Most Famous Art Quotes & Sayings

In opera, as with any performing art, to be in great demand and to command high fees you must be good of course, but you must also be famous. The two are different things. — Luciano Pavarotti

There's a famous artist, Ron English, in New York, that just, or Andy Warhol for that matter, that did pop art that terrorized society. And that's, for the last like 10, 15 years, that's all I wanted to do, is terrorize society and make them look into a mirror and see what the hell we have wrought. — Al Jourgensen

It has been my personal experience that as I allow the painting to speak I become lost, it is delicious and at the same time frightening. The best ones, to me, have a life of their own. — Luther E. Vann

A world without poetry and art would be too much like one without birds or flowers: bearable but a lot less enjoyable. — Aberjhani

For most people, art is only valuable if other people say it is; and artists are only worthwhile if they are either rich and famous, or dead. — Wayne Gerard Trotman

At the Egyptian city of Naucratis there was a famous old god whose name was Theuth; the bird which is called the Ibis was sacred to him, and he was the inventor of many arts, such as arithmetic and calculation and geometry and astronomy and draughts and dice, but his great discovery was the use of letters. — Plato

arts, I said, just like that in painting, in literature, I said, even philosophers are ignorant of philosophy. Most artists are ignorant of their art. They have a dilettante's notion of art, remain stuck all their lives in dilettantism, even the most famous artists in the world. We — Thomas Bernhard

When you start to think of the arts as not this thing that is going to get you somewhere in terms of becoming an artist or becoming famous or whatever it is that people do, but rather a way of making being in the world not just bearable, but fascinating, then it starts to get interesting again. — Lynda Barry

In Isaac Newton's lifetime, no more than a few thousand people had any idea what he looked like, though he was one of England's most famous men, yet now millions of people have quite a clear idea - based on replicas of copies of rather poorly painted portraits. Even more pervasive and indelible are the smile of Mona Lisa, The Scream of Edvard Munch, and the silhouettes of various fictional extraterrestrials. These are memes, living a life of their own, independent of any physical reality. "This may not be what George Washington looked like then," a tour guide was overheard saying of the Gilbert Stuart painting at the Metropolitan Museum of Art, "but this is what he looks like now." Exactly. — James Gleick

It's better to be a good person than a famous person. — Jenny Holzer

I love the English language just like I love all American things. But I confess that I don't feel confident using complex sentences or big words, hence my famous minimally expressive style - all the "gees" and laconic answers to interviewers. Most of all, I have developed listening as an art form. — Andy Warhol

Contrary to the current presumption, if there is any man who has no right to solitude, it is the artist. Art cannot be a monologue. When the most solitary and least famous artist appeals to posterity, he is merely reaffirming his fundamental vocation. Considering a dialogue with deaf or inattentive contemporaries to be impossible, he appeals to a more far-reaching dialogue with the generations to come. But in order to speak about all and to all, one has to speak of what all know and of the reality common to us all. The sea, rains, necessity, desire, the struggle against death - these are the things that unite us all. We resemble one another in what we see together, in what we suffer together. Dreams change from individual to individual, but the reality of the world is common to us all. — Albert Camus

That was originally what I had loved him for: that at a period when our native land was nude and crude and provincial, when the famous 'atmosphere' it is supposed to lack was not even missed, when literature was lonely there and art and form akmost impossible, he had found the means to live and write like one of the first; to be free and general and not at all afraid; to feel, understand, and express everything. — Henry James

Most artists weren't famous until they died (mostly because once they'd died they couldn't create any more art, so it would make it more valuable). — Sariah Wilson

This pointing-hand gesture - with its index finger and thumb extended upward - is a well-known symbol of the Ancient Mysteries, and it appears all over the world in ancient art. This same gesture appears in three of Leonardo da Vinci's most famous encoded masterpieces - The Last Supper, Adoration of the Magi, and Saint John the Baptist. It's a symbol of man's mystical connection to God." As above, so below. The madman's bizarre choice of words was starting to feel more relevant now. "I've never seen it before," Sato said. Then watch ESPN, Langdon thought, always amused to see professional athletes point skyward in gratitude to God after a touchdown or home run. He wondered how many knew they were continuing a pre-Christian mystical tradition of acknowledging the mystical power above, which, for one brief moment, had transformed them into a god capable of miraculous feats. — Dan Brown

He [A. J. Balfour] was eminently one of the Cole Porter school of famous men, who only fell to rise again. Picking himself up and brushing himself down became a minor art form, ruefully admired by his contemporaries. — Arthur Balfour

Everybody wanted me to be rich and famous on my art. And I said no to all the commercials and all the seedy offers. — Philippe Petit

The people no longer seek consolation in art. But the refined people, the rich, the idlers seek the new, the extraordinary, the extravagant, the scandalous. I have contented these people with all the many bizarre things that come into my head. And the less they understand, the more they admire it. By amusing myself with all these games, all this nonsense, all these picture puzzles, I became famous ... I am only a public entertainer who has understood his time. — Pablo Picasso

It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power. — Robert Hughes