Night That Looks Quotes & Sayings

NO, WE DO NOT HAVE PENS!
Bring your own. You'll need them. You see, like every other department in the city, Records runs on Almighty Forms. There are forms that tell the Night Mayor's office what we hunters are doing - starting an investigation, ending one, or reaching various points along the way. There are forms that make things happen, from installing rat traps to getting lab work done. There are forms with which to requisition peep-hunting equipment, from tiger cages to Tasers. (The form for commandeering a genuine NYC garbage truck may be thirty-four pages long, but one day I will think of some reason to fill it out, I swear to you.) There are even forms that activate other forms or switch them off, that cause other forms to mutate, thus bringing newly formed forms into the world. Put together, all these forms are the vast spiral of information that defines us, guides our growth, and makes sure our future looks like our past - they are the DNA of the Night Watch. — Scott Westerfeld

I locate the ladies' room. Luckily, it's empty, no one to see the vacant-eyed girl, staring in the mirror. Staring at a stranger who doesn't care if she dies. Maybe she wants to die. Who would care if I died? My face is hollow-cheeked, spiced with sores
the places where I stab at bugs. Tiny bugs, almost invisible, but irritating. Usually they come out at night, when I'm lying there, begging for sleep. I've been meaning to tell the manager that the apartment needs to be sprayed. Sprayed. Steam cleaned. Deodorized. My hair looks odd too. It used to be darker. Shinier. Prettier. Can hair lose color when you're only eighteen? What if I go all the way gray? Will Trey still love me? Will anyone? That is, if I fool them all and don't die. — Ellen Hopkins

Margaux looks around the table; this is not working. All of a sudden she's thinking about a safe room, something she's only heard of but suddenly wants: water, oxygen, bulletproof door, dead bolts, a thousand books. Utterly quiet. Completely silent. No girls she barely knows in saggy leather pants, no girls in mesh strippers' gloves and jeans sanded thin as a bee's wing, and no girls who can't stay home one night a year because they are always and forever out. On their way to. Coming from.
And then her heart open. Just a little, but it does. Because she remembers all that. How she felt then: the self-reproach, the utter confusion ... That's why her heart opens. For those girls at the table who always feel baffled and sad, tender and malign, repulsive and desirable, innocent and contemptuous of innocence.
So she cries. For them, mostly. For herself a little ... everything hesitates. So that for a second there's no sound in the enormous room but that of Margaux sobbing. — Ron Koertge

A talent is a combination of something you love a great deal and something you can lose yourself in - something that you can start at 9 o'clock, look up from your work and it's 10 o'clock at night. — George Lucas

A village, even a small one, takes at least all night to burn, in the end it looks like an enormous flower, then there's only a bud, and after that nothing. — Louis-Ferdinand Celine

This one guy, the worse guy in the music. The Yanni man. You know Yanni? First of all, anyone who looks like a magician and doesn't do magic, I don't like. I don't even like magic, I hate it. But I love the word, "Ta-da"! I love that word! I don't get to say it, right? I never do any magic. You just cant go around walking, "Ta-da!" "Ta-da!" "Ta-da!" The only time I can say it is when I do something really stupid or surprising. Like if I go out all night drinking and hitting strip clubs and I come home and I still got some money ... "Ta
da!" I thought I was broke. Why does my jaw hurt? — Dave Attell

Delia," he says. "I'm going to do the best I can today."
"I know that."
"But I also wanted to say I'm sorry."
My mind swirls with sentences I read last night in Fitz's writing. "For what?"
Eric looks at me with so much unsaid that I expect the moment to crystallize, fall to the table like a marble. But he lifts his glass, breaking the spell. "Just in case," he says. — Jodi Picoult

How can you approve of them? Does it not bother you that your son, your only son, the very last male to carry the Garrett name, goes home from work every night to another man? That doesn't offend your sensibilities?" "Not one bit," Harrison said. He picked up his newspaper again. "At least he looks forward to going home. — Abigail Roux

The sky was filled with fat stars, swollen from the long night. The moon had risen briefly and then slipped out of sight. It was one of those sad moons that no one looks at or pays attention to. It had hung there a while, misshapen, not shedding any light, and then gone to hide behind the hills. — Juan Rulfo

When Compasia took pity on me, she reached down into the Underworld, touched the shoulder of Moritas, and asked her forgiveness. Then Compasia took my sister in her arms and placed her in the sky, where she, too, turned to stardust.
Magiano looks at me, his eyes wide. It seems as if he already, somehow, understands.
"My goddess made me a promise," I whisper.
Only now do I realize that I have never seen him cry before.
In the stories, Compasia and her human lover would descend each night from the stars to walk the mortal world, before vanishing with the dawn. So, together, we stare at the sky, waiting. — Marie Lu

I'm a crybaby, which means I barricade myself in my house and scream for awhile, and when it subsides enough that I can leave, I go for a run. Tears make great fuel. Night runs, or rainy days, are best for this as you don't get as many questioning looks. — Allison McAtee

Gonzo narrows his eyes. 'How often do you clean that thing?' 'Every night,' the waitress answers. Her smile is strained. 'That's it? Do you know how long it takes for Listeria to grow under those hot lamps, even with ice?' Here we go. 'It can happen in just five hours. Five hours and you've got the salad bar of death!' The waitress looks confused. 'From Listerine? — Libba Bray

As he lifted his head, he saw himself in the crude metal sheets that were supposed to be mirrors. Even though the reflection was dull, he noted his ugliness and thought of Throe just now. In spite of the fact that the soldier had been out fighting all night, his handsome visage had appeared fresh as a daisy, his well-bred looks overshadowing the reality that he had slayer blood on his clothes and had been scraped and bruised.
Xcor, however, could have taken rest for two weeks straight, eaten a large meal, and fed from a fucking Chosen, and he would still appear as repulsive. — J.R. Ward

What did you do?" Kate asked.
"Nothing. We're inside the wards." Simon laughed and drank the elixir.
She looked around with surprise. "How can you tell? At night? In the snow?"
"That tree." He indicated an ash tree standing amidst other ash trees.
"It looks like a thousand other trees."
"No, it looks like you." Simon took a shallow, pained breath, but smiled. "It's my marker."
Both Kate and Malcolm stared at the tree. Kate cocked her hip. "It looks like me? A tree? That's flattering."
"Yes. See how the curves
" Simon worked his hands in an hourglass shape. "It looks like you. — Clay Griffith

But like my young friend said, this is not the way it seems in the beginning. Before things go bad, it's just a night that sounds like a lot of fun. A day that feels like wasting. A risk that looks like something we can likely handle, a limb that'll probably hold our weight. We don't think getting back home will be a problem when we're finished. After all, we're not going far. Not until we're well down the mountain, much too far to pull ourselves easily back up to the top, we realize we've gotten ourselves into a mess. Instead of three or four good ways to get back on our feet, we now have maybe one - or none - none that don't come without a long, hard process, without a good bit of shame — Priscilla Shirer

Rain falls steadily outside and dampens my leg. I shiver at the cold night air and the breeze on my bare arms. I'm about to drop down into the space between the bushes and the wall when a hand closes around my wrist.

It's Gavin, and he looks furious. 'You intend to go out there?' he asks. 'And you can't even see them, can you?'

I try to pull myself from his grip, but he only tightens his hold. 'I never said I could.'

'You implied it.'

'I'm un-implying it now.' I grin. 'I have other means.'

Gavin studies me intently. 'Did you choose this?'

Leaning in close, I press my cheek against his, a touch that goes against every social rule I've ever been taught. It's the excitement of the hunt that courses through me, a savage hum. I'm beyond propriety, beyond etiquette.

'I revel in it. — Elizabeth May

The harvest moon has no innocence, like the slim quarter moon of a spring twilight, nor has it the silver penny brilliance of the moon that looks down upon the resorts of summer time. Wise, ripe, and portly, like an old Bacchus, it waxes night after night. — Donald C. Peattie

Wedding Night

The day I've died, my pall is moving on -
But do not think my heart is still on earth!
Don't weep and pity me: "Oh woe, how awful!"
You fall in devil's snare - woe, that is awful!
Don't cry "Woe, parted!" at my burial -
For me this is the time of joyful meeting!
Don't say "Farewell!" when I'm put in the grave -
A curtin is it for eternal bliss.
You saw "descending" - now look at the rising!
Is setting dangerous for sun and moon?
To you it looks like setting, but it's rising;
The coffin seems a jail, yet it means freedom.
Which seed fell in the earth that did not grow there?
Why do you doubt the fate of human seed?
What bucket came not filled from out the cistern?
Why should the Yusaf "Soul" then fear this well?
Close here your mouth and open it on that side.
So that your hymns may sound in Where-no-place — Jalaluddin Rumi

I told you last night that I might be gone sometime, and you said, Where, and I said, To be with the Good Lord, and you said, Why, and I said, Because I'm old, and you said, I don't think you're old. And you put your hand in my hand and you said, You aren't very old, as if that settled it. I told you you might have a very different life from the life you've had with me, and that would be a wonderful thing, there are many ways to live a good life. And you said, Mama already told me that. And then you said, Don't laugh! because you thought I was laughing at you. You reached up and put your fingers on my lips and gave me that look that I never in my life saw on any other face besides your mother's. It's a kind of furious pride, very passionate and stern. I'm always a little surprised to find my eyebrows unsinged after I've suffered one of those looks. I will miss them. — Marilynne Robinson

And I start to say, no.
Start to ask him to please just take it off and put it away.
Start to explain how it holds far too many memories for me.
But then I remember what Damen said once about memories - that they're haunting things.
And because I refuse to be haunted by mine - I just take a deep breath and smile when I say, You know, I think it looks really good on you. You should defiantly keep it. — Alyson Noel

If on a winter's night a traveler, outside the town of Malbork, leaning from the steep slope without fear of wind or vertigo, looks down in the gathering shadow in a network of lines that enlace, in a network of lines that intersect, on the carpet of leaves illuminated by the moon around an empty grave-What story down there awaits its end?-he asks, anxious to hear the story. — Italo Calvino

He shrugged and glanced at her hair. "Rough night?"

Her brows drew together. "What makes you say that?"

"Your bun is askew."

Audrey's fingers flew to her hair. Sure enough, it was lopsided and puffy on one side. "Damn it."

Reese set down the spoon and turned to her, reaching for her hair. "Here, I'll fix it for you."

She frowned but stood still, dropping her hands. "That's very domestic of you."

"Nah. I mostly wanted to see what this looks like when it's not in a grandma style." And he reached forward and snipped the band with a pair of scissors.

She yelped, pulling away even as he ran his fingers through her hair, making it puff out into a halo around her head. "You a**hole!"

"Look at that! All that loose, untamed hair!" He teased, even as he tried to run his fingers through it again. "It's like you're a wild woman. What will people think? — Jessica Clare

Me and Butchy sit in front of the TV and watch another church fall down in flames. Flames that I can feel sitting a thousand miles away. Flames that I will feel long after the TV is turned off. Flames and the looks on the faces of people watching their churches burn down - burning hot into the night, burning dark when the morning comes up. — Angela Johnson

God what an outfield,' he says. 'What a left field.' He looks up at me, and I look down at him. 'This must be heaven,' he says.
No. It's Iowa,' I reply automatically. But then I feel the night rubbing softly against my face like cherry blossoms; look at the sleeping girl-child in my arms, her small hand curled around one of my fingers; think of the fierce warmth of the woman waiting for me in the house; inhale the fresh-cut grass small that seems locked in the air like permanent incense; and listen to the drone of the crowd, as below me Shoelss Joe Jackson tenses, watching the angle of the distant bat for a clue as to where the ball will be hit.
I think you're right, Joe,' I say, but softly enough not to disturb his concentration. — W.P. Kinsella

Look at how many great actors or entertainers have been lost to the world because they did a performance one night and that was it. With film, you capture that, it's shown all over the world and it's there forever. — Michael Jackson

There comes a time in the life of a sailor when he no longer belongs ashore. It's then that he surrenders to the Pacific, where no land blocks the eye, where sky and ocean mirror each other until above and below have lost their meaning, and the Milky Way looks like the spume of a breaking wave and the globe itself rolls like a boat in the midst of the sinking and heaving surf of that starry sky, and even the sun is nothing but a tiny glowing dot of phosphorescence on the sea of the night. — Carsten Jensen

But Maven shut me out of a place that was rightfully mine. He didn't know to look for Elane. My lovely, invisible shadow. Her reports came later, under the cover of the night. They were very thorough. I feel them still, whispered against my skin with only the moon to listen. Elane Haven is the most beautiful girl I've ever seen in any capacity, but she looks best in moonlight — Victoria Aveyard

Thanks for staying with me last night," I said, stroking Toto's soft fur. "You didn't have to sleep on the bathroom floor."
"Last night was one of the best nights of my life."
I turned to see his expression. When I saw that he was serious, I shot him a dubious look. "Sleeping in between the toilet and the tub on a cold, hard tile floor with a vomiting idiot was one of your best nights? That's sad, Trav."
"No, sitting up with you when you're sick, and you falling asleep in my lap was one of my best nights. It wasn't comfortable, I didn't sleep worth a shit, but I brought in your nineteenth birthday with you, and you're actually pretty sweet when you're drunk."
"I'm sure between the heaving and purging I was very charming."
He pulled me close, patting Toto who was snuggled up to my neck. "You're the only woman I know that still looks incredible with your head in the toilet. That's saying something. — Jamie McGuire

Ain't it queer that she'd take to stones, bugs, and butterflies, and save them. Now they are going to bring her the very thing she wants the worst. Lord, but this is a funny world when you get to studying! Looks like things didn't all come by accident. Looks as if there was a plan back of it, and somebody driving that knows the road, and how to handle the lines. Anyhow, Elnora's in the wagon, and when I get out in the night and the dark closes around me, and I see the stars, I don't feel so cheap. — Gene Stratton-Porter

Whenever we could steal a few minutes alone, that's when we became the "other", the charged-up thing that kept me up at night, afraid of falling so fast, afraid of losing, afraid it wouldn't last once everyone found out. We stole too-short kisses in the front hallway, shared knowing and devious looks across the table when we weren't being watched. We snuck out every night behind the house to watch for shooting stars and whisper about life, our favorite books, about the meaning of songs. It wasn't the topics themselves that changed, we had talked about all of those things befores. But now, there was a new intensity, an urgency to know as much as we could, to fit as much as possible into our final nights, before somebody found out. — Sarah Ockler

Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps, just as we get to the middle, they'll crumple up like a jackknife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge did crumple up I'd want to see it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There, we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me. — L.M. Montgomery

The perfect party for me is having six to 12 people for dinner Friday or Saturday - good, fun friends, a lot of artists. I have a beautiful deck that looks over the canyon and Los Angeles on one side, so it's very pretty at night. It's a great opportunity to catch up with friends. — Sofia Milos

On this particular autumn night, only the prospect of another solitary evening lies before her. She will fry her chop and read herself to sleep, no doubt with a tale of wizardry and romance. Then, in dreams that strike even her as trite, Miss Dark will go adventuring in chain mail and silk. Tomorrow morning she will wake up alone, and do it all again. Poor Judy Dark! Poor little librarians of the world, those girls, secretly lovely, their looks marred forever by the cruelty of a pair of big black eyeglasses! — Michael Chabon

It's all strange to me. I know I live on a fierce and magical planet, which sheds or surrenders rain or even flings it off in whipstroke after whipstroke, which fires out bolts of electric gold into the firmament at 186,000 miles per second, which with a single shrug of its tectonic plates can erect a city in half an hour. Creation ... is easy, is quick. There's also a universe, apparently. But I cannot bear to see the stars, even though I know they're there all right, and I do see them, because Tod looks upward at night, as everybody does, and coos and points. The Plough. Sirius, the dog. The stars, to me, are like pins and needles, are like the routemap of a nightmare. Don't join the dots. ... Of the stars, one alone can I contemplate without pain. And that's a planet. The planet they call the evening star, the morning star. Intense Venus. — Martin Amis

Is it the shadow itself that looks out through our eyes at midday? Small wonder that so many traditional peoples give themselves over to siesta, and sleep, for an hour or two at this time, letting their tissues and organs respond to this interior visitation by the night, allowing the many cells or souls within them to be tutored by the darkness that has taken temporary refuge within their flesh. — David Abram

Mr. Ethan W. Barris is an engineer and architect of somerenown, and the second of the guest to arrive.
He looks as though he has wandered into the wrong building and would be more at home in an office or a bank with his timid manner and silver spectacles, his hair carefully combed to diguise the fact that it is beginning to thin.
He met Chandresh only once before, at a symposium on ancient Greek architect.
The dinner invitation came as a surprise; Mr. Barris is not the type of man who receives invitations to unsual late-night social functions, or usual social functions for that matter, but he deemed it too impolite to decline. — Erin Morgenstern

One night she got into an argument with one of the scientists about the recent discovery of a new planet called Uranus [ ... ] 'What did he really do? The man spends his time stargazing, that's all. And now he's elected a fellow of the Royal Society! For nothing. You know, Sir Giles [ ... ] Sir Giles identified the genus of the Purple Swamphen. Now that's a good reason to become a Fellow. This man just looks at the sky and notices a star. Bah!'
'But we need to map the night sky,' Harriet said. 'We have to understand our world. And stars are no different than wings on a butterfly, to me. — Eloisa James

I should not have stooped to her level but the opportunity was irresistible. 'Did you buy a new gown or will you be wearing the one from your last almost-wedding?' I asked. 'After all, it was barely used.'
Dad strangled a chuckle. Chip blanched, no doubt remembering the groom left standing at the altar and wondering if he'd suffer the same fate. Cat's eyes widened and she gasped.
'I'll be wearing a new dress for the most important day of my life.' she said stiffly, her eyes shooting bullets. 'That one was white. This one will be black. They're as different as night and day.' If looks could kill, I'd be flat on the floor." Cinnamon Greene, from The Bride Wore Black — Bonnie J. Cardone

At night returning, every labour sped,
He sits him down, the monarch of a shed;
Smiles by his cheerful fire, and round surveys
His children's looks, that brighten at the blaze;
While his lov'd partner, boastful of her hoard,
Displays her cleanly platter on the board. — Oliver Goldsmith

She roared with laughter. Passersby gave her strange looks, but she didn't care. If she'd been able to stretch her vision to see beyond the trees he disappeared behind, she would have stopped laughing. She would have seen the couple who'd been in the dark street near the restaurant the previous night, again breaking into laughter when he felt it was safe to abandon the Wally persona. Everywhere she saw that one man, she didn't see the woman behind him, with him, beside him, urging him on, supporting him. If she had, she might have wondered then who the display was really for. — Cecelia Ahern

It is often when night looks darkest, it is often before the fever breaks that one senses the gathering momentum for change, when one feels that resurrection of hope in the midst of despair and apathy. — Hillary Clinton

The idea in our culture of body solely as sculpture is wrong. Body is not marble. That is not its purpose. Its purpose is to protect, contain, support and fire the spirit and soul within it, to be a repository for memory, to fill us with feeling - that is the supreme psychic nourishment. It is to lift us and propel us, to fill us with feeling to prove that we exist, that we are here, to give us grounding, heft, weight. It is wrong to think of it as a place we leave in order to soar to the spirit. The body is the launcher of those experiences. Without body there would be no sensations of crossing thresholds, there would be no sense of lifting, no sense of height, weightlessness. All that comes from the body. The body is the rocket launcher. In its nose capsule, the soul looks out the window into the mysterious starry night and is dazzled. — Clarissa Pinkola Estes

Remember that almost everything looks better after a good night's sleep. — H. Jackson Brown Jr.

It's this time of year when Kit mist rise in the dark, as if we're a farmer or a fisherman, someone whose livelihood depends on beating the dawn, convincing himself that what looks like night is actually morning. — Julia Glass

These wrinkles are the hands of time,
The journeys I've been on
They've seen me through a thousand days,
And ev'ry victory won

These fragile hands, With exposed bones,
Are not a fearful sight
But rather, they, my faithful partners,
Rocked babies through the night

These eyes are weak, They see much less,
Than yours they've seen much more
They've guided me through birth, through death,
Through grief, through hurt, through war

These ears can hear so very little,
Yet they've learned to listen much
They perk up not for gossip now,
But for a heart to touch

Those younger often look my way,
With pity looks to give
Yet this old body doesn't mean I am dying,
But rather, that I have lived — Emily Nelson

Morning. I didn't wake you, did I?' God, he looks gorgeous, even at this early hour. 'No. I've been awake a while. Couldn't sleep.' 'Me eighter. I've has this girl on my mind all night' 'Anyone I know?' 'You might know her. Blond hair, blue eyes ... beautiful. We went out on a date last night as it happens.' ' Really? So how was the date?' 'Well, that's the thing ... The date was amazing, and I haven't been able to stop thinking about her ... or her gorgeous mouth ever since ... And the thing is, I really need to kiss her again.' ' I think she needs you to kiss her too.' 'You do?' 'Mmm — Samantha Towle

Our natural reason looks at marriage and turns up its nose and says, Alas! Must I rock the baby? wash its diapers? make its bed? smell its stench? stay at nights with it? take care of it when it cries? heal its rashes and sores? and on top of that care for my spouse, provide labor at my trade, take care of this and take care of that? do this and do that? and endure this and endure that? Why should I make such a prisoner of myself? — Elisabeth Elliot

I take a breath. Words seem suddenly trite and useless, so I step forward and grab Elias's hands, remembering Pop. Touch heals, Laia. I hold fast to him, trying to put everything I feel into that touch. I hope your Tribe is all right. I hope they survive the Martials. I'm truly, truly sorry. It's not enough. But it's all I have. After a moment, Elias lets out a breath and leans his forehead against mine. "Tell me what you told me that night in my room at Blackcliff," he murmurs. "What your Nan used to say to you." "As long as there is life" - I can hear Nan's warm voice as I say it - "there is hope." Elias lifts his head and looks down at me, the coolness in his eyes replaced by that raw, unquenchable fire. I forget to breathe. "Don't you forget it," he says. "Ever." I nod. The minutes pass, and neither of us pull away, instead finding solace in the coolness of the night and the quiet company of the stars. — Sabaa Tahir

Naomi looks at me, her orange-brown eyes rimmed in dark shadow flecked with silver sparkles. All of that darkness around the pop of color in her irises makes them seem huge, like two sunsets floating in a night sky. I smirk again. There I go getting all poetic; good for me. — C.M. Stunich

I know I shouldn't ask, but I do it anyway. "What you said in that note. Why?"
He looks away for a moment and I watch his jaw clench. When he meets my eyes, there's resignation there. "Because you're not a one-night girl, Irish." Leaning in to place a kiss on my jawline, he whispers, "You're my forever girl. — K.A. Tucker

I do a combo situation of lotion and body makeup and put it on with my moisturizer in the morning. That seems to work best for me because self-tanning lotion always streaks and looks kind of crazy. So I put on some body makeup and wash it off at night. I have to do it every day, but that's just a part of my life now. — Brittany Snow

When I was fifteen, a dark shape came into my room at night. It was dark, but it glowed, which is the first of many facts you will have to tackle with your imagination. It wasn't in the shape of a person, but right away I knew it was like a person in every way except for how it looked. As it turns out, our looks are not the main thing that makes us human. — Miranda July

There is a certain kind of man who is forever searching. He wanders from place to place, he looks hard into the eyes of women and men in every town, maybe he scratches the earth or wields a gun, remedies illnesses or writes books, and there is always a vague emptiness within him. It is the emptiness that drives him and he does not know even how to name that thing that might fill it. No idea of home or love or peace comes to him. He does not know, so he cannot stop. On and on he moves. and the emptiness blinds him and pulls at him and he is like a newborn baby searching for the teat, knowing it is there, but where?
And sometimes such a man is handed a gift. A gift of direction. A path that is marked for him and there, yes, this will ease your suffering, it is sure. This will cure you, it will fill you up, at least for a time. There will be a home, and love, there will no longer be the sorrow when you look at a cold night sky, the sorrow as the sun rises and the mist burns away. — Tara Conklin

There are times you run off a cliff. It is like one of those Looney Tunes cartoons, where Wile E. Coyote sprints really hard and he's still running even though he's already gone off the cliff and then he stops and looks down and knows he will plummet and that there is nothing he can do to stop it. But sometimes, maybe most times, it isn't that clear. It is dark and you are near the edge of the cliff but you're moving slowly, not sure what direction you're heading in. Your steps are tentative but they are still blind in the night. You don't realize how close you are to the edge, how the soft earth could give way, how you could just slip a bit and suddenly plunge into the dark. This — Harlan Coben

Just thinking about spending an uninterrupted hour with him makes the color rise in my cheeks, and Emma inquires, "Are you okay? You seem kind of ... distracted."
Distracted. Well, that's one way to put it.
Deciding to throw caution to the wind, I fess up, "Kyle's here. It's our first night together."
"The cop who arrested you?" Emma suddenly looks much more cheerful as she quips, "Kinky, Jessalyn. Did he bring his handcuffs? — Katie Lynn Johnson

Will knew he would never be good in that way. He would never look at a hairy jumper and work out why it was precisely right for him, and why he should wear it at all hours of the day and night. He would look at it and conclude that the person who bought it for him was a pillock. He did that all the time: he'd look at some twenty-five-year-old guy on roller-skates, sashaying his way down Upper Street with his wraparound shades on, and he'd think one of three things: 1) What a prat; or 2) Who the fuck do you think you are?, or 3) How old do you think you are? Fourteen?
Everyone in England was like that, he reckoned. Nobody looked at a roller-skating bloke with wraparound shades on and thought, hey, he looks cool, or, wow, that looks like a fun way of getting some exercise. They just thought: wanker. But Marcus wouldn't. Marcus would either fail to notice the guy at all, or he would stand there with his mouth open, lost in admiration and wonder. — Nick Hornby

Mary Lou suddenly realizes that Mack calls the temperature number because he is afraid to talk on the telephone, and by listening to a recording, he doesn't have to reply. It's his way of pretending that he's involved. He wants it to snow so he won't have to go outside. He is afraid of what might happen. But it occurs to her that what he must really be afraid of is women. Then Mary Lou feels so sick and heavy with her power over him that she wants to cry. She sees the way her husband is standing there in a frozen pose. Mack looks as though he could stand there all night with the telephone receiver against his ear. — Bobbie Ann Mason

It is often said of people with second sight that their soul leaves the body. That doesn't happen to the glacier. But the next time one looks at it, the body has left the glacier, and nothing remains except the soul clad in air ... the glacier is illuminated at certain times of the day by a special radiance and stands in a golden glow with a powerful aureole of rays, and everything becomes insignificant except it. Then it's as if the mountain is no longer taking part in the history of geology but has become iconic ... A remarkable mountain. At night when the sun is off the mountains the glacier becomes a tranquil silhouette that rests in itself and breathes upon man and beast the word never, which perhaps means always. Come, waft of death. — Halldor Laxness

And I think of the night-blooming cereus, a plant that looks like a leathery weed most of the year. But for one night each summer its flower opens to reveal silky white petals, which encircle yellow lacelike threads, and another whole flower like a tiny sea anemone within the outer flower. By morning, the flower has shriveled. One night of the year, as delicate and fleeting as a life in the universe. — Alan Lightman

Look at his hair. He looks like his father. (Cassandra)
He has your lungs. (Wulf)
Oh, please! (Cassandra)
Trust me. Every Apollite here knows that my parents were unmarried at my birth, and that if you survive the night, you plan on making me a eunuch. (Wulf) — Sherrilyn Kenyon

He did not want an affair with his boss. He did not even want a one-night stand. Because what always happened was that people found out, gossip at the water cooler, meaningful looks in the hallway. And sooner or later the spouses found out. It always happened. Slammed doors, divorce lawyers, child custody. — Michael Crichton

The tight, throbbing feeling in my throat made me want to start sobbing, to break down, right there on an unfamiliar corner in front of a house just like my own. Everything seemed so out of control, as if even running the streets wouldn't save me. I wondered if this was how she felt running wild at night, this lost, loose feeling that no consequence could be so harmful as the sense of staying where you were, or of being who you are. I wanted to be somewhere else, out of the range of my mother's voice and ears, of Ashley's pouty looks, of the News Channel 5 viewing area. A place where the sight of my sobbing would tie me to no one and no one to me. — Sarah Dessen

They seem so close, as if they share an unspoken language, what with those secret looks between them at dinner the other night at the club - well, all along they've been that way. Laura continues. "Juliana got very quiet, and Daddy asked her what was wrong. She said parts of her life are still unsettled and she needs time to take care of that first. Daddy said he wants to help." "What did she say to that?" I put down my glass. — Niki Danforth

If I ever get looks on the street, which, for the record, is almost never, it's rarely because they think I'm someone they saw in a movie. More often someone sees me and thinks, 'Hey, was that guy my waiter the other night?' — Patrick Wilson

The moon in the bureau mirror
looks out a million miles
(and perhaps with pride, at herself,
but she never, never smiles)
far and away beyond sleep, or
perhaps she's a daytime sleeper.
By the Universe deserted,
she'd tell it to go to hell,
and she'd find a body of water,
or a mirror, on which to dwell.
So wrap up care in a cobweb
and drop it down the well
into that world inverted
where left is always right,
where the shadows are really the body,
where we stay awake all night,
where the heavens are shallow as the sea
is now deep, and you love me. — Elizabeth Bishop

The capacity of the brain to forsee the future has much to do with the fear of death.
For when the body is worn out and the brain is tired, the whole organism welcomes death. But it is difficult to understand how death can be welcome when you are young and strong, so that you come to regard it as a dread and terrible event. For the brain, in its immaterial way, looks into the future and conceives it a good to go on and on and on forever - not realizing that its own material would at last find the process intolerably tiresome. Not taking this into account, the brain fails to see that, being itself material and subject to change, its desires will change, and a time will come when death will be good. On a bright morning, after a good night's rest, you do not want to go to sleep. But after a hard day's work the sensation of dropping into unconsciousness is extraordinarily pleasant. — Alan W. Watts

It's unfortunate that the more annoyed she gets, the prettier she looks. — Leanne Hall

The rosy hearth, the lamplight's narrow beam,
The meditation that is rather dream,
With looks that lose themselves in cherished looks;
The hour of steaming tea and banished books;
The sweetness of the evening at an end,
The dear fatigue, and right to rest attained,
And worshipped expectation of the night,
Oh, all these things, in unrelenting flight,
My dream pursues through all the vain delays,
Impatient of the weeks, mad at the days! — Paul Verlaine

Beneath all his reckless remarks, he is a good man. And he genuinely wants to marry you-after last night at the ball I am certain of that much. So accept his offer, for God's sake. And give me great-grandchildren. That is all I want."
"And what about what I want?"
"You want him. I can see it whenever you look at him, the same way I can see it in his eyes whenever he looks at you. — Sabrina Jeffries

Cheese and crackers? Really?" She looks at me skeptically. "Besides, he's not a gigolo, you prude! He's an escort. Big difference."
"An escort who, at the end of the night for a little more cash, will have sex with people. What do you call that?"
Sara's laugh has a wicked edge to it "I call it my good fortune. — Courtney Cole

Despite all the small hitches, prom night turns out to be even more magical than I imagined it would be. I don't care that Chris painted the tips of his mohawk blue. I don't care that he wore a T-shirt and jeans when all the other guys wore their dorky suits and tuxedos. I actually love that he looks so different than all these clones. He's crazy, sexy, and beautiful. And he's all mine. — Cassia Leo

So you find Miss Mercer beautiful?"
The buzzing in Spencer's head formed the words, "'She walks in beauty like the night/Of cloudless climes and starry skies.'"
"My God, now you're quoting poetry."
Had he said that aloud? Bloody hell. Spencer brandished his empty mug at his brother. "I always quote verse when I'm foxed."
"You must be very foxed to quote that idiot Byron. Or very impressed by Miss Mercer's looks. — Sabrina Jeffries

*For eleven years, I've been worked over and abused in ways you can't imagine by things you don't want to know about. I've killed every kind of vile, black-souled, dead-eyed nightmare that ever made you piss your pjs and cry for mommy in the middle of the night. I kill monsters and, if I wanted, I could say a word and burn you to powder from the inside out. I can tear any human you ever met to rages with my bare hands. Give me one good reason why I could possibly need you?
*She looks straight at me, not blinking. No fear in her eyes.
*Because you might be the Tasmanian Devil and the Angel of Death all rolled into one, but you don't even know how to get a phone.
*I hate to admit it, but she has a point. — Richard Kadrey

Ars Poetica

To gaze at the river made of time and water
And recall that time itself is another river,
To know we cease to be, just like the river,
And that our faces pass away, just like the water.

To feel that waking is another sleep
That dreams it does not sleep and that death,
Which our flesh dreads, is that very death
Of every night, which we call sleep.

To see in the day or in the year a symbol
Of mankind's days and of his years,
To transform the outrage of the years
Into a music, a rumor and a symbol,

To see in death a sleep, and in the sunset
A sad gold, of such is Poetry
Immortal and a pauper. For Poetry
Returns like the dawn and the sunset.

At times in the afternoons a face
Looks at us from the depths of a mirror;
Art must be like that mirror
That reveals to us this face of ours. — Jorge Luis Borges

The chair and desk and stuff, they change in the darkness. Like people change. And I lay in my bed and I think, you know, this is the way the chair really is. The way it looks in the daytime, that's just a foolie. It looks that way to make me think it's all right. But it's an ugly thing, a chair at night is. And I know even in the day that it's ugly underneath. It will be ugly again, when I'm alone with it. When it's dark...I'm scared of chairs... I try not to be scared of things. I try to fight it. But I'm not good at it. It's everywhere at once. It's like fighting the night. — Torey L. Hayden

That's your mom, right?" Pathik smiled. "She looks nicer than she did when she was dragging you away the other night. — Teri Hall

Guterak looked over. "Hey, you got your hair cut." "Yeah." Remy put the cap back on. "What made you do that?" "I shot myself in the head last night." "Well." Paul drove quietly for a moment, staring straight ahead. "It looks good. — Jess Walter

Black Cat
A ghost, though invisible, still is like a place
your sight can knock on, echoing; but here
within this thick black pelt, your strongest gaze
will be absorbed and utterly disappear:
just as a raving madman, when nothing else
can ease him, charges into his dark night
howling, pounds on the padded wall, and feels
the rage being taken in and pacified.
She seems to hide all looks that have ever fallen
into her, so that, like an audience,
she can look them over, menacing and sullen,
and curl to sleep with them. But all at once
as if awakened, she turns her face to yours;
and with a shock, you see yourself, tiny,
inside the golden amber of her eyeballs
suspended, like a prehistoric fly. — Rainer Maria Rilke

His father asked Ethan in a raspy voice, "You spend time with your son?" "Much as I can," he'd answered, but his father had caught the lie in his eyes. "It'll be your loss, Ethan. Day'll come, when he's grown and it's too late, that you'd give a kingdom to go back and spend a single hour with your son as a boy. To hold him. Read a book to him. Throw a ball with a person in whose eyes you can do no wrong. He doesn't see your failings yet. He looks at you with pure love and it won't last, so you revel in it while it's here." Ethan thinks often of that conversation, mostly when he's lying awake in bed at night and everyone else is asleep, and his life screaming past at the speed of light - the weight of bills and the future and his prior failings and all these moments he's missing - all the lost joy - perched like a boulder on his chest. — Blake Crouch

But most of all, when Somer closes her eyes, she imagines the moment she will hold her baby for the first time. She keeps Asha's photo in her pocket and looks at it often. That one photo vaporized her doubts and made everything come to life. She lay awake at night, picturing her daughter's sweet face. — Shilpi Somaya Gowda

Morning and night strangers bodies represent possible landscapes, possible escapes, possible novelty that looks new and feels new and smells new, landscapes which have no knowledge of the state of my insides or my folds of loneliness of nameless reactions to utter doom, strangers are easy to look at, easy to kiss, loved ones are museums of brutality. — Abeer Abdullah

GGibbie never thought about himself, therefore was there wide room for the entrance of the spirit. Does the questioning thought arise to any reader: How could a man be conscious of bliss without the thought of himself? I answer the doubt: When a man turns to look at himself, that moment the glow of the loftiest bliss begins to fade; the pulsing fire-flies throb paler in the passionate night; an unseen vapour steams up from the marsh and dims the star-crowded sky and the azure sea; and the next moment the very bliss itself looks as if it had never been more than a phosphorescent gleam
the summer lightning of the brain. For then the man sees himself but in his own dim mirror, whereas ere he turned to look in that, he knew himself in the absolute clarity of God's present thought out-bodying him. — George MacDonald

Going from 'Shark Night' to 'Piranha,' a guy holding a fish on a stick in front of you that they're going to replace in post-production, it's a lot different than seeing this animatronic shark that, if you get caught up in the moment, looks, acts and you sometimes think could be real. — Chris Zylka

There was this book Dad used to read to me every night called "The Giving Tree." It was a really good book, but the back of it had a picture of the author, this guy named Shel Silverstein.
But Shel Silverstein looks more like a burglar or a pirate than a guy who should be writing books for kids.
Dad must have known that picture kind of freaked me out, because one night after I got out of bed, Dad said: "IF YOU GET OUT OF BED AGAIN TONIGHT, YOU'LL PROBABLY RUN INTO SHEL SILVERSTEIN IN THE HALLWAY."
That really did the trick, Ever since then, I STILL don't get out of bed at night, even if I really need to use the bathroom. — Jeff Kinney

I'm standing by the cereal, reaching for a box of Honey Nut Cheerios, when I feel my chest clenching but not unclenching. It clenches tighter and tighter, like someone has wrapped a corset around it. My palms are wet. My head is compressing, growing and shrinking at the same time. I can hear my breathing, and it's so amplified that, to my own ears, I sound like Darth Vader. A woman at the end of the aisle is frozen as she watches me. She looks scared...My breathing is getting louder, and I cover my ears to block it out. And that's when the ceiling starts to spin and the air disappears and my lungs won't stop working and I can't breathe at all. I drop everything and run away from the cart and all that food until I'm out the door. I stand in the parking lot, bent over at the waist, breathing in the fresh night air, and then I lie flat on the ground, as if this will open my lungs wider and make them work again, only the breath won't come. — Jennifer Niven

Getting drunk every Friday night and thinking that it's normal, only to get mad every Monday, looks normal only because most people are insane. It becomes abnormal when it affects your relationships
and you push people you want away with a smile and cry when they're gone. That's when a person should question her own sanity. If that still doesn't make one question it, then that's a very deep stage of insanity. That's not life. That's the scenario for an apocalyptic movie. — Robin Sacredfire

For as Prometheus, (which interpreted, is, The Prudent Man,) was bound to the hill Caucasus, a place of large prospect, where, an Eagle feeding on his liver, devoured in the day, as much as was repaired in the night: So that man, which looks too far before him, in the care of future time, hath his heart all the day long, gnawed on by Fear of death, poverty, or other calamity; and has no repose, nor pause of his anxiety, but in sleep. — Thomas Hobbes

After Auschwitz"

Anger,
as black as a hook,
overtakes me.
Each day,
each Nazi
took, at 8: 00 A.M., a baby
and sauteed him for breakfast
in his frying pan.

And death looks on with a casual eye
and picks at the dirt under his fingernail.

Man is evil,
I say aloud.
Man is a flower
that should be burnt,
I say aloud.
Man
is a bird full of mud,
I say aloud.

And death looks on with a casual eye
and scratches his anus.

Man with his small pink toes,
with his miraculous fingers
is not a temple
but an outhouse,
I say aloud.
Let man never again raise his teacup.
Let man never again write a book.
Let man never again put on his shoe.
Let man never again raise his eyes,
on a soft July night.
Never. Never. Never. Never. Never.
I say those things aloud.

I beg the Lord not to hear. — Anne Sexton

There's this scene in "The Night of the Hunter" when the kids are downstairs, and you have the feeling that they're both in a room and at the same time it looks remote. And you wonder, How can you give the effect of both "inside" and "outside" at the same time. And you realize, by watching it many times, that around the scene there's this black edging. — Marjane Satrapi

If Bedlam gates had been flung open wide, there would not have issued forth such maniacs as the frenzy of that night had made. There were men there, who danced and trampled on the beds of flowers as though they trod down human enemies; and wrenched them from the stalks, like savages who twisted human necks. There were men who cast their lighted torches in the air, and suffered them to fall upon their heads and faces, blistering the skin with deep unseemly burns. There were men who rushed up to the fire, and paddled in it with their hands as if in water; and others who were restrained by force from plunging in, to gratify their deadly longing. On the skull of one drunken lad - not twenty, by his looks - who lay upon the ground with a bottle to his mouth, the lead from the roof came streaming down in a shower of liquid fire, white hot; melting his head like wax. — Charles Dickens

You know the one about the old man whose grandson is getting married? Just before the wedding, he calls the boy in for a chat. "My child," he says, "I want you to know that all marriages go through phases. At first, you and you wife will make love all the time. But then, as the children come along, you will find that you are having sex less and less. And by the time they are grown and gone, you'll be just like your grandmother and me. All you'll ever have is oral sex. I just wanted you to know how things will go." The boy looks at him, incredulous. "You and Grandma have oral sex?" "Every single night," the old man says, "and it's a perfectly natural thing. She goes into her bedroom and calls, 'Fuck you!' And I go into my bedroom and call back to her, 'No, fuck you! — A. Manette Ansay

With Hairspray, we had a great experience. I always think of the last time I saw Divine: He was in the last booth in the back of the Odeon. Now every time I go in there, I look at that table. It was a wonderful night.Hairspray had been out a week; it was a hit. If I had to pick a night that was going to be the last night. — John Waters

She looked at the sky and wondered where her baby's soul was now: was it following her, or floating aloft yonder among the stars and thinking nothing now of his mother? Oh, how lonely it was in the open country at night, in the midst of that singing when one cannot sing oneself; in the midst of the incessant cries of joy when one cannot oneself be joyful, when the moon, which cares not whether it is spring or winter, whether men are alive or dead, looks down as lonely, too ... — Anton Chekhov

We deserve to go back and be us again. Not the us that came after that night. The us before. We were good for each other. I was good for you once - even if no one else in the world saw it or understood that."
She took a deep breath, but she still stared at my chest.
"I need to be near you, and I don't know what that looks like. But I do know I need it. Please give me another chance. — Elizabeth Finn

He sent you a text message that read: FIre Sign - You're compatible with all signs. Your blood group breathes disappointment and happiness. You stick your tongue in the woman's mouth in order to cool down. The fog that burns on the ceiling is the steam of sweat. You buy pins and colored pictures from the shop. You pin them on your flesh when you receive a guest. The firewood comes to you throughout the night, wrapped in nightmares. When you wake up you have a bath on fire. You eat on fire. You read the newspapers on fire. You smoke a cigarette on fire. In the coffee cup you come across prophecies of fire. You laugh on fire. You have your lungs checked at the hospital, and they find a spring of errors that looks like a tumor. You dream of the final act: It goes out. — Hassan Blasim

Amidst his chaotic thoughts, Ellis thought of Clairey's face, and he clung to that image. He conjured the radiant glow of her eyes when she was pleased with something, and the small, bashful smile that was fleeting but infinitely more priceless because of its rarity. Clairey's memory was the light that came on the heels of a black and starless night. She was the most beautiful woman he had ever known. It was more than her looks that drew him to this conclusion; it was her kindness, her strength, her spirit. Somehow, the thought of her tethered him to sanity. — Tracy Winegar

As day gradually turns to night, Nadia then lifts her naked body from the floor, and like a goddess, she moves across the room with a stride that gives complement to every curve of her figure. She now leans over the coffee table to strike a match that breaks the light of night that clings to her. One by one, Nadia lights each candle in perfect form as the glowing contrast of light and dark dances around the edges of her beautiful body. She then looks at me again, she being this magical creature who has given me life to every body and realm; and oh how grateful I am that she has found me. — Luccini Shurod

The car shot forward straight into the circle of light, and suddenly Arthur had a fairly clear idea of what infinity looked like.
It wasn't infinity in fact. Infinity itself looks flat and uninteresting. Looking up into the night sky is looking into infinity - distance is incomprehensible and therefore meaningless. The chamber into which the aircar emerged was anything but infinite, it was just very very very big, so big that it gave the impression of infinity far better than infinity itself. — Douglas Adams

The White Seal Oh! hush thee, my baby, the night is behind us, And black are the waters that sparkled so green. The moon, o'er the combers, looks downward to find us At rest in the hollows that rustle between. Where billow meets billow, then soft be thy pillow, Ah, weary wee flipperling, curl at thy ease! The storm shall not wake thee, nor shark overtake thee, Asleep in the arms of the slow-swinging seas! Seal Lullaby — Rudyard Kipling

He looks at me in such a way that I know for sure-he's never looked at another girl quite like this.
And the I'm in his arms, and we're hugging and kissing, and we're both shaking,because we both know-this is the night we become real. — Jenny Han