Melita Quotes & Sayings

Trust God without limit! — Ifeanyi Enoch Onuoha

Somebody said that my work might be an interesting source of material. — Melita Norwood

I could heal you-"
"No," he says, sharply enough that it startles me. "Everyone is dead. Gavin, Jedro, Melita ... All gone. My life, my friends. I lived for the blink of an eye. But I've been dying for a very long time. — Rae Carson

The punishment can be remitted; the crime is everlasting. — Ovid

I did what I did not to make money but to help prevent the defeat of a new system which had, at great cost, given ordinary people food and fares which they could afford, a good education and a health service. — Melita Norwood

I wanted to make photographs that were immediate and revealing - different from traditional portraiture that called for formal distance between artist and subject. — Wendy Ewald

When you allow yourself to begin to dream big dreams, creatively abandon the activities that are taking up too much of your time, and focus your inward energies on alleviating your main constraints, you start to feel an incredible sense of power and confidence. — Brian Tracy

Genius does not seem to derive any great support from syllogisms. Its carriage is free; its manner has a touch of inspiration. We see it come, but we never see it walk. — Joseph De Maistre

DeFrantz's study ... is not the first book about the protean Ailey, who was born in hardscrabble Texas in 1931 and died in 1989 after creating close to 80 works. But it is perhaps the most comprehensive, combining biography, criticism, the analysis of dance criticism, and a sort of corporate history, siting the now firmly established Alvin Ailey American Dance Theater in the international cultural landscape. — Alvin Ailey

I write the sacred words from wondering. — Lailah Gifty Akita

Yes we dream of our selves, of what we will become," Chi Ling told me, "but it's the environment that tells us what is possible. I don't think our dreams are limitless; they are bounded by the society we live in and its conception of what is respectable and good. — Julie Lythcott-Haims

This no-land was exactly the place in which my self was pushed and started to float without points of reference, and at the same time to resist the forced choice of only one identity and the erosion of my plural cultural belonging. More then ever before, certainly more than at any other time of my geographical and cultural dislocation due to the experience of migration, I was convinced of the necessity to reinforce my pertinence not to the single reality, but to a multiplicity of spaces. As never before, I kept remembering irrationally the shape of my country still entire and unbroken, without the scars of the new borders drawn on a mainly historically incorrect 'ethnic basis'. My imagined country was visible only from the window of a plane flying over the Balkans, as only from the air are the new states' borders and walls of ethnic separation invisible. In my stubborn conviction I was keeping all the scattered pieces together as a mental map of my non-existent homeland. — Melita Richter Malabotta

The South African artist William Kentridge speaks to this type of certainty: 'To say that one needs art, or politics, that incorporate ambiguity and contradiction is not to say that one then stops recognizing and condemning things as evil. However, it might stop one being so utterly convinced of the certainty of one's own solutions. There needs to be a strong understanding of fallibility and how the very act of certainty or authoritativeness can bring disasters.'
The outcome of the current crisis is already determined. — Nick Flynn

In general, I do not agree with spying against one's country. — Melita Norwood