Quotes & Sayings About Medieval Literature

Having set its mark on the generation before Cocteau's, symbolism expressed a form of inner dissidence confronting the narrow-minded materialism and utilitarian obsession of the industrial revolution, and hence a reaction to triumphant naturalism, in literature at least. Nourished by medieval, Renaissance, and Romantic art, symbolism, probably the last great backward-looking movement hatched in the West, had given rise to a desire to explore the secrets of the world and the confines of the soul. Beyond its androgynous Mercuries, its pale Narcissuses, and its Orpheuses borne by rosaries of angels, it gave rise to a whole misty alchemy wherein some found their way into esotericism and even into the religious, since the Universe was only the symbol of another world into which entrance was gained not only through poetry, spiritualism, dreams, and the Ideal, but also via the play of analogies and the study of ciphers. — Claude Arnaud

That year I had signed up for a course in French Medieval Literature. My mind was turning back, in a way, to the things I remembered from the old days in Saint Antonin. The deep, naive, rich simplicity of the twelfth and thirteenth centuries was beginning to speak to me again. I had written a paper on a legend of a 'Jongleur de Notre Dame,' compared with a story from the Fathers of the Desert, in Migne's Latin Patrology. I was being drawn back into the Catholic atmosphere, and I could feel the health of it, even in the merely natural order, working already within me. — Thomas Merton

His spirit chaunged house and wente ther,
As I cam nevere, I kan nat tellen wher. — Geoffrey Chaucer

The tall, thin serious man strode in, his dark cloak billowing so dramatically it threatened to extinguish the lamp flame with its draught. He advanced like a malevolent shadow consuming the dim orange light, filling the room with a presence almost more than human. — Gregory Figg

Every night, I slip into the empty winter land of memory. — Ned Hayes

Angela Carter ... refused to join in rejecting or denouncing fairy tales, but instead embraced the whole stigmatized genre, its stock characters and well-known plots, and with wonderful verve and invention, perverse grace and wicked fun, soaked them in a new fiery liquor that brought them leaping back to life. From her childhood, through her English degree at the University of Bristol where she specialised in Medieval Literature, and her experiences as a young woman on the folk-music circuit in the West Country, Angela Carter was steeped in English and Celtic faerie, in romances of chivalry and the grail, Chaucerian storytelling and Spenserian allegory, and she was to become fairy tale's rescuer, the form's own knight errant, who seized hold of it in its moribund state and plunged it into the fontaine de jouvence itself.
(from "Chamber of Secrets: The Sorcery of Angela Carter") — Marina Warner

Spain's churches, monuments, language, and literature are richly redolent of a unique, multifaith heritage. Muslims, Christians, and Jews had worked, worshipped, and interacted in Spain on a scale unparalleled and even unimaginable elsewhere in the medieval West. — Christopher Lowney

In the first book of my Discworld series, published more than 26 years ago, I introduced Death as a character; there was nothing particularly new about this - death has featured in art and literature since medieval times, and for centuries we have had a fascination with the Grim Reaper. — Terry Pratchett

I have a master's degree in medieval literature. Wyverns - or firedrakes, if you prefer - were once common in European mythology and legends." "But you . . . you're my accountant," Sarah sputtered. "Do you have any idea how many English majors are accountants?" Vivian asked with raised eyebrows. — Deborah Harkness

In Technologized Desire, the cultural pathologies that mark the panic ecstasy and terminal doom of the posthuman condition are powerfully rehearsed in the language of science fiction. Here, images of prosthetic subjects, zombies, cut-ups and armies of the medieval dead actually slip off the pages of literature to become the terminal hauntology of these technologized times. Technologized Desire is nothing less than a brilliant data screen of future memories. Read it well: it's a survival guide for bodies flatlined by the speed of accelerating technology. — Arthur Kroker

I've always like Medieval literature. As a young girl I read mythologies and Norse legends, that sort of thing. I loved Sir Gawain and the Green Knight. While I was studying at Middle Tennessee State University for doctoral program I came in contact with more ancient literature. I examined older literature more seriously which intrigued and fascinated me very much; I was drawn to it.
For the book I used all my own translations of Beowulf from my doctorate. Culture is contained in language, if you study a language you'll see bits of culture, because the words are different and you see into the lives of the people. The Anglo-Saxon language touched me very deeply. Some of it is the heroic. Some of it is the melancholy. But there is also honor. You uphold, you fight to the death. Even if you watch movies, like Marvel comic book movies, like Thor: you want the great ones to win. Its even better if they have a fault. But you want the heroic character to win. — Deborah A. Higgens

Conceiv'd out of the fullest heat and pulse of European feudalism -personifying ill unparalleled ways the medieval aristocracy, its towering spirit of ruthless and gigantic caste, with its own peculiar air and arrogance (no mere imitation) -only one of the "wolfish earls" so plenteous in the plays themselves, or some born descendant and knower, might seem to be the true author of those amazing works -works in some respects greater than anything else ill recorded literature. — Walt Whitman

I launched into a discourse on the gradual contraction of medieval oaths invoking the Virgin Mother Mary's menstrual blood and the seepage of Christ's wounds, astounded to find any use for my college study of medieval literature. — Hope Jahren

There is something sinister about putting a leprechaun in a workhouse. The only solid comfort is that he certainly will not work. — G.K. Chesterton

Little son, I have longed a while to see you, and now I see you the fairest thing ever a woman bore. In sadness came I hither, in sadness did I bring forth, and in sadness has your first feast day gone. And as by sadness you came into the world, your name shall be called Tristan; that is the child of sadness."

After she had said these words she kissed him, and immediately when she had kissed him she died. — Joseph Bedier

I used to be in school, like a good boy. Medieval Literature. Von Eschenbach, Chaucer, Milton... Yes, sir, no, sir. Then I had that... Crisis. You know it? Wake up one morning and everything's all wrong? Wake up one morning and it occurs to you the milk's spoiled and the bread is getting moldy. Wake up and it just hits you. Someday you're gonna die. Maybe like that girl last night died. Face down in an alley with a caved in head. Such a terrible thing and what for? Why life? Why This life? Why This soap? Why these hands? What's it all mean? Deep down you fear nothing. But you still hope something. Either way, you're not really sure. That's my crisis. I don't wanna die. But if I'm gonna die, first I'm gonna live. I'm gonna peel life like fruit, and use it up. I'm gonna light up an' burn. I'll burn and burn until I'm snuffed out. Then I'll just fade away. But until then I'm gonna live! I'm ready. I'm gonna do it. Come what may, one hundred percent. — Paul Pope

This absence of literary culture is actually a marker of future blindness because it is usually accompanied by a denigration of history, a byproduct of unconditional neomania. Outside of the niche and isolated genre of science fiction, literature is about the past. We do not learn physics or biology from medieval textbooks, but we still read Homer, Plato, or the very modern Shakespeare. — Nassim Nicholas Taleb

To accept the story of the Arab destruction of the library of Alexandria, one must explain how it is that so dramatic an event was unmentioned and unnoticed not only in the rich historical literature of medieval Islam, but even in the literatures of the Coptic and other Christian churches, of the Byzantines, of the Jews, or anyone else who might have thought the destruction of a great library worthy of comment. That the story still survives, and is repeated, despite all these objections, is testimony to the enduring power of a myth. — Bernard Lewis

...for most men are unaware that what is in the power of magicians to accomplish, that the heart can also accomplish by dint of love and bravery. — Joseph Bedier

Here at last was an Attendant Spirit to liberate us from the spells of Burkhardt or Addington Symonds and challenge the easy antithesis of fantastic and fideistic Middle Ages versus logical and free-thinking Renaissance. And it is a prime justification of medieval studies that if properly pursued they soon dispose of such facile distinctions, and overthrow the barriers of narrow specialism and textbook chronology. In this sense medieval just as much as classical studies make men more humane. It would indeed be hard to separate in Lewis' culture the one from the other: just as hard as it is to understand the Middle Ages themselves without knowing classical literature or the Renaissance without knowing the Middle Ages. This continuity of literature and of learning Lewis not only asserted but embodied. — Jocelyn Gibb

Gower is the first English writer to use "history" as an English word. He regularly rhymes the term with "memory," for to his way of thinking history and memory are correlative. That is, without history, there can be no memory; and without memory, there can be no history. But the point of historical knowledge is not to enable people to live in the past, or even to understand the past in the way we would expect a modern historian to proceed; rather, it is to enable people to live more vitally in the present. — Russell A. Peck