Movie Lines Quotes & Sayings

What made a movie buff different from others was the amount of freakish details they chose to fill their heads with. The typical movie-goer remembered the big lines, the ones that you could find on the film's shirts and posters. Just a bunch of tag-lines used for promotion. A true movie buff memorized the odd ones that said more about the story's theme or characters. A true buff read up on the movie's history. — Kenya Wright

I went from people just thinking I was, like, a baby to people thinking I'm this, like, sex freak that really just pops molly and does lines all day. It's like, 'Has anyone ever heard of rock 'n' roll?' There's a sex scene in pretty much every single movie, and they go, 'Well, that's a character.' Well, that's a character. I don't really dress as a teddy bear and, like, twerk on Robin Thicke, you know? — Miley Cyrus

'No one sits Baby in a corner,' one of the best lines in movie history. — Christine Quinn

There are certainly moments in the story room where you watch the movie die on the table. You put A next to B, and suddenly none of it lines up anymore. We feel that all the time. It's a terrible feeling. — Dan Scanlon

When I auditioned for 'Pitch Perfect,' I didn't know it was a singing movie. I didn't read the script. I go to the audition, and I'm like, 'Oh, it's a baseball movie.' But then I'm reading the lines, and I'm like, 'This doesn't seem like a baseball movie.' — Adam DeVine

When I wrote my first film and then directed it and I looked at it for the first time on what's called an assembly, you look at this movie which is every scene you wrote, every line of dialogue you wrote and you want to kill yourself the minute you see it. It's like, 'How did I write something so horrible?' — Bruce Joel Rubin

For me the writing, when I'm going to direct it myself, is really just the first draft, and I don't change it very much; I only change it on average about two lines per movie. — John Sayles

Don't mean to sound weird but I get so immersed in the source material when I'm working on a movie that I kind of lose the line between what I thought of and what was in the book. — Zack Snyder

Fincher, Kubrick, Lucas, Spielberg, Del Toro, Tarantino. And, of course, Kevin Smith. I spent three months studying every John Hughes teen movie and memorizing all the key lines of dialogue. Only the meek get pinched. The bold survive. You could say I covered all the bases. I studied Monty Python. And not just Holy Grail, either. Every single one of their films, albums, and books, and every episode of the original BBC — Ernest Cline

In the theater, you're so much more in charge as an actor. For better or for worse, you know what the audience is seeing. But you can be acting your socks off on film, and then you see the movie, and the camera is on the other actor, or they've cut out the lines you thought were significant, or they've adjusted the plot. So much of it is out of your control. — Susan Sarandon

Responding to non sequiturs - at cocktail parties, on public transportation, in ticket lines at the movie theater - is dicey enough, — Stephen King

Have you ever watched people when they don't know you're watching them? Like in a movie theater or a concert. When people get caught up in watching something, their faces change. The lines on their faces get softer, because whatever they're watching has made them forget how they think they're supposed to be looking. Instead, they just ARE - just sitting there, listening and watching and being real. — Claire Legrand

She had this way of just disappearing. He saw in whenever he asked her to do something she didn't wan to answer or asked her to do something she didn't want to do, like meeting his mother or father. She'd close her mouth, that she'd stuff her hands in the front pockets of her jeans and she'd turn into a wall. Colin never understood what she was running from. But he ran after her. He'd never met a woman who knew more about film. After he was with her for a while, though, he didn't care about that so much. He loved her mind; she was always making connections that startle and pleased him. He loved to stand behind her in movie lines and breathe her in, the softly sweaty odor of her. HE loved to make her laugh. He always felt as though he'd won a prize when he succeeded. He loved he. But he didn't tell her for the longest time. He though she might run away for good after that. — Martha Southgate

In 1984, I starred in 'Greystoke: The Legend Of Tarzan,' my first movie. My lines ended up being dubbed by Glenn Close, supposedly because my accent was 'too southern'. It was completely humiliating at the time. I became a laughing stock. I'm amazed that I managed to pick myself up and dust myself off. — Andie MacDowell

We don't often have the luxury of time [in Steve Jobs movie ]to have these conversations where you just literally get to sit around for day and days and analyze every line of dialogue. — Seth Rogen

The Nazis, for him, are merely available movie tropes
articulate monsters with a talent for sadism. By making the Americans cruel, too, he escapes the customary division of good and evil along national lines, but he escapes any sense of moral accountability as well. In a Tarantino war, everyone commits atrocities. Like all the director's work after 'Jackie Brown,' the movie is pure sensation. It's disconnected from feeling, and an eerie blankness
it's too shallow to be called nihilism
undermines even the best scenes. — David Denby

Working on a movie like 'Prince of Persia' was awesome. It was great fun to be an action hero and to jump around, running off walls and fighting and having great quippy lines. — Jake Gyllenhaal

When I saw my first movie, I was fine, but I thought, "Oh, my heavens. It's not about just standing there on my mark and saying these lines. I need to actually act." — Blake Lively

I think the most takes I've ever done would probably be maybe 10, on like a big studio movie where you can do those. But after a while it's like, "It's not gonna get any better, this is what it is," the light's just gonna dull from your eyes. I think the more you do it, the less the actors listen to each other because then you start memorizing the other person's lines and you start getting bored. — Jennifer Lawrence

While eating our feast, we watch The Big Lebowski, which is sort of bizarre, because Alex was trying to get me to watch this a couple of months ago. And the Roths have it on DVD, so they are all amazed I've never seen it. Turns out, it's really good. And what's even better, in addition to Porter preparing me for the sound of gunshots in the movie - so I won't be caught off guard - and quoting lines along with the actors, which makes me smile despite the dreary events of the day, is when he leans close and whispers into my ear, "You belong here with me."
And for that moment, I believe that I do. — Jenn Bennett

Bleep, I hadn't fought a werewolf ever, and had never had to tase one who was actually expecting it. He grinned maliciously as we circled each other, each looking for an opening.
"I can smell your fear."
"Again with the lines! What do you think this is, a B movie? News flash: you are not a tortured hero and we're not going to have a hot make out scene after we fight. — Kiersten White

'Rocky' is a movie that just happens to be about boxing. It's really about characters and story lines and relationships and all those things, and the backdrop is boxing. You can go back and watch the final fight in 'Rocky' a thousand times. If you dig that movie, if you like the characters, you'll watch the whole movie over and over. — Triple H

It can really vary from movie to movie what the producer's role is and there are all kinds of producers. There are line producers who do a lot of the nuts and bolts work on the set. — Nina Jacobson

I love the supporting characters because you get to do more, to be totally honest. It's been sort of a theme with me. In Son of No One, I think I might have seven lines in the entire movie because everything is happening to my character. — Channing Tatum

At one time, I would actually ride around to movie theaters to check the lines. — Tony Scott

Hollywood culture is a universal culture now. Everyone wants to step out of life and into the flat perfections of a movie screen. My own wish to drown was not so different from the desire those girls had to leave their real lives behind, to recieve new names and wardrobes and perfectly scripted lines. — Jonathan Rosen

Sometimes I feel as if we are all trapped in a movie. We know our lines, where to walk, how to act, only there is no camera. Yet, we can't break out of the movie. And it's a bad one. — Charles Bukowski

Everyone is skeptical. Only the media are not skeptical, but, then, they were also not skeptical when the administration put out the line that coordinated embassy attacks around the globe on the anniversary of 9/11 were just rowdy movie reviews. Numbers on a TV screen won't prevent millions of Americans from noticing that they're unemployed. — Ann Coulter

Life is much like a movie we walk into well after its opening scene, and we will have to step out long before most of the story lines reach their conclusions. We are acutely aware that we need to know a great deal if we are to understand the few confusing minutes that we do watch. Of course, we don't know exactly what it is that we don't know, so we can't frame the question well. We ask, What is the meaning of life? — Jonathan Haidt

The more lines I have, in general, the worse a movie is. It's very rare that I get say great things in fantastic movies. So if you see me as like, number one on a call sheet? In general, that movie is pretty bad. — Matthew Lillard

I was always the hero with no vices, reciting practically the same lines to the leading lady. The current crop of movie actors are less handicapped than the old ones. They are more human. The leading men of silent films were Adonises and Apollos. Today the hero can even take a poke at the leading lady. In my time a hero who hit the girl just once would have been out. — Ramon Novarro

I went back to China and did a movie in Mandarin, and I don't speak Mandarin, so I learned it phonetically. Now, when I'm on set and somebody gives me English lines, I'm like, "Are you kidding? What's happening? This is amazing!" — Maggie Q

My first ten years in Hollywood were really tough. I'd be coaching friends who came to me for acting advice, and then they'd make it before I did. I'd still be helping them while they were on movie sets and I had four lines on a TV show. — Michael Pena

I devoured each of what Halliday referred to as "The Holy Trilogies": Star Wars (original and prequel trilogies, in that order), Lord of the Rings, The Matrix, Mad Max, Back to the Future, and Indiana Jones. (Halliday once said that he preferred to pretend the other Indiana Jones films, from Kingdom of the Crystal Skull onward, didn't exist. I tended to agree.)
I also absorbed the complete filmographies of each of his favorite directors. Cameron, Gilliam, Jackson, Fincher, Kubrick, Lucas, Spielberg, Del Toro, Tarantino. And, of course, Kevin Smith.
I spent three months studying every John Hughes teen movie and memorizing all the key lines of dialogue. — Ernest Cline

I squeezed her hand. "He's not coming back, Carlee"
When I said her name, her whole body stiffened, her eyes opening wide and clearing, as though a veil over them had lifted. "Carlee," she whispered.
I nodded and waited for her to freak out, to start screaming or crying, bracing myself and getting ready to hug her or carry her back to the village, whatever it took. For a few impossibly long moments she didn't say anything, didn't move, and I wondered if the shock had broken her brain. Then her brown eyes locked on mine again, narrowing into slits.
"I'm gonna kill that effing creep."
I laughed, relief flooding through me, and threw my arms around her neck.
"No, seriously. I'm going to kill him! I can't believe I bought his stupid lines! I don't care how pretty he was, I mean, have you seen what I'm wearing?"
Laughing, I nodded into her shoulder. "So not the style."
"I know, right? I look like an extra in some fantasy movie. Some stupid fantasy movie. — Kiersten White

I watched 'The Muppet Movie' obsessively. I can still pretty much say a lot of the lines and do a pretty mean Fozzie Bear. — Amy Adams

It feels like I'm an actor in an Italian movie from the '60s, saying the placeholder lines into the camera, waiting for the real ones that come later. — Lauren Graham

In the beginning, I was always playing some kind of gangbanger and the token Mexican dude who didn't have a lot of lines but was in the entire movie. At the same time, everyone gets typecast, and I decided that if I was going to play a stereotypical role, I was going to play it like a three-dimensional character. — Michael Pena

As a young actor, I booked a movie in the U.S. I didn't speak any English at the time, so I learned my lines phonetically when I auditioned for it. — Demian Bichir

I don't want to be one of these filmmakers that hit you over the head with my agenda or my opinion. I just want to take you down the 50-yard line and let you form your own opinion of what the controversy [of a movie] is about. — Ric Roman Waugh

Sometimes in a movie, the lines are so perfect. — Jimmy Fallon

I did some writing for that movie. The remake of Planet of the Apes. I didn't write the script. But I wrote some lines that they ended up ... not using ... I wrote one line. I thought it would've been perfect. I don't know if anyone saw the movie. It's the scene where the ape general comes in. And they're trying to decide if they should attack right there, or wait until a little later. And I wrote: "Man these bananas are good!" But they didn't use it. I did all of that research. — Brian Regan

You know, OJ was a really nice guy, and he knew his lines. He was nice to everybody on the set. He got to be a better actor, I thought, with every movie. — David Zucker

For you, it's a silent movie. For us, it's a talking movie because we had lines on set. There's a lot of noise on set and music. We spoke in English, in French, in gibberish, but it was very alive. The challenge was tap dancing. — Jean Dujardin

If we can so easily remember catchy lyrics and memorable movie lines, how much more should we seek to remember the precious words of our Lord and Savior? — Wendy Blight

We pay a lot of money to get a tank with a few tropical fish in it and never tire of looking at their brilliant iridescence and marvelous forms and movements. But God has seas full of them, which he constantly enjoys. (I can hardly take in these beautiful little creatures one at a time.) We are enraptured by a well-done movie sequence or by a few bars from an opera or lines from a poem. We treasure our great experiences for a lifetime, and we may have very few of them. But he is simply one great inexhaustible and eternal experience of all that is good and true and beautiful and right. This is what we must think of when we hear theologians and philosophers speak of him as a perfect being. This is his life. — Dallas Willard

I didn't invent the rainy day, man. I just own the best umbrella. That's one of my favorite lines of all time. It's from a movie called Almost Famous. I think what it means is that life is going to throw all kinds of stuff at you, good and bad. But all you can do is get out there and try to stay dry. — Valerie Thomas

It used to be that you kind of got pigeonholed into one thing - you're either a stage actor or a TV actor or a movie actor. Today, there's a lot of crossover with film actors doing television, which never happened before, so those lines are a little bit more blurred than they used to be. — Aaron Tveit

If there's a movie of Neuromancer, what I really want the special effects guys to do is make you see, from Case's point of view, the little acid giggies: the little lines and trails coming off of things. — William Gibson

My first gig ever was writing looplines for a movie that had already been made. You know, writing lines over somebody's back to explain something, to help make a connection, to add a joke, or to just add babble because the people are in frame and should be saying something. — Joss Whedon

In rereading one of the best essays I know on Dante's Paradiso, Giovanni Getto's "Aspetti della poesia di Dante" (Aspects of Dante's Poetry, 1947), one can see that there is not one single image of Paradise that does not stem from a tradition that was part of the medieval reader's heritage, I won't say of ideas, but of daily fantasies and feelings. It is from the biblical tradition and the church fathers that these radiances come from, these vortices of flame, these lamps, these suns, these brilliances and brightnesses emerging "like a horizon clearing" (Par. 14.69) ... For medieval man, reading about this light and luminosity was equivalent to when we dream about the sinuous gracefulness of a movie star, the elegant lines of a car ... It is this appeal to a poetry of understanding that can make the Paradiso fascinating even for the modern reader who has lost the reference points familiar to his medieval counterpart. — Umberto Eco

Some lines you just don't cross. Not in my business."
"Your business?" Georgia rolled her eyes. "You mean the private detective business? I wasn't aware you guys had such ironclad rules about making out with clients." She ignored the choking sound he made. "Seriously, have you even seen The Maltese Falcon?"
Darius' face heated. "This isn't some movie, Ms. Clare. You're not Mary Astor, and I'm sure as hell no Humphrey Bogart. Here in the real world, there are rules. — Laura Oliva

I think the approach of the character for us is the same in a silent movie as in a talking movie because we had balance, we had lines to learn. — Berenice Bejo

Nobody knew what he knew. The whirl of time, the true life inside him. This was his leverage, his only control. He watched his mother browning the flour, her hands rising sticky-white from the heavy-bottomed pan. He ran messages to steamship lines. He lay near sleep, falling into reverie, the powerful world of Oswald-hero, guns flashing in the dark. The reverie of control, perfection of rage, perfection of desire, the fantasy of night, rain-slick streets, the heightened shadows of men in dark coats, like men on movie posters. The dark had a power. — Don DeLillo

It is all too easy to turn other people in our lives into a supporting cast for our life movie. The problem is that they don't follow the role or the lines we've given them. They are actual people with actual needs that get in the way of our plot, especially if they're as ambitious as we are. Sometimes, chasing your dreams can be "easier" than just being who we are, where God has placed you, with the gifts he has given to you. — Michael S. Horton

Being a movie star is stressful as hell. You've got to do crunches all day long. You've got to get up and learn lines. — Thomas Lennon

It's crazy because people expect you to be funny all the time and every day is not a funny day. I go to funerals and people are like 'tell a joke' and 'say one of your lines in a movie.' It's a funeral, man! — Chris Tucker

We've never pulled from the toy line. We've always pulled from the mythology. What's great is there's so much mythology, so there's always stuff to pull from that. It never lines up perfectly for a movie; it's just like adapting a book or anything else, you know? But you come up with things to create, you come up with different ideas, but fundamentally the ideas always start from the mythology. — Lorenzo Di Bonaventura

It just so happened that my agent called and said, 'There's this movie 'Pitch Perfect.' Here are the sides.' I think I originally read for Bumper, because Donald didn't have much in the script, so I read all Bumper's lines. I beatboxed for them, because that's what my character was supposed to do. And then I was like, 'By the way, I rap.' — Utkarsh Ambudkar

Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them. — Roger Ebert

As an actor, doing it for 30 years, with every movie, you're trying to figure out a way to make it more naturalistic and more organic to humanity. When you have lines like, "Never let the monster out," it's hard. — Josh Brolin

I don't think anyone ever sets out to make a crappy movie, but there are a lot of forces working against those people who are trying to make something decent. There are a lot of fine lines to walk and small battles to fight. — Bryan Lee O'Malley

People quote lines to me all the time. I'm always surprised - everybody has a favorite movie, and they're always different. I'm always shocked. People stop me on the street and throw lines at me from 'Tales from the Crypt: Demon Knight' and 'Deep Space Nine.' 'Shawshank' happens a lot because they play it so much on TV. — William Sadler

I remember when I got my first opportunity to work in America, I didn't speak a lot of English, so I only really knew my lines for the movie I was doing. — Penelope Cruz

So.....you're the guy Maggie's got the hots for." Maggie rolled her eyes and dropped her head into her hands. Leave it to Shad to just come right out with it. From her dejected position, she couldn't see Johnny's response, but she felt his interest pique like a blow torch aimed right at her face. Her neck and cheeks flamed hot.

"Johnny Kinross - in the flesh," Shad was warming up to the subject now, his lines right out of a poorly-written made-for-TV movie. "You are Johnny Kinross, right? I mean...I never saw you. But I think we had a pretty good relationship." Maggie sputtered, a laugh erupting from her chest. Shad swiveled his head and gave her his "Shut-up-woman!" lips and his "domineering male" chin thrust. He was talking again before Maggie could give him her "you've-got-ten-seconds-to-vacate-the-premises-before-I-cut-you" glare in response. — Amy Harmon

I stick to the script, I memorize the lines, cause life is movie that I've seen too many times. — Lil' Wayne

Addicts don't like when you tell them they are all the same. Of course not. Who would? But to me, addicts are like actresses, who all audition for the same role in a horror movie. It doesn't matter how they got to the audition. It doesn't matter how or where they grew up, once they get to the audition, all the actresses act in the same way and read the same lines. They all become the same character. — Oliver Markus

I did my first movie, 'The Mambo Kings,' in America without speaking the language. I learned the lines phonetically. I had an interpreter actually just to understand directions from my director. — Antonio Banderas