace The joy of solitude Holding my book Sipping my tea Chocolate on my tongue My heart is filled with contentment Stroking silky fur beside me Looking into dark brown eyes That shine with devotion Pure unconditional love Immersing myself in a foreign world Living a life in hours Laughing, crying, loving In the dark night The joy of solitude — Helle Gade

You became a reader because you saw and heard someone you admired enjoying the experience, someone led you to the world of books even before you could read, let you taste the magic of stories, took you to the library, and allowed you to stay up later at night to read in bed. — Jim Trelease

This world is a place of business. What an infinite bustle! I am awaked almost every night by the panting of the locomotive. It interrupts my dreams. There is no sabbath. It would be glorious to see mankind at leisure for once. It is nothing but work, work, work. I cannot easily buy a blank-book to write thoughts in; they are commonly ruled for dollars and cents. An Irishman, seeing me making a minute in the fields, took it for granted that I was calculating my wages. If a man was tossed out of a window when an infant, and so made a cripple for life, or scared out of his wits by the Indians, it is regretted chiefly because he was thus incapacitated for - business! I think that there is nothing, not even crime, more opposed to poetry, to philosophy, ay, to life itself, than this incessant business. — Henry David Thoreau

I would have understood if they had killed him. — L.J.Smith

The homunculus narrator experiences everything backward - his first memory is Unverdorben's death. He has no control over Unverdorben's actions, nor access to his memories, but passively travels through life in reverse order. At first Unverdorben appears to us as a doctor, which strikes the narrator as quite a morbid occupation - patients shuffle into the emergency room, where staff suck medicines out of their bodies and rip off their bandages, sending them out into the night bleeding and screaming. But near the end of the book, we learn that Unverdorben was an assistant at Auschwitz, where he created life where none had been before - turning chemicals and electricity and corpses into living persons. Only now, thinks the narrator, does the world finally make sense. — Sean Carroll

Clenched Soul
We have lost even this twilight.
No one saw us this evening hand in hand.
While the blue night dropped on the world.
I have seen from my window
the fiesta of sunset in the distant mountain tops.
Sometimes a piece of sun
burned like a coin in my hand.
I remembered you with my soul clenched
in the sadness of mine that you know.
Where we you then?
Who else was there?
Saying what?
Why will the whole of love come on me suddenly
when I am sad and feel you are far away?
The book fell that always closed at twilight
and my blue sweater rolled like a hurt dog at my feet.
Always, always you recede through the evenings
towards the twilight erasing statues. — Pablo Neruda

The beauty of the world of Unbreakable is that you're playing it for reality. It should never feel like a comic book movie. It feels like a straight-up drama. It's real. You're confronting the possibility that comic book characters were based on people that were real. — M. Night Shyamalan

The House Was Quiet and the World Was Calm
The house was quiet and the world was calm.
The reader became the book; and summer night
Was like the conscious being of the book.
The house was quiet and the world was calm.
The words were spoken as if there was no book,
Except that the reader leaned above the page,
Wanted to lean, wanted much to be
The scholar to whom his book is true, to whom
The summer night is like a perfection of thought.
The house was quiet because it had to be.
The quiet was part of the meaning, part of the mind:
The access of perfection to the page.
And the world was calm. The truth in a calm world,
In which there is no other meaning, itself
Is calm, itself is summer and night, itself
Is the reader leaning late and reading there. — Wallace Stevens

No matter how people mess with you or let you down, or how you let yourself down, a good book means that when you get in bed that night, you have a good hour. I feel like you pay all day for that hour. That's what books mean to me. I can open this two-dimensional, flat white page with squiggly little black marks on them, and someone has created this world that you're going to enter into ... — Anne Lamott

All the while that Jean was listening to him, he was vaguely conscious that what gives literature its reality is the result of work accomplished by the human spirit, no matter what the material facts that may have stimulated it (a walk, a night of love, a social drama), of a sort of discovery in the world of the spirit, of the emotions, made by the human intelligence, so that the value of a book is never in the material presented by the writer, but in the nature of the operation he performs upon it. — Marcel Proust

the bouquet

Between me and the world
you are a bay, a sail
the faithful ends of a rope
you are a fountain, a wind,
a shrill childhood cry.

Between me and the world
you are a picture frame, a window
a field covered in wildflowers
you are a breath, a bed,
a night that keeps the stars company.

Between me and the world,
you are a calendar, a compass
a ray of light that slips through the gloom
you are a biographical sketch, a book mark
a preface that comes at the end.

between me and the world
you are a gauze curtain, a mist
a lamp shining in my dreams
you are a bamboo flute, a song without words
a closed eyelid carved in stone.

Between me and the world
you are a chasm, a pool
an abyss plunging down
you are a balustrade, a wall
a shield's eternal pattern. — Bei Dao

Usually while I lay in bed, I liked to think of new things I could do for Lynnie. Maybe I could let her try my pillow to see if she liked it better. Or I could bring her a new cracker she'd never tried. Or maybe I could even find a new book that she'd never heard of and read it to her, even though she had heard of every book in the world. That night I knew that nothing I could do would make her feel better. So I lay in bed and listened to her mournful noise and didn't feel love or hate or anger or anything at all except despair. — Cynthia Kadohata

A book, a good chair, my pipe, and a good bed to go to when night falls, and I'm as happy as one can be in this very trying world. — Warren Lewis

So Mo began filling the silence with words. He lured them out of the pages as if they had only been waiting for his voice, words long and short, words sharp and soft, cooing, purring words. They danced through the room, painting stained glass pictures, tickling the skin. Even when Meggie nodded off she could still hear them, although Mo had closed the book long ago. Words that explained the world to her, its dark side and its light side, words that built a wall to keep out bad dreams. And not a single bad dream came over that wall for the rest of the night. — Cornelia Funke

The most terrifying thing I can think of is being alone - and I mean utterly alone, like no one else in the world alone - at night. That's the nucleus of the first story in my collection and it's also where the title came from for the book. — Paul Kane

And on the night before he suffers the worst that wayward human culture can do, this is what he does: he takes bread and wine into his hands, lifts them up, and blesses them. Bread and wine, not wheat and grapes. Bread and wine are culture, not just nature. They are good for food and a delight to the eyes. Jesus takes culture, blesses it, breaks it, and gives it to his friends. Taken, broken, blessed, and given, these cultural goods, these "creatures of bread and wine" as the old prayer book had it, become sign and presence of God in the world. — W. David O. Taylor

The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone.
Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night's heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but angels of God. — Jerome K. Jerome

I grew up in a small town with a very small library. But the books in the library opened a large place in my heart. It is the place where stories live. And those stories have been informing my days, comforting my nights, and extending possibilities ever since. If that library had not been there, if the books - such as they were - had not been free, my world would be poor, even today. — Marion Dane Bauer

The world has become man's right and everything in it has become a right: the desire for love the right to love, the desire for rest the right to rest, the desire for friendship the right to friendship, the desire to exceed the speed limit the right to exceed the speed limit, the desire for happiness the right to happiness, the desire to publish a book the right to publish a book, the desire to shout in the street in the middle of the night the right to shout in the street. — Milan Kundera

Many of the enchanted things in the book are lamps, carpets, sofas, gems, brass rings. It is a rather different landscape than the fairy tale landscape of the West. Though we have interiors and palaces, we don't have bustling cities, and there isn't the emphasis on the artisan making things. The ambiance from which they were written was an entirely different one. The Arabian Nights comes out of a huge world of markets and trade. Cairo, Basra, Damascus: trades and skills. — Marina Warner

There's a whole slew of wonderful speculation of flying in a fanciful way. Gulliver is one of the central examples; Swift has the hum of Arabian Nights in his ear with Gulliver's Travels. The difference is in scale - Gulliver as a kind of Sinbad kind of figure, the way he is picked up and carried. Just to finish up with Scheherazade, I do think that The Arabian Nights could be considered as a great book on women's position in the world. — Marina Warner

My cousin Helen, who is in her 90s now, was in the Warsaw ghetto during World War II. She and a bunch of the girls in the ghetto had to do sewing each day. And if you were found with a book, it was an automatic death penalty. She had gotten hold of a copy of 'Gone With the Wind', and she would take three or four hours out of her sleeping time each night to read. And then, during the hour or so when they were sewing the next day, she would tell them all the story. These girls were risking certain death for a story. And when she told me that story herself, it actually made what I do feel more important. Because giving people stories is not a luxury. It's actually one of the things that you live and die for. — Neil Gaiman

And wasn't it this bright boy you selected for beating and tortures after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for their are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man's mind. Who knows who might be the target of the well-read man? Me? I won't stomach them for a minute. And so when houses were finally fireproofed completely, all over the world (you were correct in your assumption the other night) there was no longer need of firemen for the old purposes. They were given the new job, as custodians of our peace of mind, the focus of our understandable and rightful dread of being inferior: official censors, judges and executors. That's you, Montag, and that's me. — Ray Bradbury