Quotes & Sayings About Medieval Art

Having set its mark on the generation before Cocteau's, symbolism expressed a form of inner dissidence confronting the narrow-minded materialism and utilitarian obsession of the industrial revolution, and hence a reaction to triumphant naturalism, in literature at least. Nourished by medieval, Renaissance, and Romantic art, symbolism, probably the last great backward-looking movement hatched in the West, had given rise to a desire to explore the secrets of the world and the confines of the soul. Beyond its androgynous Mercuries, its pale Narcissuses, and its Orpheuses borne by rosaries of angels, it gave rise to a whole misty alchemy wherein some found their way into esotericism and even into the religious, since the Universe was only the symbol of another world into which entrance was gained not only through poetry, spiritualism, dreams, and the Ideal, but also via the play of analogies and the study of ciphers. — Claude Arnaud

A small brazier glowed near the monk's left hand. On a lecturn before him lay pots of paints, brushes, a quill, a pen, a knife, a sizeable handbell, the tooth of some animal
and a piece of parchment.
It was the parchment that commanded the room. Until he saw it Len didn't realize how starved he had been of colour. Villagers dressed in various shades of brown and beige, like their furniture and fields and now, here, was an irruption of the rainbow, as if a charm of goldfinches had landed on the manuscript and been transfixed. — Diana Norman

Now the work of art also represents a state of final equilibrium, of accomplished order and maximum relative entropy, and there are those who resent it. But art is not meant to stop the stream of life. Within a narrow span of duration and space the work of art concentrates a view of the human condition; and sometimes it marks the steps of progression, just as a man climbing the dark stairs of a medieval tower assures himself by the changing sights glimpsed through its narrow windows that he is getting somewhere after all. — Rudolf Arnheim

In my art history degree course, we did a module on palimpsests - medieval sheets of parchment so costly that, once the text was no longer needed, the sheets were simply scraped clean and reused, leaving the old writing faintly visible through the new. Later, Renaissance artists used the word pentimenti, repentances, to describe mistakes or alterations that were covered with new paint, only to be revealed years or even centuries later as the paint thinned with time, leaving both the original and the revision on view.

Sometimes I have a sense that this house - our relationship in it, with it, with each other - is like a palimpsest or pentimento, that however much we try to overpaint Emma Matthews, she keeps tiptoeing back: a faint image, an enigmatic smile, stealing its way into the corner of the frame. — J.P. Delaney

The Christos-image
is most difficult to disentangle
from its art-craft junk-shop
paint-and-plaster medieval jumble
of pain-worship and death-symbol. — Hilda Doolittle

I was also one of those people who hadn't caught up with the latest social networking site. Maura belonged to most of them. She passed most evenings befriending men who had tried to date-rape her in high school, but I was still stuck in the last virtual community, a sad place to be, like Europe, say, during the Black Death. Whenever I cruised this site, with its favorites lists and its paeans to somebody's cousin's gas station art gallery, I could not help but think of medieval corpses in the spring-thaw mud, buboes sprouted in every armpit and anus, black bile curling out of frozen mouths. Those of us still cursed with life wandered the blasted dales of this stricken network, wept and moaned and flogged ourselves with frayed AC adaptors, called out for God to strike us dead, or else let us find somebody who liked similar bands. — Sam Lipsyte

What the great mentor is always looking for is a person who is willing to tap his genius, to put it through the refiner's fire, to do the hard work to develop it. Indeed, mentoring is the medieval art of alchemy-turning plain old human steel into hearts and minds of gold. — Oliver DeMille

The museums of medieval Europe, from Holland to Tuscany, are crammed with instruments and devices upon which the holy men labored devoutly, in order to see how long they could keep someone alive while being roasted. It is not needful to go into further details, but there were also religious books of instruction in this art, and guides for the detection of heresy by pain. — Christopher Hitchens

In the first book of my Discworld series, published more than 26 years ago, I introduced Death as a character; there was nothing particularly new about this - death has featured in art and literature since medieval times, and for centuries we have had a fascination with the Grim Reaper. — Terry Pratchett

We can hardly imagine a state of mind in which all material objects were regarded as symbols of spirtual truths or episodes in sacred history. Yet, unless we make this effort of imagination, Medieval art is largely incomprehensible. — Kenneth Clark

All art that is not mere storytelling, or mere portraiture, is symbolic, and has the purpose of those symbolic talismans which medieval magicians made with complex colours and forms, and bade their patients ponder over daily, and guard with holy secrecy; for it entangles, in complex colours and forms, a part of the Divine Essence. — William Butler Yeats

I wouldn't say so. I've told people I'm a medieval historian when asked what I do. It freezes conversation. If one tells them one's a poet, one gets these odd looks which seem to say, "Well, what's he living off?" In the old days a man was proud to have in his passport, Occupation: Gentleman. Lord Antrim's passport simply said, Occupation: Peer - which I felt was correct. I've had a lucky life. I had a happy home, and my parents provided me with a good education. And my father was both a physician and a scholar, so I never got the idea that art and science were opposing cultures - both were entertained equally in my home. I cannot complain. I've never had to do anything I really disliked. Certainly I've had to do various jobs I would not have taken on if I'd had the money; but I've always considered myself a worker, not a laborer. So many people have jobs they don't like at all. I haven't, and I'm grateful for that. — W. H. Auden

[Medieval] Art was not just a static element in society, or even one which interacted with the various social groups. It was not simply something which was made to decorate or to instruct - or even to overawe and dominate. Rather, it was that and more. It was potentially controversial in ways both similar and dissimilar to its couterpart today. It was something which could by its force of attraction not only form the basis for the economy of a particular way of life, it could also come to change that way of life in ways counter to the original intent. Along with this and because of this, art carried a host of implications, both social and moral, which had to be justified. Indeed, it is from the two related and basic elements of justification and function - claim and reality - that Bernard approaches the question of art in the Apologia. — Conrad Rudolph

Every article on these islands has an almost personal character, which gives this simple life, where all art is unknown, something of the artistic beauty of medieval life. — John Millington Synge

Paris was a universe whole and entire unto herself, hollowed and fashioned by history; so she seemed in this age of Napoleon III with her towering buildings, her massive cathedrals, her grand boulevards and ancient winding medieval streets
as vast and indestructible as nature itself. All was embraced by her, by her volatile and enchanted populace thronging the galleries, the theaters, the cafes, giving birth over and over to genius and sanctity, philosophy and war, frivolity and the finest art; so it seemed that if all the world outside her were to sink into darkness, what was fine, what was beautiful, what was essential might there still come to its finest flower. Even the majestic trees that graced and sheltered her streets were attuned to her
and the waters of the Seine, contained and beautiful as they wound through her heart; so that the earth on that spot, so shaped by blood and consciousness, had ceased to be the earth and had become Paris. — Anne Rice

While I was drawn to the Renaissance, my first (unpublished) novels took place in modern times. When the subject of alchemy started creeping into my stories, an astute mentor observed that the bits about alchemy might fit better in another time frame. When I finally decided to weave the pieces about the medieval science into historical settings, a successful novel began to emerge. (And I dusted off that art history book, and put it to use once again.) — Mary Pope Osborne

In the spring of 2015, I went to Spain to walk for a week on the Camino de Santiago, the medieval route that has been used for centuries by pilgrims demonstrating their devotion, and now by spiritual seekers looking for renewal. Ever since I studied medieval art in college, walking the Camino had been a dream of mine. I loved the idea of a moderately sized adventure, one that was about walking, not running, and still had the safety of towns and sleeping on mats on the floor instead of inside tents. I set off with underprepared feet, too much in my backpack, thirteen words of Spanish and my copy of Eat Pray Love. — Various

Are you educated in the art of medicine?" Yeah, the art of Walgreens and Urgent Care. "A bit," I hedged. — Lisa T Bergren

Historically, art has always had a market. When one medieval fiefdom defeated another they would drag back its jewels, gold, tapestries and art objects as the spoils of war. Art equaled power, riches and culture. — Arne Glimcher

Your machinery is beautiful. Your society people have apologized to me for the envious ridicule with which your newspapers have referred to me. Your newspapers are comic but never amusing. Your Water Tower is a castellated monstrosity with pepperboxes stuck all over it. I am amazed that any people could so abuse Gothic art and make a structure not like a water tower but like a tower of a medieval castle. It should be torn down. It is a shame to spend so much money on buildings with such an unsatisfactory result. Your city looks positively dreary. — Oscar Wilde

The civilized people of today look back with horror at their medieval ancestors who wantonly destroyed great works of art or sat slothfully by while they destroyed. We have passed this stage ... Here in the U.S. we turn our rivers and streams into sewers and dumping grounds, we pollute the air, we destroy our forests and exterminate fishes, birds and mammals - not to speak of vulgarizing charming landscapes with hideous advertisements. But at best it looks as if our people were awakening. — Theodore Roosevelt

Yet any time I opened up a book of medieval art, or walked into the Renaissance galleries in a museum, I was confronted with Mary. — Holly Ordway

While working in California, I met William Valentiner and Edgar Richardson of the Detroit Institute of Arts. I mentioned a desire which I had to paint a series of murals about the industries of the United States, a series that would constitute a new kind of plastic poem, depicting in color and form the story of each industry and its division of labor. Dr. Valentiner was keenly interested, considering my idea a potential base for a new school of modern art in America, as related to the social structure of American life as the art of the Middle Ages had been related to medieval society. — Diego Rivera

Light - both physical and moral - was a central concern to the men and women living in the medieval age. They attempted to explore its properties in the colors of a stained glass canopy, in the tenor of a brisk saltarello, in the lilt of a Jongleur's ballad, in the sweet savor of a banqueting table, in the rhapsody of a well planned garden, indeed, in every arena and discipline of life. — Douglas Wilson Douglas Jones

In Britain, chinoiserie was eclipsed by the medievalism of Sir Walter Scott and the Gothic Revival, while in Europe japonisme would be chinoiserie's successor. Japonisme never compelled the general middle-class British taste as did the indigenous medieval style. Nonetheless, through extensive importations to Britain of Japanese art and artifacts, notably by the shop Liberty's of London, as well as through the artists James McNeill Whistler and Dante Gabriel Rossetti, the architect E.W. Godwin, and the writer Oscar Wilde, the Japanese style of decoration was known in Britain well before 1894. — Linda Gertner Zatlin

Why are you so weird?" "Because my weird has to be able to cancel out your weird, Lady Cross-stitch." "At least what I do is considered an art form," Chubs said. "Yes, in ye olde medieval Europe you would've been quite the catch - — Alexandra Bracken

Not in San Salvador, he thinks, where the shanty slums press against gleaming high-rises like the thatched huts of medieval peasants pressed against castle walls. Except these castle walls are patrolled by private security guards wielding automatic rifles and machine pistols. And at night, the guards venture out from the castle walls and ride through the villages ...and slaughter the peasants, leaving their bodies at crossroads and in the middle of village squares, and rape and kill women and execute children in front of their parents.

So the survivors will know their place.

It's a killing ground, Art thinks.

El Salvador.

The Savior, my ass. — Don Winslow