Modern Artist Quotes & Sayings
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Top Modern Artist Quotes

All of Dostoevsky's heroes question themselves as to the meaning of life. In this they are modern: they do not fear ridicule. What distinguishes modern sensibility from classical sensibility is that the latter thrives on moral programs and the former on metaphysical programs. In Dostoevsky's novels the question is propounded with such intensity that it can only invite extreme solutions. Existence is illusory or it is eternal. If Dostoevsky were satisfied with this inquiry, he would be a philosopher. But he illustrates the consequences that such intellectual pastimes may have in a man's life, and in this regard he is an artist. — Albert Camus

The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become the concern of the artist and the bafflement of the public. — Paul Gauguin

The pop artists did images that anybody walking down Broadway could recognize in a split second - comics, picnic tables, men's trousers, celebrities, shower curtains, refrigerators, Coke bottles. All the great modern things that the Abstract Expressionists tried not to notice at all. — Andy Warhol

Do not strive to be a modern artist: it's the one thing, unfortunately, you can't help being. — Salvador Dali

I do believe that it takes a strong dose of alienation to make a good artist or writer in the modern world. You can't be too well-adjusted and still have anything interesting to say. — Howard Sounes

This is the birth of the modern human soul. The artists are like us, not like the Neanderthals, who had no culture - and who incidentally were still roaming the landscape at the time the paintings were made. It is striking that there is a distant cultural echo that seems to reach all the way down to us, over dozens of millennia. — Werner Herzog

A great philosopher once said: 'We are what we Contemplate'
And in these modern times when mankind is constantly confronted with images of conflict and world disasters, it seems very important to contemplate the Beautiful.
It has become my personal crusade as an artist, to create images which uplift and nurture the human heart; to create that which serves as a reminder of what is Sacred and Beautiful within the drama of Life....
Ever since I can remember, my innermost nature has always been to do acts of kindness and to create, from saving lost animals, to organizing charitable events; from mothering my four children to now giving birth to the 'Art of Beauty'. — Ginger Gilmour

As the philosopher Gilles Deleuze put it, no painter ever stands before a completely blank canvas, no author ever sits before a blank page. In fact, the surface confronting the modern artist is full of inherited images that must first be cleared from the imagination before one can begin to create one's own. — Marie Luise Knott

Beauty, therefore, for the modern and postmodern artist has become a highly dubious metaphor for a discredited belief system. — John Walford

The modern recording studio, with its well-trained engineers, 24-track machines and shiny new recording consoles, encourages the artist to get involved with sound. And there have always been artists who could make the equipment serve their needs in a highly personal way - I would single out the Beatles, Phil Spector, the Beach Boys and Thom Bell. — Jon Landau

The workman in the true sense of the word - the artist in guns - is either extinct, or hidden in an obscure corner. There is no individuality about modern guns. One is exactly like another. — Richard Jefferies

Christ alone, of all the philosophers, magicians, etc., has affirmed eternal life as the most important certainty, the infinity of time, the futility of death, the necessity and purpose of serenity and devotion. He lived serenely, as an artist greater than all other artists, scorning marble and clay and paint, working in the living flesh. In other words, this peerless artist, scarcely conceivable with the blunt instrument of our modern, nervous and obtuse brains, made neither statues nor paintings nor books. He maintained in no uncertain terms that he made ... living men, immortals. — Vincent Van Gogh

I had not then acquired the technique that I flatter myself now enables me to deal competently with the works of modern artist. If this were the place I could write a very neat little guide to enable the amateur of pictures to deal to the satisfaction of their painters with the most diverse manifestations of the creative instinct. There is the intense 'By God!' that acknowledges the power of the ruthless realist, the 'It's so awfully sincere' that covers your embarrassment when you are shown the coloured photograph of an alderman's widow, the low whistle that exhibits your admiration for the post-impressionist, the 'Terribly amusing' that expresses what you feel about the cubist, the 'Oh!' of one who is overcome, the 'Ah!' of him whose breath is taken away. — W. Somerset Maugham

The form of government that is most suitable to the artist is no government at all ... One might point out how the Renaissance was great, because it sought to solve no social problem, and busied itself not about such things, but suffered the individual to develop freely, beautifully, and naturally, and so had great and individual artists, and great, individual men. One might point out how Louis XIV, by creating the modern state, destroyed the individualism of the artist ... — Oscar Wilde

And then there is that one-man movement, Marcel Duchamp for me a truly modern movement because it implies that each artist can do what he thinks he ought to a movement for each person and open for everybody. — Willem De Kooning

According to Wallace, the expectation that art amuses is a 'poisonous lesson for a would-be artist to grow up with,' since it places all of the power with the audience, sometimes breeding resentment on the part of the author. 'I can see it in myself and in other young writers,' he told McCaffery: 'this desperate desire to please coupled with a kind of hostility to the reader.' Wallace expressed his 'hostility' by writing unwieldy sentences, refusing to fulfill readers' expectations, and 'bludgeoning the reader with data'
all strategies he used to wrestle back some of the power held by modern audiences. — Dorothy M. Kennedy

Modern conquerors can kill, but do not seem to be able to create. Artists know how to
create but cannot really kill. Murderers are only very exceptionally found among artists. In the long run,
therefore, art in our revolutionary societies must die. But then the revolution will have lived its allotted
span. Each time that the revolution kills in a man the artist that he might have been, it attenuates itself
a little more. If, finally, the conquerors succeed in molding the world according to their laws, it will not
prove that quantity is king, but that this world is hell. In this hell, the place of art will coincide with that of
vanquished rebellion, a blind and empty hope in the pit of despair. — Albert Camus

When an artist begins to count strokes instead of regarding nature he is lost. This preoccupation with technique, at the expense of truth and sincerity, is the principal fault I find in much of the work of modern painters. — Joaquin Sorolla

The Art and Life of Jean Varda makes clear that Varda, better known today as an outlandish character than as a serious artist, was in fact both. Stroman cuts through the myths that Varda created about himself, while celebrating them at the same time. A lively book, deeply researched, well illustrated."
David Weinstein, CA-Modern Magazine | Eichler Network — Elizabeth Leavy Stroman

To a large degree, we are still bound to the modern scientific spirit, that characterizes reality merely by its material and mechanic aspects, without including life, consciousness and the intimate communion with that which poets, musicians and artists bring us in their magnificent works. — Leonardo Boff

Not only do we end up with a vivid, surprising and soulful sense of one artist and his work, but Leigh also offers us a commanding view of a city, London, and country at the dawn of the modern age and of a man being overawed and overtaken by new technologies such as photography and the railways. As ever with Leigh, 'Mr Turner' addresses the big questions with small moments. It's an extraordinary film, all at once strange, entertaining, thoughtful and exciting. — Dave Calhoun

In the case of an artistic practice that performs female narcissism..., the threat lies in its making superfluous the arbiters of artistic value. Already presuming her desirability, [she] obviates the modern critical system; loving herself, she needs no confirmation of her artistic 'value — Amelia Jones

The truly modern artist is aware of abstraction in an emotion of beauty. — Piet Mondrian

The modern artist must live by craft and violence. His gods are violent gods. Those artists, so called, whose work does not show this strife, are uninteresting. — Ezra Pound

The collaboration which sometimes follows is seldom based on good will: usually on desire, rage, fear, pity or longing. The modern illusion concerning painting (which post-modernism has done nothing to correct) is that the artist is the creator. Rather he is a reciever. What seems like creaton is the act of giving form to what he has recieved. — John Berger

The heart contains passion but the imagination alone contains poetry,' says Charles Baudelaire. This too was the lesson that Theophile Gautier, most subtle of all modern critics, most fascinating of all modern poets, was never tired of teaching - 'Everybody is affected by a sunrise or a sunset.' The absolute distinction of the artist is not his capacity to feel nature so much as his power of rendering it. The entire subordination of all intellectual and emotional faculties to the vital and informing poetic principle is the surest sign of the strength of our Renaissance. — Oscar Wilde

You're very good. Are you a professional artist?"
"I dabble," she said.
Shadow had spent enough time talking to the English to know that this meant either that she dabbled, or that her work was regularly hung in the National gallery or the Tate Modern. — Neil Gaiman

The modern artist ... is working and expressing an inner world - in other words - expressing the energy, the motion, and other inner forces. — Jackson Pollock

Through photography, both artist and scientist can find a common denominator in their search for the synthesis of modern vision in time, space and structure. — Ernst Haas

Maybe nothing is art", maybe everything is or could be art. To that, no doubt she would have responded like she did in the installation: "The term [artist] itself seems old-fashioned. It's a term that does not relate to modern times. And it's too confining. What I love about fashion is its accessibility and its democracy. Everyone wears it, and everyone relates to it. — Miuccia Prada

But there is another case for curating as a vanguard activity for the twenty-first century. As the artist Tino Sehgal has pointed out, modern societies find themselves today in an unprecedented situation: The problem of lack, or scarcity, which has been the primary factor motivating scientific and technological innovation, is now joined and even superseded by the problem of the global effects of overproduction and resource use. Thus, moving beyond the object as the locus of meaning has a further relevance. Selection, presentation, and conversation are ways for human beings to create and exchange real value, without dependence on older, unsustainable processes. Curating can take the lead in pointing us toward this crucial importance of choosing. — John Brockman

The artist is always a servant, and is perpetually trying to pay for the gift that has been given to him as if by miracle. Modern man, however, does not want to make any sacrifice, even though true affirmation of self can only be expressed in sacrifice. — Andrei Tarkovsky

But then no artist expects grace from the vulgar mind, or style from the suburban intellect. Vulgarity and stupidity are two very vivid facts in modern life. One regrets them, naturally. But there they are. — Oscar Wilde

Realism without naturalism... is a leading motif in Modern Art. There is a move away from the struggle to perfect the reflection of Nature in Art's mirror, which I attribute to the all-pervading effects of photography...You must serve the tradition without being its slave. Remember you are an artist, not a draughtsman. — Tom Holt

Why must ancients, and provided the same talent, be better than modern authors?
Free to exploit the vast realm of the simpleand the natural, they did not have to be artificial in order to be original (which every artist aspires to be). — Franz Grillparzer

Style is the most valuable asset of the modern artist. That's probably why so many styles are reported lost or stolen each year. — Brad Holland

If modern painters feel qualms about applying the term "masterpiece" to describe a work of capital importance, this is because it has come to convey a notion of perfection: a notion that leads to much confusion when applied to artists other than those who made perfection their ideal. — Andre Malraux

As Colin Wilson has written, "modern civilisation, with its mechanised rigidity is producing more outsiders than ever before-people who are too intelligent to do some repetitive job, but not intelligent enough to make their own terms with society." Those "intelligent enough" to make their own terms with society are what we will later refer to as artists of life. The outsider views himself as a product of a culture he rejects-the artist views himself as a culture-builder. — Laurence Boldt

People always make the mistake of thinking art is created for them. But really, art is a private language for sophisticates to congratulate themselves on their superiority to the rest of the world. As my artist's statement explains, my work is utterly incomprehensible and is therefore full of deep significance. — Bill Watterson

Man is just a memory. You understand things around you by the help of the knowledge that was put in you. You perhaps need the artist to explain his modern art, but you don't need anybody's help to understand a flower. You can deal with anything, you can do anything if you do not waste your energy trying to achieve imaginary goals. — U.G. Krishnamurti

Billions of photos are shot every year, and about the toughest thing a photographer can do is invent an original, deeply personal, instantly recognizable visual style. In the early nineties, Wolfgang Tillmans did just that, transforming himself into a new kind of artist-photographer of modern life. — Jerry Saltz

Well, method is, it seems to me, a natural growth out of a need, and from a need the modern artist has found new ways of expressing the world about him. I happen to find ways that are different from the usual techniques, which seems a little strange at the moment, but I don't think there's anything very different about it. I paint on the floor and this isn't unusual - the Orientals did that. — Jackson Pollock

Like Hamlet, Goethe's Faust offers a wide panorama of scenes from the vulgar to the sublime, with passages of wondrous poetry that can be sensed even through the veil of translation. And it also preserves the iridescence of its modern theme. From it Oswald Spengler christened our Western culture 'Faustian,' and others too have found it an unexcelled metaphor for the infinitely aspiring always dissatisfied modern self.
Goethe himself was wary of simple explanations. When his friends accused him of incompetence in metaphysics, he replied. 'I, being an artist, regard this as of little moment. Indeed, I prefer that the principle from which and through which I work should be hidden from me. — Daniel J. Boorstin

Modern man has been in search of a new language of form to satisfy new longings and aspirations - longings for mental appeasement, aspirations to unity, harmony, serenity - an end to his alienation from nature. All these arts of remote times or strange cultures either give or suggest to the modern artist forms which he can adapt to his needs, the elements of a new iconography. — Herbert Read

The modern picture of the artist began to form: The poor, but free spirit, plebeian but aspiring only to be classless, to cut himself forever free from the bonds of the greedy bourgeoisie, to be whatever the fat burghers feared most, to cross the line wherever they drew it, to look at the world in a way they couldn't see, to be high, live low, stay young forever
in short, to be the bohemian. — Thomas Wolfe

What the self-styled modern artists are doing is a sort of unemotional pseudo-intellectual masturabtion ... whereas creative art is more like intercourse, in which the artist must seduce
render emotional
his audience, each time. — Yevgeny Zamyatin

Die young, stay pretty. Blondie, right? We think of it as a modern phenomenon, the whole youth thing, but really, consider all those great portraits, some of them centuries old. Those goddesses of Botticelli and Rubens, Goya's Maja, Madame X. Consider Manet's Olympia, which shocked at the time, he having painted his mistress with the same voluptuous adulation generally reserved for the aristocratic good girls who posed for depictions of goddesses. Hardly anyone knows anymore, and no one cares, that Olympia was Manet's whore; although there's every reason to imagine that, in life, she was foolish and vulgar and not entirely hygienic (Paris in the 1860s being what it was). She's immortal now, she's a great historic beauty, having been scrubbed clean by the attention of a great artist. And okay, we can't help but notice that Manet did not choose to paint her twenty years later, when time had started doing its work. The world has always worshipped nascence. Goddamn the world. — Michael Cunningham

It was not very easy for a woman to impose herself as a modern artist in Germany ... Most of our male colleagues continued for a long time to look upon us as charming and gifted amateurs, denying us implicitly any real professional status. — Hannah Hoch

I wanted to paint in a folk-artist-y way. My heroes were Van Gogh, Gauguin, Matisse, and Rembrandt. I think Picasso is about as a modern as I got. But I incorporated things that they rejected as well as movements that happened later. — Joni Mitchell

The cases of great mathematicians with mental illness have enormous resonance for modern pop writers and filmmakers. This has to do mostly with the writers'/directors' own prejudices and receptivities, which in turn are functions of what you could call our era's particular archetypal template. It goes without saying that these templates change over time. The Mentally Ill Mathematician seems now in some ways to be what the Knight Errant, Mortified Saint, Tortured Artist, and Mad Scientist have been for other eras: sort of our Prometheus, the one who goes to forbidden places and returns with gifts we all can use but he alone pays for. That's probably a bit overblown, at least in some cases. But Cantor fits the template better than most. And the reason for this are a lot more interesting than whatever his problems and symptoms were. — David Foster Wallace

[Soetsu Yanagi's] main criticism of individual craftsmen and modern artists is that they are overproud of their individualism. I think I am right in saying Yanagi's belief was that the good artist of craftsman has no personal pride because in his soul he knows that any prowess he shows is evidence of that Other Power. Therefore what Yanagi says is 'Take heed of the humble; be what you are by birthright; there is no room for arrogance'. — Bernard Leach

The skills of the modern artist are the opposite of those of the craftsman: instead of acquiring techniques for producing classes of objects, the artist today perfects the means suited to his particular work. — Harold Rosenberg

Artist should look at the reality and brutality of modern life in all its color, nature with all its imperfections - that should be the challenge to the modern painter not the didactic idealization of the past. The new generation should forge a new path. — Charles Baudelaire

'Modern Love' completes the EP as an intricate musical piece weaving in and out of complex rhythms. There is even a beatless ambient mix that shows Subb-an has more strings to his bow. We are always keen to push artists out of their comfort zone and really show the world what they are capable of. — Subb-an

A modern man registers a hundred times more sensory impressions than an eighteenth-century artist — Fernand Leger

The Kirtaniyas are in the new wave of younger Kirtan artists bringing
the divine practice of Bhakti from the ancient to the modern world.
With fierce drumming and passionate singing they light up everyone
around them and spread the deep joy of God's names. An evening with
the Kirtaniyas will never be forgotten! — Jai Uttal

The No. 1 quote critics give me is, 'Thom, your work is irrelevant.' Now, that's a fascinating, fascinating comment. Yes, irrelevant to the little subculture, this microculture, of modern art. But here's the point: My art is relevant because it's relevant to 10 million people. That makes me the most relevant artist in this culture. — Thomas Kinkade

The modern artist, by nature and destiny, is always an individualist. — Herbert Read

As an artist and a songwriter myself, I like to feel connected to modern culture and watch how sounds change. — John Feldmann

Some of modern engineering is necessary to good art. But I think of myself is a cultural artist. — Larry Wall

This is why it is not true that culture can be, even temporarily, suspended in order to make way for a new culture. Man's unbroken testimony as to his suffering and his nobility cannot be suspended; the act of breathing cannot be suspended. There is no culture without legacy, and we cannot and must not reject anything of ours, the legacy of the West. Whatever the works of the future may be, they will bear the same secret, made up of courage and freedom, nourished by the daring of thousands of artists of all times and all nations. Yes, when modern tyranny shows us that, even when confined to his calling, the artist is a public enemy, it is right. But in this way tyranny pays its respects, through the artist, to an image of man that nothing has ever been able to crush. My conclusion will be simple. It will consist of saying, in the very midst of the sound and the fury of our history: Let us rejoice. — Albert Camus

On top of the good was a hideously ugly bronze statue in the modern style. The statue was of a couple, dressed in togas, wrapped in an embrace. Cupped in their hands was a piece of fruit. I couldn't be sure, because realism did not appear to be the artist's specialty, but it looked to me like a pomegranate.
"Good God," Frank, who'd trailed after us, said when he saw the statue. "Rector's even sicker than any of us thought. I've never wished I was blind before, like Graves, but I do now, because then I'd never have to look at that again."
"Frank," John said, his gaze on my face. "Be quiet."
"But what do they do in here?" Frank wanted to know. "Have picnics with their dead relatives and admire their ugly art? — Meg Cabot

[W]hen the modern mythmaker, the writer of literary fairy tales, dares to touch the old magic and try to make it work in new ways, it must be done with the surest of touches. It is, perhaps, a kind of artistic thievery, this stealing of old characters, settings, the accoutrements of magic. But then, in a sense, there is an element of theft in all art; even the most imaginative artist borrows and reconstructs the archetypes when delving into the human heart. That is not to say that using a familiar character from folklore in the hopes of shoring up a weak narrative will work. That makes little sense. Unless the image, character, or situation borrowed speaks to the author's condition, as cryptically and oracularly as a dream, folklore is best left untapped. — Jane Yolen

Whatever a work of art may be, the artist certainly cannot dare to be simple. He must have a nature as complicated and as violent, as totally unsuggestive of the word innocence, as a modern war. — Rebecca West

For the modern consciousness, the artist (replacing the saint) is the exemplary sufferer. — Susan Sontag

Ocular infidelity is unfortunately rampant in this so called artist's world. — Muse

Phidias and the achievements of Greek art are foreshadowed in Homer: Dante prefigures for us the passion and colour and intensity of Italian painting: the modern love of landscape dates from Rousseau, and it is in Keats that one discerns the beginning of the artistic renaissance of England. Byron was a rebel and Shelley a dreamer; but in the calmness and clearness of his vision, his perfect self-control, his unerring sense of beauty and his recognition of a separate realm for the imagination, Keats was the pure and serene artist, the forerunner of the pre-Raphaelite school, and so of the great romantic movement of which I am to speak. — Oscar Wilde

I am an abstract artist in the sense that I abstract. I cannot be called non-figurative while I am still interested in the modern magic of space, primitive sex forms, the sensual and erotic, disconcerting contours, the things of life. — Sean William Scott

The modern artist is working with space and time and expressing his feelings rather than illustrating. — Jackson Pollock

Most valuable art in our time has been experienced by audiences as a move into silence (or unintelligibility or invisibility or inaudibility); a dismantling of the artist's competence, his responsible sense of vocation - and therefore as an aggression against them. Modern — Susan Sontag

Poverty when coupled with creativeness is usually free of frustration. This is true of the poor artisan skilled in his trade and of the poor writer, artist, and scientist in the full possession of creative powers. Nothing so bolsters our self-confidence and reconciles us with ourselves as the continuous ability to create; to see things grow and develop under our hand, day in, day out. The decline of handicrafts in modern times is perhaps one of the causes for the rise of frustration and the increased susceptibility of the individual to mass movements. — Eric Hoffer

In modern times we are often encouraged to protect our ego-force and individuality by securing a private world in which to develop our unique artistic voice. Many artists find themselves solo-paddling along a private and unchallenging river ... Could rivalry be a productive system? — Sara Genn

I have treated many artists. There are among them many neurotics, so many that one finally comes to believe that one cannot be an artist without being neurotic. Again I found in them that inner conflict which is characteristic of modern man: the conflict between a right intuition (namely, that their vocation has fundamental importance for the destiny of humanity) and a false idea (namely, that art is superfluous luxury). — Paul Tournier

On the whole, the modern palette is the same as the one used by the artists of Pompeii ... I mean it has not been enriched. The ancients used earths, ochres, and ivory-black - you can do anything with that palette. — Pierre-Auguste Renoir

It was an irresistible development of modern illustration (so largely photographic) that borders should be abandoned and the "picture" end only with the paper. This method may be suitable for for photographs; but it is altogether inappropriate for the pictures that illustrate or are inspired by fairy-stories. An enchanted forest requires a margin, even an elaborate border. To print it coterminous with the page, like a "shot" of the Rockies in Picture Post, as if it were indeed a "snap" of fairyland or a "sketch by our artist on the spot", is a folly and an abuse. — J.R.R. Tolkien

Anybody who loves country music loves gospel. Even they are competing with the same type of problem that I'm competing with. We older artists are competing with the new style of country, with their new modern style of gospel, with the young people. — George Jones

I felt most beautiful on the red carpet in Givenchy's sheer lace dress at a dinner hosted by Givenchy in honor of Marina Abramovich at the closing of her Museum of Modern Art retrospective, 'The Artist is Present', in 2010. It was the first time I had been dressed for an event, and everybody just fell in love with the dress. — Joan Smalls

The whole thrust of modern art, as far as I understand it, is expanding the role of the artist as a kind of esthetician, someone who actually spends his time, is trained in a way to deal with qualities. — Robert Irwin

Once A. K. Coomaraswamy, the great twentieth-century Indian expert on traditional metaphysics and art, said that in modern society the artist is a special kind of person, while in traditional society every person is a special kind of artist. — Seyyed Hossein Nasr

Appreciation is the breath of life to the creative artist, and in spite of modern conditions, there is enough abroad to sustain him. But his name is now legion; he competes with the dead as well as the living; and the rewards and honours seem attenuated by division. — Walter J. Phillips

That's part of the requirement for me to be an artist is that you're trying to share your personal existence with others and trying to illuminate modern life, trying to understand life. — Francis Ford Coppola

It is often said that the modern exhibition has ruined painting. It is an unfortunate fact that it does encourage competition, so that, to attract attention to his work, an artist is tempted to descend to sensationalism, whether it is expressed by strong colour, grotesque handling, unusual subject, or sheer size. — Walter J. Phillips

The effect of the post-Enlightenment project for human society is that all human activity is absorbed into labor. It becomes an unending cycle of production for the sake of consumption. The modern concept of "built-in obsolescence" makes this clear. The cycle of production and consumption has to be kept going, and the work of the artist or craftsman who aims to create something enduring becomes marginal to the economic order. — Lesslie Newbigin

The modern notion of art is an essentially religious or magical one in which the artist is viewed as a holy beast who in some way, big or small, receives flashes from the godhead, which is known as creativity. — Tom Wolfe