Mediaeval Quotes & Sayings

The cab rattled, jingled, jolted; in fact, the last was quite extraordinary. By its disproportionate violence and magnitude it obliterated every sensation of onward movement; and the effect was of being shaken in a stationary apparatus like a mediaeval device for the punishment of crime, or some very newfangled invention for the cure of a sluggish liver. It was extremely distressing; and the raising of Mrs Verloc's mother's voice sounded like a wail of pain. — Joseph Conrad

Mediaevalism, with its saints and martyrs, its love of self-torture, its wild passion for wounding itself, its gashing with knives, and its whipping with rods - Mediaevalism is real Christianity, and the mediaeval Christ is the real Christ. When the Renaissance dawned upon the world, and brought with it the new ideals of the beauty of life and the joy of living, men could not understand Christ. — Oscar Wilde

Seasonal changes, as it were, take place in history, when there is practically an almost universal death, a falling of the foliage of the tree of life. Such were the intervals between the ancient and mediaeval time, the mediaeval and the modern. — George Edward Woodberry

As to honor - you know - it's a very fine mediaeval inheritance which women never got hold of. It wasn't theirs. — Joseph Conrad

The racehorses assemble at the starting barrier in all the finery of a mediaeval pageant, the jockeys in silks like figures from a Tarot pack, the bookies in leather and tweeds standing beside their boards each confident that the future has been controlled. — Kevin Hart

A modern woman sees a piece of linen, but the mediaeval woman saw through it to the flax fields, she smelt the reek of the retting ponds, she felt the hard rasp of the hackling, and she saw the soft sheen of the glossy flax. Man did not see 'just leather', he saw the beast - perhaps one of his own - and knew the effort of slaughtering, liming and curing.
Communities were smaller and whether our man lived on the outskirts of some feudal system, had escaped from it, or was entirely isolated, he would work alone, or daily with the same fellow-workers - conversation would soon languish.
But THINK he must. — Dorothy Hartley

'It's this accursed Science,' I cried. 'It's the very Devil. The mediaeval priests and persecutors were right, and the Moderns are all wrong. You tamper with it-and it offers you gifts. And directly you take them it knocks you to pieces in some unexpected way.' — George Herbert

First impressions of mediaeval life are usually coloured by the courtly romances of Malory and his later refiners. Chaucer brings us down to reality, but his people belong to a prosperous middle-class world, on holiday and in holiday mood. Piers Plowman stands alone as a revelation of the ignorance and misery of the lower classes, whose multiplied grievances came to a head in the Peasants' Revolt of 1381. — William Langland

The whole functioning of the mediaeval University was profoundly agonistic and ludic. The everlasting disputations which took the place of our learned discussions in periodicals, etc., the solemn ceremonial which is still such a marked feature of University life, the grouping of scholars into nationes, the divisions and subdivisions, the schisms, the unbridgeable gulfs - all these are phenomena belonging to the sphere of competition and play-rules. Erasmus — Johan Huizinga

Two erroneous impressions ... seem to be current among certain groups of uninformed persons. The first is that religion today stands for mediaeval theology; the second that science is materialistic and irreligious. — Robert Andrews Millikan

Sometimes I chew on it. (Which is probably a bad thing to do to a mediaeval relic.) — Rainbow Rowell

An interesting survival of mediaeval superstition," commented Flora. — Stella Gibbons

To be really mediaeval one should have no body. To be really modern one should have no soul. To be really Greek one should have no clothes. — Oscar Wilde

The times are so peculiar now, so mediaeval so unreasonable that for the first time in a hundred years truth is really stranger than fiction. Any truth. — Gertrude Stein

Pearl introduces an original story, in a form which was to become one of the most frequent in mediaeval literature, the dream-vision. Authors like Chaucer and Langland use this form, in which the narrator describes another world - usually a heavenly paradise - which is compared with the earthly human world. In Pearl, the narrator sees his daughter who died in infancy, 'the ground of all my bliss'. She now has a kind of perfect knowledge, which her father can never comprehend. The whole poem underlines the divide between human comprehension and perfection; these lines show the gap between possible perfection and fallen humanity which, thematically, anticipate many literary examinations of man's fall, the most well known being Milton's late Renaissance epic, Paradise Lost. — Ronald Carter

What does interest me is how difficult my culture seems to find it to look the dark side of life directly in the eye. It seems to me that if we look back at mediaeval culture, for example, we see a society which faces the reality of death and pain and limitation, because it has to. Our society, which is progressive and technological and seems to have a slightly fanatical utopian edge to it, gets very uncomfortable when anybody highlights the dark side of humanity, or the world we have built, or what we are doing to the rest of life on Earth. — Paul Kingsnorth

The fashion just now is a Roman Catholic frame of mind with an Agnostic conscience; you get the mediaeval picturesqueness of the one with the modern conveniences of the other — Hector Hugh Munro

Religion, a mediaeval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms. This religious totalitarianism has caused a deadly mutation in the heart of Islam and we see the tragic consequences in Paris today. I stand with Charlie Hebdo, as we all must, to defend the art of satire, which has always been a force for liberty and against tyranny, dishonesty and stupidity. 'Respect for religion' has become a code phrase meaning 'fear of religion.' Religions, like all other ideas, deserve criticism, satire, and, yes, our fearless disrespect."

[I Stand With Charlie Hebdo, as We All Must (Wall Street Journal, January 7, 2015)] — Salman Rushdie

The beliefs and behaviour of the Restoration reflect the theories of society put forward by Thomas Hobbes in The Leviathan, which was written in exile in Paris and published in 1651. Like many texts of the time, The Leviathan is an allegory. It recalls mediaeval rather than Renaissance thinking. The leviathan is the Commonwealth, society as a total organism, in which the individual is the absolute subject of state control, represented by the monarch. Man - motivated by self-interest - is acquisitive and lacks codes of behaviour. Hence the necessity for a strong controlling state, 'an artificial man', to keep discord at bay. Self-interest and stability become the keynotes of British society after 1660, the voice of the new middle-class bourgeoisie making itself heard more and more in the expression of values, ideals, and ethics. — Ronald Carter

The people who wrote the mediaeval ballads knew more about fairies than you do. It isn't only nice things that happen in fairyland. ... I never said it was wrong to enter fairyland. I only said it was dangerous. — G.K. Chesterton

The doctrine of hell is not "mediaeval priestcraft" for frightening people into giving money to the church: it is Christ's deliberate judgment on sin ... We cannot repudiate hell without altogether repudiating Christ. — Dorothy L. Sayers

Americans also seem to believe that the monarchy is a kind of mediaeval hangover, encumbered by premodern notions of decorum; the reality is that the British monarchy, for good or ill, is a modern political institution perhaps the first modern political institution. — Adam Gopnik

There is a spell in mediaeval Art which has had power to bewitch some people into trying, or wishing to try, or fancying that they wish to try or making believe to fancy that they wish to try, to bring back the Middle Ages. — Goldwin Smith

The difference between prose logic and poetic thought is simple. The logician uses words as a builder uses bricks, for the unemotional deadness of his academic prose; and is always coining newer, deader words with a natural preference for Greek formations. The poet avoids the entire vocabulary of logic unless for satiric purposes, and treats words as living creatures with a preference for those with long emotional histories dating from mediaeval times. Poetry at its purest is, indeed, a defiance of logic. — Robert Graves

Getting some redecorating ideas?' Nico asked. 'Maybe you could do your dining room in mediaeval monk skulls.'
Hades arched an eyebrow. 'I can never tell when you're joking. — Rick Riordan

I am not an artist and never have been. Rather I am like a craftsman and feel very close to the mediaeval artisans who produced their work anonymously and who, along with their apprentices, had a true feeling for the physical materials they were working with. — Werner Herzog

The Renaissance did not break completely with mediaeval history and values. Sir Philip Sidney is often considered the model of the perfect Renaissance gentleman. He embodied the mediaeval virtues of the knight (the noble warrior), the lover (the man of passion), and the scholar (the man of learning). His death in 1586, after the Battle of Zutphen, sacrificing the last of his water supply to a wounded soldier, made him a hero. His great sonnet sequence Astrophel and Stella is one of the key texts of the time, distilling the author's virtues and beliefs into the first of the Renaissance love masterpieces. His other great work, Arcadia, is a prose romance interspersed with many poems and songs. — Ronald Carter

Young writers if they are to mature require a period of between three and seven years in which to live down their promise. Promise is like the mediaeval hangman who after settling the noose, pushed his victim off the platform and jumped on his back, his weight acting a drop while his jockeying arms prevented the unfortunate from loosening the rope. When he judged him dead he dropped to the ground. — Cyril Connolly

Thus, on the one hand, Spenser's thought is steeped in sensuous detail, so that for him there is no really abstract thinking; men, he thinks, 'should be satisfied with the use of these days, seeing all things accounted by their showes, and nothing esteemed of, that is not delightfull and pleasing to commune sense' ( Prefatory Letter). But on the other hand the details of the physical universe become translucent from the pulsing light of varied human experience which is seen behind it. His 'haunt and the main region of (his) song' is the inner life of man and it is described in the symbolism of human figures clothed in raiment iridescent with innumerable associations. His art is a development of the mediaeval. — Janet Spens

It is a mistake to suppose, with some philosophers of aesthetics, that art and poetry aim to deal with the general and the abstract. This misconception has been foisted upon us by mediaeval logic. Art and poetry deal with the concrete of nature, not with separate 'particulars,' for such rows do not exist. — Ernest Fenollosa

In lieu of descending to follow the Via Aurelia where it wound down a few miles off the coast, by Santa Maranella and Santa Severa and mediaeval Palo, and the volcanic soil and the steep ravines by Cervetri, where the long avenues of cliff-sepulchres are all that remain to show the site of Caere, and gaining so the mouth of Tiber to ascend the stream in any boat that he might find by Fiumicino, he still struck across the country by cattle-tracks known alone to himself and wild men like him, and chose to leave the Maccarese morasses untrodden in his rear, and had followed the course of the Arrone River as far as the high cliffs up by forsaken Galera. — Ouida

Free of all responsibility or restraint, in the sheer obliviousness of dreams, he had lived like a happy pagan; and now he must go back to the drear existence of a mediaeval monk, beneath the prompting of an obscure sense of duty. — H.P. Lovecraft

Every one who has a heart, however ignorant of architecture he may be, feels the transcendent beauty and poetry of the mediaeval churches. — Goldwin Smith

Mediaeval mythology, rich and gorgeous, is a compound like Corinthian brass, into which many pure ores have been fused, or it is a full turbid river drawn from numerous feeders, which had their sources in remote climes. — Sabine Baring-Gould

For Bulgakov, however, the greatest underlying source of unease, amounting at times to despair, was something less tangible though very real to him, since it occurs as an ever-present refrain throughout these stories. This was the sense of being a lone soldier of reason and enlightenment pitted against the vast, dark, ocean-like mass of peasant ignorance and superstition... [in] the fearsome, pre-literate, mediaeval world of the peasantry — Michael Glenny

One hardly knew at times whether one was reading the spiritual ecstasies of some mediaeval saint or the morbid confessions of a modern sinner. It was a poisonous book. — Oscar Wilde

To us to-day this period of transition, with its mediaeval mixture of commerce, religion, and war, of emotion and logic, of admiration for St. Augustine and belief in the infallibility of Aristotle, looks extremely odd. We forget that our generation may be in danger of similar criticism. Odd or not, this was the state of Italy in the period preceding that great burst of the arts and intellectual life known as the Renaissance. FOOTNOTES: — Henry Dwight Sedgwick

The English prison system is altogether mediaeval and outworn. In some of its details, the system has improved since they began to send the Suffragettes to Holloway. I may say that we, by our public denunciation of the system, have forced these slight improvements. — Emmeline Pankhurst

There is a remarkable degree of consistency in the way mediaeval literature affirms humanity. With all its faults, humanity emerges as more realistic than heavenly ideals.
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Because the mediaeval period is seen from our own times as historically distant, 'behind' the Renaissance with all the changes which that period brought, it has been undervalued for its own debates, developments and changes. The fact that mediaeval times have been revisited, re-imagined and rewritten, especially in the Romantic period, has tended to compound the ideas of difference and distance between this age and what came after. But in many ways the mediaeval period presages the issues and concerns of the Renaissance period and prepares the way for what was to come. — Ronald Carter

MISERICORDE, n. A dagger which in mediaeval warfare was used by the foot soldier to remind an unhorsed knight that he was mortal. — Ambrose Bierce

A total reverse of fortune, coming unawares upon a man who 'stood in high degree,' happy and apparently secure,-such was the tragic fact to the mediaeval mind. It appealed strongly to common human sympathy and pity; it startled also another feeling, that of fear. It frightened men and awed them. It made them feel that man is blind and helpless, the plaything of an inscrutable power, called by the name of Fortune or some other name,-a power which appears to smile on him for a little, and then on a sudden strikes him down in his pride. — A. C. Bradley

Middle-earth is ... not my own invention. It is a modernization or alteration ... of an old word for the inhabited world of Men, the oikoumene: middle because thought of vaguely as set amidst the encircling Seas and (in the northern-imagination) between ice of the North and the fire of the South. O. English middan-geard, mediaeval E. midden-erd, middle-erd. Many reviewers seem to assume that Middle-earth is another planet! — J.R.R. Tolkien

Sadly as some old mediaeval knight
Gazed at the arms he could no longer wield,
The sword two-handed and the shining shield
Suspended in the hall, and full in sight,
While secret longings for the lost delight
Of tourney or adventure in the field
Came over him, and tears but half concealed
Trembled and fell upon his beard of white,
So I behold these books upon their shelf,
My ornaments and arms of other days;
Not wholly useless, though no longer used,
For they remind me of my other self,
Younger and stronger, and the pleasant ways
In which I walked, now clouded and confused. — Henry Wadsworth Longfellow

All Renaissance drama, especially the works of Marlowe and Shakespeare, is profoundly concerned with shifting power relations within society. The individual was a new force in relation to the state. The threat of rebellion, of the overturning of established order, was forcefully brought home to the Elizabethan public by the revolt of the Earl of Essex, once the Queen's favourite. The contemporary debate questioned the relationship between individual life, the power and authority of the state, and the establishing of moral absolutes. Where mediaeval drama was largely used as a means of showing God's designs, drama in Renaissance England focuses on man, and becomes a way of exploring his weaknesses, depravities, flaws - and qualities. — Ronald Carter

It is an unfortunate fact that every man who seeks to disseminate knowledge must contend not only against ignorance itself, but against false instruction as well. No sooner do we deem ourselves free from a particularly gross superstition, than we are confronted by some enemy to learning who would set aside all the intellectual progress of years, and plunge us back into the darkness of mediaeval disbelief. — H.P. Lovecraft

He said, "If these were silent, the very stones would cry out." Under the impulse of His spirit arose like a clamorous chorus the facades of the mediaeval cathedrals, thronged with shouting faces and open mouths. The prophecy has fulfilled itself: the very stones cry out. — G.K. Chesterton

Before me and beside me sat a row of the comeliest young men, clad in black gowns and wearing on their shoulders long hoods trimmed in white fur. Who and what they were I know not, for I preferred not to learn, lest by chance they should not be so mediaeval as they looked. — Henry James

Since mediaeval times, the King had been seen as two bodies in one: a mortal entity and "the King's person," representing unending royal authority; monarchs therefore referred to themselves in the plural form as "we. — Alison Weir

I was born in 1943 at Neston in the Wirral, not far from Liverpool where my father, Richard William Hunt was a lecturer in paleography, the study of mediaeval manuscripts. — Tim Hunt