Miss You More Than Words Can Say Quotes & Sayings

In another corner Nathaniel murmured to Maura, "You must know, Miss O'Connell, I ... I loved you even before I saw you. It was your father's way of talking."
Maura shook her head. "You mustn't say that. It's not my dear da's words that should do the wooing," she said gently. "I'd rather be cared for ... for what I am myself."
Nathaniel nodded. "I'll not say more. But I will tell you what I think I'm going to do."
And what is that
I'm going to California to search for gold."
And do you think, Nathaniel Brewster, you'll find it?"
I do. But it won't be as fine as what's here," Nathaniel said with a shy smile. "Maura O'Connell ... will ... will you ... wait for me to come back?"
Maura was silent.
Will you?"
You're a fine young man, Mr. Brewster. I can only say I'll not forget you. — Avi

Clearing his throat, he rumbled, "Miss Darling, a word if you please."
"Sesquipedalian," she said, keeping her back towards him.
The strange response momentarily stunned him. "Pardon?"
Turning around, she leaned against the counter and grinned at him, "You asked for a word and I gave you one. It means 'many syllabled' and while it's exceedingly pretentious it is a lot of fun to say. Sesquipedalian; it tangles up the tongue and then just falls right off.
"Or perhaps you would prefer a different word?" she continued guilelessly and he was completely charmed by her. "Tittle, which is the little dot over i's and j's; or Ornithopter, an aircraft that flies by flapping its wings; Tuatha De Danan Lora or Expector Patronum?"
"Now you're just making words up," he grinned, and realized he had missed talking to her. — A.C. Warneke

Sometimes she would be engaged in a laboratory exercise or a seminar when the instructor would say, "Gentlemen, let's proceed," and sensing Ellie's frown would add, "Sorry, Miss Arroway, but I think of you as one of the boys." The highest compliment they were capable of paying was that in their minds she was not overtly female. — Carl Sagan

I love you." My heart almost stopped beating in my chest.
She hadn't spoken those words since the last time I held her in my arms.
"And you did leave me. But ... but you came back. No one's ever come back. They leave me and that's it. They want to leave me. You didn't. And you came back." I wanted to stand up and reach across the table and jerk her into my arms but I wasn't sure I could stand up just yet. I needed to hear everything she had to say.
"Yes, I came back. My heart never left you."
"I miss you."
This time I stood up and walked around the table.
"I miss you. Every second of every day," I whispered. Her eyes followed me until I was inches from her.
"I trust you."
I needed more than that.
"You trust me," I repeated.
She nodded and her hand came up and caressed the side of my arm.
"I want to try again."
Those were the words I needed to hear. — Abbi Glines

I can read it.
I can read her.
Cuz she's thinking about how her own parents also came here with hope like my ma. She's wondering if the hope at the end of our hope is just as false as the one that was at the end of my ma's. And she;s taking the words of my ma and putting them into the mouths of her own ma and pa and hearing them say that they love her and they miss her and they wish her the world. And she's taking the song of my pa and she's weaving it into everything else till it becomes a sad thing all her own.
And it hurts her, but it's an okay hurt, but it hurts still, but it's good, but it hurts.
She hurts.
I know all this.
I know it's true.
Cuz I can read her.
I can read her Noise even tho she ain't got none.
I know who she is.
I know Viola Eade. — Patrick Ness

The words to country songs are very earthy like the blues. They're not as dressed up and the people are very honest and say, 'Look, I miss you darlin', so I went out and got drunk in this bar.' That's the way you say it. Where in Tin Pan Alley they would say, 'Oh I missed you darling, so I went to this restaurant and I sat down and had a dinner for one.' That's cleaned up now, you see? But country and blues tells it like it is. — Ray Charles

Some people will say that words like scum and rotten are wrong for Objective Journalism
which is true, but they miss the point. It was the built-in blind spots of the Objective rules and dogma that allowed Nixon to slither into the White House in the first place. — Hunter S. Thompson

Second: them poor things well out o' this, and never no more will I interfere with Mrs. Cruncher's flopping, never no more!"
"Whatever housekeeping arrangement that may be," said Miss Pross, striving to dry her eyes and compose herself, "I have no doubt it is best that Mrs. Cruncher should have it entirely under her own superintendence. - O my poor darlings!"
"I go so far as to say, miss, moreover," proceeded Mr. Cruncher, with a most alarming tendency to hold forth as from a pulpit - "and let my words be took down and took to Mrs. Cruncher through yourself - that wot my opinions respectin' flopping has undergone a change, and that wot I only hope with all my heart as Mrs. Cruncher may be a flopping at the present time."
"There, there, there! I hope she is, my dear man," cried the distracted Miss Pross, "and I hope she finds it answering her expectations. — Charles Dickens

No, Grace, it's not 'Miss Calhoun.'" Daniel had heard her say those words many times. They'd always set his teeth on edge. "It's Mrs. Reeves." Daniel added with angry triumph, "And guess what? I'm calling you Grace and the boys are calling you Ma. — Mary Connealy

Miss Taylor says kids that are colored can't go to my school cause they're not smart enough." I come round the counter then. Lift her chin up and smooth back her funny-looking hair. "You think I'm dumb?" "No," she whispers hard, like she means it so much. She look sorry she said it. "What that tell you about Miss Taylor, then?" She blink, like she listening good. "Means Miss Taylor ain't right all the time," I say. She hug me around my neck, say, "You're righter than Miss Taylor." I tear up then. My cup is spilling over. Those is new words to me. — Kathyrn Stockett

The highest praise a writer can give another is to say he wishes he had written his book. I wish I had written Forty Words for Sorrow. Giles Blunt has a tremendous talent. If you miss Forty Words for Sorrow, you'll miss one of best novels of 2001. — Tony Hillerman

Junior, stop being orner." It's what Mama used to say to us when we were little, and I say it to Junior out of habit. Daddy used to say it sometimes, too, until he said it to Randall one day and Randall started giggling, and then Daddy figured out Randall was laughing because it sounded like 'horny'. About a year ago I figured out what it was supposed to be after coming across its parent on the vocabulary list for my English class with Miss Dedeaux: 'ornery'. It made me wonder if there were other words Mama mashed like that. They used to pop up in my head sometime when I was doing the stupidest things: 'tetrified' when I was sweeping the kitchen and Daddy came in dripping beer and kicking chairs. 'Belove' when Manny was curling pleasure from me with his fingers in mid-swim in the pit. 'Freegid' when I was laying in bed in November, curled to the wall like I was going to burrow into another cover or I was making room for a body to lay behind me to make me warm. — Jesmyn Ward

Vati, Vati, I miss you so. She didn't say it aloud, but her throat vibrated with the words. — Beatriz Williams

His hand came to her neck, his fingers tracing the corded muscle there, and she knew he could feel her pulse racing. "You think I did not miss you?" She froze at the words, her breath coming shallow, desperate for him to say more. "You think I did not miss everything about you? Everything you represented?" He pressed against her, his breath soft against her temple. She closed her eyes. How had they found themselves here, in this place where he was so dark and so broken? "You think I did not want to come home?" His voice was thick with emotion. "But there was no home to which I could return. There was no one there." "You're wrong," she argued. "I was there. I was there . . . and I was . . ." Alone. She swallowed. "I was there. — Sarah MacLean

Miss Brobity's Being, young man, was deeply imbued with homage to Mind. She revered Mind, when launched, or, as I say, precipitated, on an extensive knowledge of the world. When I made my proposal, she did me the honour to be so overshadowed with a species of Awe, as to be able to articulate only the two words, "O Thou!" meaning myself. Her limpid blue eyes were fixed upon me, her semi-transparent hands were clasped together, pallor overspread her aquiline features, and, though encouraged to proceed, she never did proceed a word further. I disposed of the parallel establishment by private contract, and we became as nearly one as could be expected under the circumstances. But she never could, and she never did, find a phrase satisfactory to her perhaps-too-favourable estimate of my intellect. To the very last (feeble action of liver), she addressed me in the same unfinished terms. — Charles Dickens

He got lost in a memory for a moment, then glanced over at Gina. "What I miss most ... she always used to say good-night just before she'd drift off to sleep. I miss those words, the good-night." "Someone was there, someone to share the end of the day," Gina said softly. She understood. Bishop nodded. "Someone was there. That's why you get married, Gina. Beyond all the other details of why, it's having someone there when the days ends. It's being together and sharing life. — Dee Henderson

Tiger Lily made an attempt at a smile. After having felt the need to glower at other children for most of her life, smiles never came easily to her face. But this one was half all right.
"I miss you already," he said.
Tiger Lily wanted to say it back. But she held on to the words greedily, too caught in the habit of keeping herself a secret.
And Peter-half sadly, half-expectantly-let her go. — Jodi Lynn Anderson

"I go so far as to say, miss, morehover," proceeded Mr. Cruncher, with a most alarming tendency to hold forth as from a pulpit-"and let my words be took down and took to Mrs. Cruncher through yourself-that wot my opinions respectin' flopping has undergone a change, and that wot I only hope with all my heart as Mrs. Cruncher may be a flopping at the present time." — Charles Dickens

My Heart Cries

My heart cries, but you don't hear it.
My heart breaks, but you don't feel it.
My body longs to feel your arms around me.
My lips long to feel your kisses.
My ears long to hear you say I love you.
My eyes long to see your smile and eyes twinkle.
My life longs to have you in it.
My world longs to have you make it complete.
My body longs to feel you lie next to it.
My love longs to have you return it.
My heart will cry, my heart will break.
My body will go limp, my lips will only speak.
My ears will miss your words, my eyes will shed tears.
My life will be so lonely, my world will be so empty.
My love will go unreturned.
My heart aches as my life is turned inside out.
My mind will never forget, my heart will never let go.
I have loved you since the day I met you
But now my heart cries, and you don't hear it. — Kelly Gray

If this constant sliding and hiding of meaning were true of conscious life, then we would of course never be able to speak coherently at all. If the whole of language were present to me when I spoke, then I would not be able to articulate anything at all. The ego, or consciousness, can therefore only work by repressing this turbulent activity, provisionally nailing down words on to meanings. Every now and then a word from the unconscious which I do not want insinuates itself into my discourse, and this is the famous Freudian slip of the tongue or parapraxis. But for Lacan all our discourse is in a sense a slip of the tongue: if the process of language is as slippery and ambiguous as he suggests, we can never mean precisely what we say and never say precisely what we mean. Meaning is always in some sense an approximation, a near-miss, a part-failure, mixing non-sense and non-communication into sense and dialogue. — Terry Eagleton

Greta Wickham. He used to say if only Nora and Greta were here now, we wouldn't be in this mess, even when there was no mess at all." "Oh, he talked very warmly about you," Peggy interjected, "and William Junior and Thomas had nothing but good words to say about Maurice Webster when he was teaching them. I remember one day Thomas had a temperature and we all wanted him to stay in bed and he wouldn't, oh no he wouldn't, because he had a double commerce class with Mr. Webster that he could not miss. You know they wanted Thomas to stay in Dublin when he qualified. Oh, he got offers with very good prospects! We told him he should consider — Colm Toibin