Night Landscape Quotes & Sayings

In every landscape, the point of astonishment is the meeting of the sky and the earth, and that is seen from the first hillock aswell as from the top of the Alleghanies. The stars at night stoop down over the brownest, homeliest common, with all the spiritual magnificence which they shed on the Campagna, or on the marble deserts of Egypt. — Ralph Waldo Emerson

She goes out at night more often now; the landscape assembles itself about her, she informs it with her presence. She is its significance. — Angela Carter

He got out of bed and peeped through the blinds. To the east and opposite to him gardens and an apple-orchard lay, and there in strange liquid tranquility hung the morning star, and rose, rilling into the dusk of night the first grey of dawn. The street beneath its autumn leaves was vacant, charmed, deserted. — Walter De La Mare

Where is she? Living or dead, where is she? If, as he folds the handkerchief and carefully puts it up, it were able with an enchanted power to bring before him the place where she found it and the night-landscape near the cottage where it covered the little child, would he descry her there? On the waste where the brick-kilns are burning with a pale blue flare, where the straw-roofs of the wretched huts in which the bricks are made are being scattered by the wind, where the clay and water are hard frozen and the mill in which the gaunt blind horse goes round all day looks like an instrument of human torture - traversing this deserted, blighted spot there is a lonely figure with the sad world to itself, pelted by the snow and driven by the wind, and cast out, it would seem, from all companionship. It is the figure of a woman, too; but it is miserably dressed, and no such clothes ever came through the hall and out at the great door of the Dedlock mansion. — Charles Dickens

War, I have always said, forces men to change their standards, regardless of whether their country has won or lost. Poetics and philosophies disintegrate "when the trees fall and the walls collapse ". At the point when continuity was interrupted by the first nuclear explosion, it would have been too easy to recover the formal sediment which linked us with an age of poetic decorum, of a preoccupation with poetic sounds. After the turbulence of death, moral principles and even religious proofs are called into question. Men of letters who cling to the private successes of their petty aesthetics shut themselves off from poetry's restless presence. From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue. The politician and the mediocre poets with their armour of symbols and mystic purities pretend to ignore the real poet. It is a story which repeats itself like the cock's crow; indeed, like the cock's third crow. — Salvatore Quasimodo

From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue. — Salvatore Quasimodo

Dunes slithered slowly across the landscape like ravenous parasites, leeching the plants of their nutrients, leaving behind withered husks. The sand rode the wind currents, swirling like dervishes. The worst, though, were the monster wind storms that raked the land, prefaced by a wall of sand reaching a mile or so into the sky, bringing the blackness of night. — J.R. McLemore

For me life is an inn where I must stay until the carriage from the abyss calls to collect me [ ... ] I could consider this inn to be a prison, since I'm compelled to stay here; I could consider it a kind of club, because I meet other people here. However, unlike others, I am neither impatient nor sociable. I leave those who chatter in the living room, from where the cosy sound of music and voices reaches me. I sit at the door and fill my eyes and ears with the colours and sounds of the landscape and slowly, just for myself, I sing vague songs that I compose while I wait.
Night will fall on all of us and the carriage will arrive. I enjoy the breeze given to me and the soul given to me to enjoy it and I ask no more questions, look no further. If what I leave written in the visitors' book is one day read by others and entertains them on their journey, that's fine. If no one reads it or is entertained by it, that's fine too. — Fernando Pessoa

It didn't look like the kind of snow that whispers down gently in the pit of the night and in the morning turns the landscape into a glittering wonderland of uncommon and ethereal beauty. It looked like the kind of snow that intends to make the world as bloody cold as possible. — Terry Pratchett

There are cries in the dark at night
As owls answer the moon — R.S. Thomas

With this recitation of paraphernalia and detritus, O'Brien manages to encapsulate the experience of an army and of a particular war, of a mined and booby-trapped landscape, of cold nights and hot days, of soaking monsoons and rice paddies, and of the possibility of being shot, like Ted Lavender, suddenly and out of nowhere: not only in the middle of a sentence but in the midst of a subordinate clause. — Francine Prose

The summer ended. Day by day, and taking its time, the summer ended. The noises in the street began to change, diminish, voices became fewer, the music sparse. Daily, blocks and blocks of children were spirited away. Grownups retreated from the streets, into the houses. Adolescents moved from the sidewalk to the stoop to the hallway to the stairs, and rooftops were abandoned. Such trees as there were allowed their leaves to fall - they fell unnoticed - seeming to promise, not without bitterness, to endure another year. At night, from a distance, the parks and playgrounds seemed inhabited by fireflies, and the night came sooner, inched in closer, fell with a greater weight. The sound of the alarm clock conquered the sound of the tambourine, the houses put on their winter faces. The houses stared down a bitter landscape, seeming, not without bitterness, to have resolved to endure another year. — James Baldwin

But how?" my students ask. "How do you actually do it?"
You sit down, I say. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. So you sit down at, say, nine every morning, or ten every night. You put a piece of paper in the typewriter, or you turn on the computer and bring up the right file, and then you stare at it for an hour or so. You begin rocking, just a little at first, and then like a huge autistic child. You look at the ceiling, and over at the clock, yawn, and stare at the paper again. Then, with your fingers poised on the keyboard, you squint at an image that is forming in your mind
a scene, a locale, a character, whatever
and you try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind. — Anne Lamott

This usually occurs at the moment when my head hits the pillow at night; my eyes close and ... I see imagery. I do not mean pictures; more usually they are patterns or textures, such as repeated shapes, or shadows of shapes, or an item from an image, such as grass from a landscape or wood grain, wavelets or raindrops ... transformed in the most extraordinary ways at a great speed. Shapes are replicated, multiplied, reversed in negative, etc. Color is added, tinted, subtracted. Textures are the most fascinating; grass becomes fur becomes hair follicles becomes waving, dancing lines of light, and a hundred other variations and all the subtle gradients between them that my words are too coarse to describe. — Oliver Sacks

Lou reluctantly drew back, still holding Joe, and placed his soft lips on Joe's own. Existence reacted to their reunion. Immediately, it was as if two halves became whole once again. The sky flashed colors overhead as they stood together: day to night, night to day. They stood motionless and kissing for so long a period that they might have been mistaken for part of the landscape, as vines climbed up their legs and grass grew around them; as dirt gathered and buried even more the scattered fragments of the abbey. Only the keepers of time knew that lifetimes did indeed pass, possibly entire eras. And yet it was but a scant moment to Joe and Lou. All of it but a simple, longed-for embrace neither time nor death could contain. — Eric Arvin

We are going as fast as we can, living life at a dizzying speed, and God is nowhere to be found. We're not rejecting God; we just don't have time for him. We've lost him in the blurred landscape as we rush to church. We don't struggle with the Bible, but with the clock. It's not that we're too decadent; we're too busy. We don't feel guilty because of sin, but because we have no time for our spouses, our children, or our God. It's not sinning too much that's killing our souls, it's our schedule that's annihilating us. Most of us don't come home at night staggering drunk. Instead, we come home staggering tired, worn out, exhausted and drained because we live too fast. — Mike Yaconelli

Everyone, at some point in their lives, wakes up in the middle of the night with the feeling that they are all alone in the world, and that nobody loves them now and that nobody will ever love them, and that they will never have a decent night's sleep again and will spend their lives wandering blearily around a loveless landscape, hoping desperately that their circumstances will improve, but suspecting, in their heart of hearts, that they will remain unloved forever. The best thing to do in these circumstances is to wake somebody else up, so that they can feel this way, too. — Lemony Snicket

The trees and shrubs rear white arms to the sky on every side; and where were walls and fences, we see forms stretching in frolic gambols across the dusky landscape, as if Nature had strewn her fresh designs over the fields by night as models for man's art. — Henry David Thoreau

How I used to love the dark, sad evenings of late autumn and winter, how eagerly I imbibed their moods of loneliness and melancholy when wrapped in my cloak I strode for half the night through rain and storm, through the leafless winter landscape, lonely enough then too, but full of deep joy, and full of poetry which later I wrote down by candlelight sitting on the edge of my bed! — Hermann Hesse

The term [Americanization] invokes the transformation of the landscape into unnatural mechanical shapes, of night into day, of speed for its own sake, an irrational passion for novelty at the expense of quality, a worship of gimmickry. — Robert Stone

What surprises you in life? The marvel of consciousness
that sudden window swinging open on a sunlit landscape amidst the night of non-being. — Vladimir Nabokov

The blast that swept him came off New Hampshire snow-fields and ice-hung forests. It seemed to have traversed interminable leagues of frozen silence, filling them with the same cold roar and sharpening its edge against the same bitter black-and-white landscape.
("The Triumph Of The Night") — Edith Wharton

Again and again across the centuries, cosmic discoveries have demoted our self-image. Earth was once assumed to be astronomically unique, until astronomers learned that Earth is just another planet orbiting the Sun. Then we presumed the Sun was unique, until we learned that the countless stars of the night sky are suns themselves. Then we presumed our galaxy, the Milky Way, was the entire known universe, until we established that the countless fuzzy things in the sky are other galaxies, dotting the landscape of our known universe.
Today, how easy it is to presume that one universe is all there is. Yet emerging theories of modern cosmology, as well as the continually reaffirmed improbability that anything is unique, require that we remain open to the latest assault on our plea for distinctiveness: multiple universes, otherwise known as the "multiverse," in which ours is just one of countless bubbles bursting forth from the fabric of the cosmos. — Neil DeGrasse Tyson

At fourteen he runs away. He will not see again the freezing kitchenhouse in the predawn dark. The firewood, the washpots. He wanders west as far as Memphis, a solitary migrant upon that flat and pastoral landscape. Blacks in the fields, lank and stooped, their fingers spiderlike among the bolls of cotton. A shadowed agony in the garden. Against the sun's declining figures moving in the slower dusk across a paper skyline. A lone dark husbandman pursuing mule and harrow down the rainblown bottomland toward night. — Cormac McCarthy

Arriving at a mansion with another gate, low and nearly invisible inside its landscape gardening, seeming so much constructed of night itself that at sunrise it might all disappear. — Thomas Pynchon

Vaguely, as when you are studying a foreign language and read a page which at first you can make nothing of, till a word or a sentence gives you a clue; and on a sudden suspicion, as it were, of the sense flashes across your troubled wits, vaguely she gained an inkling into the workings of Walter's mind. It was like a dark and ominous landscape seen by a flash of lightning and in a moment hidden again by the night. She shuddered at what she saw. — W. Somerset Maugham

September 11 was a day of de-Enlightenment. Politics stood revealed as a veritable Walpurgis Night of the irrational. And such old, old stuff. The conflicts we now face or fear involve opposed geographical arenas, but also opposed centuries or even millennia. It is a landscape of ferocious anachronisms: nuclear jihad in the Indian subcontinent; the medieval agonism of Islam; the Bronze Age blunderings of the Middle East. — Martin Amis

But filled with one of those unreasonable exultations which start generally from an unknown cause, and sweep whole countries and skies into their embrace, she walked without seeing. The night was encroaching upon the day. Her ears hummed with the tunes she had played the night before; she sang, and the singing made her walk faster and faster. She did not see distinctly where she was going, the trees and the landscape appearing only as masses of green and blue, with an occasional space of differently coloured sky. Faces of people she had seen last night came before her; she heard their voices; she stopped singing, and began saying things over again or saying things differently, or inventing things that might have been said. The constraint of being among strangers in a long silk dress made it unusually exciting to stride thus alone. — Virginia Woolf

It seemed to me that there were two worlds: one before the sun, and one after. And if that were true, then maybe there were people who were citizens of those different worlds as well. Some moved easily through the landscape of night, and others clung to the bright hours. — Robert McCammon

Still photographs often differ from life more by their silence than by the immobility of their subjects. Landscape pictures tend to converge with life, however, on summer nights, when the sounds outside, after we call in children and close garage doors, are small - the whir of moths, the snap of a stick. — Robert Adams

The thousand thousand grasses, dry now in the late-summer heat, bristle like the brittle pages of a thousand ancient books being turned by invisible scholars. Every blade and leaf and rock speaking of loss and endurance, the birds settling down for another night or two before their long, familiar hegira. The landscape he walks is an endless cascade of loss and dying and coming to life again, and he feels the immense silence of the dead and the eternal pulse of the living in the soles of his feet. — Robert Goolrick

Alice in Darkness

Forget tears. Chasing
white animals with timepieces
in this drug-trip landscape
can only lead to more of same.
Hedgehogs, playing cards, paintbrushes:
full of undisclosed danger.
Didn't your mother tell you
not to kiss strangers?
That Cheshire smile shouldn't fool you.
Pull your skirt down.
Your nails are growing so fast
you're hardly human.
Alice, fight your version of Bedlam
as long as you can.
Sleep the sweet dream away
from that gooey looking glass, or mushrooms,
or the fear of your own body.
Forget what the night tastes like.
Stop wondering through the shadows,
holding your neck out
for the slice of the axe. — Jeannine Hall Gailey

One evening he was in his room, his brow pressing hard against the pane, looking, without seeing them, at the chestnut trees in the park, which had lost much of their russet-coloured foliage. A heavy mist obscured the distance, and the night was falling grey rather than black, stepping cautiously with its velvet feet upon the tops of the trees. A great swan plunged and replunged amorously its neck and shoulders into the smoking water of the river, and its whiteness made it show in the darkness like a great star of snow. It was the single living being that somewhat enlivened the lonely landscape. — Theophile Gautier

Many of the enchanted things in the book are lamps, carpets, sofas, gems, brass rings. It is a rather different landscape than the fairy tale landscape of the West. Though we have interiors and palaces, we don't have bustling cities, and there isn't the emphasis on the artisan making things. The ambiance from which they were written was an entirely different one. The Arabian Nights comes out of a huge world of markets and trade. Cairo, Basra, Damascus: trades and skills. — Marina Warner

Humans withdraw to their homes, and surrender the night to the creatures that own it: the crickets, the owls, the snakes. A world that hasn't changed for hundreds of thousands of years wakes up, and carries on as if the daylight and the humans and the changes to the landscape have all been an illusion. — M.L. Stedman

like the big bed it was enclosed in a permanent canopy of heavy netting. Mosquitoes were the least of the creatures this net was intended to exclude; its absence, at any time, night or day, would have been an invitation for snakes and scorpions to make their way between the sheets. In a hut by the pond a woman was even said to have found a large dead fish in her bed. This was a koimachh, or tree perch, a species known to be able to manipulate its spiny fins in such a way as to drag itself overland for short distances. It had found its way into the bed only to suffocate on the mattress. — Amitav Ghosh

At night I sometimes see the figure of a man, on an empty road in a deserted landscape, walking behind a hearse. I am that man. It's you the hearse is taking away. I don't want to be there for your cremation; I don't want to be given an urn with your ashes in it. I hear the voice of Kathleen Ferrier singing, 'Die Welt ist leer, Ich will nicht leben mehr'* and I wake up. I check your breathing, my hand brushed over you. Neither of us wants to outlive the other. We've often said to ourselves that if, by some miracle, we were to have a second life, we'd like to spend it together.
*The world is empty. I don't want to go on living. — Andre Gorz

He drove the car back through the night to Paris. The hedges and orchards of Normandy flew past him. The moon hung oval and large in the misty sky. The ship was forgotten. Only the landscape remained. The landscape, the smell of hay and ripe apples, the silence and the deep peace of the inevitable — Erich Maria Remarque

A loner by nature and an introvert ... i am a twinkling star, burning bright amidst a cloudless night. As such, i tend to fade in and out of people's lives. This aspect of me is often misunderstood as rejection or a lack of love and caring. In reality, the only way i can survive as an introvert, is to drop from the sky, from time-to-time, recharging within the energizing landscape of my inner-universe. To love me, is to let me me have the space i need to illuminate the sky. I can't be taken hostage or held captive. Inner-light is what gives my star its twinkle. — Jaeda DeWalt

Something about the time of year depressed him deeply. Overcast skies and cutting wind, leaves falling, dusk falling, dark too soon, night flying down before you are ready. It's a terror. It's a bareness of the soul. He hears the rustle of nuns. Here comes winter in the bone. We've set it loose on the land. There must be some song or poem, some folk magic we can use to ease this fear. Skelly Bone Pete. Here it is in the landscape and sky. We've set it loose. We've opened up the ground and here it is. He took Interstate 45 south. He didn't want them to kill Leon. He felt a saturating sense of death, a dread in the soft filling of his bones, the suckable part, approaching Galveston now. — Don DeLillo

I'm also a sucker for a view. Take me to a high place where I can see the landscape or the stars or the whole city, and I'm putty, I'm melting in your arms. Then I think having a romantic night, getting a little dressed up, but don't kill yourself trying to force the romance. A bunch of little subtle changes that will make the day more special will amount to a big awesome day in your memory. I like little breadcrumbs along the way. Draw it out! — Evan Rachel Wood

As night fell, the prehistoric landscape came alive with sound: howling and shrieking, screaming, calling and barking. "I've suddenly realized why all of these animals died out," Scathach — Michael Scott

In Shubert Alley that night, I had unwittingly reached the threshold of an entire landscape of alleys that would lead to a world of theaters, each a house packed with strangers both generous and mean, shabby and grand. It was to be a life full of the transitory moments, double-edged with ecstasy and loss, that I had already come to think of as the theater. — Frank Rich

All-out. Thaumaturgical. War. And there were of course no alliances, no sides, no deals, no mercy, no cease. The skies twisted, the seas boiled. The scream and whizz of fireballs turned the night into day, but that was all right because the ensuing clouds of black smoke turned the day into night. The landscape rose and fell like a honeymoon duvet, and the very fabric of space itself was tied in multidimensional knots and bashed on a flat stone down by the river of Time. — Terry Pratchett

Winters are a desolate time where all senses are wiped away, and here in Canada, this is especially true. All smells are sucked clean from the air, leaving only a harsh, icy crispness. Colours are stripped away, leaving a stark white landscape, a sky which stays black at night and gray in the day, a world of only three shades. Stay outside too long, and your hands will get so cold that they'll go numb and turn red, like the claws of a lobster. During a whiteout, even sight itself is reduced to nothingness. — Rebecca McNutt

THE STORIES WE TELL fearlessly explores the textures of the human heart, finding a path toward hope through a Savannah that is jagged with class issues, faith misused, and broken trust. Henry loses you in a landscape peopled with secret keepers, storytellers and liars, and proves that in the end, love is the only reliable compass. This is everything you expect from Patti Callahan Henry - lyrical writing, characters worth rooting for, a sure-footed belief in the power of goodness - plus a twisty plot that will keep the pages turning long into the night. — Joshilyn Jackson

Psal had not thought of all that. He would think of it all night. The loveliest woman from the defeated Peacock longhouse would be his. Yet he did not want her. In the middle of the night, as the longhouse keened to Poh's region and one landscape blended into another, Psal lay on his wheeled bed wondering if he should rape in order to show his ability to compromise. All night, the Lesser Light flickered and Psal often found himself holding his breath. — Carole McDonnell

Pure truth," I said. "You are my bright penny by the roadside. You are worth more than salt or the moon on a long night of walking. You are sweet wine in my mouth, a song in my throat, and laughter in my heart. [ ... ] "You are too good for me," I said, "You are a luxury I cannot afford. Despite this, I insist you come with me today. I will buy you dinner and spend hours waxing rhapsodic
over the vast landscape of wonder that is you." [ ... ] "I will play you music. I will sing you songs. For the rest of the afternoon, the rest of the world cannot touch us. — Patrick Rothfuss

That night, after the movie, driving my father's car along the country roads, I began to wonder how real the landscape truly was, and how much of a dream is a dream. — Don DeLillo

Landscape
Isn't it plain the sheets of moss, except that
they have no tongues, could lecture
all day if they wanted about
spiritual patience? Isn't it clear
the black oaks along the path are standing
as though they were the most fragile of flowers?
Every morning I walk like this around
the pond, thinking: if the doors of my heart
ever close, I am as good as dead.
Every morning, so far, I'm alive. And now
the crows break off from the rest of the darkness
and burst up into the sky - as though
all night they had thought of what they would like
their lives to be, and imagined
their strong, thick wings. — Mary Oliver

It was a stern night landscape. The sound of the freezing of snow over the land seemed to roar deep into the earth. There was no moon. The stars, almost too many of them to be true, came forward so brightly that it was as if they were falling with the swiftness of the void. As the stars came nearer, the sky retreated deeper and deeper into the night clolour. The layers of the Border Range, indistinguishable one from another, cast their heaviness at the skirt of the starry sky in a blackness grave and somber enough to communicate their mass. The whole of the night scene came together in a clear, tranquil harmony. — Yasunari Kawabata

I sat on a somewhat higher sand dune and watched the eastern sky. Dawn in Mongolia was an amazing thing. In one instant, the horizon became a faint line suspended in the darkness, and then the line was drawn upward, higher and higher. It was as if a giant hand had stretched down from the sky and slowly lifted the curtain of night from the face of the earth. It was a magnificent sight, far greater in scale, [ ... ] than anything that I, with my limited human faculties, could comprehend. As I sat and watched, the feeling overtook me that my very life was slowly dwindling into nothingness. There was no trace here of anything as insignificant as human undertakings. This same event had been occurring hundreds of millions - hundreds of billions - of times, from an age long before there had been anything resembling life on earth. — Haruki Murakami

I suddenly see the world
as no longer viable:
you are out there burning the crops
with some new sublimate
This morning you left the bed
we still share
and went out to spread impotence
upon the world

I hate you.
I hate the mask you wear, your eyes
assuming a depth
they do not possess, drawing me
into the grotto of your skull
the landscape of bone
I hate your words
they make you think of fake
revolutionary bills
crisp imitation parchment
they sell at battlefields.

Last night, in this room, weeping
I asked you: what are you feeling?
do you feel anything?
Now in the torsion of your body
as you defoliate the fields we lived from
I have your answer. — Adrienne Rich

Back in Henrietta, night proceeded.
Richard Gansey was failing to sleep. When he closed his eyes: Blue's hands, his voice, black bleeding from a tree. It was starting, starting. No. It was ending. He was ending. This was the landscape of his personal apocalypse. What was excitement when he was wakeful melted into dread when he was tired.
He opened his eyes. — Maggie Stiefvater

There is a special charm to journeys undertaken before daybreak in hot lands: the air is soft and cool and the coming of dawn reveals a landscape fresh from the night dew. — Aung San Suu Kyi