Quotes & Sayings About Mami

Lately, Mami's eyes have been so dark, I don't like looking into them because I'm afraid I'll fall in. — Raquel Cepeda

Nobody is in the school yard when I get there, except for a few guys hanging near the fence. I recognize a couple of them from the forbidden Latin lunch table. I walk fast, trying not to be noticed, but, of course, they have to go out of their way to call me out. "Move that junk, mami!" one of them calls, making squeezing motions with his hands. I don't turn around to give him the finger, though I probably should. Instead, I hurry up the steps two at a time. — Meg Medina

Why don't boys like girls as they are?' 'They bore easy cause the so deadhead. Sometimes they want you mami, sometimes sis, sometimes lovergirl. You game with boys you got to know who you are and not let them tell you'. — Jack Womack

Mami answers and her voice is hoarse and thin, and i think fight me better than this. — Helen Oyeyemi

Mami had no choice but to tell Carlito and me the real story that same night.

In a way, I always knew something like that had happened. It was the only way to explain why my older brother got such special treatment his whole life - everyone scared to demand that he go to school, that he study, that he have better manners, that he stop pushing me around.

El Pobrecito is what everyone called him, and I always wondered why.

I was two years younger and nobody, and I mean nadie, paid me any mind, which is why, when our mother told me the story of our father trying to kill his son like we were people out of the Bible, part of me wished our papi had thrown me off that bridge instead. — Patricia Engel

When we hang up, I sigh long and look out the window to the darkness over the ocean, no delineation between water and sky. It's always disorienting when I speak to my mother, that pull of her voice back into our old life even though both of us have tried to move beyond it.

In her soft Caribbean accent I hear my brother's laughter, see us both as children playing together in the backyard when it was still covered in crunch green grass and our toys were new.

Mami's voice was the song of our home, even with no father, even as we lived with that black mass of the unspoken, even with the marks on our bones we didn't know we carried.

Through all life's uncertainty, we felt anchored by the love in her voice. — Patricia Engel

Those last months. No way of wrapping it pretty or pretending otherwise: Rafa was dying. By then it was only me and Mami taking care of him and we didn't know what the fuck to do, what the fuck to say. So we just said nothing. My mom wasn't the effusive type anyway, had one of those event-horizon personalities-shit just fell into her and you never really knew how she felt about it. She just seemed to take it, never gave anything off, not light, not heat. — Junot Diaz

With just about every script, in almost every corner of the set, I was faced with the truth: This was my parents' life. My mother had sat in handcuffs; my father had once worn an orange jumpsuit like the dozens that sat folded in our wardrobe department. For the other actors and me on our show, this was all fantasy, the re-creation of a world we knew little about; for Mami and Papi, it could not have been any more real or painful...I've had so many scenes in which Flaca & I are doing the dirty work, like cleaning the kitchen or mopping the floors, which is when I think of my parents most. Long before they ended up in prison, they'd spent years handling the nastiest jobs, the ones often avoided by others. Manual labor. Low pay. No respect. They must've felt so trapped. It must've been so hard for them to maintain their dignity when others looked down on them or, worse, didn't see them at all. — Diane Guerrero

But love gets in the way of her paper flowers, love keeps them secret from Papi. Chabella and Papi have ways of looking at each other, ways of touching that are full of stunned caution. They trip over each other constantly, marvel each time. When Mami sits down at the table, wiping her hands on her cooking skirt after she's set dishes down before us, Papi takes her hand, strokes her fingers, says her name as if he's asking it. Mami nods at him; her lips smile, her eyes smile. I grew up doubting that anyone would ever look at me in the same way. My doubt contains no great trauma; it's casual, the way people doubt they can jump off a bridge and fly. — Helen Oyeyemi

Madoka: Won't anyone notice that Mami-san is dead?
Homura: Mami Tomoe's only relatives are distant relations. It will be quite some time before anyone files a missing persons report. When one dies on that side of the wards, not even a body is left behind. She'll wind up forever a "missing person" ... That is what happens to magical girls in the end.
Madoka: ... That's too cruel! Mami-san has been fighting all alone for a long time for everyone's sake! For no one to even notice that she's gone ... That's just too lonely a fate ...
Homura: It is just that kind of contract that gives us the power in the first place. It isn't for anyone else's sake. We fight on for the sake of our own prayer. So for no one to notice ... for the world to forget us ... That is just something we have to accept. — Magica Quartet

There's a jangle to the music of the dead. I mean that certain something that's so happy and so sad at the same time. The notes almost make a perfect harmony, but don't. Then they do but quickly crash into dissonance. They simmer in that sweet in-between rhythm section rattling along all the while. Chords collapse chaotically into one another and just when you think it's gonna spill into total nonsense, it stands back up and comes through sweet as a lullaby on your mami's lips. Songs that'll make people tap their feet and drink melancholically but not realize the twisting genius lurking within until generations later. — Daniel Jose Older

There was a time when we dreamed of returning there to live, Mami, Carlito, and me. We idealized Cartagena all year long as Mami saved up for our summer trips, but when we got there, it was never the way we wanted it to be - too hot, too rainy, too full of pueblo chisme, too grim, too hopeless. Still, during our prison visits, Carlito liked to conjure stories from the Cartagena of our nostalgia and made me swear that if he never got the chance to go back, I'd go for him. — Patricia Engel

Yoh: What...a cold?

Asaoka: Yep.

Mami: I just got her message.

Fumi: And just when we're all better too!!

Yoh: Sorry, I have to go...

Asaoka: To take care of Haruna-chan?

Fumi: Ohhh!! You're so nice!!

Yoh: Got a problem with that!?

Asami: Ooh.

Fumi: He admitted it. — Kazune Kawahara

Mami said nothing for a while, and then she went into her bedroom. I figured she was going to emerge with my father's Saturday-night special, the one thing of his that she'd kept when he left. To protect us, she claimed, but more likely to shoot my father dead if she ever saw him again. — Junot Diaz