Marriage Plot Quotes & Sayings

The novel had reached its apogee with the marriage plot and had never recovered from its disappearance. In the days when success in life had depended on marriage, and marriage had depended on money, novelists had had a subject to write about. The great epics sang of war, the novel of marriage. Sexual equality, good for women, had been bad for the novel. And divorce had undone it completely. What would it matter whom Emma married if she could file for separation later? How would Isabel Archer's marriage to Gilbert Osmond have been affected by the existence of a prenup? As far as Saunders was concerned, marriage didn't mean much anymore, and neither did the novel. Where could you find the marriage plot nowadays? You couldn't. You had to read historical fiction. You had to read non-Western novels involving traditional societies. Afghani novels, Indian novels. You had to go, literarily speaking, back in time. — Jeffrey Eugenides

All my life I thought that the story was over when the hero and heroine were safely engaged
after all, what's good enough for Jane Austen ought to be good enough for anyone. But it's a lie. The story is about to begin, and every day will be a new piece of the plot. — Mary Ann Shaffer

He'd also agreed to be betrothed to the Archduke of Varsha's daughter, a girl of nine who had evidently impressed him a great deal by being able to spit across a garden plot. I was a little dubious about this as a foundation for marriage, but I suppose it wasn't much worse than marrying her because her father might have stirred up rebellion, otherwise. — Naomi Novik

My husbands weren't any of them bad men, I was the problem. Marriage seemed like such a small space whenever I was in it. I liked the getting married. Courtship has a plotline. But there's no plot to being married. Just the same things over and over again. Same fights, same friends, same things you do on a Saturday. The repetition would start to get to me.

And then I couldn't fit my whole self into a marriage, no matter who my husband was. There were parts of me that John liked, and different parts for the others, but no one could deal with all of me, So I'd lop some part off, but then I'd start missing it, wanting it back. I didn't really fall in love until I had that first child. — Karen Joy Fowler

Why would everyone - in both the movie business and the audience - want to avoid the label "marriage"? Marriage was presumably everybody's business. People were either born into one, born outside of one, living in one, living outside of one, trying to woo someone into one, divorced from one, trying to get divorced from one, reading about one, dreaming about one, or just observing one from afar. For most people, it would be the central event - the biggest decision - of their lives. Marriage was the poor man's trip to Paris and the shopgirl's final goal. At the very least, it was a common touchstone. Unlike a fantasy film or a sci-fi adventure, a marriage story didn't have to be explained or defined. Unlike a western or a gangster plot, it didn't have to find a connection to bring a jolt of emotional recognition to an audience. Marriage was out there, free to be used and presented to people who knew what the deal was. — Jeanine Basinger

Marriage seemed like such a small space whenever I was in it. I liked the getting married. Courtship has a plotline. But there's no plot to being married. Just the same things over and over again. Same fights, same friends, same things you do on a Saturday. The repetition would start to get to me. — Karen Joy Fowler

It came as a surprise to us, as I suspect it does to many, that marriage changed us. We'd felt as though we'd always had those rings, wrapped about our fingers, like the scraggly garlands of those first, revelatory conversations. But those real rings, wooden as they were, began to set their roots, and that settling, the calming feeling of having been planted into the same plot to flourish, was a relief from that once-nagging question of loneliness. No matter what happened now, even if we'd found ourselves lonelier than we'd ever been, we'd know that that plot of land was our own to cultivate. Each moment was now a dual-moment, each of our lives a dual-life. The open road, that atlas, the open-faced moon and that wine were the first conscious recognitions of our floating life. One that perhaps we'd have created on our own, but now no longer had to. — Megan Rich

And he rose, brontosaurus-like, to his place among the treetops. — Jeffrey Eugenides

This was a characteroloical prelude, but it wasn't chemical or somatic. It was the anatomy of melancholy, not the anatomy of his brain. — Jeffrey Eugenides

I actually hope people don't react to 'Impossible' in a way where they think it's terribly retro. The plot needed to do what it needed to do. But I'm a little surprised to find myself looking a little bit like an advocate of teen marriage. It takes some exceptional circumstances for that to be a reasonable idea. — Nancy Werlin

One thing I learned, between addiction and depression? Depression a lot worse. Depression ain't something you just get off of. You can't get clean from depression. Depression be like a bruise that never goes away. A bruise in your mind. You just got to be careful not to touch where it hurts. It always be there, though.
Darlene, in The Marriage Plot — Jeffrey Eugenides