Media Narrative Quotes & Sayings

Big media are all about the angle, the spin. Look to the overarching theme that runs through each and every news story. Be hip to the meta-narrative peddled. — Ilana Mercer

The FMSF achieved prominence partly as a response to increased possibilities for women to institute criminal or civil proceedings that relate to historical abuse, and women do not often take their abusers to court. The foundation's framing of abuse serves an ulterior strategic purpose of constructing a narrative position that isolates the incest survivor in an adversarial setting of interpreter distrust and challenged. — Sue Campbell

Media is extraordinarily important and is an extraordinarily powerful tool. There's a reason that the first things that a rebellion or revolt will take is the media. The story you transmit is the story that becomes a given, or the narrative of a country and people. — Dan Gilroy

I said once that lies have no rights against truth. I was wrong. In daily life, it's the truth that's disenfranchised. What fits the popular narrative, what makes an observer happy with the consistency of events, is what is believed. — Adrian Lamo

For new media reactionaries ... the problem is technology, the endless distractions of the Internet, the breakdown of authority in an age of blogs and Twitter, the collapse of narrative in a hyper-linked, multi-networked world. — David L. Ulin

This sort of bullying isn't just present at the universities. It has taken over the media wholesale. For the media, all arguments are character arguments. If you disagree with the members of the media about something, you are a fundamentally bad human being. The same is eminently true in Hollywood, where moral narrative is the heart of the business. — Ben Shapiro

Lovable work is visible work. The question of who gets a public platform as a worker and who does not is neatly side-stepped by Jobs's narrative. What do those in the invisible workforce call themselves in their social media profiles? What kinds of identities are available to them? These questions are critical because, as Jonathan Crary notes in his recent book, 24/7: Late Capitalism and the Ends of Sleep, while the notion of identity is bound up with public visibility, today that public exposure has become detached from communal forms that once provided safekeeping and care. Crary notes that in the always-on, 24/7 temporality in which we now live, the pressure to be constantly consuming or producing necessitates a constant presence in the public sphere, specifically in the marketplace. — Miya Tokumitsu

We had much more imagery from Vietnam war. The media was not controlled. The storyline, the master narrative was not controlled. I thin it was some those images really radicalized people and shifted things to some extent. And the Viet Cong also, their tenacity. — Anne Waldman

When we embraced social media, we took more control of the Newark narrative. We increased responsiveness toward residents. We drew more of our constituents in to participate in government and improve our cities. — Cory Booker

To me, it's just that social media is allowing people to be in charge of their own narratives. — Jose Antonio Vargas

This is how it works now with the news: the story begins with a moral, then a narrative is fashioned to support it. — Walter Kirn

We can think of the land bridge theory as a master narrative that for a couple of centuries has served multiple ideological agendas, lasting despite decades of growing evidence that casts doubt on the way the story has been perpetuated in textbooks and popular media. — Roxanne Dunbar-Ortiz

Different narrative forms naturally lend themselves to different aspects of existence. The novel is ideal for presenting the inner lives of its characters, the play is ideal for showing people in a room talking and movies are ideal for showing large metal objects hurtling through the air. — Todd Alcott

There aren't enough people in the media creation space. There aren't enough people making premium quality programming. That's how we change the narrative. Because there is a lot of bad African programming out there, and it is not helping matters. — Mo Abudu

I think the key divide between the interactive media and the narrative media is the difficulty in opening up an empathic pathway between the gamer and the character, as differentiated from the audience and the characters in a movie or a television show. — Steven Spielberg

I had been thinking independently about our ability to forget things that happened, specifically, events that clearly were wrong, that crossed the line. It seemed to me during the 2000 election recount that the media's narrative was being orchestrated. Shockingly, after the Supreme Court decision, the media simply said, "Time to move on," end of reporting: "Here's the new story." And everyone forgot. — Robert Kane Pappas

The inherent non-linearity of the digital allows for more input from others, including the subject and reader as collaborators. The top-down, bedtime-style story is of limited use. A non-linear narrative that allows for increased complexity and depth, and encourages both subject and reader to have greater involvement, will eventually emerge more fully from the digital environment. This, in a sense, is the more profound democratization of media. — Fred Ritchin

I wanted to tell the story of these women and the war in the Congo and I couldn't find anything about them in the newspapers or in the library, so I felt I had to get on a plane and go to Africa and find the story myself. I felt there was a complete absence in the media of their narrative. It's very different now, but when I went in 2004 that was definitely the case. — Lynn Nottage

Multimedia is not more media, but the employment of various kinds of media (and hybrid media) for what they each offer to advance the narrative. — Fred Ritchin

The images that people see in the media of black people - whether journalistic or narrative - remain horrible. And those images, combined with the lack of respect among black people in the poorer neighborhoods for themselves, and the part the police and other people coming into those neighborhoods play, it creates no value for life. — Harry Lennix

Cast by the media at the time as sporadic and less significant than the heroic, nonviolent protests in the South, the local activism that took place in the North, West, and Midwest is all but absent in the way we characterize, teach, and remember the civil rights era. In response, this book seeks to recast the visual narrative of the era by bringing the broad, nationwide struggle for black freedom into sharper view. — Mark Speltz

What I want is to respond to the challenge posed by the mass media - to permit the novel to say what can only be said by narrative - to allow it to be itself. — Carlos Fuentes