Quotes & Sayings About Music Aristotle

Music has a power of forming the character, and should therefore be introduced into the education of the young. — Aristotle.

The most obvious reason for giving the best flutes to the best flute players is that doing so will produce the best music, making us listeners better off. But this is not Aristotle's reason. He thinks the best flutes should go to the best flute players because that's what flutes are for - to be played well. — Michael J. Sandel

Of course I want you," he said roughly. "Every thought in my head is of you. Tasting you, touching you, taking you in ways your innocent mind can't even fathom. I don't know a cursed thing about art or music or Aristotle. My every though is crude and base and so far beneath you, it might as well be on the opposite side of the earth. — Tessa Dare

Since music has so much to do with the molding of character, it is necessary that we teach it to our children. — Aristotle.

In Aristotle ... leisure is a far more noble, spiritual goal than work ... leisure is pursued solely for its own sake ... : the pleasures of music and poetry, ... conversation with friends, and ... gratuitous, playful speculation. In Latin, the ultimate good is otium - the opposite is negotium, or gainful work.
We have sought too much counsel in the proto-Calvinist work ethic preached by St Paul ... during the cessation of work we nurture family, educate, nourish friendships ... in loafing, most of our innovations come ... the routine of daily work has too often served as ... sleep ... a refuge from two crucial states - awakedness to the needs of others, and to the transcendent, which only comes ... loitering, dallying, tarrying, goofing off. — Francine Du Plessix Gray

As a rule, we don't like to feel to sad or lonely or depressed. So why do we like music (or books or movies) that evoke in us those same negative emotions? Why do we choose to experience in art the very feelings we avoid in real life?
Aristotle deals with a similar question in his analysis of tragedy. Tragedy, after all, is pretty gruesome. [ ... ] There's Sophocles's Oedipus, who blinds himself after learning that he has killed his father and slept with his mother. Why would anyone watch this stuff? Wouldn't it be sick to enjoy watching it? [ ... ] Tragedy's pleasure doesn't make us feel "good" in any straightforward sense. On the contrary, Aristotle says, the real goal of tragedy is to evoke pity and fear in the audience. Now, to speak of the pleasure of pity and fear is almost oxymoronic. But the point of bringing about these emotions is to achieve catharsis of them - a cleansing, a purification, a purging, or release. Catharsis is at the core of tragedy's appeal. — Brandon W. Forbes

We long for experiences "of profound connection with others," he writes, "of deep understanding of natural phenomena, of love, of being profoundly moved by music or tragedy, or doing something new and innovative." Just as important, we long for esteem and pride, "a self that happiness is a fitting response to." Implicit in Nozick's experiment is the idea that happiness should be a by-product, not a goal. Many of the ancient Greeks believed the same. To Aristotle, eudaimonia (roughly translated as "flourishing") meant doing something productive. Happiness could only be achieved through exploiting our strengths and our potential. To be happy, one must do, not just feel. — Jennifer Senior

With the truth, all given facts harmonize; but with what is false, the truth soon hits a wrong note. — Aristotle.

Music directly represents the passions of the soul. If one listens to the wrong kind of music, he will become the wrong kind of person. — Aristotle.

Music imitates (represents) the passions or states of the soul, such as gentleness, anger, courage, temperance, and their opposites. — Aristotle.

It is not easy to determine the nature of music, or why any one should have a knowledge of it. — Aristotle.

For each individual among the many has a share of excellence and practical wisdom, and when they meet together, just as they become in a manner one man, who has many feet, and hands, and senses, so too with regard to their character and thought. Hence the many are better judges than a single man of music and poetry, for some understand one part, and some another, and among them they understand the whole. (Aristotle, Politics, book 3, chapter 11) — Scott E. Page

The use of music for intellectual enjoyment in leisure; — Aristotle.

Chamberlain closed his eyes and saw it again. It was the most beautiful thing he had ever seen. No book or music would have that beauty. He did not understand it: a mile of men flowing slowly, steadily, inevitably up the long green ground, dying all the while, coming to kill you, and the shell bursts appearing above them like instant white flowers, and the flags all tipping and fluttering, and dimly you could hear the music and the drums, and then you could hear the officers screaming, and yet even above your own fear came the sensation of unspeakable beauty. He shook his head, opened his eyes. Professor's mind. But he thought of Aristotle: pity and terror. So this is tragedy. Yes. He nodded. In the presence of real tragedy you feel neither pain nor joy nor hatred, only a sense of enormous space and time suspended, the great doors open to black eternity, the rising across the terrible field of that last enormous, unanswerable question. — Michael Shaara

Aristotle ... imputed this symphony of the heavens ... this music of the spheres to Pythagorus ... But Pythagoras alone of mortals is said to have heard this harmony ... If our hearts were as pure, as chaste, as snowy as Pythagoras' was, our ears would resound and be filled with that supremely lovely music of the wheeling stars. — John Milton

Music directly imitates the passions or states of the soul ... when one listens to music that imitates a certain passion, he becomes imbued withthe same passion; and if over a long time he habitually listens to music that rouses ignoble passions, his whole character will be shaped to an ignoble form. — Aristotle.

Emotions of any kind are produced by melody and rhythm; therefore by music a man becomes accustomed to feeling the right emotions; music has thus the power to form character, and the various kinds of music based on various modes may be distinguished by their effects on character. — Aristotle.

Music has the power of producing a certain effect on the moral character of the soul, and if it has the power to do this, it is clear that the young must be directed to music and must be educated in it. — Aristotle.

Our youth should also be educated with music and physical education. — Aristotle.

Ancient philosophy was framed by prodigies,
Aristotle, Plato and Socrates.
And even though their thoughts were deemed the aristocratic voice,
they also had a thing for little boys.

Katherine the Great so it's been said,
needed large animals to be fulfilled in bed.
From historic rulers to the Ancient Greeks,
we're standing on the shoulders of freaks.

Isn't life pretty? Earnest Hemingway once said,
then he a bullet through his head.
Salvador Dali's surreal paintings were God sent,
you'd never know he ate his own excrement.

Then there's Da Vinci for whom it required,
dressing in women's underwear to be inspired.
From the great romantics to the Ancient Greeks,
we're standing on the shoulders of freaks.

Truman Capote needless to say,
would be intoxicated 20 hours a day.
From the modern authors to the Ancient Greeks,
we're standing on the shoulders of freaks. — Henry Phillips

Emotions of any kind can be evoked by melody and rhythm; therefore music has the power to form character. — Aristotle.