Man Poems And Quotes & Sayings

Lily Brown writes with and against things in poems that are coiled up tight as springs (or snakes). A believer in the power of the line, she writes, 'I think the plastics/and sink them' then 'Where is the sand/man hiding the dirt.' These terse, biting poems will make you look around and wonder. — Rae Armantrout

Man may be considered as a superior species of animal that produces philosophies and poems in about the same way a silkworm produces their cocoons and bees their hives. — Hippolyte Taine

My wife's name was Mala. The marriage had been arranged by my older brother and his wife. I regarded the proposition with neither objection nor enthusiasm. It was a duty expected of me, as it was expected of every man. She was the daughter of a schoolteacher in Beleghata. I was told that she could cook, knit, embroider, sketch landscapes, and recite poems by Tagore, but these talents could not make up for the fact that she did not possess a fair complexion, and so a string of men had rejected her to her face. She was twenty-seven, an age when her parents had begun to fear that she would never marry, and so they were willing to ship their only child halfway across the world in order to save her from spinsterhood. — Jhumpa Lahiri

THE SHADOWS Table of Contents Old Ralph Rinkelmann made his living by comic sketches, and all but lost it again by tragic poems. So he was just the man to be chosen king of the fairies, for in Fairyland the sovereignty is elective. It is no doubt very strange that fairies should desire to have a mortal king; but the fact is, that with all their knowledge and power, they cannot get rid of the feeling that some men are greater than they are, though they can neither fly nor play tricks. So at such times as there happens to be twice the usual number of sensible electors, such a man as Ralph Rinkelmann gets to be chosen. They — George MacDonald

The one man in the room who was as big as his poems, huge, with hulk and dynamic chunks of words. — Sylvia Plath

A man is lying under machine-gun fire on a street in an embattled city. He looks at the pavement and sees a very amusing sight: the cobblestones are standing upright like the quills of a porcupine. The bullets hitting against their edges displace and tilt them. Such moments in the consciousness of a man judge all poets and philosophers. Let us suppose, too, that a certain poet was the hero of the literary cafes, and wherever he went was regarded with curiosity and awe. Yet his poems, recalled in such a moment, suddenly seem diseased and highbrow. The vision of the cobblestones is unquestionably real, and poetry based on an equally naked experience could survive triumphantly that judgment day of man's illusions. — Czeslaw Milosz

BAD PEOPLE
A man told me once that all the bad people
Were needed. Maybe not all, but your fingernails
You need; they are really claws, and we know
Claws. The sharks - what about them?
They make other fish swim faster. The hard-faced men
In black coats who chase you for hours
In dreams - that's the only way to get you
To the shore. Sometimes those hard women
Who abandon you get you to say, "You."
A lazy part of us is like a tumbleweed.
It doesn't move on its own. Sometimes it takes
A lot of Depression to get tumbleweeds moving.
Then they blow across three or four States.
This man told me that things work together.
Bad handwriting sometimes leads to new ideas;
And a careless god - who refuses to let people
Eat from the Tree of Knowledge - can lead
To books, and eventually to us. We write
Poems with lies in them, but they help a little. — Robert Bly

Every poet will forever try to write the greatest poem ever written, I have found that this kind of poem can be written with "One" word. And that word consists of a beauty beyond any measure to man and one of the most beauty creations to grace the presents of man. That one word poem is ... ... .. "YOU — Michael Jones

Energy was the ruling theme of Victorian science, as machines increasingly harnessed the forces of nature to do man's work. The concept is also present in the art and literature of the age, notably in the poems of William Blake. The Romantic movement was much interested in energy and its various transformations. — Jeremy Campbell

If I could go back in time to when I wrote sad little poems, I'd punch myself right in the fucking face because it gets worse man. It gets much, much worse and the sooner we realize that, the sooner we can just start dying and I know. I know - blahblahblah, nobody gives a fuck about your broken heart, but you know something? Most days, I'm not even sure what I'm upset about. — Dan "Soupy" Campbell

I want to mark your skin with the sins of Passion. — Pietros Maneos

Success"

If you want a thing bad enough
To go out and fight for it,
Work day and night for it,
Give up your time and your peace and your sleep for it

If only desire of it
Makes you quite mad enough
Never to tire of it,
Makes you hold all other things tawdry and cheap for it

If life seems all empty and useless without it
And all that you scheme and you dream is about it,

If gladly you'll sweat for it,
Fret for it,
Plan for it,
Lose all your terror of God or man for it,

If you'll simply go after that thing that you want.
With all your capacity,
Strength and sagacity,
Faith, hope and confidence, stern pertinacity,

If neither cold poverty, famished and gaunt,
Nor sickness nor pain
Of body or brain
Can turn you away from the thing that you want,

If dogged and grim you besiege and beset it,
You'll get it! — Berton Braley

The other gift - a book of poems, called, "The Cowardly Morning" - Waner put on Corinne's desk at the office, with a note saying, "This man is Coleridge and Blake and Rilke all in one, and more."
She didn't pick up the book again until she was in bed, late that night.
[...]
The first poem was the title poem. This time Corinne read it through aloud. But still she didn't hear it. She read it through a third time, and heard some of it. She read it through a fourth time, and heard all of it. It was the poem containing the lines:
'Not wasteland, but a great inverted forest
with all foliage underground.'
As though it might be best to look immediately for shelter, Corinne had to put the book down. At any moment the apartment building seemed liable to lose its balance and topple across Fifth Avenue into Central Park. She waited. Gradually the deluge of truth and beauty abated.
- The Inverted Forest (1947) — J.D. Salinger

Natural, hell! What was it Chaucer Said once about the long toil that goes like blood to the poems making? Leave it to nature and the verse sprawls, Limp as bindweed, if it break at all Life's iron crust Man, you must sweat And rhyme your guts taut, if you'd build Your verse a ladder. — R.S. Thomas

Until the blood from my pen runs dry, I shall worship the Greek body, the Greek mind, and the Greek soul.
Until my tears land upon Greek soil, I shall forever live in exile. — Pietros Maneos

It is easy to snicker at such deceit and conclude that Hamilton faked all emotion for his wife, but this would belie the otherwise exemplary nature of their marriage. Eliza Hamilton never expressed anything less than a worshipful attitude toward her husband. His love for her, in turn, was deep and constant if highly imperfect. The problem was that no single woman could seem to satisfy all the needs of this complex man with his checkered childhood. As mirrored in his earliest adolescent poems, Hamilton seemed to need two distinct types of love: love of the faithful, domestic kind and love of the more forbidden, exotic variety. In — Ron Chernow

Ove was, well, Ove was Ove. Something the people around her also kept telling Sonja.
He'd been a grumpy old man since he started elementary school, they insisted. And she could have someone so much better.
Maybe he
didn't write her poems or serenade her with songs or come home with expensive gifts. But he believed so strongly in things: justice and fair play and hard
work and a world where right just had to be right. Not so one could get a medal or a diploma or a slap on the back for it, but just because that was
how it was supposed to be. Not many men of his kind were made anymore, Sonja had understood. So she was holding on to this one. — Fredrik Backman

Frederick Turner comes across in his poems as a man of impressively broad experience, intellectual brilliance, and originality. ... He's at his best when he unleashes his extraordinary powers of observation. — Richard Tillinghast

On hearing of the interesting events which have happened in the course of a man's experience, many people will wish that similar things had happened in their lives too, completely forgetting that they should be envious rather of the mental aptitude which lent those events the significance they possess when he describes them ; to a man of genius they were interesting adventures; but to the dull perceptions of an ordinary individual they would have been stale, everyday occurrences.
This is, in the highest degree, the case with many of Goethe's and Byron's poems, which are obviously founded upon actual facts; where it is open to a foolish reader to envy the poet because so many delightful things happened to him, instead of envying that mighty power of fantasy which was capable of turning a fairly common experience into something so great and beautiful. — Arthur Schopenhauer

The Renaissance did not break completely with mediaeval history and values. Sir Philip Sidney is often considered the model of the perfect Renaissance gentleman. He embodied the mediaeval virtues of the knight (the noble warrior), the lover (the man of passion), and the scholar (the man of learning). His death in 1586, after the Battle of Zutphen, sacrificing the last of his water supply to a wounded soldier, made him a hero. His great sonnet sequence Astrophel and Stella is one of the key texts of the time, distilling the author's virtues and beliefs into the first of the Renaissance love masterpieces. His other great work, Arcadia, is a prose romance interspersed with many poems and songs. — Ronald Carter

MECH to Baal: Would you like some wine, Mr Baal? All take seats, Baal in the place of honour. Do you like crab? That's a dead eel. PILLER to Mech: I'm very glad that the immortal poems of Mr Baal, which I had the honour of reading to you, have earned your approval. To Baal: You must publish your poetry. Mr Mech pays like a real patron of the arts. You'll be able to leave your attic. MECH: I buy cinnamon wood. Whole forests of cinnamon float down the rivers of Brazil for my benefit. But I'll also publish your poetry. EMILIE: You live in an attic? BAAL eating and drinking: 64 Klauckestrasse. MECH: I'm really too fat for poetry. But you've got the same-shaped head as a man in the Malayan Archipelago, who used to have himself driven to work with a whip. If he wasn't grinding — Bertolt Brecht

And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard's kitchen mat ... I also remembered Buddy Willard saying in a sinister, knowing way that after I had children I would feel differently, I wouldn't want to write poems any more. So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterward you went about numb as a slave in some private, totalitarian state. — Sylvia Plath

In The Shadow Of The Night

All the clouds are gray, and the sky is dark as night. Soft words are spoken, and there's a twinkle, of a flicker of light.

The presence of a Man walks by, and Mighty and Powerful is He.
Kneeling down to pray, He says a prayer for me.

The sky becomes brighter, and the leaves of the trees turn green.
The flowers begin to bloom, and there's a warm gentle breeze.

Thank you Lord for setting me free... — Jerrel C. Thomas

As a young man, he was already rather pompous and full of himself, concerned with what he would write and with his early (and, later, perennial) hatred of Ireland and the Irish. When he had still written only a few poems, he asked his brother Stanislaus: "Don't you think there is a certain resemblance between the mystery of the Mass and what I am trying to do? I mean that I am trying in my poems to give people some kind of intellectual pleasure or spiritual enjoyment by converting the bread of daily life into something that has a permanent artistic life of its own ... for their mental, moral, and spiritual uplift." When he was older his comparisons may have been less eucharistic and more modest, but he was always convinced of the extreme importance of his work, even before it existed. — Javier Marias

He learns that the form, in its current form, was originally called a formulary, and was invented by an Englishman named Charles Babbage, the same man who invented both an early kind of computer and the cow catcher, a device attached to the front of locomotives to clear debris from train tracks. He learns that Babbage once wrote to Alfred Tennyson to correct two lines from one of Tennyson's poems, which Babbage felt lacked scientific accuracy. This, thinks Jonas, tells you everything you need to know about both the man and the invention of forms. — Stephen Dau

Most common people oft he market-place much prefer light literature to improving books. The problem is, that so many romances contain slanderous anecdotes about sovereigns and ministers or cast aspersions upon man's wives and daughters so that they are packed with sex and violence. Even worse are those writers of the breeze-and-moonlight school, who corrupt the young with pornography and filth. As for books of the beauty-and-talented-scholar type, a thousand are written to a single pattern and none escapes bordering on indecency. They are filled with allusions to handsome, talented young men and beautiful, refined girls in history; but in order to insert a couple of his own love poems, the author invents stereotyped heroes and heroines with the inevitable low character to make trouble between them like a clown in a play, and makes even the slave girls talk pedantic nonsense. So all these novels are full of contradictions and absurdly unnatural. — Cao Xueqin

Borges is particularly stimulating to a man who works in the cinema, because the unusual thing about his writing is that it is like a dream, extraordinarily farsighted in calling up from the unconscious complete images in which the thing itself, and its meaning, coexist - exactly as happens in a film. And, just as happens in dreams, in Borges the incongruous, the absurd, the contradictory, the arcane and the repetitive, although as powerfully imaginative as ever, are at the same time illumined like the careful details of something larger, something unknown, and are the faultless elements of a cruelly perfect, indifferent mosaic. Even the fact that Borges's work is strangely fragmentary makes me think of a broken dreamlike flow; and the heterogeneous quality of his work - stories, essays, poems - I prefer to see not as the union of the multiple threads in a greedy, impatient talent, but as a mysterious sign of unending change. — Federico Fellini

These poems, with all their crudities, doubts, and confusions, are written for the love of Man and in praise of God, and I'd be a damn' fool if they weren't. — Dylan Thomas

When I Read the Book
When I read the book, the biography famous,
And is this then (said I) what the author calls a man's life?
And so will some one when I am dead and gone write my life?
(As if any man really knew aught of my life,
Why even I myself I often think know little or nothing of my real life,
Only a few hints, a few diffused faint clews and indirections
I seek for my own use to trace out here.) — Walt Whitman

What is this film (Mirror) about?It is about a Man. No, not the particular man whose voice we hear from behind the screen, played by Innokentiy Smoktunovsky. It's a film about you, your father, your grandfather, about someone who will live after you and who is still "you". About a Man who lives on the earth, is a part of the earth and the earth is a part of him, about the fact that a man is answerable for his life both to the past and to the future. You have to watch this film simply, and listen to the music of Bach and the poems of Arseniy Tarkovsky; watch it as one watches the stars, or the sea, as one admires a landscape. There is no mathematical logic here, for it cannot explain what man is or what is the meaning of his life. (Sculpting in Time) — Andrey Tarkovsky

I'm a man of integrity. My heart is locked and I have given you the only key. — Delano Johnson

I would read the Shel Silverstein poems, Dr. Seuss, and I noticed early on that poetry was something that just stuck in my head and I was replaying those rhymes and try to think of my own. In English, the only thing I wanted to do was poetry and all the other kids were like, "Oh, man. We have to write poems again?" and I would have a three-page long poem. I won a national poetry contest when I was in fourth grade for a poem called "Monster In My Closet. — Taylor Swift

One night, alone in her Dogtown bed, Judy finally admitted to herself that she had been in love with Cornelius. "In love" precisely as it was described in the novels and poems she had read with Martha; love as a kind of sweet madness that colored everything. Judy had been shocked that strangers across the ocean could describe the workings of her Yankee heart: the preoccupation and yearning, the soaring happiness and keen appreciation of a man's hidden qualities, the sublime meeting of souls. And yet, there was never a mention of the sort of union she'd shared with Cornelius, the longing and fulfillment of the flesh, that could transform two bodies into one. — Anita Diamant

And I remember this man who never ran out of poems telling me once that "knowing a book by heart is like carrying a house inside your chest. — Hisham Matar

Poetry is the perpetual endeavor to express the spirit of the thing, to pass the brute body and search the life and reason which causes it to exist; - to see that the object is always flowing away, whilst the spirit or necessity which causes it subsists. Its essential mark is that it betrays in every word instant activity of mind, shown in new uses of every fact and image, in preternatural quickness or perception of relations. All its words are poems. It is a presence of mind that gives a miraculous command of all means of uttering the thought and feeling of the moment. The poet squanders on the hour an amount of life that would more than furnish the seventy years of the man that stands next him. — Ralph Waldo Emerson

However gross a man may be, the minute he expresses a strong and genuine affection, some inner secretion alters his features, animates his gestures, and colors his voice. The stupidest man will often, under the stress of passion, achieve heights of eloquence, in thought if not in language, and seem to move in some luminous sphere. Goriot's voice and gesture had at this moment the power of communication that characterizes the great actor. Are not our finer feelings the poems of the human will? — Honore De Balzac

To have touched the feet of Christ is no excuse for mistakes in punctuation.
If a man writes well only when he's drunk, then I'll tell him: Get drunk. And if he says that it's bad for his liver, I'll answer: What's your liver? A dead thing that lives while you live, whereas the poems you write live without while. — Fernando Pessoa

The dark man is ubiquitous. People from all times and in all places have recorded their experiences of him in stories, poems, paintings, songs, stone, dance, crafts and prayers. Saint or sinner, scientist or theologian, agnostic or true believer, it makes little difference as the dark man has walked beside us since the very beginning and he will stay with us until the end. He is so intrinsic to the human experience that everyone has at least one dark man story to tell... — Deborah Wells

To be lord of space, a man must be free of all bonds to place. To be heir of all things, his heart must have no THINGS in it. He must be like him who makes things, not like one who would put everything in his pocket. He must stand on the upper, not the lower side of them. He must be as the man who makes poems, not the man who gathers books of verse. God, having made a sunset, lets it pass, and makes such a sunset no more. He has no picture-gallery, no library. What if in heaven men shall be so busy growing, that they have not time to write or to read! — George MacDonald

Sometimes John had recorded new compositions, or lines from his new poems. Sometimes he'd just record a busy night in The Green Man. Sometimes sheep, seals, skylarks, the wind turbine. If Liam were home there would be some Liam. The summer fair. The Fastnet Race. I would unfold my map of Clear Island. Those tapes prised the lid off homesickness and rattled out the contents, but always at the bottom was solace. — David Mitchell

If the Greeks had left no tragedies behind for us, the highest reach of their power would be unknown. The three poets who were able to sound the depths of human agony were able also to recognize and reveal it as tragedy. The mystery of evil, they said, curtains that of which "every man whose soul is not a clod hath visions." Pain could exalt and in tragedy for a moment men could have sight of a meaning beyond their grasp. "Yet had God not turned us in his hand and cast to earth our greatness," Euripides makes the old Trojan queen say in her extremity, "we would have passed away giving nothing to men. They would have found no theme for song in us nor made great poems from our sorrows." Why is the death of the ordinary man — Edith Hamilton

The miracle of man is not how far he has sunk but how magnificently he has risen. We are known among the stars by our poems, not our corpses. No creature who began as a mathematical improbability, who was selected through millions of years of unprecedented environmental hardship and change for ruggedness, ruthlessness, cunning, and adaptability, and who in the short ten thousand years of what we may call civilization has achieved such wonders as we find about us, may be regarded as a creature without promise. — Robert Ardrey

There is no escape. You can't be a vagabond and an artist and still be a solid citizen, a wholesome, upstanding man. You want to get drunk, so you have to accept the hangover. You say yes to the sunlight and pure fantasies, so you have to say yes to the filth and the nausea. Everything is within you, gold and mud, happiness and pain, the laughter of childhood and the apprehension of death. Say yes to everything, shirk nothing. Don't try to lie to yourself. You are not a solid citizen. You are not a Greek. You are not harmonious, or the master of yourself. You are a bird in the storm. Let it storm! Let it drive you! How much have you lied! A thousand times, even in your poems and books, you have played the harmonious man, the wise man, the happy, the enlightened man. In the same way, men attacking in war have played heroes, while their bowels twitched. My God, what a poor ape, what a fencer in the mirror man is- particularly the artist- particularly myself! — Hermann Hesse

It's called 'The Oxford Book of Modern Verse, 1892-1935'. They let a man named Yeats make the choosings. They shouldn't have. Who is he - and what does he know about verse?
I hunted through that book for poems by Wilfred Owen or Siegfried Sassoon. There weren't any - not one. And do you know why not? Because Mr Yeats said - he said, "I deliberately chose NOT to include any poems from World War I. I have a distaste for them. Passive suffering is not a theme for poetry. — Mary Ann Shaffer

Rome seems a comfort to those with the ambitious soul of an Artist or a Conqueror. — Pietros Maneos

Poetry is the insistent roaring of the human soul. — Pietros Maneos

With thoughtless and impatient hands We tangle up the plans The Lord hath wrought. And when we cry in pain He saith, "Be quiet, man, while I untie the knot." (Author unknown, in Jack M. Lyon et al., Best-Loved Poems of the LDS People [1996], 304) — Boyd K. Packer

Dylan [Thomas] I knew before and after he became famous. He was splendid, rapacious, demanding as a young man. To much has been written about him for me to add to the legend. As that legend began to grow in his lifetime I learned to separate him from his poetry, to find him in person increasingly tedious and his poems increasingly exciting, both in print and when he was reading them. — John Pudney

And I laugh and I spin and dance and frolic in ecstasy and I ... I hurt no more, while you ... you petrified little man, are left to wonder if it's you I speak of. — Kellie Elmore

The other chief love- and how similar it was to science, and how different- was reading. As soon as she realized the figures on the page meant something- could be strung together as words, and then sentences, and then paragraphs- she was covetous of the whole system. It seemed a new universe to her. And it was. Everything opened up. Some stories were meant to inform, and others were meant to entertain. And then other stories were separate from those- this the young teacher did not tell her, it was something Angelene figured out on her own, the first year, when a man visited and read them a poem out of a tome of poems- that seemed crafted to relay some secret, and even more than that, some secret about herself. Angelene was mesmerized. What was available for her to know? What secrets did the world hold? Which secrets would be revealed to her through the soil, and which through words? — Amanda Coplin

My mother married again after my father's death - another Royal Air Force officer, and a very different kind of man. We went to Australia when I was eight or nine. We lived there for a couple of years, and then came back and lived in North Wales for the whole of my teenage years. I learned how to write poems quite a lot. I just had a good time reading and reading and reading. So that's where I did most of my growing up. — Philip Pullman

If a man can only write well when drunk, I'll tell him: get drunk. And if he tells me that his liver suffers with it, I'll answer: what's your liver? It's a dead thing that lives as long as you live, and the poems you'll write will live without a as long as. — Fernando Pessoa

The Mania Speaks


You clumsy bootlegger. Little daffodil.
I watered you with an ocean and you plucked one little vein?
Downed a couple bottles of pills and got yourself carted off to the ER?
I gifted you the will of gunpowder, a matchstick tongue, and all you managed
was a shredded sweater and a police warning?
You should be legend by now.
Girl in an orange jumpsuit, a headline.
I built you from the purest napalm, fed you wine and bourbon.
Preened you in the dark, hammered lullabies into your thin skull.
I painted over the walls, wrote the poems. I shook your goddamn boots.
Now you want out? Think you'll wrestle me out of you with prescriptions?
A good man's good love and some breathing exercises?
You think I can't tame that? I always come home. Always.
Ravenous. Loaded. You know better than anybody:
I'm bigger than God. — Jeanann Verlee

He read me another poem, and another one - and he explained the true history of poetry, which is a kind of secret, a magic known only to wise men. Mr. Premier, I won't be saying anything new if I say that the history of the world is the history of a ten-thousand-year war of brains between the rich and the poor. Each side is eternally trying to hoodwink the other side: and it has been this way since the start of time. The poor win a few battles (the peeing in the potted plants, the kicking of the pet dogs, etc.) but of course the rich have won the war for ten thousand years. That's why, on day, some wise men, out of compassion for the poor, left them signs and symbols in poems, which appear to be about roses and pretty girls and things like that, but when understood correctly spill out secrets that allow the poorest man on earth to conclude the ten-thousand-year-old brain-war on terms favorable to himself. — Aravind Adiga

Philosophy
I studied philosophy for four years. But I'd trade everything I learned for this passage ... quoted in the Britannica:
'But we were born of risen apes, not fallen angels, and the apes were armed killers besides. And so what shall we wonder at? Our murders and massacres and missiles, and our irreconcilable regiments? Or our treaties whatever they may be worth; our symphonies however seldom they may be played; our peaceful acres, however frequently they may be converted into battlefields; our dreams however rarely they may be accomplished. The miracle of man is not how far he has sunk but how magnificently he has risen. We are known among the stars by our poems, not our corpses.'
Amen. — A. J. Jacobs

But we were born of risen apes, not fallen angels, and the apes were armed killers besides. And so what shall we wonder at? Our murders and massacres and missiles, and our irreconcilable regiments? Or our treaties whatever they may be worth; our symphonies however seldom they may be played; our peaceful acres, however frequently they may be converted into battlefields; our dreams however rarely they may be accomplished. The miracle of man is not how far he has sunk but how magnificently he has risen. We are known among the stars by our poems, not our corpses. — Robert Ardrey

There lived a poet in the lands of gold,
Wrote along poems unaffected by warmth or cold,
His words spoke truth and pen's stroke was bold,
His only motive: lives to mould — Adhish Mazumder

Christmas poem to a man in jail
hello Bill Abbott:
I appreciate your passing around my books in
jail there, my poems and stories.
if I can lighten the load for some of those guys with
my books, fine.
but literature, you know, is difficult for the
average man to assimilate (and for the unaverage man too);
I don't like most poetry, for example,
so I write mine the way I like to read it. — Charles Bukowski

And sometimes if I want
To imagine I'm a lamb
(Or a whole flock
Spreading out all over the hillside
So I can be a lot of happy things at the same time),
It's only because I feel what I write at sunset,
Or when a cloud passes its hand over the light
And silence runs over the grass outside.
When I sit and write poems
Or, walking along the roads or pathways,
I write poems on the paper in my thoughts,
I feel a staff in my hand
And see my silhouette
On top of a knoll,
Looking after my flock and seeing my ideas,
Or looking after my ideas and seeing my flock,
With a silly smile like someone who doesn't understand what somebody's saying
But tries to pretend they do. — Alberto Caeiro

As if channeling Robbe-Grillet, who strove to establish 'new relations between man and the world,' Sesshu Foster's electrifying prose poems tenderly examine then fiercely weave stark-and-broken realities into luminous dream-like narratives on the game of life. — Wanda Coleman

I wondered what this odd, well-spoken man was doing on Cairnholm, with his pleated slacks and half-baked poems, looking more like a bank manager than someone who lived on a windswept island with one phone and no paved roads. — Ransom Riggs

Stone-cutters fighting time with marble, you fore defeated
Challengers of oblivion
Eat cynical earnings, knowing rock splits, records fall down,
The square-limbed Roman letters
Scale in the thaws, wear in the rain. The poet as well
Builds his monument mockingly;
For man will be blotted out, the blithe earth die, the brave sun
Die blind and blacken to the heart:
Yet stones have stood for a thousand years, and pained thoughts found
The honey of peace in old poems. — Robinson Jeffers

Put a girl in
moonlight
and tell only truths
and every man
becomes a poet. — Atticus Poetry

I read a book once - about love that was developed and love that just is," I paused. "And when I read the part about love that just is I scoffed. I knew better. I knew that it was merely words written by some shallow man that wanted to say what he had to say. And then I met you. And I now, Kelli, know what it is that books are written about. I know what people write poems about, I know what it feels like to know, and I do mean know what it feels like to be certain that someone loves you unconditionally. Love that just is, — Scott Hildreth

I'm not the kind of man to bottle up my feelings, Kells. I don't sit up in my room pining away, writing love poems. I'm not a dreamer. I'm a fighter. I'm a man of action, and it will take all of my self-control not to fight for this. When something needs to be done, I do it. When I feel something, I act on it. I don't see any reason why Ren deserves to get the girl of his dreams and I don't. It doesn't seem fair that this happens to me twice. — Colleen Houck

Poems 1959-2009_

I turn into the man they photograph.
I think I'll ask him for his autograph.
He's older than I am and more distinguished.
The beauty of the boy has been extinguished.
He smiles a lot and then not.
Hauteur is the new hot.
He tilts his nose up and looks imperious.
He wants to make sure he looks serious.
He smiles at the photographer but not
The camera. He thinks cold is the look that's hot.
You know the poems. It's an experience.
The way that Shylock is a Shakespearience.
A Jew found frozen on the mountain at the howling summit,
Immortally preserved singing to the dying planet from it. — Frederick Seidel

Man disavows, and Deity disowns me;
Hell might afford my miseries a shelter;
Therefore Hell keeps her ever-hungry mouths all
Bolted against me.
Hard lot! encompassed with a thousand dangers,
Weary, faint, trembling with a thousand terrors,
I'm called, if vanquished, to receive a sentence
Worse than Abiram's.
Him the vindictive rod of angry Justice
Sent quick and howling to the centre headlong;
I, fed with judgement, in a fleshy tomb, am
Buried above ground. — William Cowper

His is a poetry devoid of any poetry. — Pietros Maneos

I have lain awake in the darkness many nights
Thinking of poems, going to sleep on poems,
Finally,with the darkness closing on
The bright remembered words. I have thought of the darkness
Closing on the world, the words of the poems forgotten,
All the great beautiful words of the poems
Fading from the mind of the world, let go
Slowly, unknowingly, as from the mind
Of one diseased the light of man's endeavor
Fades to the idiot darkness and is lost.
Part of the darkness, I have lain awake
Watching the poems of the world fade out like stars. — Charles E. Butler

On a Fine Morning
in Poems of the Past and the Present (1901)
WHENCE comes Solace?
Not from seeing
What is doing, suffering, being,
Not from noting Life's conditions,
Nor from heeding Time's monitions;
But in cleaving to the Dream,
And in gazing at the gleam
Whereby gray things golden seem.
This do I this heyday, holding
Shadows but as lights unfolding,
As no specious show this moment
With its iris-hued embowment;
But as nothing other than
Part of a benignant plan;
Proof that earth was made for man. — Thomas Hardy

Peter Hyland's poems are both elegantly wrought and meditatively wild. They testify to an original, restless intelligence. He can cast his imagination into a woman's dress, the mind of a grasshopper, or into the glass eyeballs of a buffalo head mounted on the wall of a home in suburban Texas to contemplate 'man's tireless ingenuity.' — Tony Hoagland

And nothing holds more glory
than in dying for Love or Liberty. — Pietros Maneos

Horse
[Man you will find here
a new representation of the universe
at its most poetic and most modern
Man man man man man man
Give yourself up to this art where the sublime
does not exclude charm
and brilliancy does not blur the nuance
it is now or never the moment
to be sensitive to poetry for it dominates
all dreadfully
Guillaume Apollinaire] — Guillaume Apollinaire

I can explain all the poems that were ever invented - and a good many that haven't been invented just yet. — Lewis Carroll

She gave me hugs that were like oxygen to a dying man and uplifted my soul! — Avijeet Das

Since they weren't sleepy and nothing had been left unsaid, they began to read poetry to each other, taking turns like children and enjoying it. Bachir had a lovely voice, one that was already that of a man. He knew many poems by heart. He lovingly recited Victor Hugo, with warmth Rimbaud's Le bateau ivre, and poems written by young people going into battle; he then moved on to the poets of liberty - Rimbaud again, Eluard, and Desnos. — Assia Djebar

For in this way the God would seem to indicate to us and not allow us to doubt that these beautiful poems are not human, or the work of man, but divine and the work of God; and that the poets are only the interpreters of the Gods by whom they are severally possessed. — Plato

We also fought about everything
like real sisters. We fought about money, bedrooms, whose car to take. Everyone of these fights was actually about something else
usually abandonment. I wanted to be first on her list and she wanted to be first on mine. I wanted all her attention, all her love, all her care. I wanted her to be my mommy, my daddy, my sister. She wanted the same from me. She wanted to be fed, cared for, nurtured without limit. She wanted backrubs, poems, pastas, and to be left alone when she needed to be left alone. She wanted to come before my writing, my child, my man. And I wanted no less from her.
She was sick at first, so I took care of her. Then I was jealous of the attention and she took care of me. We had gone down into the primal cave of our friendship. we had felt loved enough to rage and fight, to show the inside of our naked throats and our bared fags, and the friendship took another leap toward intimacy. Without rage, intimacy can't be. — Erica Jong

In the distance I hear a song - a simple song - a song of despair - a song of longing and a song of sorrow.
I have forgotten the words and the rhythm, but I sing.
Yes, I sing. — Pietros Maneos

There was always an outrageousness to our response to minor events. Flamboyance and exaggeration were the tail feathers, the jaunty plumage that stretched and flared whenever a Wingo found himself eclipsed in the lampshine of a hostile world. As a family, we were instinctive, not thoughtful. We could never outsmart our adversaries but we could always surprise them with the imaginativeness of our reactions. We functioned best as connoisseurs of hazard and endangerment. We were not truly happy unless we were engaged in our own private war with the rest of the world. Even in my sister's poems, one could always feel the tension of approaching risk. Her poems all sounded as though she had composed them of thin ice and falling rock. They possessed movement, weight, dazzle and craft. Her poetry moved through streams of time, wild and rambunctious, like an old man entering the boundary waters of the Savannah River, planning to water-ski forty miles to prove he was still a man. — Pat Conroy

In the power and splendor of the universe, inspiration waits for the millions to come. Man has only to strive for it. Poems greater than the Iliad, plays greater than Macbeth, stories more engaging than Don Quixote await their seeker and finder. — John Masefield

Many poets are not poets for the same reason that many religious men are not saints: they never succeed in being themselves. They never get around to being the particular poet or the particular monk they are intended to be by God. They never become the man or the artist who is called for by all the circumstances of their individual lives. They waste their years in vain efforts to be some other poet, some other saint ... They wear out their minds and bodies in a hopeless endeavor to have somebody else's experiences or write somebody else's poems. — Thomas Merton

Some poems are like the Centaurs
a mingling of man and beast, and begotten of Ixion on a cloud. — Henry Wadsworth Longfellow