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Quotes & Sayings About Music By Modern Musicians

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Top Music By Modern Musicians Quotes

Music By Modern Musicians Quotes By Wynton Marsalis

How great musicians demonstrate a mutual respect and trust on the bandstand can alter your outlook on the world and enrich every aspect of your life, understanding what it means to be a global citizen in the most modern sense. — Wynton Marsalis

Music By Modern Musicians Quotes By Wynton Marsalis

Today you go into make a modern recording with all this technology. The bass plays first, then the drums come in later, then they track the trumpet and the singer comes in and they ship the tape somewhere. Well, none of the musicians have played together. You can't play jazz music that way. In order for you to play jazz, you've got to listen to them. The music forces you at all times to address what other people are thinking and for you to interact with them with empathy and to deal with the process of working things out. And that's how our music really could teach what the meaning of American democracy is. — Wynton Marsalis

Music By Modern Musicians Quotes By E. M. Forster

He had a theory that musicians are incredibly complex, and know far less than other artists what they want and what they are; that they puzzle themselves as well as their friends; that their psychology is a modern development, and has not yet been understood. — E. M. Forster

Music By Modern Musicians Quotes By George Bernard Shaw

The technical history of modern harmony is a history of growth of toleration by the human ear of chords that at first sounded discordant and senseless to the main body of contemporary professional musicians. — George Bernard Shaw

Music By Modern Musicians Quotes By Roland Barthes

What is the use of composing if it is to confine the product within the precinct of the concert or the solitude of listening to the radio? To compose, at least by propensity, is to give to do, not to give to hear but to give to write. The modern location for music is not the concert hall, but the stage on which the musicians pass, in what is often a dazzling display, from one source of sound to another. It is we who are playing, though still it is true by proxy; but one can imagine the concert - later on? - as exclusively a workshop, from which nothing spills over - no dream, no imaginary, no short, no 'soul' and where all the musical art is absorbed in a praxis with no remainder. — Roland Barthes