Quotes & Sayings About Metaphysical Poetry

TO A GIRAFFE
If it is unpermissible, in fact fatal
to be personal and undesirable
to be literal - detrimental as well
if the eye is not innocent-does it mean that
one can live only on top leaves that are small
reachable only by a beast that is tall? -
of which the giraffe is the best example -
the unconversational animal.
When plagued by the psychological,
a creature can be unbearable
that could have been irresistible;
or to be exact, exceptional
since less conversational
than some emotionally-tied-in-knots animal.
After all
consolations of the metaphysical
can be profound. In Homer, existence
is flawed; transcendence, conditional;
"the journey from sin to redemption, perpetual. — Marianne Moore

Oracle of Delphi:
In my deep mystery I breathe
your fragrance swirling in
your odourless soul
I return your mystery
revealing your destiny deep in
the seed of your God Self — Ramon Ravenswood

The more serious poetry of the race has a philosophical structure of thought. It contains beliefs and conceptions in regard to the nature of man and the universe, God and the soul, fate and providence, suffering, evil and destiny. Great poetry always has, like the higher religion, a metaphysical content. It deals with the same august issues, experiences and conceptions as metaphysics or first philosophy. — Joseph Alexander Leighton

I take as metaphysical poetry that in which what is ordinarily apprehensible only by thought is brought within the grasp of feeling, or that in which what is ordinarily only felt is transformed into thought without ceasing to be feeling. — T. S. Eliot

While much recent historicist criticism has assumed early nineteenth-century readers attuned to subtle ideological nuances in poetry, actual responses from readers often come closer to clulessness ... It is no surprise that no one understood Blake, but other poets fared not much better ... Coleridge's 'Christabel' was 'the standing enigma which puzzles the curiosity of literary circles. What is it all about?', while another reviewer asked about Shelley, 'What, in the name of wonder on one side, and of common sense on the other, is the meaning of this metaphysical rhapsody about the unbinding of Prometheus?'. Even Keats was condemned for 'his frequent obscurity and confusion of language' and his 'unintelligible quaintness'. Byron, never to be outdone, boasted in 'Don Juan' that not only did he not understand many of his fellow poets, he did not understand himself either: 'I don't pretend that I quite understand / My own meaning when I would be very fine.' ... — Andrew Elfenbein