Quotes & Sayings About Miyazaki

[pitching the proposal for Mononoke-hime (1997)] There cannot be a happy ending to the fight between the raging gods and humans. However, even in the middle of hatred and killings, there are things worth living for. A wonderful meeting, or a beautiful thing can exist. We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation. What we should depict is, how the boy understands the girl, and the process in which the girl opens her heart to the boy. At the end, the girl will say to the boy, "I love you, Ashitaka. But I cannot forgive humans." Smiling, the boy should say, "That is fine. Live with me. — Hayao Miyazaki

Producing an animation series merely to fill time slots in the broadcast schedule is like generating cultural pollution. — Hayao Miyazaki

I think 2-D animation disappeared from Disney because they made so many uninteresting films. They became very conservative in the way they created them. It's too bad. I thought 2-D and 3-D could coexist happily. — Hayao Miyazaki

Personally I am very pessimistic. But when, for instance, one of my staff has a baby you can't help but bless them for a good future. Because I can't tell that child, 'Oh, you shouldn't have come into this life.' And yet I know the world is heading in a bad direction. So with those conflicting thoughts in mind, I think about what kind of films I should be making. — Hayao Miyazaki

The creation of a single world comes from a huge number of fragments and chaos. — Hayao Miyazaki

We live in an age when it is cheaper to buy the rights to movies than to make them. — Hayao Miyazaki

The single difference between films for children and films for adults is that in films for children, there is always the option to start again, to create a new beginning. In films for adults, there are no ways to change things. What happened, happened. — Hayao Miyazaki

Since I am a person who starts work without clear knowledge of a storyline, every single scene is a pivotal scene. — Hayao Miyazaki

Maybe that's what these films are doing. They are my way of blessing the child — Hayao Miyazaki

The winds of time eventually turn them into the tools of industrial civillisation. It's never unscathed. — Hayao Miyazaki

First don't panic, second don't panic and third DID I MENTCHIN NOT TO PANIC?! — Hayao Miyazaki

I try to dig deep into the well of my subconscious. At a certain moment in that process, the lid is opened and very different ideas and visions are liberated. With those I can start making a film. But maybe it's better that you don't open that lid completely, because if you release your subconscious it becomes really hard to live a social or family life. — Hayao Miyazaki

Problems begin the moment we're born. We're born with infinite possibilities, only to give up on one after another. To choose one thing means to give up another. That's inevitable. But what can you do? That's what it is to live. — Hayao Miyazaki

When you watch the subtitled version you are probably missing just as many things. There is a layer and a nuance you're not going to get. Film crosses so many borders these days. Of course it is going to be distorted. — Hayao Miyazaki

The villains are all parts of me. For years I've been wondering what it would be like if all those negative elements were forced onto the main character's side. I can understand a character with that kind of anger. — Hayao Miyazaki

What you mean by 'peace' is nothing more than the endless repetition of human folly. — Hayao Miyazaki

Reality is for people that lack imagination. — Hayao Miyazaki

When I start creating a villain, I start liking the villain and so the villain is not really evil. — Hayao Miyazaki

I do believe in the power of story. I believe that stories have an important role to play in the formation of human beings, that they can stimulate, amaze and inspire their listeners. — Hayao Miyazaki

Well, yes. I believe that children's souls are the inheritors of historical memory from previous generations. It's just that as they grow older and experience the everyday world that memory sinks lower and lower. I feel I need to make a film that reaches down to that level. If I could do that I would die happy. — Hayao Miyazaki

Almost all Japanese animation is produced with hardly any basis taken from observing real people, you know. It's produced by humans who can't stand looking at other humans. And that's why the industry is full of otaku! — Hayao Miyazaki

It is the fate of modern life that we repeatedly lose touch with nature, the environment, the planet. But we try to regain it again and again. It's like a circle. In children's hearts and souls when they're born into the world, nature already exists deep inside them. So what I want to do in my work is tap into their souls — Hayao Miyazaki

We are not trying to solve the world's problems ... However, even in the midst of hatred and killing, there are things worth living for. A wonderful encounter, or a thing of beauty can still exist. — Hayao Miyazaki

You always have to appeal to your audience. You always have to consider how well your project will do in terms of admissions. I abandoned many stories because of that. But I don't get too down about it. It's something I accepted from the time I decided to work in films. — Hayao Miyazaki

You may not like what's happening, but just accept it, and let's try to live together. Even if you feel angry, let's be patient and endure, let's try to live together. I've realized that this is the only way forward. — Hayao Miyazaki

You'll see why, in animation circles, Miyazaki himself is considered one of the gods. — David Ansen

I never read reviews. I'm not interested. But I value a lot the reactions of the spectators. — Hayao Miyazaki

The characters are born from repetition, from repeatedly thinking about them. I have their outline in my head. I become the character and as the character I visit the locations of the story many, many times. Only after that I start drawing the character, but again I do it many, many times, over and over. And I only finish just before the deadline. — Hayao Miyazaki

I don't like games. You're robbing the precious time of children to be children. They need to be in touch with the real world more. — Hayao Miyazaki

The love of weaponry is often a manifestation of infantile traits in an adult. — Hayao Miyazaki

Whenever someone creates something with all of their heart, then that creation is given a soul. — Hayao Miyazaki

When a man is shooting a handgun, it's just like he is shooting because that's his job, and he has no other choice. It's no good. When a girl is shooting a handgun, it's really something. — Hayao Miyazaki

People in Japan have experienced many tsunamis and various earthquakes throughout the ages. — Hayao Miyazaki

I'm not going to make movies that tell children, "You should despair and run away". — Hayao Miyazaki

You think your life belongs to you? Tenar gave me my life. That's why I have to live, so that I can give life to someone else. Lebannen ... that is the only way we can live forever. — Goro Miyazaki

Airplanes are the most beautiful when they are in the air. — Hayao Miyazaki

You are not deep and complex. You're the most 2-D person I've ever met in my life. Miyazaki drew you and threw you straight on the scrap pile because you look too anime — Richard Rider

Sometimes I test myself saying, 'If I get a death sentence if I don't make this movie, would I still make this movie?' — Hayao Miyazaki

It's disgusting. On trains, the number of those people doing that strange masturbation-like gesture is multiplying. — Hayao Miyazaki

In order to grow your audience, you must betray their expectations. — Hayao Miyazaki

Watching John Lasseter's films, I think I can understand better than anyone that what he's doing, is going straight ahead with his vision and working really hard to get that vision into film form. And I feel that my understanding this of him is my friendship towards him. — Hayao Miyazaki

If you're going to retire, retire early. — Hayao Miyazaki

If [hand-drawn animation] is a dying craft, we can't do anything about it. Civilization moves on. Where are all the fresco painters now? Where are the landscape artists? What are they doing now? The world is changing. I have been very fortunate to be able to do the same job for 40 years. That's rare in any era. — Hayao Miyazaki

On Hayao Miyazaki
I told Miyazaki I love the "gratuitous motion" in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.
"We have a word for that in Japanese," he said, "It's called ma. Emptiness. It's there intentionally."
Is that like the "pillow words" that separate phrases in Japanese poetry?
"I don't think it's like the "pillow word." He clapped his hands three or four times. "The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it's just busyness, but if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb. — Roger Ebert

Out of the ugliness of the ironworks lepers will eat, children will be born, their parents will grow old. — Helen McCarthy

Actually I think CGI has the potential to equal or even surpass what the human hand can do. — Hayao Miyazaki

I love the work of Hayao Miyazaki. 'My Neighbor Totoro' and 'Castle in the Sky' are two of the great films that he's made that I just love. — John Lasseter

See with eyes unclouded by hate. — Hayao Miyazaki

The concept of portraying evil and then destroying it - I know this is considered mainstream, but I think it is rotten. This idea that whenever something evil happens someone particular can be blamed and punished for it, in life and in politics is hopeless. — Hayao Miyazaki

Nobody has the right to sit in judgment and decide what's good or bad for you. — Hayao Miyazaki

I'm not a collector. — Hayao Miyazaki

I believe nostalgia has many appearances and that it's not just the privilege of adults. I think children too can have nostalgia. It's one of mankind's most shared emotions. It's one of the things that makes us human. When you live, you lose things. It's a fact of life. So it's natural for everyone to have nostalgia. — Hayao Miyazaki

No matter how many WEAPONS you have, no matter how great your TECHNOLOGY might be, the world cannot live without LOVE. — Hayao Miyazaki

I find it pointless sitting in my house not working, though I like to go on extended vacations from time to time. — Hayao Miyazaki

I've become skeptical of the unwritten rule that just because a boy and girl appear in the same feature, a romance must ensue. Rather, I want to portray a slightly different relationship, one where the two mutually inspire each other to live - if I'm able to, then perhaps I'll be closer to portraying a true expression of love. — Hayao Miyazaki

Children understand intuitively that the world they have been born into is not a blessed world. — Hayao Miyazaki

I'd like to see Manhattan underwater. I'd like to see when the human population plummets and there are no more high rises, because nobody's buying them. I'm excited about that. Money and desire - all that is going to collapse, and wild green grasses are going to take over. — Hayao Miyazaki

Utopia exists only in one's childhood life. — Hayao Miyazaki

We get strength and encouragement from watching children. — Hayao Miyazaki

Cut off a wolf's head and it still has the power to bite. — Hayao Miyazaki

I believe once you watch a Miyazaki film, you'll get hooked. — John Lasseter

Many of my movies have strong female leads- brave, self-sufficient girls that don't think twice about fighting for what they believe with all their heart. They'll need a friend, or a supporter, but never a savior. Any woman is just as capable of being a hero as any man. — Hayao Miyazaki

Life is a winking light in the darkness. — Hayao Miyazaki

I get inspiration from my everyday life. — Hayao Miyazaki

Jiji: [after hearing that Kiki plans on leaving town for her witch training] I'm going to put my paws together and pray that you're not serious! — Hayao Miyazaki

[on the future of hand-drawn animation] I'm actually not that worried. I wouldn't give up on it completely. Once in a while there are strange, rich people who like to invest in odd things. You're going to have people in the corners of garages making cartoons to please themselves. And I'm more interested in those people than I am in big business. — Hayao Miyazaki

I'd like more of the world go back to being wild. — Hayao Miyazaki

You should despair and run away. — Hayao Miyazaki

Our lives are like the wind ... or like sounds.
We come into being, resonate with each other ...
Then fade away — Hayao Miyazaki

In this world of ours, the sparrow must live like a hawk if he is to fly at all. — Hayao Miyazaki

Tell me you didn't really watch Nausicaa."
Miho tried to keep a serious face, which must have been difficult enough in her flannel Hello Kitty pajamas. But the girl was a terrible liar. She smirked.
"No. Kiki just ended. So much for our Miyazaki marathon."
"We got through two movies," Sakura said. "Tonight, that's a marathon."
They'd wanted to watch movies tonight, just to clear their minds, and had agreed on nothing violent. All three of them loved the films of Miyazaki, who had become perhaps the most successful director in Japan while making only animated films. Kara had vetoed Howl's Moving Castle because she'd seen it too recently, and they had all seen My Neighbor Totoro far too many times, so they had started with Spirited Away. — Thomas Randall

I think Tokyo is going to sink under water soon. All those stupid high-rise buildings will sink and maybe all the traffic will be gone. And everything will be peaceful and quiet. — Hayao Miyazaki

People who design machines and airplanes {or buildings}, no matter how much they believe that what they do is good, the winds of time eventually turn them into tools of industrial civilization. They're cursed dreams. Animation, too. Beautiful yet cursed dreams. — Hayao Miyazaki

It seems like everything that we see perceived in the brain before we actually use our own eyes, that everything we see is coming through computers or machines and then is being input in our brain cells. So that really worries me. — Hayao Miyazaki

Always believe in yourself. Do this and no matter where you are, you will have nothing to fear. — Hayao Miyazaki

Personally, I was never more passionate about manga than when preparing for my college entrance exams. It's a period of life when young people appear to have a great deal of freedom, but are in many ways actually opressed. Just when they find themselves powerfully attracted to members of opposite sex, they have to really crack the books. To escape from this depressing situation, they often find themselves wishing they could live in a world of their own - a world they can say is truly theirs, a world unknown even to their parents. To young people, anime is something they incorporate into this private world.
I often refer to this feeling as one yearning for a lost world. It's a sense that although you may currently be living in a world of constraints, if you were free from those constraints, you would be able to do all sorts of things. And it's that feeling, I believe, that makes mid-teens so passionate about anime. — Hayao Miyazaki

Is someone different at age 18 or 60? I believe one stays the same. — Hayao Miyazaki

I believe that fantasy in the meaning of imagination is very important. We shouldn't stick too close to everyday reality but give room to the reality of the heart, of the mind, and of the imagination. — Hayao Miyazaki

I managed to work for more than 50 years with just paper, pencils and film. My son's generation and the one coming up after can't work with just paper and pencils any more. I managed to avoid using a computer. I don't even have a cellphone. I feel lucky I managed to live like that. — Hayao Miyazaki

I do all my work by storyboard, so as I draw the storyboard, the world gets more and more complex, and as a result, my North, South, East, West directions kind of shift and go off base, but it seems like my staff as well as the audience, doesn't quite realize that this has happened. Don't tell them about it. — Hayao Miyazaki

You never know how a film will play, whether it will be successful or not, or whether it will touch the audience. I always said to myself that whatever happens, big audience or small, that I would not let the results have an impact on my way of working. But it would be a bit silly for me to change my methods when I have a big success. That means my methods work well. — Hayao Miyazaki

Currently computer graphics are used a great deal, but it can be excessive. — Hayao Miyazaki

I think we should stop using nuclear power plants because it's an old system that we can't control. — Hayao Miyazaki

We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation. — Hayao Miyazaki

At the time, sword and sorcery stories were quite popular. There were female warriors waving swords around as well, but the genre is populated entirely with people who have absolutely no responsibility to anyone, so I knew my story would have to be completely different from any of these. — Hayao Miyazaki

Yet, even amidst the hatred and carnage, life is still worth living. It is possible for wonderful encounters and beautiful things to exist. — Hayao Miyazaki

I wanted to convey the message to children that this life is worth living, — Hayao Miyazaki

Miyazaki's films in Japan are bigger than Titanic. He's an incredible rock star there. In the US, they don't do as well. — Henry Selick

See the good in that which is evil, and the evil in that which is good. — Hayao Miyazaki

Those are shrines. Some people believe spirits live in them. — Hayao Miyazaki

My process is thinking, thinking and thinking - thinking about my stories for a long time. — Hayao Miyazaki

I don't intentionally make deep movies. — Hayao Miyazaki

Humans have both the urge to create and destroy. — Hayao Miyazaki

The principle I adhere to when directing, is that I make good use of everything my staff creates. Even if they make foregrounds that don't quite fit with my backgrounds, I never waste it and try to find the best use for it. — Hayao Miyazaki

Prizes do not mean anything to me. I think it is more important to make a child aware of the existence of a weird creature like a water spider that breathes through its backside. — Hayao Miyazaki

In my grandparents' time, it was believed that spirits existed everywhere - in trees, rivers, insects, wells, anything. My generation does not believe this, but I like the idea that we should all treasure everything because spirits might exist there, and we should treasure everything because there is a kind of life to everything. — Hayao Miyazaki

I would like to make a film to tell children "it's good to be alive". — Hayao Miyazaki

I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it. — Hayao Miyazaki

I make films as a business, not as a cultural endeavor. — Hayao Miyazaki

Arbogast had then assembled a dream team of creative consultants and contractors to help make his bold claim a reality, luring some of the videogame industry's brightest stars away from their own companies and projects, with the sole promise of collaborating on his groundbreaking new MMOs. That was how gaming legends like Chris Roberts, Richard Garriott, Hidetaka Miyazaki, Gabe Newell, and Shigeru Miyamoto had all wound up as consultants on both Terra Firma and Armada - along with several big Hollywood filmmakers, including James Cameron, who had contributed to the EDA's realistic ship and mech designs, and Peter Jackson, whose Weta Workshop had rendered all of the in-game cinematics. — Ernest Cline