Michelangelo's Quotes & Sayings

I start to feel like an empty canvas under the hands of Michelangelo. No! Like a swimmer who's gone out to far in the ocean being pulled back to shore by a fashion lifeguard. — Alecia Whitaker

So it is with you. The perfect you isn't something you need to create, because God already created it. The perfect you is the love within you. Your job is to allow the Holy Spirit to remove the fearful thinking that surrounds your perfect self, just as excess marble surrounded Michelangelo's perfect statue. — Marianne Williamson

In Hebrew, satan means an advocate of the alternative, the one who makes the arguments you don't know how to refute." Michelangelo looked to the old Jew, still grinning wickedly in the corner. "That satan is my best friend. — Adam Gidwitz

You see Michelangelo and Picasso and you read literature. I had some innate inchoate yearning for that, but I never really saw where I would fit in. That's called art. And then something happened to pop music, which is that it became art under the hand of the Beatles, the Stones, and Bob Dylan and some other people. — David Chase

Ah, what balance is needed at the edges of such an abyss. I am left alone on the surface of a turning planet. What to do but, like Michelangelo 's Adam, put my hand out into unknown space, hoping for the reciprocating touch? — R.S. Thomas

There's a series of sculptures there by Michelangelo that you should see. They are called The Captives. Out of a great formless mass of stone, the figures of slaves emerge: heads, shoulders, torsos, straining toward freedom but still held fast in the stone. There are souls like that, Reyes. There are souls that try to carve themselves from their own formlessness. — Mary Doria Russell

I don't think there is a 'gay lifestyle.' I think that's superficial crap, all that talk about gay culture. A couple of restaurants on Castro Street and a couple of magazines do not constitute culture. Michelangelo is culture. Virginia Woolf is culture. So let's don't confuse our terms. Wearing earrings is not culture ... — Rita Mae Brown

It's freezing up here. What did you use to keep warm?"
"Indignation," said Michelangelo. "Best fuel I know. Never burns out. — Irving Stone

I live in sin, to kill myself I live; no longer my life my own, but sin's; my good is given to me by heaven, my evil by myself, by my free will, of which I am deprived. — Michelangelo

In products of the human mind, simplicity marks the end of a process of refining, while complexity marks a primitive stage. Michelangelo 's definition of art as the purgation of superfluities suggests that the creative effort consists largely in the elimination of that which complicates and confuses a pattern — Eric Hoffer

When I think of competition it's like I try to create against the past. I think about Michelangelo and Picasso, you know, the pyramids. — Kanye West

Would the Judeo-Christian-Islamic God have sent his only-begotten son to save those beetles and their household mites, Jared?" "No." "But the god of this place has as great a care for them as for any other creature in the world. This is why I knew you could benefit from seeing those beetles yesterday. Those beetles are a manifestation of the gods' unending abundance and a sign to be read by those who have eyes to read. I wanted you to see how the gods lavish care without stint on every thing: no less upon a beetle whose supreme achievement is burying a mouse than upon the brain of Einstein, no less upon a mite whose favorite dish is a fly's egg than upon the eye of Michelangelo. — Daniel Quinn

Have no interest in handing down an indictment of mankind. If I did, I'd point out that for every Michelangelo there's a Marquis de Sade, for every Gandhi an Eichmann, for every Martin Luther King an Osama bin Laden. Leave it at this: man has come to dominate the planet thanks to two essential traits. One is intelligence. The other has been the absolute willingness to kill anyone and anything that gets in his way. He — Stephen King

If I do anything, I have to start over, but all I have is fragments of ideas. Just pieces. Like a germ of an idea for this, and a germ of an idea for that. Nothing whole or concrete" - Violet

" 'Growth itself contains the germ of happiness.' Pearl S. Buck. Maybe a germ is enough. Maybe it's all you need. We can start small. Open up a new document or pull out a black piece of paper. We'll make it our canvas. Remember what Michelangelo said about the sculpture being in the stone - it was there from the beginning, and his job was to bring it out. Your words are in there too" -Finch — Jennifer Niven

Reverend Easter waved her hand dismissively. "It doesn't matter to God what we call ourselves, or even what we call Him. We're the only ones who care about that. But as an Episcopalian and not an evangelical," she said, with a knowing look at Hannah, "I'll answer your question with another question, or rather, with a bunch of them, which is how we tend to do things. How else do you explain the miracle of your beating heart, the compassion of strangers, the existence of Mozart and Rilke and Michelangelo? How do you account for redwoods and hummingbirds, for orchids and nebulas? How can such beauty possibly exist without God? And how can we see it and know it's beautiful and be moved by it, without God?" Hannah — Hillary Jordan

The earliest complete Odyssey to have survived is from the late tenth century, now in Michelangelo's Laurentian Library in Florence, — Adam Nicolson

I live and love in God's peculiar light. — Michelangelo

Michelangelo regarding this subject: "The greater danger is not that our hopes are too high and we fail to reach them, it's that they are too low, and we do. — Wayne W. Dyer

Is it any wonder, since, when near the fire,
I was melted and burned, if now that it's extinguished
outside me, it besets and consumes me inside,
and bit by bit reduces me to ashes? — Michelangelo Buonarroti

Michelangelo was asked by the pope about the secret of his genius, particularly how he carved the statue of David, largely considered the masterpiece of all masterpieces. His answer was: "It's simple. I just remove everything that is not David. — Nassim Nicholas Taleb

I never photograph anything I don't believe in. If I love working with death, it's because even in death I find this power of reality that no sculptor or painter could recreate, not even a Michelangelo or a Da Vinci. — Joel-Peter Witkin

Not without deep pain do we admit to ourselves that the artists of all ages have in their highest flights carried to heavenly transfiguration precisely those conceptions that we now recognize as false: they are the glorifiers of the religious and philosophical errors of humanity, and they could not have done this without their belief in the absolute truth of these errors. Now if the belief in such truth generally diminishes, if the rainbow colors at the outermost ends of human knowing and imagining fade: then the species of art that, like the Divina commedia, Raphael's pictures, Michelangelo's frescoes, the Gothic cathedrals, presupposes not only a cosmic, but also a metaphysical significance for art objects can never blossom again. A touching tale will come of this, that there was once such an art, such belief by artists. — Friedrich Nietzsche

My soul can find no staircase to Heaven unless it be through Earth's loveliness. — Michelangelo

I stood up. Can a man stand alone, naked, and at his ease, wrist flexed at his side like Michelangelo's David, without assistance, without diversion, without drink, without friends, without a woman, in silence? Yes. It was possible to stand. Nothing happened. I listened. There was no sound: no boats on the river, no trucks on the road, not even cicadas. What if I didn't listen to the news? I didn't. Nothing happened. I realized I had been afraid of silence. — Walker Percy

To a recognizably Christian culture, like Shakespeare's, Jesus Christ is the Logos incarnate, the Word made flesh. He exemplifies the good of having a body. In the long run, that is why Aquinas could baptize Aristotle and why the West could produce Shakespeare and Michelangelo. — William Shakespeare

This is Michelangelo, and I think it's pretty fucked-up you don't even know which one is yours anymore. You've probably sent Raphael into a depression. — J. Lynn

The photographer in Blow-Up, who is not a philosopher, wants to see things closer up. But it so happens that, by enlarging too far, the object itself decomposes and disappears. Hence there's a moment in which we grasp reality, but then the moment passes. This was in part the meaning of Blow-Up. — Michelangelo Antonioni

In the case of Michel Angelo we have an artist who with brush and chisel portrayed literally thousands of human forms; but with this peculiarity, that while scores and scores of his male figures are obviously suffused and inspired by a romantic sentiment, there is hardly one of his female figures that is so, - the latter being mostly representative of woman in her part as mother, or sufferer, or prophetess or poetess, or in old age, or in any aspect of strength or tenderness, except that which associates itself especially with romantic love. Yet the cleanliness and dignity of Michel Angelo's male figures are incontestable, and bear striking witness to that nobility of the sentiment in him, which we have already seen illustrated in his sonnets. — Edward Carpenter

Raffael's drapery is the assistant of character, in Michelangelo it envelopes grandeur; it is in Reubens the ponderous robe of pomp. — Henry Fuseli

A visionary company is like a great work of art. Think of Michelangelo's scenes from Genesis on the ceiling of the Sistine Chapel or his statue of David. Think of a great and enduring novel like Huckleberry Finn or Crime and Punishment. Think of Beethoven's Ninth Symphony or Shakespeare's Henry V. Think of a beautifully designed building, like the masterpieces of Frank Lloyd Wright or Ludwig Mies van der Rohe. You can't point to any one single item that makes the whole thing work; it's the entire work - all the pieces working together to create an overall effect - that leads to enduring greatness. — John C. Maxwell

That's where the importance of nurturing comes in; the already sculpted personality is not recast, but refined. Loving, caring families can sand and polish, but they can't chip away at a lawn ornament and turn it into Michelangelo's David. Or vice versa. Want another analogy? Regarding personality, I am convinced that at birth the cake is already baked. Nurture is the nuts or frosting, but if you're a spice cake you're a spice cake, and nothing is going to change you into an angel food. — Lorna Landvik

Whoever believes physical size and tests of speed or strength have anything to do with a soccer player's prowess is sorely mistaken. Just as mistaken as those who believe that IQ tests have anything to do with talent or that there is a relationship between penis size and sexual pleasure. Good soccer players need not to be titans sculpted by Michelangelo. In soccer, ability is much more important than shape, and in many cases skill is the art of turning limitations into virtues. — Eduardo Galeano

Of course his name would be Dominic. It meant "gift from God." AKA a life-support system for an ego. Still, that didn't mean he wasn't fun to stare at. Dominic Rossi looked like a dream, the kind of dream no woman in her right mind would want to wake from.
She had always been susceptible to male beauty, ever since the age of ten, when her mother had taken her to see Michelangelo's David in Florence. She recalled staring at that huge stone behemoth, all lithe muscles and gorgeous symmetry, indifferent about his nudity, his member inspiring a dozen questions her mother brushed aside. — Susan Wiggs

So now, from this mad passion Which made me take art for an idol and a king I have learnt the burden of error that it bore And what misfortune springs from man's desire ... The world's frivolities have robbed me of the time That I was given for reflecting upon God. — Michelangelo

Take a Nicodemus and put a Joseph Smith's spirit in him, and what do you have? Take a Da Vinci or a Michelangelo or a Shakespeare and give him a total knowledge of the plan of salvation of God and personal revelation and cleanse him and take a look at the statues he will carve and the murals he will paint and the masterpieves he will produce. Take a handel with his purposeful effort, his superb talent, his earnest desire to properly depict the story, and give him inward vision of the whole true story and revelation, and what a master you will have! — Brigham Young

I couldn't give you something mediocre even if that's all you asked for. — Michelangelo

Michelangelo's contemporaries thought him the greatest artist who ever lived and called him 'divine.' His reputation as sculptor, architect, painter and draughtsman has not subsequently been surpassed, and who is to say his contemporaries were wrong? — Michael Ayrton

When you hear the word dog you picture that animal in your mind, but what do you see when you say the word God? Most people I know deny they see Michelangelo's white-bearded, big-handed guy; now it's a concept, usually it's Love - God is Love, most nonbelievers say - but if God is Love, then we don't need the word God, do we? We could just say, I hope to Love you get better. I pray to Love you are healed. Love, please heal my sister, Madeline. — Elisabeth Robinson

There are two kinds of sculptures. There's the kind that subtracts: Michelangelo starts with a block of marble and chips away. And then there is the kind that adds, building with clay, piling it on. The way I write novels is to keep piling on and piling on and piling on. — Jonathan Safran Foer

The moment always comes when, having collected one's ideas, certain images, an intuition of a certain kind of development- whether psychological or material- one must pass on to the actual realization. — Michelangelo Antonioni

When Michelangelo finished the painting of the Sistine Chapel's ceiling, he spent the rest of his life trying to remove the paint that had poured into his sleeve. — Francois Cavanna

When Michelangelo was introduced to Titian, he said ... that Titian's colouring and his style much pleased him, but that it was a pity that in Venice men did not learn to draw well from the beginning, and that those painters did not pursue a better method in their studies. — Giorgio Vasari

The air in a man's lungs 10,000,000,000, 000,000,000,000 atoms, so that sooner or later every one of us breathes an atom that has been breathed before by anyone you can think of who has ever lived - Michelangelo or George Washington or Moses. — Jacob Bronowski

Even Michelangelo on his deathbed thought he'd done nothing to ennoble art. He wanted to destroy his work-the Pieta! And this from the greatest artist who ever lived. Of course I am not comparing my work to Michelangelo's. But this eternal dissatisfaction of the artist is what I was talking about. — John Huston

To say that animals evolved into man is like saying that Carrara marble evolved into Michelangelo's David. Speech is what man pays homage to in every moment he can imagine. — Tom Wolfe

The story is told of Michelangelo being asked about his methods for sculpting.
He replied simply that he worked on a block of marble, removing all that was not
part of the sculpture until only the sculpture remained. I suspect this oversimplifies
the art of sculpture, but it's an excellent analogy for photography, which is
essentially an art of exclusion. — David DuChemin

is to read things that are not yet on the page. Edwin Land of Polaroid talked about the intersection of the humanities and science. I like that intersection. There's something magical about that place. There are a lot of people innovating, and that's not the main distinction of my career. The reason Apple resonates with people is that there's a deep current of humanity in our innovation. I think great artists and great engineers are similar, in that they both have a desire to express themselves. In fact some of the best people working on the original Mac were poets and musicians on the side. In the seventies computers became a way for people to express their creativity. Great artists like Leonardo da Vinci and Michelangelo were also great at science. Michelangelo knew a lot about how to quarry stone, not just how to be a sculptor. People pay us to integrate things for them, because they don't have the time to think about this stuff 24/7. If you have an extreme passion for producing — Walter Isaacson

So it is with Moslem women and their veils,' Michelangelo said. 'When they saw Muhammad's wives wearing veils, they sought to imitate them, and so now nearly all Islamic women wear veils even though there is no stipulation in their Holy Koran that they do so. — Matthew Reilly

There [is] a feeling of recognition, as of meeting an old friend, which comes to us all in the face of great artistic experiences. I had the same experience when I first heard an English folksong, when I first saw Michelangelo's Day and Night, when I suddenly came upon Stonehenge or had my first sight of New York City - the intuition that I had been there already. — Ralph Vaughan Williams

I really loved Michelangelo. I've always been a little partial to Donatello to be honest, especially with the animated series. There's just something about Donnie that I really like. But, you know, Mikey's also Mikey. It's kind of just a given he's the most fun one. — Noel Fisher

Can you imagine if someone told Einstein, Okay, wrap up this relativity thing, we're moving on to European history? Or said to Michelangelo, Time's up for the ceiling, now go paint the walls. Yet versions of this snuffing out of creativity and boundary-stretching thought happen all the time in conventional schools. — Salman Khan

Every great artist raises art to a science, and every great scientist raises science to an art, hence we have Michelangelo's David and Einstein's Theory of Relativity. — Robert Breault

A comparably capacious embrace of beauty and pleasure - an embrace that somehow extends to death as well as life, to dissolution as well as creation - characterizes Montaigne's restless reflections on matter in motion, Cervantes's chronicle of his mad knight, Michelangelo's depiction of flayed skin, Leonardo's sketches of whirlpools, Caravaggio's loving attention to the dirty soles of Christ's feet. — Stephen Greenblatt

In one study, elite violinists had separated themselves from all others by each accumulating more than 10,000 hours of practice by age 20. Thus the rule. Many elite performers complete their journey in about ten years, which, if you do the math, is an average of about three hours of deliberate practice a day, every day, 365 days a year. Now, if your ONE Thing relates to work and you put in 250 workdays a year (five days a week for 50 weeks), to keep pace on your mastery journey you'll need to average four hours a day. Sound familiar? It's not a random number. That's the amount of time you need to time block every day for your ONE Thing. More than anything else, expertise tracks with hours invested. Michelangelo once said, "If the people knew how hard I had to work to gain my mastery, it wouldn't seem wonderful at all." His point is obvious. Time on a task, over time, eventually beats talent every time. I'd say you can "book that," but actually you should "block it. — Gary Keller

Michelangelo's girlfriend, who said to Angelo, Forget the paint - let's put a mirror on the ceiling. Never got a dinner! — Red Buttons

I saw the dance as a vision of ineffable power. A man could, with dignity and a towering majesty, dance. Not mince, cavort, do "fancy dancing" or "showoff" steps. No: Dance as Michelangelo's visions dance and as the music of Bach dances. — Jose Limon

Michelangelo's cook was illiterate, so he drew her a shopping list--- which today is priceless. — Mitchell Symons

I always liked instrumental music, and I think there's a vehicle out there for it. I think a true artist not only records, but you have to perform and you have to have some kind of consistent output. You can't just put out an album every ten years and never play - that's not an artist, that's something else. But I find there's always been a vehicle for what I've done, because I get out there and play all the time. I say 12 hundred shows on my website just in case, because we can't verify it, but it's more like 15 hundred! — Michelangelo

George W. Bush's approval ratings have plummeted as Americans realize that it's not gay marriage that's destroying the country, but rather the president, Donald Rumsfeld, Condoleezza Rice and the rest of the gang in the White House. They're the ones who've taken us to war based on lies and have irreparably damaged the nation's integrity. — Michelangelo Signorile

One paints with one's head, not one's hand. — Michelangelo

When Michelangelo was an old man, he drew himself sitting in a child's pushcart. — Kathe Kollwitz

Now I contradict myself. Picasso he do too. He say pull out your brain, yes, he also say, 'Painting is a blind man's profession' and 'To draw you must close your eyes and sing'. And Michelangelo, he say he sculpts with his brains, not his eyes. Yes. Everything is true at once. Life is contradiction, we take in every lesson we find what works. Okay, now pick up the charcoal and draw. — Jandy Nelson

The Apotheosis of Washington - a 4,664-square-foot fresco that covers the canopy of the Capitol Rotunda - was completed in 1865 by Constantino Brumidi. Known as "The Michelangelo of the Capitol," Brumidi had laid claim to the Capitol Rotunda in the same way Michelangelo had laid claim to the Sistine Chapel, by painting a fresco on the room's most lofty canvas - the ceiling. Like Michelangelo, Brumidi had done some of his finest work inside the Vatican. Brumidi, however, immigrated to America in 1852, abandoning God's largest shrine in favor of a new shrine, the U.S. Capitol, which now glistened with examples of his mastery - from the trompe l'oeil of the Brumidi Corridors to the frieze ceiling of the Vice President's Room. And yet it was the enormous image hovering above the Capitol Rotunda that most historians considered to be Brumidi's masterwork. Robert — Dan Brown

Leonardo's Mona Lisa is just a thousand thousand smears of paint. Michelangelo's David is just a million hits with a hammer. We're all of us a million bits put together the right way. — Chuck Palahniuk

He was working that charm right now on the trainer who kneeled before him and touched his thigh as though it were the thigh of David, Michelangelo's glorious statue come to life right here on court. — A.G. Starling

Edwin Land of Polaroid talked about the intersection of the humanities and science. I like that intersection. There's something magical about that place. There are a lot of people innovating, and that's not the main distinction of my career. The reason Apple resonates with people is that there's a deep current of humanity in our innovation. I think great artists and great engineers are similar in that they both have a desire to express themselves. In fact some of the best people working on the original Mac were poets and musicians on the side. In the seventies computers became a way for people to express their creativity. Great artists like Leonardo da Vinci and Michelangelo were also great art science. Michelangelo knew a lot about how to quarry stone, not just how to be a sculptor. — Walter Isaacson

Magnus believed that many old things were creations of enduring beauty. The pyramids. Michelangelo's David. Versailles. Magnus himself. — Cassandra Clare

I have never heard a dancer asking for advice about how to stay focused on her footwork, or a painter complaining about the dull day-to-day task of painting. What task worth doing isn't worth daily effort? Do you think Michelangelo was having fun the whole time he was on his back painting the Sistine Chapel's ceiling. — Ursula K. Le Guin

It is necessary to keep one's compass in one's eyes and not in the hand, for the hands execute, but the eye judges. — Michelangelo Buonarroti

The best artist has that thought alone Which is contained within the marble shell; The sculptor's hand can only break the spell To free the figures slumbering in the stone. — Michelangelo

There's Ireland for you now, McGlynn, all of it. Unending rain rattling the windows, and inside a kindly woman boasting about her clerical relations, and two men drinking whiskey, and outside the rest of the world. If Michelangelo painted the Resurrection on her smoky ceiling she wouldn't give it a look or him a thank-you if her portly cousin His Reverence were within miles of the place. Once upon a time we exported scholars and culture to the Continent. Now we export nothing but beasts and priests, God help us. — Val Mulkerns

When experiencing a work of art, a curious exchange takes place; the work projects its aura, and we project our own emotions and precepts on the work. The melancholy in Michelangelo's architecture is fundamentally the viewer's sense of his/her own melancholy enticed by the authority of the work. Enigmatically, we encounter ourselves in the work. — Juhani Pallasmaa

As Michelangelo suggested, the greater danger is not that your hopes are too high and you fail to reach them; it's that they're too low and you do. Have within you an imaginary candle flame that burns brightly regardless of what goes before you. Let this inner flame represent for you the idea that you're capable of manifesting miracles in your life. In — Wayne W. Dyer

Either you're lying again or you're as stupid as you look. You ditch me first year for him when you were a girl. You ditch me second year for him when you were a boy. You lie and cheat and steal for him while he treats you like crap, and I help you and care for you and worship you like a queen while you treat me like crap! What does that guy have that I don't? What makes him so lovable and me so unworthy? Know how many times I've asked myself that question, Sophie? How many times I've studied him like a book or sat in the dark picturing every last shred of him, trying to understand why he's more of a person than me? Or why the moment he's gone, you take a ring from the School Master - or Raphael or Michelangelo or Donatello or whatever you want to call him to make yourself feel better - just because he looks like you want him to look and says what you want to hear? When you could have had someone who's honest and kind and real? — Soman Chainani

Be Willing to Pay the Price If people knew how hard I had to work to gain my mastery, it wouldn't seem wonderful at all. MICHELANGELO Renaissance sculptor and painter who spent 4 years lying on his back painting the ceiling of the Sistine Chapel Behind every great achievement is a story of education, training, practice, discipline, and sacrifice. You have to be willing to pay the price. Maybe that price is pursuing one single activity while putting everything else in your life on hold. Maybe it's investing all of your own personal wealth or savings. Maybe it's the willingness to walk away from the safety of your current situation. But though many things are typically required to reach a successful outcome, the willingness to do what's required adds that extra dimension to the mix that helps you persevere in the face of overwhelming challenges, setbacks, pain, and even personal — Jack Canfield

I've never believed that they're separate. Leonardo da Vinci was a great artist and a great scientist. Michelangelo knew a tremendous amount about how to cut stone at the quarry. The finest dozen computer scientists I know are all musicians. Some are better than others, but they all consider that an important part of their life. I don't believe that the best people in any of these fields see themselves as one branch of a forked tree. I just don't see that.People bring these things together a lot. Dr. Land at Polaroid said, "I want Polaroid to stand at the intersection of art and science," and I've never forgotten that. I think that that's possible, and I think a lot of people have tried. — Steve Jobs

My work is like digging, it's archaeological research among the arid materials of our times. That's how I understand my first films, and that's what I'm still doing ... — Michelangelo Antonioni

If I am more alive because love burns and chars me,
as a fire, given wood or wind, feels new elation,
it's that he who lays me low is my salvation,
and invigorates the more, the more he scars me. — Michelangelo Buonarroti

In the room the women come and go talking of Michelangelo. — T. S. Eliot

I think people talk too much; that's the truth of the matter. I do. I don't believe in words. People use too many words and usually wrongly. I am sure that in the distant future people will talk much less and in a more essential way. If people talk a lot less, they will be happier. Don't ask me why. — Michelangelo Antonioni

Joan of Arc came back as a little girl in Japan, and her father told her to stop listening to her imaginary friends.
Elvis was born again in a small village in Sudan, he died hungry, age 9, never knowing what a guitar was.
Michelangelo was drafted into the military at age 18 in Korea, he painted his face black with shoe polish and learned to kill.
Jackson Pollock got told to stop making a mess, somewhere in Russia.
Hemingway, to this day, writes DVD instruction manuals somewhere in China. He's an old man on a factory line. You wouldn't recognise him.
Gandhi was born to a wealthy stockbroker in New York. He never forgave the world after his father threw himself from his office window, on the 21st floor.
And everyone, somewhere, is someone, if we only give them a chance. — Iain Thomas

Your ribcage never meant to hurt you.
Your windpipe doesn't know how to be pretty,
but she knows how to howl -
and here, I'd like to take a moment
to submit a formal apology to my soft parts
because they kept me warm
when I was trying to freeze to death,
and I hated them for it. An apology
for a starvation that went deeper than my skin.
One for the strongest skeleton I will ever own
and how I kept using the word girl against it.
Or how I turned words like beautiful into shapes
I could contort myself into. I didn't mean
to compare myself to faces I can't have.
Or spend years trying to carve myself,
like Michelangelo's angels, from the marble -
forgetting what it is to be skin instead of stone.
I let myself be afraid. I was taught to be.
When you learn you are only as good
as your beauty routine, you forget
how to define yourself by anything else. — Ashe Vernon

If you think beauty insipid, you haven't experienced it. Nor is it always devoid of suffering. That's something religious artists have always understood, Michelangelo, Chagall, and Van Gogh, Beethoven, C.S. Lewis, and all the writer's for whom beauty is a gift and a calling. — Kristen Heitzmann

It's a stage with four lights clamped to it with walls made out of plywood. And then my name's in the center. It's the type of thing that can be made over and over again. It's not like a Michelangelo sculpture. — Josh Smith

...Michelangelo transformed both the practice of art and our conception of the artist's role in society. — Miles J. Unger

Except during my childhood, when I was probably influenced by Michelangelo's Sistine Chapel depiction of God with a flowing white beard, I have never tried to project the Creator in any kind of human likeness. The vociferous debates about whether God is male or female seem ridiculous to me. I think of God as an omnipotent and omniscient presence, a spirit that permeates the universe, the essence of truth, nature, being, and life. To me, these are profound and indescribable concepts that seem to be trivialized when expressed in words. — Jimmy Carter

Probably, if we looked at Da Vinci or Michelangelo with care, we'd see a historical particularity that the work is not treated as having. It's certainly true of Shakespeare. — Cass Sunstein

I loved flawed art. Michelangelo's statue of Lorenzo with its warped base that rose to accommodate his foot, the Mona Lisa's missing eyebrows. Flaws were seriously underrated. They were beautiful if you looked at them just so. — Tarryn Fisher

Talent grips us. We are overtaken by the beauty of Michelangelo's sculpture, riveted by Mariah Carey's angelic voice, doubled over in laughter by the comedy of Robin Williams, and captivated by the on screen performances of Denzel Washington. — John C. Maxwell

If Bailey had been born without MD, he wouldn't be Bailey. The Bailey who is smart and sensitive, and seems to understand so many things we don't. You might have looked right past Bailey if he'd grown up healthy, wrestling on his dad's team, acting like every other guy you've ever known. A big part of the reason Bailey is so special is because life has sculpted him into something amazing ... maybe not on the outside, but on the inside. On the inside, Bailey looks like Michelangelo's David. And when I look at him, and when you look at him, that's what we see. — Amy Harmon

Who have our fighters been?" Calvin asked. "Oh, you must know them, dear," Mrs Whatsit said. Mrs Who's spectacles shone out at them triumphantly, "And the light shineth in darkness; and the darkness comprehended it not." "Jesus!" Charles Wallace said. "Why, of course, Jesus!" "Of course!" Mrs Whatsit said. "Go on, Charles, love. There were others. All your great artists. They've been lights for us to see by." "Leonardo da Vinci?" Calvin suggested tentatively. "And Michelangelo?" "And Shakespeare," Charles Wallace called out, "and Bach! And Pasteur and Madame Curie and Einstein!" Now Calvin's voice rang with confidence. "And Schweitzer and Gandhi and Buddha and Beethoven and Rembrandt and St. Francis! — Madeleine L'Engle

I pored over art books and absorbed the placidness of Monet's garden, the sparkling color of the Impressionists, the strength and solidity of Michelangelo's figures showing the titanic power of humans at one with God, Jan Vermeer's serene Dutch women bathed in gorgeous honey-colored light ... My conviction grew that art was stronger than death. — Susan Vreeland

Man is a marble piece; unlike Michelangelo's masterpieces, man is unconsciously carved and imperfectly shaped by the nature! — Mehmet Murat Ildan

I admire most of all The Renaissance Man, and if it can be said without pretentiousness, I like to think of myself as one, at least in some small measure. Not a Michelangelo, mark you, but perhaps a poor man's Cellini or a road company Cosimo de' Medici ... the Renaissance Man did a number of things, many of them well, a few beautifully. He was no damned specialist. — Lucius Beebe

That's another thing that pisses me off about that Michelangelo statue of me in Florence. He's got me standing there uncircumcised! Who the fuck did he think I was? — Joseph Heller

Atop a Ferris wheel, Orson Welles told Joseph Cotten how Italy's thirty years of war and terror and bloodshed had produced the Renaissance and Michelangelo, and how Switzerland's five hundred years of democracy and peace had produced, goddamn, only the cuckoo clock. — Kevin Wilson

Guido the plumber and Michelangelo obtained their marble from the same quarry, but what each saw in the marble made the difference between a nobleman's sink and a brilliant sculpture. — Rob Kall

The day may come when, contemplating a world given back to the primeval forst, a human survivor will have no means of even guessing how much intelligence Man once imposed upon the forms of the earth, when he set up the stones of Florence in the billowing expanse of the Tuscan olive-groves. No trace will be left then of the palaces that saw Michelangelo pass by, nursing his grievances against Raphael; and nothing of the little Paris cafes where Renoir once sat beside Cezanne, Van Gogh beside Gauguin. Solitude, vicegerent of Eternity, vanquishes men's dreams no less than armies, and men have known this ever since they came into being and realized that they must die. — Andre Malraux

I was inspired by [Michelangelo] Antonioni's Red Desert - very big and moody. — Lykke Li

If we limit ourselves to painting as an example, both for brevity's sake and because in that field my ignorance is slightly less complete than it is in others, and if (wrongly, as I think) we agree to start an epoch with Giotto's Arena frescoes and then follow the line (nothing short of damnable though such "linear" arguments are) Giotto - Masaccio - Vinci - Michelangelo - Greco, no amount of emphasis on mystical ardors in the case of Greco can obliterate my point for anyone who has eyes that see. — Joseph Alois Schumpeter